|
|
Fiona Rae Biography
|
 |
 |
|
1983 - 1984 |
|
Croydon College of Art, London
|
|
1984 - 1987 |
|
Goldsmiths College, London
|
|
1991 |
|
Shortlisted for the Turner Prize, Tate Britain, London
|
|
1993 |
|
Shortlisted for the Eliette von Karajan Prize for the Young Painters, Austria
|
|
2002 |
|
Tate Modern Restaurant Commission, Shadowland, June 28
|
|
2002 |
|
Elected to Royal Academy, London
|
|
2003 |
|
BBC Commission, Signal, installation for Art Site, BBC Broadcasting
|
|
2003 |
|
House Public Art Programme, London, July 1–November 5
|
|
2005 |
|
Master Artist in Residence at Atlantic Center for the Arts, New Smyrna Beach, Florida
|
|
2005 |
|
Appointed Tate Artist Trustee, London
|
|
2007 |
|
Shortlisted for the Charles Wollaston Award at the Royal Academy Summer Exhibition
|
|
|
|
Lives and works in London
|
|
|
|
Selected Public Collections
|
|
|
|
Arts Council of Great Britain
|
|
|
|
Astrup Fearnley Museum of Modern Art, Oslo
|
|
|
|
Birmingham Museum and Art Gallery, England
|
|
|
|
Calouste Gulbenkian Foundation, Lisbon
|
|
|
|
Carré d’Art - Musée d’art contemporain, Nîmes
|
|
|
|
Contemporary Art Society, London
|
|
|
|
Corcoran Gallery of Art, Washington, D.C.
|
|
|
|
The Essl Collection, Klosterneuburg, Austria
|
|
|
|
Fondation - Musée d’Art Moderne Grand-Duc Jean, Luxembourg
|
|
|
|
Fonds National d'Art Contemporain (FNAC), Paris
|
|
|
|
Fonds Régional d'Art Contemporain d'Ile de France
|
|
|
|
Fonds Régional d'Art Contemporain d’Auvergne, Clermont-Ferrand
|
|
|
|
Fundació ‘la Caixa’, Barcelona
|
|
|
|
Government Art Collection, London
|
|
|
|
Hamburger Bahnhof - Museum für Gegenwart, Berlin SMPK. Marx Collection
|
|
|
|
Musée Départemental de Rochechouart, Haute-Vienne, France
|
|
|
|
Museum Morsbroich, Leverkusen, Germany
|
|
|
|
Museum of Modern Art, Sintra, Portugal. Berardo Collection
|
|
|
|
Sammlung Essl, Klosterneuburg, Germany
|
|
|
|
Southampton City Art Gallery, England
|
|
|
|
Stuyvesant Foundation, Amsterdam
|
|
|
|
Walker Art Gallery, Liverpool
|
|
 |
| Selected Exhibitions |
 |
 |
|
2009
|
|
Classified: Contemporary British Art from Tate Collection, Tate Britain, London
|
|
2009
|
|
Une Place au Soleil, Galerie Nathalie Obadia, Paris
|
|
2009
|
|
Antes de Ayer y Pasado Mañana; o lo que Puede ser Pintura Hoy, MACUF: Museo de Arte Contemporaneo Union Fenosa, La Coruna
|
|
2009
|
|
Plastic Culture: Legacies of Pop 1986 - 2008, Harris Museum and Art Gallery, Preston; The Exchange, Penzance (cat.)
