|
|
Ernesto Pujol Biography
|
 |
 |
|
1957 |
|
Born in in Havana, Cuba Presently lives and works in New York
|
|
1991 |
|
Cintas Foundation, Visual Arts Fellowship, New York
|
|
1991 |
|
Artist-in-the-Marketplace, Bronx Museum of the Arts, New York
|
|
1991 |
|
Studio Program, Bronx Council on the Arts, New York
|
|
1993 |
|
Pollock-Krasner Foundation, Visual Arts Fellowship, New York
|
|
1994 |
|
Mid-Atlantic Arts Foundation, National Endowment for the Arts Regional Painting Fellowship, Baltimore
|
|
1997 |
|
Cintas Foundation, Visual Arts Fellowship, New York
|
|
1997 |
|
The Joan Mitchell Foundation, New York
|
|
1998 |
|
Pollock-Krasner Foundation, Visual Arts Fellowship, New York
|
|
2002 |
|
The Cuban Artists’ Fund, New York
|
|
|
|
1978 Art History Certificate, Universidad Complutence, Madrid
|
|
|
|
1979 B.A. in Humanities, Fine Arts Major, Magna Cum Laude, Universidad de Puerto Rico, SJ
|
|
|
|
1980 Theology Certificate, St. John Vianney Seminary, Miami
|
|
|
|
1984 Graduate work in Education, Universidad Interamericana, San Juan
|
|
|
|
1985 Silkscreen Seminar, Art Students’ League, San Juan
|
|
|
|
1987 Graduate work in Art Therapy, Pratt Institute, Brooklyn
|
|
|
|
1990 Graduate work in Media Theory, Hunter College, New York
|
|
 |
| Selected Exhibitions |
 |
 |
|
2006
|
|
Ernesto Pujol: Walk #1, ARTMATTERS 10, McNay Art Museum, San Antonio, TX (solo)
|
|
2006
|
|
Ernesto Pujol: Mourning Circle #2, ARTMATTERS 10, McNay Art Museum, San Antonio, TX (solo)
|
|
2005
|
|
The Promised Land, Galeria Ramis Barquet, New York (solo)
|
|
2005
|
|
Art Basel Miami Beach, Galeria Ramis Barquet, Miami, FL
|
|
2004
|
|
ARCO 05, Galeria Ramis Barquet, Madrid, Spain
|
|
2004
|
|
Reversing Vandalism, San Francisco Public Library, San Francisco, CA
|
|
2004
|
|
El Futuro es Ahora/The Future is Now, PSCA/Durst Organization, New York
|
|
2004
|
|
Papeleria, Galeria Comercial, San Juan
|
|
2004
|
|
Water Table, Spoleto Festival, Charleston
|
|
2004
|
|
Birspace, Contemporary Art Center, New Orleans, Norton Art Museum, Ft. Lauderdale, The Hudson River Museum, NY
|
|
2003
|
|
Sharks in the Morning, Daniel Azoulay Gallery, Miami
|
|
2003
|
|
Whiteness: A Wayward Construction, Laguna Art Museum, Laguna Beach, CA
|
|
2003
|
|
Silence of Songbirds, Ramis Barquet Gallery, New York (solo)
|
|
2003
|
|
Becoming the Land, Salina Art Center, Kansas (solo)
|
|
2003
|
|
Human Fields, Brito Cimino Gallery, Sao Paulo (solo)
|
|
2002
|
|
American Fields, Jersey City Museum, NJ; Heriard-Cimino Gallery, New Orleans; and Iturralde Gallery, LA (solo)
|
|
2002
|
|
The Bathers, Priska Juschka Fine Arts, NY (solo)
|
|
2002
|
|
Family, The Aldrich Museum of Contemporary Art, Ridgefield, CT
|
|
2002
|
|
Hot City, Daniel Azoulay Gallery, Miami
|
|
2001
|
|
Peppermint, Smack Mellon, Brooklyn
|
|
2001
|
|
Daily Life, Rudolph Projects, Houston
|
|
2001
|
|
Domestic Disturbance, Salina Art Center, Salina, Kansas
|
|
2001
|
|
El cuerpo de la fe, Galeria Pancho Fierro de la Municipalidad de Lima, Peru (solo)
