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Marina Abramovic Biography
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1960 - 1968 |
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Paintings and drawings.
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1965 - 1970 |
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Academy of Fine Arts, Belgrade, Yugoslavia.
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1968 - 1970 |
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Projects,texts and drawings.
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1970 - 1972 |
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Post-graduate studies, Radionica Krsta Hegedusic, Academy of Fine Arts, Zagreb.
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1970 - 1973 |
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Sound environments, exhibitions at the Studenski Kultuni Centar, Belgrade. Yugoslavia with Rasa Todosijevic, Zoran Popovic, Gergeliji Urkom, Slobodan Milivojevic and Nesa Paripovic.
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1973 |
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Wins ¡°7 Sekretar Skoja¡± Prize for Rhythm5, Galleria Nova, Zagreb, Croatia.
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1973 - 1975 |
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Teaches at the Academy of Fine Arts, Novi Sad, Yugoslavia.
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1975 |
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Meets Ulay in Amsterdam.
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1973 - 1976 |
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Performances, video, films.
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1976 |
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Starts relation worksWith Ulay. Decides to make permanent movements and detours.
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1980 - 1983 |
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Travels in Central Australian Sahara, Thar And Gobi Deserts.
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1985 |
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First visit to China.
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1986 |
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Second visit to China.
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1987 |
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Third visit to China.
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1988 |
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The Great Wall Walk (30 April-27 June). Afterwards begins to work and exhibit individually.
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1990 - 1991 |
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Visiting professor at the Hochschule der Kunst,
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1992 - 1996 |
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Professor at the Hochschule f¨¹r Bildende K¨¹nste, Hamburg. Completes two major theater performances:Biography and Delusional.
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1997 |
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Winner of the Golden Lion Award for Best Artist, XLVII Biennale di Venezia, Venice.
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1998 |
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Board Member of the Contemporary Art Center, Kitakyushu, Japan.
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2001 |
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Artist in residence at the Atelier Calder, Sach¨¦, France.
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2003 |
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Niedersachsischer Kunstpreis 2003, Germany. New York Dance and Performance Award (The Bessies), U.S.A.
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1997 - 2004 |
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Professor at the Hochschule f¨¹r Bildende K¨¹nste, Braunschweig, Germany.
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2004 |
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American Art Critic Association Award. Honorary Doctorate Degrees from The School of the Art Institute of Chicago, U.S.A.
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Lives in Amsterdam and New York.
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| Selected Exhibitions |
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2008
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Martian Museum of Terrestrial Art, Barbican, London (England)
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2008
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WACK: Art and the Fiminist Revolution, P.S.1 Contemporary Art Center, Long Island
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2007
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Gehen bleiben, Kunstmuseum Bonn, Bonn
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2007
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Not Closed, beaumontpublic, Luxembourg
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2006
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Renegades 25 Years of Performance at Exit Art, Exit Art, New York City, NY
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2006
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Primitivism Revisited: After the End of an Idea, Sean Kelly Gallery, New York City, NY
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2005
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The Biography Remix [Performances], Avignon Theatre Festival, Avignon, France (solo)
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2005
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Photographies et Objets/Count On Us, Galerie Guy Bärtschi, Geneva, Switzerland (solo)
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2005
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(Re)Presenting Performance [Symposium], Solomon R. Guggenheim Museum, New York (solo)
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2005
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Self Portrait with Skeleton [Performance], Art Basel, Art Unlimited, Basel, Switzerland (solo)
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2005
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Seven Easy Pieces [Performances], Solomon R. Guggenheim Museum, New York (solo)
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2005
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Another Expo: Beyond the Nation-State, White Box, New York
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2005
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The Artist’s Body. Then and Now, Centre d’Art Contemporain, Genève, Switzerland
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2005
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CCA Kitakyushu Artist’s Books, Christophe Daviet-Thery, Paris
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2005
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Donna Donner, Palazzo Strozzi, Florence, Italy
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2005
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DreamingNow, The Rose Art Museum, Brandeis University, Waltham, Mass.