|
|
2009
|
|
Ventriloquist, Timothy Taylor Gallery, London
|
|
2009
|
|
Splash the Stuff Down: Painting and Revelation, Leeds City Art Gallery, Leeds
|
|
2009
|
|
As I Run and Run, Happiness comes closer, Gallerie Nathalie Obadia, Paris (solo)
|
|
2008
|
|
Fiona Rae, Timothy Taylor Gallery, London, (Catalogue; text by Matthew Collings) (solo)
|
|
2008
|
|
Freeze 20, The Hospital Club, London, UK
|
|
2008
|
|
Paixons Privadas, Visions Publicas, Vigo: Museo de Arte Contemporanea de Vigo, Spain
|
|
2008
|
|
Summer Show, Timothy Taylor Gallery, London, UK
|
|
2008
|
|
Group Show, Gallerie Nathalie Obadiam Brussels
|
|
2007
|
|
Twilight Musings, One in the Other, London
|
|
2007
|
|
100 Jahre Kunsthalle Mannheim, Kunsthalle Mannheim, Germany
|
|
2007
|
|
The 239th Royal Academy of Arts Summer Exhibition, Royal Academy, London, (Catalogue)
|
|
2007
|
|
De leur temps (2) Art contemporain & collections privées en France, Musée de Grenoble, France, (Catalogue)
|
|
2006 - 2007
|
|
Pictograms: The Loneliness of Signs, Kunstmuseum Stuttgart, Germany, (Catalogue)
|
|
2006
|
|
Fiona Rae: You are the Young and the Hopeless, PaceWildenstein, New York, (Catalogue; text by Dave Hickey) (solo)
|
|
2006
|
|
Fiction @ Love / Forever Young Land, Museum of Contemporary Art, Shanghai, January 7–March 5, 2006. Concurrent with Fiction @ Love / Twinkling Stars, Bund 18 Creative Center, Shanghai, January 7–February 17, 2006. Traveled as: Fiction @ Love / Ultra New Vision of Contemporary Art, Singapore Art Museum, (Catalogue; texts by Victoria Lu, Lim Qinyi and Kim Sunhee)
|
|
2006
|
|
Full House: Faces of a Collection, Kunsthalle Mannheim, Germany
|
|
2006
|
|
Hot Spring … In Autumn, Galerie Krinzinger, Vienna
|
|
2006
|
|
VIP III: Arena der Abstraktion, Museum Morsbroich, Leverkusen, Germany
|
|
2005 - 2006
|
|
Revelation: Reflecting British Art in the Arts Council Collection, Laing Art Gallery, Newcastle upon Tyne, United Kingdom
|
|
2005
|
|
Lorie Peters Lauthier Collects, Leonard Pearlstein Gallery, College of Media Arts and Design, Drexel University Gallery, Philadelphia
|
|
2005
|
|
Colours and Trips, Künstlerhaus Palais Thurn and Taxis, Bregenz, Austria, January 15–February 13, 2005. Traveled to: Museum der Stadt Ratingen, (Catalogue; text by Oliver Zybok)
|
|
2005
|
|
Blumenstück, Künstlers Glück: vom Paradiesgärtlein zur Prilblume, Museum Morsbroich, Leverkusen, Germany, May 22–August 28 (Catalogue; texts by Gerhard Finck et al.)
|
|
2005
|
|
Ordering the Ordinary, Timothy Taylor Gallery, London
|
|
2005
|
|
Baroque and Neo-Baroque/“The Hell of the Beautiful,” Domus Atrium 02 (DA2), Fundación Salamanca Ciudad de Cultura, Spain, (Catalogue)
|
|
2005
|
|
Fiona Rae: Grotto, Buchmann Galerie, Cologne, (Catalogue; text by Ralf Christofori) (solo)
|
|
2004 - 2005
|
|
Direct Painting – Neue Kunsthalle IV, Kunsthalle Mannheim, Germany
|
|
2004 - 2005
|
|
Le Syndrome de Babylone, Centre d'Art Contemporain de la Villa du Parc, Annemasse, France
|
|
2004
|
|
Fiona Rae: Swag, Galerie Nathalie Obadia, Paris (Catalogue; text by Morgan Falconer) (solo)
|
|
2004
|
|
Paranormal, Aeroplastics Contemporary, Brussels
|
|
2004
|
|
Summer Eyes/Summarize, Jan Weiner, Kansas City
|
|
2003
|
|
Talking Pieces: text und bild in der neuen kunst, Museum Morsbroich, Leverkusen, Germany, (Catalogue; text by Ute Riese)
|
|
2003
|
|
Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, Germany, (Catalogue; texts by Annelie Lütgens, Frank Reijnders, Walter Seitter et al)
