|
|
Daria Martin Biography
|
 |
 |
|
1973 |
|
Born San Francisco, USA
|
|
1995 |
|
B.A., Humanities, magna cum laude, Phi Beta Kappa, Yale University
|
|
1999 |
|
Artist in Residence, Cite Internationale des Arts, Paris
|
|
2000 |
|
M.F.A., cum laude, University of California, Los Angeles
|
|
2002 |
|
Artist in residence, Delfina Studios Trust, London
|
|
2007 |
|
Artist in residence, The Watermill Center, New York
|
|
2008 |
|
Wellcome Trust Arts Award, London
|
|
|
|
Lives and works in London
|
|
|
|
2006 Regeneration, (a collaboration with Zeena Parkins), Tate Modern, Turbine Hall, London
|
|
|
|
2006 Object Relations, Hayward Gallery & Art Basel Miami Beach
|
|
|
|
2006 The Wedding will not take Place, Poor Man’s Expression, Kino Arsenal, Berlin
|
|
|
|
2004 Spring is the Future, Concert in the Egg, curated by Emma Robertson And Jo Stella-Sawicka, The Ship, London
|
|
|
|
Talks, Symposia & Panel Discussions
|
|
|
|
2008 Lecture and Screening, CCA: California College of the Arts, San Francisco
|
|
|
|
2008 MFA Seminar, Translations, (with Ammiel Alcalay and Paul La Farge), key lecture: Synasethesia and the Translations of the Senses, Bard College, New York
|
|
|
|
2008 Lecture, Art and Perception, Movement and Stasis, (with Colin Blakemore), University of Bristol, UK
|
|
|
|
2008 Lecture, Royal College of Art, MFA programme in photography, 30 October 2008
|
|
|
|
2007 Talk and Screening, St John’s College, Oxford
|
|
|
|
2007 Lecture, Slade School of Fine Art, University College London
|
|
|
|
2007 Lecture, Anthropology Department, Goldsmiths College, University of London
|
|
|
|
2006 Artist’s Talk, (with Peter Welz, moderated by Bill Arnig), MIT List Visual Arts Center, Cambridge
|
|
|
|
2006 Lecture and Screening, Secession, Vienna
|
|
|
|
2006 Lecture and Screening, Dance and Art in London, Suzanne Dellal Center, Tel Aviv
|
|
|
|
2006 Daria Martin, (lecture about the works affinities with Joseph Cornell and Emily Dickinson), Arnolfini, Bristol
|
|
|
|
2006 Lecture and Screening, The Royal College of Art, London
|
|
|
|
2006 Four Women, a talk on Anna Halprin, Carolee Schneemann, Zeena Parkins and Nina Fog, part of the symposium Feminist Legacies and Potentials in Contemporary Art Practice, sponsored by If I can't dance I don't want to be part of your revolution, De Appel, Amsterdam
|
|
|
|
2006 British Art Talks: Music (lecture and panel discussion with Mark Leckey and Ryan Gander), Tate Britain, London
|
|
|
|
2006 Lecture and Screening, Bonniers Konsthall, Stockholm
|
|
|
|
2005 Lecture and Screening, Swiss Centre, Paris
|
|
|
|
2005 The New Moderns: Second Annual Conference, The Showroom, London
|
|
|
|
2005 The New Female Voyeurism (screening and panel discussion), The Institute of Contemporary Arts, London
|
|
|
|
2005 bfi and Tate: International Symposium: By Design: Film Fashion Art Architecture (screening and talk), Tate Modern, London
|
|
|
|
Selected Screenings and Broadcasts
|
|
|
|
2008 11. Clair-obscur Film Festival 2008, Basel, Switzerland
|
|
|
|
