|
|
Beatriz Milhazes Biography
|
 |
 |
|
1960 |
|
Nasceu no [ Born in ] Rio de Janeiro, Brasil
|
|
1978 - 1981 |
|
Curso de Comunicação Social SACHA
|
|
1981 - 1982 |
|
Escola de Artes Visuais do Parque Lage, Rio de Janeiro, Brasil
|
|
1986 - 1996 |
|
Taught and coordinated activities at the School of Visual Arts, Lage Park, Rio de Janeiro, Brazil
|
|
1986 - 2001 |
|
Set design for Companhia Márcia Milhazes Dança Contemporânea
|
|
|
|
Vive no [ Lives and Works in ] Rio de Janeiro, Brasil
|
|
|
| Selected Exhibitions |
|
|
|
2007
|
|
Itaú Cultural, Sáo Paulo, Brazil, “Itaú Contemporâneo – Arte no Brasil de 1981 a 2006
|
|
2007
|
|
Museum of Modern Art, New York, What is Painting? Contemporary Art from the Collection
|
|
2007
|
|
Instituto Tome Ohtake, Sáo Paulo, Brazil, 80/90 Modernos Pós Modernos, etc.
|
|
2007
|
|
Mid-America Arts Alliance, Kansas City, Missouri, “Cardinal Points/Puntos Cardinales: A Survey of Contemporary Latino and Latin American Art from the Sprint Nextel Art Collection
|
|
2007
|
|
Paço Imperial, do Instituto do Patrimônio Histórico e Artístico Nacional – IPHAN
|
|
2007
|
|
Ministério da Cultura, “Exposição Comemorativa de 70 Anos do IPHAN”
|
|
2007
|
|
James Cohan Gallery, New York, NY, Beatriz Milhazes, New Prints (solo)
|
|
2007
|
|
Pinacoteca do Estado de São Paulo, Brazil (November) (solo)
|
|
2006
|
|
Domaine de Kerguéhennec, Centre d’Art Contemporain, Bignan, France, Dear Friends
|
|
2006
|
|
Shanghai Biennale, Shanghai Art Museum, Shanghai
|
|
2006
|
|
Southeastern Center for Contemporary Art, Winston-Salem, NC, POPulence
|
|
2006
|
|
San Francisco Museum of Art, San Francisco, CA, Betweeen Art and Life: The Contemporary Painting and Sculpture Collection
|
|
2006
|
|
Centro Cultural do Santander Banespa, Rio de Janeiro, Brazil, É HOJE na Arte Brasiliera Contemporânea” curated by Gilberto Chateaubriand
|
|
2006
|
|
Museu de Arte Moderna de São Paulo- Grande Sala, SP, Brazil, Sem Título, 2006
|
|
2006
|
|
Comodato Eduardo Brandão e Jan Fjeld
|
|
2006
|
|
Museum of Modern Art, New York, NY, Since 2000: Printmaking Now
|
|
2006
|
|
Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, Off the Shelf: New forms in Contemporary Artists’ Books
|
|
2006
|
|
Galerie Max Hetzler, Berlin, Germany (solo)
|
|
2006
|
|
Espacio 1414, San Juan, Puerto Rico (solo)
|
|
2006
|
|
Espacio 1414, San Juan, Puerto Rico, “Los Usos de la Pintura II”, curated by Julieta Gonzalez
|
|
2005
|
|
Barbara Krakow Gallery, Boston, MA, Print Publisher’s Spotlight: Durham Press
|
|
2005
|
|
Museu de Arte da Pampulha, Mezanino out/nov Belo Horizonte MG, Brazil, Lagoa (solo)
|
|
2005
|
|
POPulence, Blaffer Gallery – The Art Museum of The University of Houston, Texas, USA
|
|
2005
|
|
Flower Myth - Van Gogh to Jeff Koons, Foundation Beyeler, Basel, Suíça
|
|
2005
|
|
Stephen Friedman Gallery, Londres, GB (solo)
|
|
2004
|
|
Meu Prazer, Galeria Fortes Vilaça, São Paulo, Brasil (solo)
|
|
2004
|
|
Gávea, Projeto Brasil 40º , Desenho para a fachada da loja de departamentos Selfridges & Co, Manchester, GB
|
|
2004
|
|
Moma at el Museo -Latin American and Caribbean art from the Collection of the Museum of Modern Art, El Museo del Bairro, Nova York, USA
|
|
2004
|
|
XXVI Bienal Internacional de São Paulo, São Paulo, Brasil
|
|
2004
|
|
The Encounters in the 21st Century: Polyphony - Emerging Resonances, 21st Century Museum of Contemporary Art, Kanazawa, Japão
|
|
2004
|
|
Ice Hot Recent Painting from the Scharpff Collection, Hamburger Kunstalle, Staatsgalerie Stuttgart, Hamburg Germany
|
|
2004
|
|
Estratégias Barrocas – Arte Contemporânea Brasileira, Centro Cultural Metropolitano de Quito, Equador
|
|
2004
|
|
Natureza-Morta/Still Life, Julho a Novembro de 2004 curadoria Kátia Canton, Galeria de Arte do Centro Cultural SESI, São Paulo