|
|
2003
|
|
Paintings: Arturo Herrera, Dennis Hollingsworth, Fiona Rae, Juan Uslé, Buchmann Galerie, Cologne
|
|
2003
|
|
A Bigger Splash: British Art from Tate 1960–2003, Pavilhão Lucas Nogueira Garcez, São Paulo, Brazil, (Catalogue)
|
|
2003
|
|
New Abstract Painting/Painting Abstract Now, Museum Morsbroich, Leverkusen, Germany, (Catalogue; text by Ute Riese)
|
|
2003
|
|
Fiona Rae: Hong Kong Garden, Timothy Taylor Gallery, London, (Catalogue; text by Jennifer Higgie) (solo)
|
|
2002 - 2003
|
|
Fiona Rae, Carré d’Art, Musée d’Art Contemporain, Nîmes, France, (Catalogue; texts by Jean-Pierre Criqui and Simon Wallis; interview by Simon Wallis) (solo)
|
|
2001
|
|
Fiona Rae: New Paintings, Galerie Bob van Orsouw, Zurich (solo)
|
|
2001
|
|
Künsterlerräume / Sammlerräume, Kunstverein St Gallen im Kunstmuseum, Switzerland
|
|
2001
|
|
Hybrids: International Contemporary Painting, Tate Liverpool, (Catalogue; text by Simon Wallis)
|
|
2000
|
|
Zeitgenossen/Contemporaries: Malerei/Paintings, Galerie Edition Kunsthandel, Essen, Germany
|
|
2000
|
|
Europe: Different Perspectives in Painting/Europa: Differenti Prospettive nella Pittura, Museo Michetti, Palazzo San Domenico, Francavilla al Mare, Italy, (Catalogue)
|
|
2000
|
|
Aspectos de la Coleccion, Coleccion de Arte Contemporaneo, Fundación ‘La Caixa’, Madrid
|
|
2000
|
|
Fiona Rae, Buchmann Galerie, Cologne (solo)
|
|
2000
|
|
Fiona Rae, Galerie Nathalie Obadia, Paris (solo)
|
|
2000
|
|
Fiona Rae, fig-1, London, (Catalogue; edited by Mark Francis, Cristina Colomar and Christabel Stewart; interview by Mark Francis) (solo)
|
|
1999 - 2000
|
|
Colour Me Blind! Painting in the Age of Computer Games and Comics, Württembergischer Kunstverein, Stuttgart, November 13, 1999–January 16, 2000. Traveled to: Städtische Ausstellungshalle am Hawerkamp, Muenster, February 20–April 9, 2000; Dundee Contemporary Arts, Scotland, (Catalogue; text by Ralf Christofori)
|
|
1999 - 2000
|
|
‘45-99: A Personal View of British Painting and Sculpture, Kettle’s Yard Gallery, Cambridge, November 13–January 9, 2000. Traveled to: The City Gallery, Leicester, (Catalogue; text by Bryan Robertson)
|
|
1997 - 2000
|
|
Sensation: Young British Artists from The Saatchi Collection, Royal Academy of Arts, London, September 18–December 28, 1997. Traveled to: Hamburger Bahnhof - Museum für Gegenwart, Berlin, September 30, 1998–January 17, 1999; Brooklyn Museum of Art, New York, October 2, 1999–January 9, 2000. (Catalogue; texts by Brooks Adams, Norman Rosenthal, Richard Shone, Martin Maloney and Lisa Jardine)
|
|
1999
|
|
Reconciliations: Elizabeth Cooper, Stephen Davis, Fiona Rae, Juan Uslé, DC Moore Gallery, New York, (Catalogue; text by Jeffrey Hoffeld).
|
|
1999
|
|
Fiona Rae, Kohji Ogura Gallery, Nagoya, Japan, (Catalogue; text by Michael Tarantino) (solo)
|
|
1999
|
|
Fiona Rae, Luhring Augustine Gallery, New York (solo)
|
|
1998
|
|
UK Maximum Diversity, Galerie Krinzinger in der Benger Fabrik, Bregenz, Vienna, July 15–August 16, 1998. Traveled to: Atelierhaus der Akademie der bildenden Künste, Vienna, (Catalogue)
|
|
1998
|
|
Up to 2000, Southampton City Art Gallery, United Kingdom
|
|
1998
|
|
Inaugural Exhibition, Luhring Augustine Gallery, New York
|
|
1997 - 1998
|
|
Reset: Works of the Marx Collection, Hamburger Bahnhof, Museum of Contemporary Art, Berlin
|
|
1996 - 1998
|
|
