|
|
Ryan Gander Biography
|
 |
 |
|
1976 |
|
Born in Chester, United Kingdom
|
|
1996 - 1999 |
|
First Class Degree, BA (Hons) Interactive Art - Manchester Metropolitan, University, Manchester, United Kingedom
|
|
1999 - 2000 |
|
Post-Graduate Fine Art Research Participant - Jan van Eyck Akademie, Maastricht, Netherlands
|
|
2001 - 2002 |
|
Post-Graduate Fine Art Participant - Rijksakedemie van beeldende kunsten, Amsterdam, Netherlands
|
|
2001 - 2003 |
|
Arts Council of England International Fellowship, UK (catalogue)
|
|
2003 |
|
Prix De Rome for Sculpture, Netherlands (catalogue)
|
|
2004 |
|
Cocheme Fellowship, Byam Shaw School of Art, London, UK
|
|
2005 |
|
Beck’s Futures Shortlist, ICA, London, UK (catalogue)
|
|
2006 |
|
ABN AMRO Art Price, ABN AMRO head office Amsterdam, Netherlands (catalogue)
|
|
2006 |
|
Baloise Art Statements Prize, Art Basel, Switzerland
|
|
2007 |
|
DENA Foundation Art Award, France (catalogue)
|
|
2008 |
|
Paul Hamlyn Award, UK
|
|
2009 |
|
Nominee for The Times, South Bank Breakthrough Award, UK
|
|
2009 |
|
Zurich Art Prize, Haus Konstruktiv, Switzerland
|
|
|
|
Lives and works in London and Amsterdam
|
|
|
| Selected Exhibitions |
|
|
|
2009
|
|
Radical Autonomy, Centre D’Art Contemporain, Saint-Nazaire, France
|
|
2009
|
|
Space as Medium, Miami Art Museum, Miami, Florida, USA
|
|
2009
|
|
Pete and Repeat, works from Zabludowicz Collection, London, UK
|
|
2009
|
|
The die is cast, Villa Arson, Nice, France (solo)
|
|
2009
|
|
Eleanor Antin, Marcel Broodthaers, Peter Friedl, Ryan Gander, Erna Hecey Gallery Temporary Space, Cologne, Germany (solo)
|
|
2009
|
|
Forms of Enquiry, Architects Association, London, UK
|
|
2009
|
|
Talk Show, ICA, London, UK
|
|
2009
|
|
The Happy Interval, Tulips & Roses, Vilnius, Lithuania
|
|
2009
|
|
Fax, The Drawing Center, New York, US
|
|
2009
|
|
Natural Wonders, Baibakov Art Projects, Moscow, Russia
|
|
2009
|
|
Lisson presents 4, Lisson Gallery, London, UK
|
|
2009
|
|
Contested Ground, 176 Gallery, London UK
|
|
2009
|
|
Trying to cope with things that aren’t human, David Cunningham Projects, San Francisco, US
|
|
2009
|
|
The Malady of Writing, MACBA, Museu d’Art Contemporani de Barcelona, Barcelona, Spain
|
|
2009
|
|
Younger than Jesus, New Museum, New York, US
|
|
2009
|
|
Mirrors, MARCO, Vigo, Spain
|
|
2009
|
|
Several Silences, The Renaissance Society, Chicago, US
|
|
2009
|
|
British Subjects, Neuberger Museum of Art, New York, US
|
|
2009
|
|
Trying to cope with things that aren’t human, AirSpace Gallery, Stoke on Trent, UK
|
|
2009
|
|
Forms of Enquiry, Architects Association, London, UK
|
|
2009
|
|
Natural Wonders, Baibakov Art Projects, Moscow, Russia
|
|
2009
|
|
Places To Be. New York – Shanghai – Tel Aviv – Texas – Zagreb, video program The Bakery, Annet Gelink Gallery, Amsterdam, Netherlands
|
|
2009
|
|
Desiring Necessities, John Hansard Gallery, Southampton, UK
|
|
2009
|
|
Videotheque, Annet Gelink Gallery
|
|
2009
|
|
The Story Teller, ICI, New York, USA (group)
|
|
2009
|
|
As it presents itself, Picture This, Bristol, UK (group)
|
|
2009
|
|
The Space of Words, MUDAM Grand Duc Jean, Luxembourg (group)
|
|
2009
|
|
Desire Acquire, Galerie Bob van Orsouw gmbh, Zürich, Switzerland (group)
|
|
2009
|
|
The Making of Art, Schirn Kunsthalle, Frankfurt, Germany (group)
|
|
2009
|
|
I let somebody get under my skin, Annet Gelink Gallery, Amsterdam, Netherlands (solo)
|
|
2009
|
|