2008 NOTHING is exciting. NOTHING is sexy…, Museum Moderner Kunst, Vienna
|
|
|
|
2008 “Conversation with Colin Blakemore,” The Material World, BBC Radio 4, 13 November 2008
|
|
|
|
2008 The Young and Evil, film and video selected by Andrea Geyer, William E. Jones, Daria Martin, Carlos Motta, Karol Radziszewski, Bruce Yonemoto and Akram Zaatari, tank.tv, July – September 2008, Tate Modern, 20 September 2008
|
|
|
|
2007 Museum of Modern Art, New York
|
|
|
|
2007 Never Spill, CCA Glasgow
|
|
|
|
2006 Loneliness and the Modern Pentathlon, 59th Locarno International Film Festival
|
|
|
|
2006 The Artists Cinema, Frieze Art Fair, London
|
|
|
|
2006 Loneliness and the Modern Pentathlon, Tate Modern, London
|
|
|
|
2005 Artists’ Cinema, Frieze Art Fair, London
|
|
|
|
2005 Daria Martin: Screenings, Casco Projects, Utrecht
|
|
|
|
2005 Flesh and Fantasy, (film night curated by Daria Martin), Tate Britain, London
|
|
|
|
2005 Ed Ruscha Film Night, Museum of Contemporary Art, Los Angeles
|
|
|
|
2005 Describing Form, (screenings curated by Lucy Reynolds for LUX, touring exhibition), The Henry Moore Institute, Tate Britain, London, and others
|
|
|
|
2002 - 2005 Revolver, (a series of short films by artists, curated by Carmen Zita, broadcast weekly on the European arts Channel) Expo 24X7
|
|
|
|
Arts Council England, London
|
|
|
| Selected Exhibitions |
|
|
|
2009
|
|
3M Commission, Touring Exhibition. MCA Chicago, New Museum, New York, Hammer Museum, Los Angeles (solo)
|
|
2008
|
|
Maureen Paley, London (solo)
|
|
2008
|
|
Manifesta 7, Trentino, South Tyrol, Italy
|
|
2008
|
|
PERFORMA07, New York
|
|
2007
|
|
Continuous Project Altered Monthly, curated by Jens Hoffmann, CCA Wattis Institute for Contemporary Arts, San Francisco (solo)
|
|
2007
|
|
S.M.A.K., Ghent (solo)
|
|
2007
|
|
Wolfgang von Kempelen. Man-[in the]-Maschine, ZKM Medienmuseum, Karlsruhe. Earth?, Galerie Giti Nourbakhsch, Berlin
|
|
2006
|
|
ACTION ed., fracpaca, Marseille
|
|
2006
|
|
Stedelijk Museum, Amsterdam (solo)
|
|
2006
|
|
Wintergarden, Castlefield Gallery, Manchester (solo)
|
|
2006
|
|
A world of pleasures to win, (Daria Martin and Bernd Kraus), curated by Melanie Ohnemus, dreizehnzwei, Vienna
|
|
2006
|
|
Choreographic Turn, (Daria Martin and Peter Welz), MIT List Visual Arts Center, Cambridge
|
|
2006
|
|
Poor Man’s Expression (reading and film projection as part of the group exhibition), Kino Arsenal, Berlin
|
|
2006
|
|
Protections, Kunsthaus Graz, Austria
|
|
2006
|
|
Tate Triennial, Tate Britain, London
|
|
2006
|
|
Women of Europe, City of St Tropez
|
|
2006
|
|
Uncertain States of America, Touring Exhibition: Bard Art Museum Bard College, New York, Reykjavik Art Museum, Hernig Art Museum, Denmark, Astrup Fearnley Museum of Modern Art, Oslo, Serpentine Gallery, London, 2 Moscow Biennial for Conteporary Art, Moscow (2007), Galerie Rudolfinum, Prague
|
|
2005
|
|
The British Art Show 6, The Baltic Centre for Contemporary Art, Gateshead
|
|
2005
|
|
A Certain Tendency in Representation, Thomas Dane Gallery, London
|