About Vision: New British Painting in the 1990s, Museum of Modern Art, Oxford, November 10, 1996–February 23, 1997. Traveled to: The Fruitmarket Gallery, Edinburgh, April 12–May 31, 1997; The Wolsey Art Gallery, Christchurch Mansion, Ipswich, September 6–October 19, 1997; Laing Art Gallery, Newcastle-upon-Tyne. (Catalogue; includes artist statement)
|
|
1997
|
|
Fiona Rae (with Gary Hume), The Saatchi Gallery, London (Catalogue; text by Sarah Kent) (solo)
|
|
1997
|
|
Fiona Rae: New Paintings, The British School at Rome (solo)
|
|
1997
|
|
Fiona Rae, Luhring Augustine Gallery, New York (solo)
|
|
1997
|
|
Treasure Island, Calouste Gulbenkian Foundation, Lisbon, Portugal, (Catalogue)
|
|
1997
|
|
Ian Davenport, Michael Craig-Martin, Zebedee Jones, Michael Landy, Fiona Rae, Waddington Galleries, London
|
|
1997
|
|
Paintings and Sculpture, Luhring Augustine Gallery, New York
|
|
1996
|
|
Fiona Rae, Contemporary Fine Arts, Berlin, (Catalogue; text by Richard Shone; interview with Daniel Richter) (solo)
|
|
1996
|
|
Nuevas Abstracciones, Museo Nacional Centro de Arte Reina Sofía, Palacio de Velázquez, Madrid, April 25–June 23. Traveled to: Kunsthalle Bielefeld, Germany, July 2–September 8; Museu d'Art Contemporani, Barcelona, (Catalogue; texts by Enrique Juncosa, Arthur C. Danto and Demetrio Paparoni)
|
|
1995
|
|
Repicturing Abstraction: The Abducted Image, Marsh Art Gallery, University of Virginia, Richmond, January 20–February 26, 1995. (Catalogue; texts by Arthur C. Danto, Richard Waller, H. Ashley Kistler, Chris Gregson and Steven S. High.)
|
|
1995
|
|
From Here, Waddington Galleries and Karsten Schubert, London, (Catalogue; text by Andrew Wilson)
|
|
1995
|
|
Malerei. Sechs Bilder - Sechs Positionen/Painting. Six Pictures - Six Attitudes, Galerie Bugdahn und Kaimer, Düsseldorf
|
|
1995
|
|
Des limites du tableau: les possibles de la peinture, Musée Départemental de Rochechouart, Haute-Vienne, France, (Catalogue; texts by Jean-Marc Prévost and Ann Hindry)
|
|
1995
|
|
Fiona Rae, Waddington Galleries, London, (Catalogue; text by Richard Shone) (solo)
|
|
1992 - 1995
|
|
New Voices: Recent Paintings From the British Council Collection, Centre de Conference Albert Borschette, Brussels. Traveled to: Musée National d'Histoire et d'Art, Luxembourg and throughout Europe 1995. (Catalogue)
|
|
1994
|
|
Fiona Rae, John Good Gallery, New York, (Catalogue; text by Emma Dexter) (solo)
|
|
1994
|
|
Fiona Rae, Galerie Nathalie Obadia, Paris, France (solo)
|
|
1994
|
|
Unbound: Possibilities in Painting, Hayward Gallery, London (Catalogue; text by Adrian Searle)
|
|
1994
|
|
Chance, Choice and Irony, Todd Gallery, London. Traveled to: John Hansard Gallery, The University, Southampton, United Kingdom, (Catalogue; text by Tony Godfrey et al)
|
|
1994
|
|
Here and Now, Serpentine Gallery, London
|
|
1994
|
|
New Painting From the Arts Council Collection, Gallery Oriel, Dublin, July 16–August 14
|
|
1993 - 1994
|
|
Fiona Rae, Institute of Contemporary Arts, London, December 17 –February 6 (Brochure; text by Emma Dexter) (solo)
|
|
1993 - 1994
|
|
Hardcore (the first part), Factual Nonsense, London, November 26 –January 29
|
|
1993 - 1994
|
|
A Decade of Collecting: Patrons of New Art Gifts 1983–1993, Tate Gallery, London, December 13 –January 18 (Catalogue)
|
|
1993
|
|
Moving into View; Recent British Painting, Work from the Arts Council Collection, Royal Festival Hall, London, April 6–May 23. Traveled throughout the United Kingdom.