It’s a right Heath Robinson affair (a stuttering exhibition in two parts), Kadist Art Foundation and gb Agency, Paris, France (solo)
|
|
2009
|
|
Heralded as the new black / Forward, Museum Boijmans Van Beuningen, Rotterdam, NL (solo)
|
|
2008
|
|
Something Vague, Bonner Kunstverein, Bonn, Germany (solo)
|
|
2008
|
|
Heralded as the new black / Forward, IKON Gallery, Birmingham, UK (solo)
|
|
2008
|
|
Heralded as the new black / Forward, South London Gallery, London, UK (solo)
|
|
2008
|
|
Something Vague, Sankt Gallen Kunstverein, Sankt Gallen, Switzerland (solo)
|
|
2008
|
|
Annet Gelink Gallery, Amsterdam, NL (solo)
|
|
2008
|
|
Tanya Bonakdar Gallery, New York, US (solo)
|
|
2008
|
|
Is this guilt in you too – (Cinema Verso), STORE, London, UK (solo)
|
|
2008
|
|
One of these things is not like other things, Galleria 1/9 unosunove, Rome, Italy
|
|
2008
|
|
The flight of the Dodo, Project Arts Centre, Dublin, Ireland
|
|
2008
|
|
AWOL – Biennale of Young Artists, META Cultural Foundation, Bucharest, Rumania
|
|
2008
|
|
Wouldn’t it be nice, Centre d’Art Contemporain pt 2, Geneva, Switzerland
|
|
2008
|
|
Wouldn’t it be nice, Somerset House, London, UK
|
|
2008
|
|
Inaugural Show, Marz Galleria, Lisbon, Portugal
|
|
2008
|
|
This is not a void, Galeria Luisa Strina, Sao Paolo, Brasil
|
|
2008
|
|
Self Storage, Curatorial Industries, San Francisco, USA
|
|
2008
|
|
I desired what you were, I need what you are, Galleria Maze, Torino, Italy
|
|
2008
|
|
Within the big structure, Berlin-Mitte, Berlin, Germany
|
|
2008
|
|
Life on Mars, Carnegie International, Carnegie Museum of Art, Pittsburg, USA
|
|
2008
|
|
As It Presents Itself – Somewhere Vague, Whitstable Biennale, Whitstable, UK
|
|
2008
|
|
MARCO, Museo Arte Contemporánea de Vigo, Vigo, Spain
|
|
2008
|
|
Somebody’s playing me 1998 – 2008, Taro Nasu Gallery, Tokyo, Japan (solo)
|
|
2008
|
|
And it came to life, Marz Galleria, Lisbon, Portugal (solo)
|
|
2008
|
|
Championed by Rigour, Tanya Bonakdar Gallery, New York, US (solo)
|
|
2008
|
|
Basquiat, Store Gallery, London, UK (solo)
|
|
2008
|
|
Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK (group)
|
|
2008
|
|
Future Landscape, Royal Academy of Arts, London, UK (group)
|
|
2008
|
|
A Recent History of Drawing & Writing, ICA, London, UK (group)
|
|
2008
|
|
Playtime, Betasalon, Paris, France (group)
|
|
2008
|
|
Out of sight, Proyectos Monclova, Mexico (group)
|
|
2008
|
|
Delirious Beijing, PKM Gallery, Beijing, China (group)
|
|
2008
|
|
Revolutions – forms that turn, 16th Biennale of Sydney, Australia (group)
|
|
2008
|
|
Art Now Curate, Tate Modern, London, UK (group)
|
|
2008
|
|
Featuring, Galerie Chez Valentin, Paris, France (group)
|
|
2007
|
|
Performa 07, New York, US (group)
|
|
2007
|
|
Ghostwriter Subtext, Taro Nasu Galley, Tokyo, Japan (solo)
|
|
2007
|
|
More than the weight of your shadow, Diawa Factory, Hiroshima, Japan (solo)
|
|
2007
|
|
Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US (solo)
|
|
2007
|
|
Phantom of Appropriation, In the stream of life Betonsalon, Paris, France (solo)
|
|
2007
|
|
Short Cut through the trees, MUMOK, Vienna, Australia (solo)
|
|
2007
|
|
The Last Work, Stedelijk Museum, Amsterdam, Netherlands (solo)
|
|
2007
|
|
Of Any Actual Person, Living or Dead, STORE, London, UK (solo)
|
|
2007
|
|
Mumok, Vienna, Austria (solo)
|
|
2007
|
|
The Last Show, Stedelijk Museum, Amsterdam, Netherlands (solo)
|
|
2007
|
|
