|
|
Guy Richards Smit Biography
|
 |
 |
|
|
|
Lives and works in New York
|
|
|
|
MAT Charitable Foundation Grant 2003
|
|
|
|
Penny McCall Foundation Grant 2002
|
|
|
| Selected Exhibitions |
|
|
|
2007
|
|
Roebling Hall, New York, NY (solo)
|
|
2007
|
|
Fred [London] Ltd., London, UK (solo)
|
|
2007
|
|
The Weasel: Pop Music and Contemporary Art, South London Gallery, London, UK
|
|
2007
|
|
Cesi N’est Pas…, curated by Rachel Gugelberger and Jeffrey Walkowiak, Sara Meltzer Gallery, NY
|
|
2007
|
|
Idiot Joy Showland , curated by John Pilson, IFC , New York, NY
|
|
2006
|
|
QED, Los Angeles, CA (solo)
|
|
2005
|
|
Fred [London] Ltd., London, UK (solo)
|
|
2005
|
|
Nausea 2, Sketch, London, UK (solo)
|
|
2005
|
|
Nausea 2, Roebling Hall, New York, NY (solo)
|
|
2005
|
|
Nausea 2 (exhibition and screening), Indiana Museum of Contemporary Art, Indianapolis, USA (solo)
|
|
2005
|
|
Predatory Dating on the Crosstown Bus (curated by Guy Richards Smit), Champion, Los Angeles, CA
|
|
2005
|
|
International Painting on Paper, GBK Gallery, Sydney, Australia
|
|
2004
|
|
Me, Myself & I, Schmidt Gallery, Florida Atlantic University, Boca Raton, Florida
|
|
2004
|
|
Me, Myself & I: Video Remix, The Living Room, Miami, Florida
|
|
2004
|
|
Bush League, Roebling Hall, Brooklyn, New York
|
|
2004
|
|
What's Love Got To Do With It?, Tucson Museum of Art, Arizona
|
|
2004
|
|
I’ve Met Someone Else, Monya Rowe Gallery, New York City, New York
|
|
2004
|
|
Nausea 2 (screening), Premier Series, Museum of Modern Art, New York (solo)
|
|
2004
|
|
Here Comes Maxi, G-Module, Paris, France (solo)
|
|
2004
|
|
Music/Video, Bronx Museum of Art, Bronx, New York
|
|
2003
|
|
Terrible Beauty, Satellite (a Division of Roebling Hall),Manhattan, New York
|
|
2003
|
|
B-List: Brooklyn, Angst and Desire, Hallwalls, Buffalo, New York
|
|
2003
|
|
Aeroplastics, Brussels, Belgium (solo)
|
|
2003
|
|
A Message to my Audience, Satellite (a division of Roebling Hall), Manhattan, New York (solo)
|
|
2002
|
|
MOMA Media Scope, Museum of Modern Art, NY (solo)
|
|
2002
|
|
Angstrom Gallery, Dallas, Texas (solo)
|
|
2002
|
|
Team Gallery, New York, New York (solo)
|
|
2002
|
|
4 Brooklyn Artists, Filles du Calvaire, Paris, France
|
|
2002
|
|
Wonderland, Aeroplastics, Brussels, Belgium
|
|
2002
|
|
Not Quite Myself Today, ASU Art Museum, Tempe, Arizona
|
|
2001
|
|
Crossing the Line, Queens Museum of Art, New York
|
|
2001
|
|
The Artist’s World, CCAC Institute, Oakland, California
|
|
2001
|
|
Brooklyn!, Palm Beach Institute of Contemporary Art, Lakewood, Florida
|
|
2001
|
|
Video Jam, Palm Beach Institute of Contemporary Art, Lakewood, Florida
|
|
2001
|
|
I’m Mean Because I Like You, Voorkamer, Lier, Belgium (solo)
|
|
2001
|
|
Nylon Gallery, London, England (solo)
|
|
2000
|
|
The Ballad of Bad Orpheus, Roebling Hall, Brooklyn, NY (solo)
|
|
2000
|
|
I’m Mean Because I Like You, Sara Meltzer, New York, NY (solo)
|
|
2000
|
|
Havana Biennial, Official Video Selection, Havana, Cuba (solo)
|
|
2000
|
|
Four From Brooklyn, Legion Arts, Cedar Rapids, Iowa
|
|
2000
|
|
Useful Indiscretions: (Works on Paper), Geoffrey Young Gallery, GT. Barrington, MA
|
|
2000
|
|
Tomorrow, curated by Andréa Salerno and Mari Spirito, Rare Gallery, NYC
|
|
1999
|
|
Out of Order, Roebling Hall, Brooklyn, NY
|
|
1999
|
|