|
2005
|
|
Emblematic Display, curated by Catherine Wood, Institute of Contemporary Arts, London
|
|
2005
|
|
U-Move, Galeria Comunale d’Arte Contemporanea di Monfalcone, Italy
|
|
2005
|
|
Beck’s Futures, touring exhibition: Institute of Contemporary Arts, London, and others
|
|
2005
|
|
Soft Materials, The Showroom, London (solo)
|
|
2005
|
|
Five Fights, Kunstverein in Hamburg, Hamburg (solo)
|
|
2005
|
|
Daria Martin, Kunsthalle Zürich, Zürich (solo)
|
|
2005
|
|
Man and Mask, Collective Gallery, Edinburgh (solo)
|
|
2005
|
|
Daria Martin, Künstlerhaus Stuttgart, Stuttgart (solo)
|
|
2004
|
|
Daria Martin: Closeup Gallery, Hotel, London (solo)
|
|
2004
|
|
Sophie Macpherson and Daria Martin, Glasgow Sculpture Studios, Glasgow
|
|
2004
|
|
In the Palace at 4 a.m., curated by Catherine Wood, Alison Jacques Gallery, London
|
|
2004
|
|
100 Artists See God, curated by John Baldessari and Meg Cranston, touring exhibition: Institute of Contemporary Arts, London, and others
|
|
2004
|
|
Feast of Silenus, Edinburgh College of Art, Edinburgh
|
|
2003
|
|
The Moderns, Museo Castello di Rivoli, Turin
|
|
2003
|
|
Paris is Burning, Entwistle Gallery, London
|
|
2003
|
|
Bootleg, Spitalfields Market, London
|
|
2003
|
|
The Fragile Underground, curated by David Thorpe, Bart Wells Institute, London
|
|
2003
|
|
Daria Martin: Art Now Lightbox, Tate Britain, London (solo)
|
|
2003
|
|
Closeup Gallery, Analix Forever Gallery, Geneva (solo)
|
|
2002
|
|
Al Respecto 7, Rafael Tous Foundation, Barcelona
|
|
2001
|
|
Birds, Gallery Two, Andrea Rosen Gallery, New York (solo)
|
|
2001
|
|
Tirana Biennale, National Gallery, Tirana
|
|
2001
|
|
Sharing Sunsets, Tucson Museum of Contemporary Art, Tucson
|
|
2001
|
|
Not at Home, Solitude Gallery, Stuttgart.
|
|
2000
|
|
Sentimental Education, curated by David Rimanelli, Deitch Projects, New York
|
|
2000
|
|
And She Will Have Your Eyes, Analix Forever Gallery, Geneva
|
|
2000
|
|
New School, Works on Paper, Los Angeles
|
|
2000
|
|
M.F.A. Thesis Show, UCLA New Wight Art Gallery, Los Angeles
|
|
1999
|
|
Black Dragon Society, Black Dragon Society, Los Angeles
|
|
|
| Literature |
|
|
|
2008
|
|
Bonami, Francesco, Performa 07, Domus, January 2008
|
|
2008
|
|
Case Study: Harpstrings and Lava and Minotaur by Daria Martin, Frieze, November-December 2008, pp.158-159
|
|
2008
|
|
Keeping Pace with Art Itself: The Three M Project at the New Museum, www.db-artmag.com, Issue 3, 2008, p.7
|
|
2008
|
|
Lack, Jessica, Daria Martin, Guardian Guide, 1st November 2008, p.36
|
|
2008
|
|
Mclean-Ferris, Laura, Exhibitionist: What to see this week, guardian.co.uk, 14 November 2008
|
|
2008
|
|
Myers, Julian, Pioneers / Passengers, Frieze, January 2008, p.181
|
|
2008
|
|
Focus London, Artists Dictionary: Daria Martin, Flash Art, October 2008, p.95
|
|
2008
|
|
O’Reilly, Sally, Reviews: Daria Martin, Time Out, 13-19 November 2008, pg. 69
|
|
2008
|
|
Temposhark, Daria Martin at Maureen Paley, kctv.co.uk, 24 November 2008
|
|
2008
|
|
Walsh, Maria, Daria Martin, Art Monthly, December 2008, pp.33-34