Gallery Cover, Annet Gelink Gallery, Amsterdam, Netherlands (solo)
|
|
2007
|
|
How soon is now?, Fundación Luís Seoane, Coruna, Spain
|
|
2006
|
|
Objet a Part, Centre d’art Contemporain, Noisy le sec, France
|
|
2006
|
|
Cohen and Leslie, New York, USA
|
|
2006
|
|
In touchable, Villa Arson, Nice, France
|
|
2006
|
|
Tate Triennial, Tate Britain, London, United Kingdom
|
|
2006
|
|
Constellations, Tanya Bonakdar, New York, USA
|
|
2006
|
|
Curating the Library, de Singel, Antwerp, Belgium
|
|
2006
|
|
Projection, Museum of Art Lucerne, Switzerland
|
|
2006
|
|
Wrong, Klosterfelde, Berlin, Germany
|
|
2006
|
|
The show will be open when the show will be closed, Store, London, United Kingdom
|
|
2006
|
|
Whitstable Biennale, Whitstable, United Kingdom
|
|
2006
|
|
Le Spectre des Armatures, Glassbox, Paris, France
|
|
2006
|
|
Trial Balloons, Musac, Leon, Spain
|
|
2006
|
|
Don Quijote, Witte de Witte, Rotterdam, Netherlands
|
|
2006
|
|
Nine Projects for the Pavilion de l’Esprit Nouveau, GAM, Bologna, Italy (solo)
|
|
2006
|
|
Art Positions with STORE, Miami Basel, USA (solo)
|
|
2006
|
|
Marc Foxx, Los Angeles, USA (solo)
|
|
2006
|
|
ABN AMRO Kunstprijs, ABN AMRO head quarter, Amsterdam, Netherlands (solo)
|
|
2006
|
|
Templates for… Massimo de Carlo, Milan, Italy (solo)
|
|
2006
|
|
Is this guilt in you too - (Cinema Verso), STORE/Whitechapel East Wing, London, United Kingdom (solo)
|
|
2006
|
|
Spencer Forget About Good Art Basel Unlimited with Annet Gelink Gallery, Basel, Switzerland (solo)
|
|
2006
|
|
The title taken from reading that book (with George Henry Longly), Elisabeth Kaufmann, Zurich, Switzerland (solo)
|
|
2006
|
|
Is this guilt in you too – (The study of a car in a field), MUMOK, Vienna, Austria (solo)
|
|
2006
|
|
Your clumsiness is the next man’s stealth, Annet Gelink Gallery, Amsterdam, Netherlands (solo)
|
|
2006
|
|
Ghostwriter Subtext, Premier container, Art Basel Premier with STORE, Miami Basel, USA (solo)
|
|
2006
|
|
Didactease, Marc Foxx, Los Angeles, USA (solo)
|
|
2005
|
|
But it was all green, Artists Space, New York, USA (solo)
|
|
2005
|
|
Of Any Actual Person, Living or Dead, with Aurélien Froment, Les Laboratoires d'Aubervilliers, Paris, France (solo)
|
|
2005
|
|
Art Basel Statements with Annet Gelink Gallery, Basel, Switzerland (solo)
|
|
2005
|
|
Is This Guilt in You Too – (The Study of a Car in a Field), Annet Gelink Gallery, Amsterdam, Netherlands (solo)
|
|
2005
|
|
Somewhere between 1886 and 2030 (2005), Store, London, United Kingdom (solo)
|
|
2005
|
|
Spectator T, Sheffield, United Kingdom
|
|
2005
|
|
T1 Triennial, Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy
|
|
2005
|
|
Free Library, M + R Gallery, London, United Kingdom
|
|
2005
|
|
Romance – A Novel, Cristina Guerra Contemporary Art, Lisbon, Portugal
|
|
2005
|
|
Jaybird, Zero... Milan, Italy
|
|
2005
|
|
Post No Bills, White Columns, New York, USA
|
|
2005
|
|
Petites Compositions Entre Amis, GB Agency, Paris, France
|
|
2005
|
|
Invisible Script, W139, Amsterdam, Netherlandds
|
|
2005
|
|
Beck’s Futures, CCA, Glasgow, United Kingdom
|
|
2005
|
|
In This Colony, Kunstfort bij Vijfhuizen, Netherlands
|
|
2005
|
|
Beck’s Futures, ICA, London, United Kingdom
|
|
2005
|
|
A Show Without Works, Project Room, Spazio Lima, Milan, Italy
|
|
2005
|
|
The World, Abridged, Kettles Yard, Cambridge, United Kingdom
|
|
2005
|
|
Timeline, The Store & Window 32, Paris, France
|
|
2004
|
|