Cutting the Edge: New Film and Video, curated by Susan Joyce, Grand
|
|
1999
|
|
Central Art Center, Santa Ana, CA
|
|
1999
|
|
I’m the Boss of Myself, curated by Sara Meltzer, essay by Amy Cappellazo, Sara Meltzer’s On View…, New York, NY
|
|
1999
|
|
I’m A Virgin, curated by Esther Windsor, The Waiting Room, Wolverhampton, UK
|
|
1999
|
|
Zones of Risibility, curated by Carrie Cooperider, Rotunda Gallery, Brooklyn, NY
|
|
1999
|
|
Blueprint, curated by Sebastian Bremer, Gallery Spark, New York, NY
|
|
1998
|
|
BOWIE, Rupert Goldsworthy Gallery, New York, NY
|
|
1998
|
|
Not Four Walls, The Anchorage, New York, NY
|
|
1998
|
|
More Elvis Than Elvis, Video Room Festival, New York, NY
|
|
1998
|
|
HOST, curated by Peter Lewis and Peter Fillingham, Tramway, Glasgow, UK
|
|
1998
|
|
Super Freaks: Post Pop & the New Generation Part 1 – Trash, Greene Naftali, NY, NY
|
|
1997
|
|
Double Life, curated by Esther Windsor, The Waiting Room, Wolverhapton, UK
|
|
1997
|
|
WhimSiecle, Peggy Guggenheim Collection, Venice, Italy
|
|
1997
|
|
A Home Show: Sitting Up Erect or Reclining, curated by Mary Goldman, Berlin, Germany
|
|
1997
|
|
Big Blue, curated by Francesca Ferguson, Berlin, Germany
|
|
1997
|
|
Don’t Try This At Home, Performance Videos at The Knitting Factory Video Factory, NY
|
|
1997
|
|
It’s a Wonderful World, curated by Lithgow Osborne, Unfinished Gallery, Brooklyn, NY
|
|
1996
|
|
Unfinished Gallery Inaugural Show
|
|
1996
|
|
Unfinished Gallery, Brooklyn, NY
|
|
1996
|
|
Album 2, curated by Sebastian Bremer, 470 Broadway, New York, NY
|
|
1995
|
|
Thicket on the Lamb, Thicket Gallery, New York, NY
|
|
1995
|
|
Album, curated by Sebastian Bremer
|
|
1995
|
|
10 New York Artists, Nova Zemia Gallery, Den Bosch, Netherlands
|
|
1995
|
|
Thicket Gallery, New York, NY (solo)
|
|
|
| Literature |
|
|
|
2004
|
|
“Stepping Out of Character and into His Art,” Blake Gopnik, Washington Post, December 5
|
|
2004
|
|
Designers’ Workshop (Japan), June
|
|
2004
|
|
“Guy Richards Smit” The Brooklyn Rail
|
|
2003
|
|
“Top Ten,” Guy Richards Smit, Artforum, May
|
|
2003
|
|
“Top Ten,” Guy Richards Smit, Artforum, May
|
|
2003
|
|
“Here’s The Funny Thing About Brooklyn” (“B-List” catalog essay), David Kramer
|
|
2002
|
|
“Guy Richards Smit,” Meghan Dailey, Artforum, April
|
|
2002
|
|
“Guy Richards Smit Is…,” David Hunt, Artext, January
|
|
2001
|
|
“Screen Savers,” Jerry Saltz, The Village Voice, July 31
|
|
2001
|
|
“The Artist’s World” (“The Artist’s World” catalog essay), Ralph Rugoff
|
|
2001
|
|
“Artnet News,” Giovanni Garcia-Fenech, Artnet Magazine, February 5
|
|
2001
|
|
“Brooklyn Spice,” Giovanni Garcia-Fenech, Artnet Magazine, January 5
|
|
2000
|
|
“Greetings Friends,” Charlie Finch, Artnet Magazine, December 22
|
|
2000
|
|
“For Hikers Seeking Art, Brooklyn Is a Left Bank,” Holland Cotter, The New York Times, December 15
|
|
2000
|
|
“High Art,” Steve Garbarino, Details, December
|
|
2000
|
|
“Metamorphosis In Chelsea,” Charlie Finch, Artnet Magazine, August 11
|
|
2000
|
|
“Gotham Dispatch,” Max Henry, Artnet Magazine, July 17
|
|
2000
|
|
“Swiss Bliss,” Jery Saltz, The Village Voice, April 25
|
|
2000
|
|
“Artburger,” Susan Hamburger, Waterfront Week, April 6
|
|
2000
|
|
“Guy Richards Smit,” Roberta Smith, The New York Times, March 31
|
|
2000
|
|
“Gotham Dispatch,” Max Henry, Artnet Magazine, March 27
|
|
|
|
|
|