|
|
1993
|
|
Nancy Haynes, James Hyde, Walter Obholzer, Fiona Rae, David Row, Karin Sander, Juan Uslé Leslie Wayne, John Good Gallery, New York, June – July
|
|
1993
|
|
Color, Pamela Auchincloss Gallery, New York
|
|
1992
|
|
Play Between Fear and Desire, Germans van Eck Gallery, New York
|
|
1992
|
|
Fiona Rae, Kunsthalle Basel, (Catalogue; text by Thomas Kellein) (solo)
|
|
1991 - 1992
|
|
John Moores Liverpool Exhibition Seventeen, Walker Art Gallery, Liverpool, (Catalogue)
|
|
1991 - 1992
|
|
The Contemporary Art Society: Eighty Years of Collecting, The Hayward Gallery, London, December 3 –January 19. Traveled to: Maclaurin Art Gallery, Ayr, Scotland, February 1–March 14; Bristol City Museum and Art Gallery; Walker Art Gallery, Liverpool, Catalogue; texts by Judith Collins et al.)
|
|
1991
|
|
Who Framed Modern Art or the Quantitative Life of Roger Rabbit, Sidney Janis Gallery, New York, (Catalogue; texts by Tricia Collins and Richard Milazzo)
|
|
1991
|
|
Fiona Rae, Waddington Galleries, London, (Catalogue; essay by Stuart Morgan) (solo)
|
|
1991
|
|
British Art from 1930, Waddington Galleries, London, (Catalogue)
|
|
1991
|
|
Invitational, Tony Shafrazi Gallery, New York
|
|
1991
|
|
A View of London, Salzburger Kunstverein, Salzburg, (Catalogue; text by Michael Archer)
|
|
1991
|
|
Abstraction, Waddington Galleries, London
|
|
1991
|
|
La Metafisica della Luce, John Good Gallery, New York, (Catalogue; text by Demetrio Paparoni)
|
|
1991
|
|
Turner Prize Exhibition 1991, Tate Gallery, London, (Catalogue; text by Sean Rainbird)
|
|
1990
|
|
Fiona Rae, Third Eye Centre (now Centre for Contemporary Art), Glasgow, (Artist book) (solo)
|
|
1990
|
|
Fiona Rae, Pierre Bernard Gallery, Nice, France (solo)
|
|
1990
|
|
The British Art Show 1990, organized by Caroline Collier. McLellan Galleries, Glasgow, January 24–March 11. Traveled to: Leeds City Art Gallery; Hayward Gallery, London, (Catalogue; texts by Caroline Collier, Andrew Nairne and David Ward; includes artist statement)
|
|
1990
|
|
Aperto, 44th Biennale di Venezia, Venice, (Catalogue)
|
|
1990
|
|
Voorwerk 1, Witte de With, Center for Contemporary Art, Rotterdam, the Netherlands, (Artist box)
|
|
1990
|
|
Rudolf Fila, Tim Head, Alain Miller, Fiona Rae, Anthony Wilson, Anthony Reynolds Gallery, London
|
|
1989
|
|
New Year, New Talent ’89, Anderson O'Day Gallery, London
|
|
1988
|
|
Promises, promises, organized by the Serpentine Gallery, London. Traveled to: L’École de Nîmes, France, Catalogue; text by Adrian Searle)
|
|
1988
|
|
Freeze, Surrey Docks, London, (Catalogue; text by Ian Jeffrey)
|
|
 |
| Literature |
 |
 |
|
2008
|
|
Paixons Privadas, Visions Publicas, (exhibition catalogue) Vigo: Museo de Arte Contemporanea de Vigo
|
|
2008
|
|
Fiona Rae, text by Matthew Collings, London: Timothy Taylor Gallery
|
|
2008
|
|
History in the Making: A Retrospective of the Turner Prize, text by Kondo Kenichi, Japan: Mori Art Museum
|
|
2007
|
|
Blume, Eugene & Husch, Anette, eds., Reset: Werke aus der Sammlung Marx, Berlin: Hamburger Bahnhof - Museum für Gegenwart
|
|
2007
|
|
Button, Virginia, The Turner Prize. Revised Edition, London: Tate Publishing
|
|
2007
|
|
Roe, Sonia, ed. Oil Paintings in Public Ownership in the Government Art Collection, London: The Public Catalogue Foundation
|
|
2007
|
|
De leur temps (2) Art contemporain & collections privées en France (exhibition catalogue). Grenoble: Musée de Grenoble
|
|
2007
|
|
Montagu, Jemima, ed. Open Space: Art in the Public Realm in London 1995–2005. London: Arts Council England and Central London Partnership
|
|
2007
|
|
Woodrow, Bill, ed. Royal Academy Illustrated 2007 (exhibition catalogue). London: Royal Academy of Arts: 37, illustrated.