An Incomplete History of Ideas, Cornerhouse, Manchester, United Kingdom (solo)
|
|
2004
|
|
But it was all green, Annet Gelink Gallery, Amsterdam, Netherlands (solo)
|
|
2004
|
|
La Galerie dans ma Poche, Leeds and London, United Kingdom (solo)
|
|
2004
|
|
Romantic Detachment, PS1, New York, USA
|
|
2004
|
|
Romantic Detachment, Chapter Arts, Cardiff, United Kingdom
|
|
2004
|
|
Romantic Detachment, Q Arts, Derby, United Kingdom
|
|
2004
|
|
Romantic Detachment, Folly Gallery, Lancaster, United Kingdom
|
|
2004
|
|
Making Public, CBK, Dordrecht, Netherlands
|
|
2004
|
|
Summer Pursuits, STORE, London, United Kingdom
|
|
2004
|
|
Loose Associations, Centre Pompidou, Beaubourg, Paris, France
|
|
2004
|
|
Loose Associations, Foksal Gallery, Warsaw, Poland
|
|
2004
|
|
Artist House, The Round Foundry, Leeds, United Kingdom
|
|
2003
|
|
But it was all green, Store, London, United Kngdom (solo)
|
|
2003
|
|
The Death of Abbé Faria, Stedelijk Museum Bureau, Amsterdam, Netherlands (solo)
|
|
2003
|
|
Catch Me, Onufri, National Gallery of Albania, Albania
|
|
2003
|
|
Tourette's, W139, Amsterdam, Netherlands
|
|
2003
|
|
RDV, Résonance, Galerie des Terreaux, Lyon Biennale, Lyon, France
|
|
2003
|
|
Prix de Rome Winner, Gem, Museum voor Actuele Kunst, Den Haag, Netherlands
|
|
2003
|
|
Grizedale Artist in Residence, Cumbria, United Kingdom
|
|
2002
|
|
Unloaded, (Disused Military Bunkers), Oberschan, Switzerland
|
|
2002
|
|
Marie Aurore Sorry, The International 3, Manchester, United Kingdom (solo)
|
|
2002
|
|
In Return, with Shahryar Nashat, Centre Pasquart, Bienne, Switzerland (solo)
|
|
2001
|
|
Record Collection, Forde Gallery, Geneva, Switzerland
|
|
2001
|
|
In a language…, Project ruimte zuid en oost, Amsterdam, Netherlands
|
|
2001
|
|
Year of the Artist Residency, The Lowry, Manchester, United Kingdom
|
|
2000
|
|
The Oriel Mostyn Open, Llandudno, United Kingdom
|
|
2000
|
|
Square City, Holden Gallery, Manchester, United Kingdom
|
|
2000
|
|
Goethe’s Oak Has Woodworm, Static Gallery, Liverpool, United Kingdom
|
|
2000
|
|
Unfortunately Last Sunday, Museum Het Domain, Sittard, Netherlands
|
|
2000
|
|
Free Space, Nieuw Internationaal Cultureel Centrum, Antwerpen, Belgium
|
|
|
| Literature |
|
|
|
2008
|
|
Heralded as the new black, artist book published on the occasion of the exhibition at the Ikon gallery, Birmingham, South London gallery, London, and the Museum Boijmans Van Beuningen, Rotterdam
|
|
2008
|
|
The Viewing Room, Daiwa Press Co. Ltd (with Taro Nasu)
|
|
2007
|
|
Intellectual Colours, book published on the ocassion of the presentation the Dena Foundation Art Award 2006, Dena Foundation of Contemporary Art and Silvana Editoriale
|
|
2007
|
|
Parallel Cards, a project by Ryan Gander (with Mia Frostner, Robert Sollis, Paul Tisdell, Rasmus Troelsen), ISBN 978-3-902490-31-5
|
|
2007
|
|
Loose Associations and other Lectures, One Star Press, Paris
|
|
2007
|
|
Appendix Appendix, Christoph Keller Editions/JRP Ringier (with Stuart Bailey)
|
|
2006
|
|
Pure Associations, ABN AMRO, Amsterdam
|
|
2005
|
|
From The Alpinist, Fort Vijfhuizen / Artimo, 90-8546-042-5
|
|
2005
|
|
It’s Like the Spoilt Brat of the Dictionary... STORE, 0-9550142-0-4 (with Alice Fisher)
|
|
2004
|
|
The Boy that always looked up, Cornerhouse, 0-948797-44-4 (with Sara De Bondt)
|
|
2003
|
|
Appendix, Artimo, 90-75380-60-7 (with Stuart Bailey)
|
|
2002
|
|
In a language, i3, 0-9542058-1-2 (with Sara De Bondt)
|
|
|
|
|
|