|
|
Sam Taylor-Wood Biography
|
 |
 |
|
1990 |
|
Graduated Goldsmith’s College, London
|
|
|
|
Currently lives and works in London
|
|
 |
| Selected Exhibitions |
 |
 |
|
2007
|
|
Global Feminisms, Brooklyn Museum, Brooklyn; Davis Museum and Cultural Centre, Wellesley
|
|
2007
|
|
A Matter of Life and Death, Holburne Museum of Art, Bath
|
|
2007
|
|
On History, Fundación Santander Central Hispano, Madrid
|
|
2007
|
|
The Suspended Moment, Z33, Hasselt
|
|
2007
|
|
Taking Time, Museo de Arte Contemporánea de Vigo, Vigo
|
|
2007
|
|
Theatre here, there and everywhere, Zentrum Paul Klee, Bern
|
|
2007
|
|
Vertigo. The century of off-media art from Futurism to the Web, Museo d'Arte Moderna di Bologna, Bologna
|
|
2007
|
|
The Constructed Image: Photographic Culture, Museum of Contemporary Canadian Art, Toronto
|
|
2007
|
|
Poem of an Inland Sea, Ukrainian Pavilion, Venice
|
|
2007
|
|
The Naked Portrait, Scottish National Gallery, Edinburgh; Compton Verney, Warwickshire
|
|
2007
|
|
Video Killed the Painting Star, DA2 - Domus Artium 2002, Salamanca
|
|
2007
|
|
The Screen Test or The New Image, Casino Luxembourg - Forum d'art contemporain, Luxembourg
|
|
2007
|
|
About Time, Herzliya Museum, Israel
|
|
2007
|
|
Aftershock: Contemporary British Art 1990-2006, Capital Museum, Beijing
|
|
2007
|
|
Sam Taylor-Wood, Jackson Fine Art, Atlanta (solo)
|
|
2007
|
|
Sam Taylor-Wood, STUK Kunstencentrum, Leuven (solo)
|
|
2006
|
|
Sam Taylor-Wood, DA2 Domus Artium, Salamanca (solo)
|
|
2006
|
|
Still Lives, Baltic, Newcastle (solo)
|
|
2006
|
|
Sam Taylor-Wood, Museum of Contemporary Art, Sydney; City Gallery Wellington, Wellington (solo)
|
|
2006
|
|
Aftershock: Contemporary British Art 1990-2006, Guangdong Museum of Art, Guangzhou
|
|
2006
|
|
Art, Life & Confusion, 47th October Salon, Belgrade
|
|
2006
|
|
Eretica, Museum Sant’Anna, Palermo
|
|
2006
|
|
René Nebenschauplatz, Kunsthalle Fridericianum, Kassel
|
|
2006
|
|
The Expanded Eye, Kunsthaus Zürich, Zurich
|
|
2006
|
|
If it didn't exist you'd have to invent it: a partial Showroom history, The Showroom, London
|
|
2006
|
|
Walking and Falling, Magasin 3, Stockholm
|
|
2006
|
|
Full House – Faces of a Collection, Kunsthalle Mannheim, Mannheim
|
|
2006
|
|
Looking Now, 21c Museum, Louisville, Kentucky
|
|
2006
|
|
Masquerade, MCA Sydney, Sydney
|
|
2006
|
|
Picture This, Bargehouse, London
|
|
2006
|
|
Icons and Idols, The National Portrait Gallery, London
|
|
2006
|
|
Nothing Lasts Forever, Istanbul Museum of Modern Art, Istanbul
|
|
2005
|
|
Eternidad Fugitiva, Museo del Palacio de Bellas Artes, Mexico City
|
|
2005
|
|
Superstars! The Celebrity Factor. From Warhol to Madonna, Kunsthalle Wien, Vienna
|
|
2005
|
|
Stillness: Michael Snow/Sam Taylor-Wood, MoMA, New York
|
|
2005
|
|
Baroque and Neo-Baroque, Domus Artium, Salamanca
|
|
2005
|
|
Contour 05. Video Art Biennial, Mechelen
|
|
2005
|
|
Video II: Allegory, NRW-Furum Kultur und Wirtschaft, Düsseldorf
|
|
2005
|
|
Realit;-)t. Von Olaf Breuning bis Sam Taylor-Wood. 30 Videoarbeiten aus der Sammlung Goetz in München, Seedamm Kulturzentrum, Pfaffikon
|
|
2005
|
|
Sex and Death and A Few Trees, Galleria Lorcan O’Neill, Rome (solo)
|
|
2005
|
|
Old and New Dreams, Prince Charles Cinema, London
|
|
2005
|
|
Sculpture in the Close, Jesus College, Cambridge
|
|
2005
|
|
Munch Revisited, Henie Onstad Kunstcenter, Oslo
|
|
2005
|
|
The Suspended Moment, Crac Alsace, Altkirch
|
|
2005
|
|
Summer Exhibition 2005, Royal Academy, London
|
|
2005
|
|
London Calling. Y[oung] B[ritish] A[rtists] Criss-Crossed, Galleri Kaare Berntsen, Oslo
|
|
2005
|
|
Bidibidobidiboo. La Collezione Sandretto Re Rebaudengo, Palazzo Re Rebaudengo, Piazza del Municipio, Guarene d’Alba. Fondazione Sandretto Re Rebaudengo, Turin. Cavallerizza Chiablese e Salone delle Guardie, Turin.
