|
|
Patrick Caulfield Biography
|
 |
 |
|
1956 - 1960 |
|
Chelsea School of Art, London
|
|
1960 - 1963 |
|
Royal College of Art, London
|
|
1963 - 1971 |
|
Taught at Chelsea School of Art, London
|
|
1983 |
|
Commissioned to design the London Life mural for The London Life Association's new headquarter in Bristol
|
|
1984 |
|
Commissioned to design the sets and costumes for Michael Corder's new ballet 'Party Game' for the Royal Ballet at the Royal Opera House, Covent Garden
|
|
1986 |
|
Selected The Artists's Eye at the National Gallery, London
|
|
1991 |
|
Commissioned to design the carpet for the atrium of the British Council offices, Manchester
|
|
1994 |
|
Commissioned to design giant mosaic, 'Flowers, Lily Pad, Pictures and Labels', for the National Museum of Wales, Cardiff
|
|
1995 |
|
Commissioned to design sets and costumes for 'Rhapsoldy' for the Royal Ballet at the Royal Opera House, Covent Garden, London, England. Awarded the Jerwood Painting Prize
|
|
1996 |
|
Performance of 'Rhapsody' at Opera National de Paris
|
|
1996 |
|
Awarded London Institute Honorary Fellowship
|
|
2005 |
|
Died in September, London (UK)
|
|
 |
| Selected Exhibitions |
 |
 |
|
2007
|
|
Patrick Caulfield, Waddington Galleries, Nov 28 - Dec 21
|
|
2002
|
|
'Paintings and Drawings 1985-2002', Waddington Galleries, London, England (solo)
|
|
2000
|
|
Encounters National Gallery, London, England
|
|
1999
|
|
Signature Pieces, Alan Cristea Gallery, London, England
|
|
1999
|
|
Alan Cristea Gallery, London, England (print retrospective) solo
|
|
1999
|
|
Hayward Gallery, London (British Council retrospective); Touring to Musee National d'Historie et d'Art, Luxembourg; Calouste Gulbenkian Foundation, Lisbon; Yale Center for the British Art, New Haven, Connecticut (solo)
|
|
1998 - 1999
|
|
Thinking Aloud, curated by Richard Wentworth, Kettle’s Yard, Cambridge: touring to Cornerhouse, Manchester, Camden Arts Centre, London, England
|
|
1998
|
|
Waddington Galleries, London, England (solo)
|
|
1997
|
|
Waddington Galleries, London, England (solo)
|
|
1997
|
|
Within These Walls, Kettle’s Yard, Cambridge, England
|
|
1996
|
|
Claudine Papillon, Paris, France (prints) solo
|
|
1995
|
|
Paintings from the 60s and 70s: Peter Blake, Patrick Caulfield and Howard Hodgkin, Waddington, England
|
|
1995
|
|
Jerwood Painting Prize Exhibition, Royal Scottish Academy, Edinburgh: touring to the Royal Academy of Arts, London, England
|
|
1994
|
|
Here and Now, Serpentine Gallery, London, England
|
|
1994
|
|
Bodilly Galleries, Cambridge, England (prints) solo
|
|
1993
|
|
Galerie Claudine Papillon, Paris, France (solo)
|
|
1993
|
|
The Sixties Art Scene in London, Barbican Art Gallery, London, England
|
|
1992 - 1993
|
|
Serpentine Gallery, London, England (retrospective) solo
|
|
1992
|
|
Ready, Steady, Go: Painting of the Sixties from the Arts Council Collection, Royal Festival Hall, London, England: Touring Britain
|
|
1991 - 1992
|
|
1991-92 Pop Art, Royal Academy of Arts, London: Touring to Museum Ludwig at Kunsthalle Koln; Centro de Arte Reina Sofia, Madrid, Spain
|
|
1991 - 1992
|
|
Kilburn Tricycle Gallery, London, England (prints) solo