|
|
2006
|
|
Fiction @ Love (exhibition catalogue). Texts by Victoria Lu, Lim Qinyi and Kim Sunhee. Shanghai and Singapore: Museum of Contemporary Art; Singapore Art Museum
|
|
2006
|
|
Morris, Frances, ed. Tate Modern: The Handbook. Texts by Michael Craig-Martin, Andrew Marr and Sheena Wagstaff. London: Tate Publishing
|
|
2006
|
|
New Art on View. London: Scala Publishers, Ltd.
|
|
2006
|
|
Piktogramme: Die Einsamkeit der Zeichen / Pictograms: The Loneliness of Signs (exhibition catalogue). Texts by Marion Ackermann, Pirkko Rathgeber, Theodora Vischer, Hadwig Goez, Cara Schweitzer, Daniela Stöppel, Wolf Tegethoff, Ulrich Wilmes, Georges, Didi-Huberman, Tanja Zimmermann. Munich and Berlin: Deutscher Kunstverlag
|
|
2006
|
|
Richer, Francesca and Matthew Rosenzweig, eds. No. 1: First Works by 362 Artists. New York: D.A.P./Distributed Arts Publishers, Inc.: 304, illustrated.
|
|
2006
|
|
Fiona Rae: You are the Young and the Hopeless (exhibition catalogue). Text by Dave Hickey. New York: PaceWildenstein
|
|
2005
|
|
Baroque and Neobaroque: The Hell of the Beautiful (exhibition catalogue). Salamanca, Spain: DA2 Domus Atrium
|
|
2005
|
|
Blumenstück Künstlers Glück, Vom Paradiesgärtlein zur Prilblume (exhibition catalogue). Texts by Gerhard Finck, Gerhard Graulich, Alexandra Kolossa, Julia Lenz, Ute Riese. Leverkusen, Germany: Museum Morsbroich
|
|
2005
|
|
Colours and Trips (exhibition catalogue). Text by Oliver Zybok. Bregenz: Kunstlerhaus Palais Thurn and Taxis
|
|
2005
|
|
Fiona Rae: Grotto (exhibition catalogue). Text by Ralf Christofori. Cologne: Buchmann Galerie
|
|
2004
|
|
Fiona Rae: Swag (exhibition catalogue). Text by Morgan Falconer. Paris: Galerie Nathalie Obadia
|
|
2004
|
|
Tate Women Artists. Text by Alicia Foster. London: Tate Gallery Publishing: 237, illustrated
|
|
2003
|
|
A Bigger Splash: Arte Britânica da Tate 1960–2003 (exhibition catalogue). São Paulo: Connects Cultura
|
|
2003
|
|
Art at Regent’s Place. Text by Andrea Schlieker. London: The British Land Company
|
|
2003
|
|
Eliasch, Amanda. British Artists At Work. Texts by Gemma de Cruz, Kay Hartenstein-Saatchi and Martin Maloney. New York: Assouline Publishing
|
|
2003
|
|
Fiona Rae: Hong Kong Garden (exhibition catalogue). Text by Jennifer Higgie. London: Timothy Taylor Gallery
|
|
2003
|
|
New Abstract Painting/Painting Abstract Now (exhibition catalogue). Text by Ute Riese. Leverkusen, Germany: Museum Morsbroich
|
|
2003
|
|
Painting Pictures: Painting and Media in the Digital Age (exhibition catalogue). Texts by Annelie Lütgens, Frank Reijnders, Walter Seitter, Knut Ebeling, Ludwig Seyfarth, Raimar Stange, Wolf Jahn, Holger Broeker. Bielefeld: Kerber Verlag
|
|
2003
|
|
Talking Pieces: text und bild in der neuen kunst (exhibition catalogue). Text by Ute Riese. Leverkusen, Germany: Museum Morsbroich
|
|
2002
|
|
Adams, Dennis. Acquisitions 1992–2001. [Rochechouart]: Musée départemental d'art contemporain de Rochechouart
|
|
2002
|
|
Fiona Rae (exhibition catalogue). Texts by Jean-Pierre Criqui and Simon Wallis. Interview by Simon Wallis. Nîmes, France: Carré d’Art–Musée d’Art Contemporain
|
|
2001
|
|
de Corral, Maria and Josep Vilarasau ed. Catalogo E La Colleccion De Arte Contemporaneo Fundación ‘La Caixa’. Barcelona: Fundación ‘La Caixa’ De Pensiones
|
|
2001
|
|
Francis, Mark, Cristina Colomar and Christabel Stewart, eds. Fig-1: 50 Projects in 50 Weeks (exhibition catalogue). Interview by Mark Francis. London: fig-1 2000 Ltd. and Spafax Publishing
|
|
2001
|
|
Hybrids: International Contemporary Painting (exhibition catalogue). Text by Simon Wallis. Liverpool: Tate
|
|
2000
|
|
Europe: Different Perspectives in Paintings (exhibition catalogue). Francavilla al Mare, Italy: Museo Michetti
|
|
2000
|
|
Sinclair, Nicholas. Portraits of Artists. Text by Ian Jeffrey and Nicholas Sinclair in conversation with Robin Dance. Aldershot, Hampshire: Lund Humphries
|
|
1999
|
|
'45–99: A Personal View of British Painting and Sculpture (exhibition catalogue). Text by Bryan Robertson. Cambridge: Kettle’s Yard Gallery
|
|
1999
|
|
Artists. Photographs by Gautier Deblonde. Text by Mel Gooding. London: Tate Gallery Publishing, Ltd.