|
|
2008
|
|
Formulas For Now, Formulated by Hans Ulrich Obrist, Thames & Hudson, London, 2008, p.110
|
|
2007
|
|
Fresh Moves: New Moving Images From The UK, Tank TV, 2007, pp.40-41
|
|
2007
|
|
Ice Cream, text by Jens Hoffmann, Phaidon Press, pp 240-243
|
|
2007
|
|
Fresh Moves: New Moving Images From the UK (DVD), Tank Form, London
|
|
2007
|
|
Carolee Schneemann (interview with Daria Martin), Pierre Menard Gallery, 2007
|
|
2007
|
|
Auslander, Philip, Previews: Performa07, Artforum, September 2007, p.158
|
|
2007
|
|
Buck, Louisa, Daria Martin: just wants to dance, Art Newspaper, 7 December 2007
|
|
2007
|
|
Sharpe, Chris, Book: Fresh Moves, Flash Art, October 2007, p.66
|
|
2007
|
|
Davies, Lucy C, One to Watch, artkrush.com, 5 September 2007
|
|
2007
|
|
Kennedy, Alexander, Never Still, The List, 16 February 2007, p89
|
|
2007
|
|
Rees, Simon, 2nd Moscow Biennale, Frieze, May 2007, p. 154. Map Magazine, March 2007
|
|
2007
|
|
Passengers: CCA Wattis Institute for Contemporary Art, e-flux.com, 11 September 2007
|
|
2007
|
|
Van de Velde, Paola, Melancholieke tableaus vivants, De Telegraph, 9 November 2007
|
|
2007
|
|
Wittocx, Eva, Daria Martin: Harpstrings and Lava, Flash Art, November 2007, p.105
|
|
2006
|
|
Barrett, David, Tate Triennial, Art Monthly, May 2006
|
|
2006
|
|
A world of pleasures to win, Essay by Jan Verwoert, Dreizenehnzwei, Vienna, Austria
|
|
2006
|
|
Daria Martin, Action ed, 2006
|
|
2006
|
|
Gillian, Melanie, On the Ground: London, Artforum, December 2006, pp. 256-258 & 350
|
|
2006
|
|
Sgualdini, Silvia, Fast Forwarding The Avant-Garde, UOVO, Issue 11, 2006, pp. 24-51
|
|
2006
|
|
Daria Martin, Kunsthalle Zürich and Kunstverein in Hamburg, jrp ringier, 2006
|
|
2006
|
|
Bell, Kirsty, Track and Field, Frieze, March 2006, p.126-129
|
|
2006
|
|
Burnett, Craig, Show me all your hidden secrets, Art Review, May 2006, p114-117
|
|
2006
|
|
Cumming, Laura, Tate Triennial 2006 Observer, 05 March 2006
|
|
2006
|
|
Dorment, Richard, Haunted by concepts of the past, Telegraph, 07 March 2006
|
|
2006
|
|
Grant, Simon, Periodical tables – Tate Etc, Frieze, June, July, August 2006, p248&249
|
|
2006
|
|
Guner, Fisun, Art Review: Uncertain States of America, Metro, 14 September 2006, p36
|
|
2006
|
|
Heerma van Voss, Sandra, Persephone is depressief meisje, NRC Handelsblad, 30 October 2006
|
|
2006
|
|
Hunt, Andrew and Mulholland, Neil, British Art (does it) Show?, Frieze, Issue 96, January - February 2006, p132-137
|
|
2006
|
|
Lafuente, Pablo, Zeena Parkins & Daria Martin: Regeneration, London Tate Modern, Wire, May 2006, p81
|
|
2006
|
|
Kenning, Dean, Uncertain States of America, Art Monthly, No. 300, October 2006, p31&32
|
|
2006
|
|
McQuaid, Cate, Feats (and follies) of technology, Boston Globe, 18 June 2006
|
|
2006
|
|
Mulholland, Neil, Spotlight, British Art Show 6, Flash Art, Volume XXXIX, Nº246, January - February 2006, p100
|
|
2006
|
|
Plender, Olivia, Greek Myth and the Ghosts of Bexhill-on-Sea, Tate Etc, Spring 2006
|
|
2006