|
|
1991
|
|
British Art from 1930, Waddington Galleries, London, England
|
|
1991
|
|
Works for the Stage, Music Theatre Gallery, London, England
|
|
1990 - 1991
|
|
For a Wider World: Sixty Works in the British Council Collection, The British Council, Ukrainian National Museum, Kiev
|
|
1990
|
|
Music Theatre Gallery, London, England (works on paper) solo
|
|
1989 - 1990
|
|
Calouste Gulbenkian Foundation, Lisbon (continuation of 1987 British Council print retrospective): Touring to Guimares, North Portugal; Serrales Foundation, Oporto (solo)
|
|
1989
|
|
Waddington Galleries, London: Touring to Tony Shafrazi Gallery, New York (solo)
|
|
1988 - 1989
|
|
100 Years of Art in Britain, Leeds City Art Gallery
|
|
1988
|
|
Cleveland Gallery, Middlesborough (print retrospective) solo
|
|
1988
|
|
Exhibition Road, 150th Anniversary Exhibition, Royal College of Art, London
|
|
1987
|
|
British Art in the Twentieth Century: The Modern Movement, Royal Academy of Arts, London, England
|
|
1987
|
|
Pop Art USA-UK: American and British artists of the 60s in the 80s, Odakyu Grand Gallery, Tokyo: touring to Daimaru Museum, Osaka; Funabashi Seibu Museum of Art, Funabashi; Sogo Museum of Art, Yokohama
|
|
1987
|
|
The Turner Prize, Tate Gallery, London, England
|
|
1987
|
|
2D/3D - Art and Craft Made and Designed for the Twentieth Century, Laing Art Gallery, Newcastle-upon-Tyne: Touring to Northern Centre for Contemporary Art, Sunderland
|
|
1985 - 1987
|
|
National Museum of Fine Art, Rio de Janeiro, Brazil (British Council print retrospective): Touring to Federal University Espirito Santo, Vitoria, Brazil; University of Campinas, Brazil; Museum of Sao Paulo; Palacio das Artes, Belos Horizonte, Brazil; Sociedade Brasileira Cultura Inglesa, Londrina; Cultural Foundation of Curitba, Brazil; Cultural Foundation of Santa Catarina, Florianopolis, Brazil; Institute of Arts of Federal University of Rio Grande do Sul, Porto Alegre, Brazil; Museo Nacional de Artes Plasticas y Visuales, montevideo, Uraguay; Instituto Cultural de Las Condes, santiago, Chile; Sala Vina, Vina del Mar, Chile; Museo de Bellas Artes, Concepcion, Chile (solo)
|
|
1986
|
|
Forty Years of Modern Art 1945-85, Tate Gallery, London, England
|
|
1986
|
|
The Artist’s Eye, National Gallery, London, England
|
|
1986
|
|
Little and Large, Waddington Galleries, London, England
|
|
1985
|
|
18 Bienal de Sao Paolo, Brazil organised by the British Council (with Stuart Brisley, John Davies and Paula Rego)
|
|
1985
|
|
The Irresistible Object: Still Life 1600-1985, Leeds City Art Gallery
|
|
1985
|
|
Waddington Galleries, London, England (solo)
|
|
1983
|
|
Arnolfini Gallery, Bristol, England (print retrospective) solo
|
|
1982
|
|
Nishimura Gallery, Tokyo, Japan (retrospective) solo
|
|
1982
|
|
Aspects of British Art Today, Tokyo Metropolitan Art Museum, Tokyo, Japan: Touring to Tochigi Prefectural Museum of Fine Arts, Utsunomiya; National Museum of Art, Osaka; Fukuoka Art Museum; Hokkaido Museum of Modern Art, Sapporo
|
|
1981
|
|
‘Patrick Caulfield: Paintings 1963-81’, Walker Art Gallery, Liverpool (retrospective): Touring to Tate Gallery, London (solo)
|
|
1981
|