|
|
1999
|
|
Color Me Blind! Painting in the Age of Computer Games and Comics (exhibition catalogue). Text by Ralf Christofori. Stuttgart: Württembergischer Kunstverein
|
|
1999
|
|
Fiona Rae (exhibition catalogue). Text by Michael Tarantino. Nagoya, Japan: Kohji Ogura Gallery
|
|
1999
|
|
Reconciliations: Elizabeth Cooper, Stephen Davis, Fiona Rae, Juan Uslé (exhibition catalogue). Text by Jeffrey Hoffeld. New York: DC Moore Gallery
|
|
1999
|
|
Reconciliations: Elizabeth Cooper, Stephen Davis, Fiona Rae, Juan Uslé (exhibition catalogue). Text by Jeffrey Hoffeld. New York: DC Moore Gallery
|
|
1999
|
|
Stallabrass, Julian. High Art Lite: British Art in the 1990s. London and New York: Verso
|
|
1998
|
|
Muller, Brian, ed. UK Maximum Diversity (exhibition catalogue). Austria: Galerie Krinzinger
|
|
1997
|
|
Buck, Louisa. Moving Targets: A User’s Guide to British Art Now. London: Tate Gallery Publishing
|
|
1997
|
|
Button, Virginia. The Turner Prize. London: Tate Gallery Publishing
|
|
1997
|
|
Collings, Matthew. Blimey! From Bohemia to Britpop, the London Artworld from Francis Bacon to Damien Hirst. Cambridge, United Kingdom: 21 Publishing
|
|
1997
|
|
Confrontation (exhibition catalogue). Paris: Galerie Nathalie Obadia
|
|
1997
|
|
Fiona Rae/Gary Hume (exhibition catalogue). Texts by Sarah Kent. London: Saatchi Gallery
|
|
1997
|
|
Sensation: Young British Artists from The Saatchi Collection (exhibition catalogue). Texts by Brooks Adams, Norman Rosenthal, Richard Shone, Martin Maloney and Lisa Jardine. London: Thames and Hudson in association with the Royal Academy of Arts
|
|
1997
|
|
Shand Kydd, Johnnie. Spit Fire: Photographs from the Art World, London, 1996/7. London and New York: Thames and Hudson; Violette Editions
|
|
1997
|
|
Treasure Island (exhibition catalogue). Lisbon: Fundação Calouste Gulbenkian
|
|
1996
|
|
About Vision: New British Painting in the 1990s (exhibition catalogue). Includes artist statement. Oxford: Museum of Modern Art
|
|
1996
|
|
Díaz de Rábago, Belén, ed. Nuevas Abstracciones (exhibition catalogue). Texts by Enrique Juncosa, Arthur C. Danto and Demetrio Paparoni. Madrid and Barcelona: Museo Nacional Centro de Arte Reina Sofía; Museu d’Art Contemporani de Barcelona
|
|
1996
|
|
Made In London: A Collection of Works by London Based Artists Made in the 1990s. London: Simmons and Simmons
|
|
1996
|
|
Morgan, Stuart. “Fiona Rae: Playing for Time.” In What the Butler Saw. Edited by Ian Hunt. London: Durian Publications
|
|
1996
|
|
Schmitz, Britta. “Fiona Rae” In Sammlung Marx. Edited by Heiner Bastian. Berlin: Hamburger Bahnhof - Museum für Gegenwart
|
|
1996
|
|
Chadwick, Whitney. Women, Art, and Society. 2nd ed., rev. and expanded. London: Thames and Hudson
|
|
1995
|
|
Art and Design: British Art - Defining the 90s. London: Academy Editions
|
|
1995
|
|
Fiona Rae (exhibition catalogue). Text by Richard Shone. London: Waddington Galleries
|
|
1995
|
|
From Here (exhibition catalogue). Text by Andrew Wilson. London: Waddington Galleries and Karsten Schubert
|
|
1995
|
|
Des Limites du Tableau: Les Possibles de la Peinture (exhibition catalogue). Texts by Jean-Marc Prévost and Ann Hindry. Rochechouart: Musée Départmental du Rochechouart
|
|
1995
|
|
Repicturing Abstraction (exhibition catalogue). Texts by Arthur C. Danto, Richard Waller, H. Ashley Kistler, Chris Gregson and Steven S. High. Richmond, Virginia: Anderson Gallery, Virginia Commonwealth University: 43, illustrated.