|
|
Plender, Olivia, Periodical tables – Untitled, Frieze, June, July, August 2006. p249
|
|
2006
|
|
Searle, Adrian, Rebels without a cause, The Guardian, 09 December 2006, pp 18-20
|
|
2006
|
|
Schwabsky, Barry, Barry Schwabsky on Daria Martin, Artforum, March 2006, p264-265
|
|
2006
|
|
Sgualdini, Silvia, Fast Forwarding The Avant Garde: Daria Martin, Uovo Magazine, Issue 11, 2006, p24 – 51
|
|
2006
|
|
Widmann,Tanja, Daria Martin / Bernd Krauss, Springerin, 18 February 2006, p67
|
|
2006
|
|
Williams, Eliza, Tate Triennial 2006, Flash Art, May 2006, p63&64
|
|
2006
|
|
Don’t miss, Art Review, March 2006
|
|
2006
|
|
On the Ground, Artforum, January 2006, p218
|
|
2006
|
|
Tate Triennial, Art Review, May 2006, p128
|
|
2006
|
|
Tate Triennial 2006, Tate Magazine, April 2006
|
|
2006
|
|
The Artists’ Artists, Artforum, December 2006, p119
|
|
2006
|
|
Top 100 Artists, Flash Art, October 2006, pp.68-69
|
|
2005
|
|
Akbar, Arifa, Anti-Sensation! Artist’s ‘discreet and quiet’ work wins £26,000 Beck’s Futures Prize, The Independent, 27 April 2005
|
|
2005
|
|
Akbar, Arifa, Meet the new faces of the UK Art Scene, Independent, 06 June 2005
|
|
2005
|
|
Anderson, Hephzibah, Beck’s Futures, Evening Standard, 21 March 2005
|
|
2005
|
|
Anderson, James, Brighter Future, Loaded Fashion, 31 March 2005
|
|
2005
|
|
The British Art Show 6, Hayward Art Gallery, London
|
|
2005
|
|
Uncertain States of America, Astrup Fearnley Museum of Modern Art, Oslo, p78 - 79
|
|
2005
|
|
The Showroom Annual 2004-2005, The Showroom, London
|
|
2005
|
|
U-Move, Galeria Comunale d’Arte Contemporanea di Monfalcone, Italy
|
|
2005
|
|
Beck’s Futures, Institute of Contemporary Arts, London, p65 - 75
|
|
2005
|
|
Baldon, Diana, Daria Martin interviewed, tema celeste, March - April 2005, p56-57
|
|
2005
|
|
Behrman, Pryle, Now you see it..., Galleries, 01 April 2005, p15
|
|
2005
|
|
Bussel, David, Daria Martin: The Showroom (review), Artforum, May 2005, p261
|
|
2005
|
|
Campbell-Johnson Rachel, Critics Pick & New this week, The Times, The Knowledge, 12 March 2005, p33
|
|
2005
|
|
Campbell-Johnston, Rachel, Laugh, cry, or try to get it, but it’s all acreative mess. The Times, 18 March 2005
|
|
2005
|
|
Charlesworth, JJ, Beck’s Futures, Modern Painters, May 2005
|
|
2005
|
|
Cooper, Emmanuel, Shock and surprise are significant, Tribune, 15 April 2005
|
|
2005
|
|
Corrigan, Polly, Celluloid Sensibilities, Telegraph.com, 08 March 2004
|
|
2005
|
|
Cumming, Laura, Tales from a shanty town, Observer Review, 27 March 2005
|
|
2005
|
|
Darwent, Charles, A Tidy Show Indeed, Independent on Sunday, 20 March 2005, p25
|
|
2005
|
|
Davies, Serena, Futures Imperfect, Daily Telegraph, 05 March 2005, p20
|
|
2005
|
|
Dhillon, Kim, future fantastic, i-D, Nº55, June 2005, p36
|
|
2005
|
|
Gale, Iain, A truly Cosmopolitan affair, Scotland on Sunday, 02 October 2005
|
|
2005
|
|
Guner, Flsun, Calling the young at art, Metro, 21 March 2005
|
|
2005
|
|
Harrison, Eddie, Opportunity knocks, Metro Scotland, 24 May 2005
|
|
2005
|
|