|
|
2005
|
|
Chronos. Time in art from the 17th Century to the Modern Day, CeSAC, Caraglio
|
|
2005
|
|
Body: New Art from the UK, Vancouver Art Gallery, Vancouver; The Ottawa Art Gallery, Ottawa
|
|
2005
|
|
Painting on Photography: Photography on Painting, Museum of Contemporary Photography, Chicago
|
|
2005
|
|
Getting Emotional, Institute of Contemporary Arts, Boston
|
|
2005
|
|
(My Private) Heroes, MARTA, Herford
|
|
2005
|
|
Mother and Child, Salvatore Ferragamo, New York
|
|
2005
|
|
Between Art and Life. The Contemporary Painting and Sculpture Collection, SFMOMA, San Francisco
|
|
2005
|
|
Edvard Munch and the Art of Today, Museum am Ostwall, Dortmund
|
|
2005
|
|
Colección de Fotografia Contemporanea de Telefónica, MARCO, Vigo
|
|
2005
|
|
The Stuff of Life, Bristol’s City Museum & Art Gallery, Bristol; Laing Gallery, Newcastle and National Gallery, London
|
|
2005
|
|
Masters of Illusion: 150 Years of Trompe l’Oeil in America, Kresge Art Museum, Michigan State University, Michigan
|
|
2004
|
|
Sam Taylor-Wood, Engineer’s Palace, State Russian Museum, St Petersburg and Museum of Contemporary Art, Moscow (solo)
|
|
2004
|
|
Ascension, Donald Young Gallery, Chicago (solo)
|
|
2004
|
|
New Work, White Cube, London (solo)
|
|
2004
|
|
Sorrow, Suspension, Ascension, Matthew Marks Gallery, New York (solo)
|
|
2004
|
|
Strings, The Sculpture Court, Edinburgh College of Art, Edinburgh (solo)
|
|
2004
|
|
David, National Portrait Gallery, London and Manchester Art Gallery, Manchester (solo)
|
|
2004
|
|
Apparement Leger. Third Edition of Biennale of Photographs, Musee Malraux, Le Havre
|
|
2004
|
|
Perspectives @ 25, Museum of Contemporary Art, Houston
|
|
2004
|
|
Canterbury Festival, Canterbury Cathedral, Canterbury
|
|
2004
|
|
Hors d’Oeuvre: Ordre et Desordres de la Nouritture, CapcMusee d’Art Contemporain de Bordeaux Bordeaux
|
|
2004
|
|
The Charged Image, Collection of Douglas Cramer, Joseloff Gallery, Connecticut
|
|
2004
|
|
Uproar Uproar of Emotions. Passions in Contemporary Photography, Museum fur Photographie, Braunschweig and Kunsthalle Göppingen, Goppingen
|
|
2004
|
|
Some Versions of Light, The Telephone Repeater Station, Richmond
|
|
2004
|
|
Unframed, Standpoint Gallery, London
|
|
2004
|
|
Secrets of the ‘90s, Museum voor Moderne Kunst Arnhem, Arnhem
|
|
2004
|
|
Between Above and Below, Center for Curatorial Studies, Bard College, New York
|
|
2004
|
|
Paisaje Y Memoria, La Casa Encendida, Madrid and CAAM, Gran Canaria
|
|
2004
|
|
Other Times. British Contemporary Art, City Art Gallery, Prague
|
|
2004
|
|
Symbolic Space & Repetition, Hudson Valley Center for Contemporary Art, New York
|
|
2004
|
|
Social Strategies. Redefining Social Realism, Schick Art Gallery, Skidmore College, New York
|
|
2004
|
|
Contemporary Photography Collection, Fundación Telefónica, Madrid
|
|
2004
|
|
The Big Eat in Art, Kunsthalle Bielefeld, Bielefeld
|
|
2004
|
|
Ideal and Reality. A History of the Nude from Neoclassicism to the Present Day, Galleria d’Arte Moderna, Bologna
|
|
2003
|
|
Sam Taylor-Wood, BAWAG Foundation, Vienna (solo)
|
|
2003
|
|
Nueva Film Festival, Tokyo
|
|
2003
|
|
Something More Than Five Revolutionary Seconds, Fondazione Davide Halevim, Milan
|
|
2003
|
|
A Century of Artists’ Film in Britain, Tate Britain, London
|
|
2003
|
|
The Process, Museum of Contemporary Art, Kiasma
|
|
2003
|
|
Revelation: Representations of Christ in Photography, International House of Photography, Hamburg
|
| |