|
|
1994
|
|
Chance, Choice and Irony (exhibition catalogue ). Texts by Tony Godfrey et al. London: Todd Gallery and John Hansard Gallery
|
|
1994
|
|
Shark Infested Waters: The Saatchi Collection of British Art in the 90s. Text by Fiona Rae. London: Zwemmer Publishing
|
|
1994
|
|
Unbound: Possibilities in Painting (exhibition catalogue). Text by Adrian Searle. London: Hayward Gallery, The South Bank Centre
|
|
1993
|
|
A Decade of Collecting: Patrons of New Art Gifts 1983–1993 (exhibition catalogue). London: Tate Gallery
|
|
1993
|
|
Fiona Rae (exhibition brochure). Text by Emma Dexter. London: Institute of Contemporary Arts
|
|
1992
|
|
The Contemporary Art Society: Eighty Years of Collecting (exhibition catalogue). Texts by Judith Collins et al. London: Herbert Press in association with the Contemporary Art Society
|
|
1992
|
|
Fiona Rae (exhibition catalogue). Text by Thomas Kellein. Basel: Kunsthalle Basel
|
|
1992
|
|
New Voices: New Works for the British Council Collection (exhibition catalogue). London: British Council
|
|
1991
|
|
British Art from 1930 (exhibition catalogue). London: Waddington Galleries
|
|
1991
|
|
Fiona Rae (exhibition catalogue). Text by Stuart Morgan. London: Waddington Galleries
|
|
1991
|
|
John Moores Liverpool Exhibition Seventeen (exhibition catalogue). Liverpool: National Museums and Galleries on Merseyside; Walker Art Gallery
|
|
1991
|
|
La Metafisica della Luce (exhibition catalogue). Text by Demetrio Paparoni, translated from the Italian by John Stezka. New York: John Good Gallery
|
|
1991
|
|
Turner Prize Exhibition 1991: An Exhibition of Work by Shortlisted Artists: Ian Davenport, Anish Kapoor, Fiona Rae [and] Rachel Whiteread (exhibition catalogue). Text by Sean Rainbird. London: Tate Gallery Publications
|
|
1991
|
|
A View of London (exhibition catalogue). Text by Michael Archer. Salzburg: Salzburger Kunstverein
|
|
1991
|
|
Who Framed Modern Art or The Quantitative Life of Roger Rabbit (exhibition catalogue). Text by Tricia Collins and Richard Milazzo. New York: Sidney Janis Gallery
|
|
1990
|
|
Aperto (exhibition catalogue). Venice: La Biennale di Venezia
|
|
1990
|
|
The British Art Show 1990 (exhibition catalogue). Texts by Caroline Collier, Andrew Nairne and David Ward; includes artist statement. London: South Bank Centre: 92–93, illustrated
|
|
1990
|
|
Contemporary London. Cologne: Nordstern Versicherungen AG
|
|
1990
|
|
Fiona Rae (artist book). Glasgow: Third Eye Centre
|
|
1990
|
|
Voorwerk 1 (artist box). Rotterdam: Witte de With, Center for Contemporary Art
|
|
1989
|
|
Promises, promises (exhibition catalogue). Text by Adrian Searle. London: Serpentine Gallery
|
|
1988
|
|
Freeze (exhibition catalogue). Text by Ian Jeffrey. London: s.n.
|
|
 |
| Links to further information |
 |
 |
|
|
|