Hacksworth, Nick, Playing to the Gallery, Evening Standard, 22 March 2005
|
|
2005
|
|
Herbert, Martin, Artforum, 22 March 2005
|
|
2005
|
|
Horlock, Mary, The other art prize: it’s cabaret night for maverick minds, Financial Times, 31 March 2005
|
|
2005
|
|
James, Sarah, British Art Show 6, Art Monthly, November 2005
|
|
2005
|
|
Januszczak, Waldemar, ...Beck’s Futures shows what a mess the ICA is in... The Sunday Times Culture, 20 March 2005
|
|
2005
|
|
Jeffery, Moira, Where the creative misfits in Beck’s?, Glasgow Herald, 01 June 2005
|
|
2005
|
|
Jinman, Richard, Smell of success: Scented art up for prize. The Guardian, 16 March 2005
|
|
2005
|
|
Jones, Jonathan, Visions of ‘emotional landscapes’ seduce Beck’s judges, The Guardian, 27 April 2005, p11
|
|
2005
|
|
Kennedy, Alexander, Beck’s Futures, The List, 09 June 2005
|
|
2005
|
|
Kent, Sarah, Brewer’s Droop, Time Out, 30 March 2005
|
|
2005
|
|
Lafuente, Pablo, Debut: Daria Martin, Art Review, January 2005
|
|
2005
|
|
Le Feuvre, Lisa, Daria Martin: The Showroom, (review), Art Monthly, March 2005, p27
|
|
2005
|
|
Leitch, Luke, Graveyard with a scent of art’s richest award, Evening Standard, 15 March 2005
|
|
2005
|
|
Lubbock, Tom, Instant Culture, The Independent Review, 15 March 2005
|
|
2005
|
|
Mottram, Jack, It’s not the winning, it’s the making art, Sunday Herald, 29 May 2005
|
|
2005
|
|
Noah, Sherna, Smell of Success for Arts Prize Contender, Scotsman, 15 March 2005
|
|
2005
|
|
O’Reilly, Sally, Daria Martin: The Showroom, (review), Modern Painters, April 2005, p110 - 111
|
|
2005
|
|
Panting, Lisa, Daria Martin: The Showroom (review), frieze, April 2005, p117 -118
|
|
2005
|
|
Searle, Adrian, Say it with flowers, The Guardian, 22 March 2005
|
|
2005
|
|
Sanchez, Alberto, Beck’s Futures 2005, Exit Express, March 2005
|
|
2005
|
|
Shannon, Sarah, A nose for novelty, Independent, 03 March 2005
|
|
2005
|
|
Smell of success for Arts Prize Contender, Press Association, 15 March 2005
|
|
2005
|
|
Tufnell, Rob, Eye Robot, Tank, January 2005
|
|
2005
|
|
Winslet, Jim, Sleight of Hand, Artists’ work on show for Beck’s Prize, Financial Times, 16 March 2005
|
|
2005
|
|
White, Ian, Art and film get spliced, Art Review, October 2005, p61-62
|
|
2005
|
|
Art Beat & Hit List, The List., 13 June 2005
|
|
2005
|
|
Awards and Shortlists, Art Review, Febuary 2005
|
|
2005
|
|
Beck’s Appeal, Design Week, 13 January 2005
|
|
2005
|
|
Beck’s Futures 2005, artrepublic,com, 22 March 2005
|
|
2005
|
|
Beck’s Futures, ID, May 2005
|
|
2005
|
|
Beck’s Futures, Metro Life, 08 April 2005
|
|
2005
|
|
Beck’s Futures 2005, Scotland on Sunday, 29 May 2005
|
|
2005
|
|
Beck’s Futures, The Times, 09 April 2005
|
|
2005
|
|
Brit Art: the Next Generation, The Independent, 1 December, 2005
|
|
2005
|
|
Drinks News, Night Magazine, 01 April 2005
|
|
2005
|
|
Exploring the concept of form and space, Exmouth Journal, 05 May 2005
|
|
2005
|
|
Future Greats, Art Review, December 2005
|
|
2005
|
|
In the balance, Art Newspaper, February 2005
|
|
2005
|
|