|
|
2004
|
|
Galeria Fortes Vilaca, Sao Paulo, Brazil, “Meu Prazer” (solo)
|
|
2004
|
|
James Cohan Gallery, New York, NY, “Summertime” (solo)
|
|
2004
|
|
Flower as Image-From Monett to Jeff Koons; Louisiana Museum, Dinamark
|
|
2003
|
|
Pavilhão Brasileiro [ Brazilian Pavilion ] L Biennale Internazionale d’ Arte, Veneza, Itália
|
|
2003
|
|
Centre d’Art Contemporain, Bignan, France, Domaine de Kerguehennec (solo)
|
|
2003
|
|
Beatriz Milhazes, Domaine de Kerguéhennec-Centre d'Art Contemporain, Bignan, França (solo)
|
|
2003
|
|
Galerie Max Hetzler, Berlin, Alemanha (solo)
|
|
2002
|
|
Stephen Friedman Gallery, London, GB (solo)
|
|
2002
|
|
Mares do Sul, Centro Cultural Banco do Brasil, Rio de Janeiro, Brasil (solo)
|
|
2002
|
|
Artist’s Book Project, Museum of Modern Art, New York, EUA (solo)
|
|
2001
|
|
Ikon Gallery, Birmingham, GB (solo)
|
|
2001
|
|
Birmingham Museum of Art, Alabama, EUA (solo)
|
|
2001
|
|
Galeria Elba Benitez, Madrid, Spain (solo)
|
|
2001
|
|
Galeria Pedro Cera, Lisbon, Portugal (solo)
|
|
2000
|
|
Edward Thorp Gallery, New York, NY (solo)
|
|
2000
|
|
Galeria Camargo Vilaça, São Paulo, Brasil (solo)
|
|
1999
|
|
Stephen Friedman Gallery, London, England (solo)
|
|
1998
|
|
Anna Niemeyer, Rio de Janeiro, Brazil (solo)
|
|
1998
|
|
Galerie Nathalie Obadia, Paris, France (solo)
|
|
1998
|
|
Paço Imperial, Rio de Janeiro, Brazil (solo)
|
|
1997
|
|
Museo Alfredo Andersen, Curitiba, Brazil, “Beatriz Milhazes, 1989/1993” (solo)
|
|
1997
|
|
Edward Thorp Gallery, New York, NY (solo)
|
|
1996
|
|
Edward Thorp Gallery, New York, NY (solo)
|
|
1996
|
|
Galeria Camargo Vilaça, São Paulo, Brazil, catalogue (solo)
|
|
1995
|
|
Dorothy Goldeen Gallery, Los Angeles, CA (solo)
|
|
1994
|
|
Ana Maria Niemayer Galeria, Rio de Janeiro, Brazil (solo)
|
|
1993
|
|
Galeria Camargo Vilaça, São Paulo, Brazil, catalogue (solo)
|
|
1991
|
|
Subdistrito Comercial de Arte, São Paulo, Brazil, catalogue (solo)
|
|
1990
|
|
Galeria Saramenha, Rio de Janeiro, Brazil (solo)
|
|
1989
|
|
Pasárgada Arte Contemporânea, Recife, Brazil (solo)
|
|
1988
|
|
Galeria Suzana Sassoum, São Paulo, Brazil (solo)
|
|
1987
|
|
Galeria Cesar Ache, Rio de Janeiro, Brazil, catalogue (solo)
|
|
1985
|
|
Galeria Cesar Ache, Rio de Janeiro, Brazil (solo)
|
|
|
|
Coleções Públicas [ Private Collections ]
|
|
|
|
Coleção [Collection] Salomon R. Guggenhein Museum, New York, USA
|
|
|
|
Coleção [Collection] The Museum of Modern Art, New York, USA
|
|
|
|
Coleção [Collection] Banco Itaú, S.A., São Paulo, Brasil
|
|
|
|
Coleção [Collection] Museo Nacional Centro de Arte Reina Sophia, Madrid, Espanha
|
|
|
|
Coleção [Collection] 21st Century Museum of Contemporary Art, Kanzawa, Japão
|
|
|
|
Coleção [Collection] Carnegie Museum of Art, Pittsburgh; Alexander C.and Tillie S. Speyer, Fund for Contemporary Art in honor of Madeleine Grynsztejn, USA
|
|
|
|
Coleção [Collection] Metropolitan Museum of Art, New York , USA
|
|
|
|
Coleção [Collection] La Sacen Neuilly-Sur Seibe, França
|
|
|
|
Coleção [Collection] Worcester Art Museum, U.S.A
|
|
|
|
Coleção [Collection] 21st Century Museum of Contemporary Art, Kanzawa, Japão
|
|
|
| Literature |
|
|
|
2006
|
|
Sur La Terre, “Beatriz Milhazes; Une peinture libre, rythmée et audacieuse,” Summer 2006, no.18. p. 92-95
|
|
2006
|
|
Vogue, “Kurvenstars,” Bernd Skupin, May (German edition) p. 189
|
|
2006
|
|
Elle Décor, “Beatriz Milhazes,” David Colman, April, v. 17, no. 3, p. 62-64
|
|
2006
|
|
Istoe, “A pintora braslieira do MoMA e da Copa; Beatriz Milhazes vende obra para museu dos EUA e faz cartaz do mundial,” Celina Cortes, April
|
|
2005
|
|
Modern Painters, “Dark Side of the Bloom,” Martin Herbert, December 2005-2006 p 78-81
|
| |