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Federico del Campo   (Peruvian, 1837-1927) 

Find works of art, auction results & sale prices of artist Federico del Campo at galleries and auctions worldwide.

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Artworks for sale (4)

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Artworks (4)
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Past auction results (147)

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Artworks for sale (4)

Federico del Campo, A Sunlit Backwater with Gondoliers
Federico del Campo
A Sunlit Backwater with Gondoliers
MacConnal-Mason Gallery
Federico del Campo, A Venetian Canal with Santa Maria Della Visitazione and Santa Maria del’ Rosario
Federico del Campo
A Venetian Canal with Santa Maria Della Visitazione and Santa Maria del’ Rosario
MacConnal-Mason Gallery
Federico del Campo, The Doges Palace and The Santa Maria Della Sal
Federico del Campo
The Doges Palace and The Santa Maria Della Sal
1914
Haynes Fine Art of Broadway
Federico del Campo, Painting Entitled "Venice"
Federico del Campo
Painting Entitled "Venice"
circa 1914
M.S. Rau Antiques
  
Past auction results (147)  View All
Federico del Campo, The Grand Canal, Venice
Federico del Campo
The Grand Canal, Venice, 1890
sold: Apr 18, 2008
lot detail
Federico del Campo, The Grand Canal with a view of the Ca' d'Oro, Venice
Federico del Campo
The Grand Canal with a view of the Ca' d'Oro, Venice, 1897
sold: Oct 25, 2006
lot detail
Federico del Campo, The Grand Canal, Venice
Federico del Campo
The Grand Canal, Venice, 1890
sold: Apr 25, 2006
lot detail
  Frederico Del Campo was a nineteenth century painter of Venetian and coastal scenes who was born in Peru. Early in his career he painted many South American scenes, one of which was titled “Rio de san Barnaba”.
  Del Campo travelled extensively throughout Europe studying in Paris, Italy and Spain at the Madrid School of Lorenzo Valleys, where he studied under the Venetian artist Grobherzogl with whom he specialised in painting Venetian scenes.
  He exhibited at the Paris Salon from 1880 and also in Madrid where he exhibited a painting titled “Vue de Venise”. One of Del Campo’s paintings “Marina Grande von Capri” was featured in the Olgemalde series of books on Venetian artists.


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