|
|
Sue Williams Biography
|
 |
 |
|
1954 |
|
Born in Chicago Heights
|
|
1972 |
|
BFA, California Institute of the Arts, Valencia, CA
|
|
1973 |
|
Cooper Union, New York, NY
|
|
1975 - 1976 |
|
BFA, California Institute of the Arts, Valencia, CA
|
|
|
|
Lives and works in Brooklyn, NY
|
|
|
| Selected Exhibitions |
|
|
|
2007
|
|
Into Me/Out of Me, MACRO al Mattatoio, Rome
|
|
2007
|
|
Fast Forward: Collections for the Dallas Museum of Art, Dallas Museum of Art, Dallas
|
|
2007
|
|
InWords: The Art of Language, University Gallery, University of Delaware, Newark/DE
|
|
2007
|
|
Comic Abstraction: Image Breaking, Image Making, Museum of Modern Art, New York
|
|
2007
|
|
Beneath the Underdog, Gagosian,Madison Ave, New York
|
|
2007
|
|
Kiss Kiss Bang Bang. 45 Years of Art and Feminism, Museo de Bellas Artes de Bilbao, Bilbao
|
|
2006
|
|
Regen Projects, Los Angeles (solo)
|
|
2006
|
|
Defamation of Character, P.S.1 Contemporary Art Center, New York
|
|
2006
|
|
Into Me/Out of Me, P.S.1 Contemporary Art Center, New York (itinerary: Kunst-Werke, Berlin: MARCO Museo d'Arte Contemporanea Roma, Rome)
|
|
2006
|
|
Lara Schnitger, Lily van der Stokker, Sue Williams, Modern Art, London
|
|
2006
|
|
Still Points of the Turning World: SITE Santa Fe's Sixth International Biennial, SITE Santa Fe, Santa Fe/NM
|
|
2006
|
|
New York, New York: Fifty Years of Art, Architecture, Film, Music, and Video, Grimaldi Forum, Monaco
|
|
2006
|
|
Bearings: The Female Figure, P.S. 122 Gallery, New York
|
|
2006
|
|
Galerie Eva Presenhuber, Zurich (solo)
|
|
2005
|
|
303 Gallery, New York (solo)
|
|
2005
|
|
BA-CA Kunstforum, Willem de Kooning, Vienna
|
|
2005
|
|
Albright-Knox Art Gallery, Extreme Abstraction, Buffalo
|
|
2004
|
|
Staatsgallerie Stuttgart, Funny Cuts: Cartoons und Comics in der Zeitgenössischen Kunst, Stuttgart
|
|
2004
|
|
The Parrish Art Museum, North Fork/South Fork: East End Art Now, South Hampton
|
|
2004
|
|
The American Academy of Art and Letters, New York
|
|
2004
|
|
Bernier / Eliades Gallery, Athens (solo)
|
|
2004
|
|
Kukje Gallery, Seoul (solo)
|
|
2004
|
|
Addison Gallery of American Art Andover, MA (solo)
|
|
2003
|
|
Regen Projects, Los Angeles (solo)
|
|
2003
|
|
Carpenter Center, Harvard, Cambridge, MA (solo)
|
|
2003
|
|
Galleria Il capricorno, Venice, Italy (solo)
|
|
2003
|
|
Institut Valencia d’Art Modern, Valencia (solo)
|
|
2003
|
|
Texas Gallery, Size Matters, Houston
|
|
2003
|
|
G Gallery, Drawing, Washington DC
|
|
2003
|
|
University of Santa Barbara, Social Strategies: Redefining Social Realism, Santa Barbara
|
|
2002
|
|
Staatliche Kunsthalle Baden-Baden (solo)
|
|
2002
|
|
Galerie Hauser & Wirth & Presenhuber, Zurich (solo)
|
|
1999
|
|
Galerie Hauser & Wirth & Presenhuber, Zurich (solo)
|
|
|
| Literature |
|
|
|
2005
|
|
Vitorelli , Rita, A Letter From Sue Williams, in: spike – Art Quarterly, July 2005, No. 4, p. 62-73
|
|
2005
|
|
Hezel, Sarah (ed.), EXTREME abstraction, Albright-Knox Gallery, Buffalo, New York, 2005
|
|
2003
|
|
Gorsen, Peter, Organverschlingung, in: FAZ, 6.1.03, p.33
|
|
2002
|
|
Burton, Johanna, review, Time Out NY, May 16-23, No. 346, p. 73
|
|
2002
|
|
Review, The New Yorker, May 6, p.18
|
|
2002
|
|
Glueck, Grace, review, The New York Times, May 3, p. 39
|
|
2002
|
|
Steiner, Urs, Disney durchgedreht, in: Neue Zürcher Zeitung, 6. September 2002, Nr. 206, p.44
|
|
2002
|
|
Schwabsky, Barry Abjection by Other Means, in: Art in America, January, 2002, No. 1, p.92
|
|
2001
|
|
Kimmelman, Michael, In a Cheerful Groove, With a Plan and Senendipity, in: The New York Times, New York, December 28, 2001, p. 41, p. 43, ill.
|
|
2000
|
|
Galerie Joan Prats (ed.), Sue Williams, Barcelona, 2000 (exh. cat.)
|
|
|
|
|
|