|
|
2001
|
|
Ernesto Pujol: Conversion of Manners, Heriard-Cimino Gallery, New Orleans (solo)
|
|
2001
|
|
Loss of Faith, Ramis Barquet Gallery, NY & Monterrey (solo)
|
|
2000
|
|
Conversion of Manners, Museo del Barrio, NY, and Allentown Art Museum, PA (solo)
|
|
2000
|
|
Ernesto Pujol:Whiteness, Gian Carla Zanutti Gallery, Milan (solo)
|
|
|
|
1991 Studio Program, Bronx Council on the Arts, New York
|
|
|
|
Curator, Share Your Vision, Artist Space, New York, 2003
|
|
|
|
Curator, Biennial of Monterrey, Mexico, 2003
|
|
|
|
Curator, The Flesh of Boys, The Flesh of Girls, PS122, New York, 2000
|
|
|
|
Curator, Desire, National Arts Club and Syracuse University, New York, 1999
|
|
|
|
New York State University, Buffalo; University of Arizona, Tucson; Syracuse University, Syracuse; Tufts University, Boston; Cornell University, Ithaca; University of Wisconsin, Madison; Whitney Museum of American Art’s Education Initiative at the Harvey Milk School, NY; Drew University, NY; New York University, NY; Institute of Fine Arts, NY; Parsons School of Design, NY; Columbia University, NY; Museum of Contemporary Art, LA.
|
|
|
|
Adjunct Professor, Fine Arts Department, Pratt Institute, New York, 2004-Present
|
|
|
|
Visiting Professor, Fine Arts Department, Pratt Institute, New York, spring 2001-2004
|
|
|
|
Boards, Committees & Panels
|
|
|
|
Photography Fellowship Panel, New York Foundation for the Arts (NYFA), 2004
|
|
|
|
Museum and Visual Arts Program Panelist, National Endowment for the Arts (NEA), Washington, DC, 2000-2001
|
|
|
|
Visual Arts Review Panelist, Visual Arts Program, New York State Council on the Arts (NYSCA), 1997-1999
|
|
|
|
Visual Arts Panelist, The Cintas Foundation, New York, 1998 & 1999
|
|
|
|
Artist Advisory Board, New Museum of Contemporary Art, 1997-2000
|
|
|
|
Board of Directors, Art in General, New York, 1998-1999
|
|
|
|
Artist Advisory Group, PS122, NewYork, 1995-1997
|
|
|
|
Selections’ Committee, Art in General, New York, 1997
|
|
|
|
Selection’s Committee, PS122, New York, 1995
|
|
|
|
Sprint Corporation, Kansas City; Herbert F. Johnson Museum, Cornell University, Ithaca; Art Museum, Rhode Island School of Design, Providence; Museum of Contemporary Art, San Diego; Museum of Contemporary Art, Los Angeles; Museo Rufino Tamayo, Mexico City; Light Work Visual Studies, Syracuse; Bronx Art Museum, NY; Bronx Council on the Arts, Longwood; Casa de las Américas, Havana; Cintas Foundation Fellows Collection, Florida International University, Miami; El Museo del Barrio, New York; Museum of Art, Fort Lauderdale
|
|
|
|
2002 The Artists’ Fund, New York
|
|
|
|
1998 & 1993 Pollock-Krasner Foundation, Visual Arts Fellowship, New York
|
|
|
|
1997 & 1991 Cintas Foundation, Visual Arts Fellowship, New York
|
|
|
|
1997 Joan Mitchell Foundation, New York
|
|
|
|
1994 Mid-Atlantic Arts Foundation, National Endowment for the Arts Regional Painting Fellowship, Baltimore
|
|
|
|
1991Artist-in-the-Marketplace, Bronx Museum of the Arts, New York
|
|
 |
|
|
|
|
|