|
|
|
| Selected Exhibitions |
 |
 |
|
2007
|
|
Retrospective, Drawing Center, NY, USA (solo)
|
|
2007
|
|
Live/Work, Performance into drawing, MOMA, NY, USA
|
|
2007
|
|
Out of Time, A contemporary view, MOMA, NY, USA
|
|
2007
|
|
Anastasi/ Judd/ Sandback, Birmingham Museum of Art, Birmingham, USA
|
|
2006
|
|
Looking at words, Andrea Rosen, New York, USA
|
|
2006
|
|
Portraits of Artists, works from Rex Capital, Luhring Augustine, New York, USA
|
|
2006
|
|
Bjorn Ressle Fine Arts, New York, USA (solo)
|
|
2005
|
|
Blind, art agents gallery, Hamburg, Germany (solo)
|
|
2005
|
|
Ohne Titel, Thomas Rehbein Galerie, Cologne, Germany (solo)
|
|
2005
|
|
William Anastasi, Stalke Galleri, Copenhagen, Denmark (solo)
|
|
2005
|
|
art agents Gallery, Hamburg (solo)
|
|
2003
|
|
The Invisible Thread: Buddhist Spirit in Contemporary Art, Snug Harbor, New York (group)
|
|
2003
|
|
Davidson Art Gallery, Wesleyan University, Middletown, USA (group)
|
|
2003
|
|
“Blind” The Annex, NY (solo)
|
|
2001
|
|
“William Anastasi: A Retrospective” Nikolaj Copenhagen Contemporary Art Center, Copenhagen, Denmark (solo)
|
|
2001
|
|
Visions From American Art: Photographs from the Whitney Museum of American Art, 1940-2000, The Whitney Museum of American Art, New York (group)
|
|
2000
|
|
Into the Light: The Projected Image in American Art 1964-1977, The Whitney Museum of American Art, New York; curated by Chrissie Iles (group)
|
|
2000
|
|
The Century of Innocence: The History of the White Monochrome, Rooseum Museum of Art, Malmo, Sweden (group)
|
|
2000
|
|
“The American Century, 1950-2000,” The Whitney Museum of American Art, NY (group)
|
|
2000
|
|
The American Century 1950-2000, The Whitney Museum of American Art New York, NY
|
|
2000
|
|
Topology, White Box Gallery Weiner, Lava
|
|
2000
|
|
art agents Gallery, Hamburg (solo)
|
|
1999
|
|
Tatunz Gallery New York, NY
|
|
1999
|
|
Afterimage. Curator: Connie Butler, Museum of Contemporary Art Los Angeles, CA
|
|
1999
|
|
“...vor mehr alseinem halben Jahrhundert,” Landes Museum, Linz (solo)
|
|
1999
|
|
Gary Tatintsian Gallery, NY (solo)
|
|
1999
|
|
Merce Cunningham: Fifty Years, La Fundacio Antoni Tapiès, Barcelona, Spain (group)
|
|
1999
|
|
Afterimage, curated by Connie Butler, Museum of Contemporary Art, Los Angeles (group)
|
|
1998
|
|
Drawing is another kind of language: Recent American drawings from a New York private collection, Kunstmuseum Ahlen, Ahlen, Germany (group)
|
|
1998
|
|
Re:Duchamp/Contemporary Artists Respond to Marcel Duchamp’s Influence, Abraham Lubelsky Gallery, NY (group)
|
|
1998
|
|
“I Am A Jew,” The Philadelphia Museum of Judaica, Philadelphia, PA (solo)
|
|
1998
|
|
Stalke Gallery Copenhagen, Denmark
|
|
1997
|
|
Hubert Winter Gallery, Vienna, Austria (solo)
|
|
1997
|
|
Drawing is another kind of language: Recent American drawings from a New York private collection, Harvard University, Sackler Gallery, Cambridge, MA (group)
|
|
1997
|
|
The Painting of the Word Jew, Sandra Gering Gallery New York, NY (solo)
|
|
1996
|
|
Stalke Kunsthandel Copenhagen, Denmark (solo)
|
|
1996
|
|
Drawing on Chance (Selections from the Collection), Museum of Modern Art New York, NY
|
|
1995
|
|
“William Anastasi: A Retrospective (1960-95),” Moore College of Art and Design, Philadelphia, PA (solo)
|
|
1994
|
|
Kristal Fahl Gallery Stockholm, Sweden
|
|
1993
|
|
Rolyholyover: A Circus. Curator: John Cage & Julie Lazar, The Guggenheim Museum and other locations Traveled
|
|
1992
|
|
Works 1963-1992, Anders Tornberg Gallery Lund, Sweden
|
|
1987
|
|
Reading Art, The New Museum of Contemporary Art New York, NY
|
|
1981
|
|
Coincidents, The Whitney Museum of American Art New York, NY
|
|
1980
|
|
Ecoute par les Yeux, Musée d'Art Moderne de la Ville de Paris Paris, France
|
|
|
|
|
|
|
|