|
Waddington Galleries, London (solo)
|
|
1980
|
|
Tolarno Galleries, Melbourne, Australia (solo)
|
|
1980
|
|
Gardner Centre for the Arts, University of Sussex, Brighton (Welsh Arts Council print exhibition): Touring to Midland Group, Nottingham; Oriel, Cardiff (solo)
|
|
1980
|
|
1980 Hayward Annual, Hayward Gallery, London, England
|
|
1980
|
|
Kelpra Studio: The Rose and Chris Prater Gift, Tate Gallery, London, England
|
|
1979
|
|
Understanding Prints, Waddington Graphics, London, England
|
|
1979
|
|
Waddington Galleries, London, England (solo)
|
|
1978
|
|
Tate Gallery, London, England (solo)
|
|
1977
|
|
Tortue Gallery, Santa Monica, California (print retrospective): Touring to Phoenix Art Museum, Arizona (solo)
|
|
1976
|
|
‘Patrick Caulfield: recent paintings and prints’, Arnolfini Gallery, Bristol (solo)
|
|
1975
|
|
Waddington Galleries, London, England (solo)
|
|
1975
|
|
Scottish Arts Council Gallery, Edinburgh, Ireland (solo)
|
|
1975
|
|
Bluecoat Gallery, Liverpool (solo)
|
|
1975
|
|
Body and Soul: Peter Moores Liverpool Project 3, Walker Art Gallery, Liverpool, England
|
|
1974
|
|
British Painting 74, Hayward Gallery, London, England
|
|
1974
|
|
O.K. Harris Works of Art, New York (solo)
|
|
1973
|
|
Waddington Galleries, London, England (solo)
|
|
1972
|
|
Caulfield, Hodgkin, Moon, Galerie Stadler, Paris, France
|
|
1972
|
|
Fourteen BIG Prints, Bernard Jacobson Gallery, London, England
|
|
1972
|
|
Sweeney Reed Galleries, Victoria, Australia (solo)
|
|
1971
|
|
Waddington Galleries, London, England (solo)
|
|
1971
|
|
D.M. Gallery, London, England (solo)
|
|
1969
|
|
Waddington Galleries, London, England (solo)
|
|
1969
|
|
Pop Art, Hayward Gallery, London, England
|
|
1969
|
|
John Moores Liverpool Exhibition 7, Walker Art Gallery, Liverpool, England
|
|
1969
|
|
House Exhibition, Waddington Galleries, London, England
|
|
1968
|
|
The Obseeive Image, ICA, London, England
|
|
1968
|
|
Painting 1964-67, Hayward Gallery, England
|
|
1968
|
|
Robert Elkon Gallery, New York (solo)
|
|
1967
|
|
Robert Fraser Gallery, London (solo)
|
|
1967
|
|
Studio Marconi, Milan, Italy (solo)
|
|
1967
|
|
Drawing Towards Painting 2, Arts Council Gallery, London, England: Touring to Stoke-on-Trent; Northampton; Oldham; Cardiff, St Ives' Reading; Liverpool; Bradford; Norwich; Scarborough; Glasgow
|
|
1967
|
|
9 Bienal de Sao Paulo, Brazil
|
|
1967
|
|
5 Biennale des Jeunes Artistes, Musee d’Art Moderne, Paris
|
|
1967
|
|
1st Edinburgh Open 100 Exhibition, Edinburgh
|
|
1967
|
|
Recent British Painting, Peter Stuyvesant Foundation Collection, Tate Gallery, London, England
|
|
1966
|
|
Robert Elkon Gallery, New York (solo)
|
|
1965
|
|
Robert Fraser Gallery, London (solo)
|
|
1965
|
|
4 Biennale, Salon de la Jeune Peinture - Musee d’Art Moderne, Paris, France: awarded Prix des
|
|
1964
|
|
The New Generation, Whitechapel Art Gallery, London, England
|
|
1963
|
|
Young Contemporaries, R.B.A. Galleries, London, England
|
|
1962
|
|
Young Contemporaries, R.B.A. Galleries, London, England
|
|
1961
|
|
Young Contemporaries, R.B.A. Galleries, London, England
|
|
 |
|
|
| Links to further information |
 |
 |
|
|
|