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2005
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Art in Eastern Europe, Karl Ernst Osthaus-Museum, Hagen, Germany
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2005
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Figure It Out, Hudson Valley Center for Contemporary Art, Peekskill, New York
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2005
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Fragments of Time, Yellow Bird Gallery, Newburgh, New York
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2005
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The Gesture, Macedonian Museum of Contemporary Art, Thessaloniki, Greece; Quarter, Center for Contemporary Arts, Florence, Italy
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2005
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etting Emotional, The Institute of Contemporary Art, Boston, MASS.
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2004
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Biography Remix, Fondazione Roma Europa, Rome, Italy (solo)
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2004
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Performing Body: Video Works By Marina Abramovic, The Speed Art Museum, Louisville, KY (solo)
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2004
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Loop Performance, (IPG) P.S.1 Contemporary Art Center, New York, NY (solo)
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2004
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The Netherlands Media Art Institute, Montevideo/Time Based Arts, Amsterdam, The Netherlands (solo)
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2004
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Student Body, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain (solo)
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| Literature |
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2005
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Abramovic, Marina et. al. “ MoMA: How to Look at Modern Art,” The Brooklyn Rail, February 2005, pp. 20-21.
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2005
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Amy, Michaël. “You talkin’ to me?,” DITS: Violence, Vol. III, No. 5, Winter-Spring 2005, pp. 18-31.
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2005
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Bellet, Harry, “Le marché de l’art en spectacle à la Foire de Bâle,” Le Monde, June 18th, 2005, p. 29.
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2005
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Bergeron, Chris, “Waking Dreams,” The Daily News, Sunday, March 6th, 2005, C1, C10.
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2005
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Bishop, Claire. “Fairer Fare,” ArtForum Online, June 15, 2005.
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2005
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Boyce, David B., “Brandeis gallery hosts provocative ‘Dreaming’ exhibit,” Sunday Standard-Times, March 13th, 2005.
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2005
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Breerette, Geneviève, “L’insoutenable Marina Abramovic,” Le Monde 59e Edition du Festival d’Avignon, Tuesday, July 5th, 2005, p. 10.
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2005
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Castle, Terry. “Desperately Seeking Susan,” London Review of Books, March 17,2005.
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2005
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Cesare, Nikki T., “(Re)Performing the Score,” NY Arts, Vol. 10, No. 7.8, July/August 2005, pp. 22-23.
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2005
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Dailey, Meghan. “Feel Like Italian,” Art + Auction, Volume XXVII, No. 9, May 2005, p. 179.
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2005
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“Death and the maiden,” The Art Newspaper: Art Basel Edition, June 14, 2005, p. 1.
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2005
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De Baecque, Antoine, “Une vie de performances,” Libération Online, Wednesday, July 13, 2005.
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2005
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“Dreaming Now,” Sculpture, April 2005.
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2005
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Edgers, Geoff, “Trying out sleep sculpture gives him pause,” The Boston Globe,Friday, February 4th, 2005, C1, C16.
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2005
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Edgers, Geoff, “Perchance To Dream,” The Boston Globe, Friday, February4th, 2005, C1, C16.
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2005
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“Everybody at Art 36 Basel,” Artnet, June 20, 2005.
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2005
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Hopkins, Randi, “I know what girls like,” The Boston Phoenix, Wednesday, January 12th, 2005.
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2005
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“Le Guide Culturelle: Vidéo du Corps à l’Ouvrage,” Elle, June 27 2005, p. 24.
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2005
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Maddocks, Phil, “Make it a date in the Dream Bed,” Natick Bulletin & TAB, February 25th, 2005.
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2005
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“Marina Abramovic: Autoportrait au Squelette,” Beaux Arts Magazine, June 2005, p. 112.
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