In Pictures: Beck’s Futures finalists, BBC News, 15 March 2005
|
|
2005
|
|
Openinmg this week, Metro Life, 18 March 2005
|
|
2005
|
|
Pick n Mix, Attitude, March 2005, p106
|
|
2005
|
|
Pick of the month, Arena, 01 April 2005
|
|
2005
|
|
Six Scent Success in Richest Arts Awards, PA News, 26 April 2005
|
|
2005
|
|
£26,000 Prize for Artist who leaves critics ‘baffled’, PA News, 26 April 2005
|
|
2005
|
|
When does a sound become art?, Art Review, Volume LVI, May 2005, p74-77
|
|
2004
|
|
Brown, Jonathan, Beck’s Futures shortlist abandons the sensational for ‘more serious’ artworks, Independent.com, 17 December 2004
|
|
2004
|
|
Bussel, David, Critics’ Picks: Closeup Gallery, Artforum Online, November, 2004
|
|
2004
|
|
Edward, Rhiannon, Scot based filmmaker Shortlisted for the Beck’s Future art prize, The Scotsman, 18 December 2004
|
|
2004
|
|
Higgins, Charlotte, ICA Unveils art prize shortlist, Guardian.com, 17 December 2004
|
|
2004
|
|
Lafuente, Pablo, Daria Martin, Art Review, Volume LIV, December 2004 - January 2005, p102
|
|
2004
|
|
Low, Valentine, Corridor Shorlisted for Art Prize, Evening Standard, 17 December 2004
|
|
2004
|
|
Miller, Phil, Dark Art of Urquart wins place on Becks prize shortlist, Glasgow Herald, 18 December 2004
|
|
2004
|
|
Pethick, Emily, London Picks: In the Palace at 4 am Artforum Online, July, 2004. Palace Evolution, Time Out, 28 July-4 August 2004
|
|
2004
|
|
Plender, Olivia, On Daria Martin, Untitled, Spring 2004, p14 - 19
|
|
2004
|
|
100 Artists See God, Independent Curators International, New York, p100 - 101
|
|
2004
|
|
Art Now and Then, Tate Britain, London, p56
|
|
2004
|
|
Roy, Sanjoy, Moving the Goalposts, Contemporary, issue 66, October, 2004, P32 – 35 and cover
|
|
2004
|
|
Becks Futures Shortlist Announced, artforum.com, 17 December 2004
|
|
2004
|
|
Jabba slugs it out for £20,000, Metro, 17 December 2004
|
|
2004
|
|
Short List for Beck’s Futures 2005 Announced, artdaily.com, 20 December 2004
|
|
2004
|
|
Star Wars Inspires Art Shortlist, bbc.co.uk, 17 December 2004
|
|
2003
|
|
I Moderni/ The Moderns, Castello di Rivoli, Turin, p135 - 140
|
|
2003
|
|
Bosco, Roberta, Quienes son los modernos?Babelia, 03 May 2003
|
|
2003
|
|
Castello di Rivoli Museo d’Arte Contemporanea, e-flux, 04 October 2003
|
|
2003
|
|
Chrietov-Bakargiev, Carolyn, The Moderns, TK_eventi, 16 April 2003
|
|
2003
|
|
Cordero, Jacaopo, Tris Espositivo al Castello di Rivoli, culturalweb, 14 March 2003
|
|
2003
|
|
Curto, Guido, I Moderni al Castello, Torino Sette Settimanale di spettacolo, cultura e tempo libero, 11 April 2003
|
|
2003
|
|
Dyer, Richard, News: London, Contemporary, Nº55, 2003, p14 - 16
|
|
2003
|
|
Espanet, Luisa, Labirinti Elettrici,Gulliver, 3 March 2003
|
|
2003
|
|
Fanelli, Franco, Moderni si, modaioli no: chi sono gli artisti della generazione post Twin Towers, Il Giornale Dell’ Arte, No. 220, 03 April 2003, p12
|
|
2003
|
|
Kedzierski, Roberta, Revelling in Beauty at Rivoli, Hello Milano, May 2003
|
|
2003
|
|
Maggiorelli, Simona, La mostra “I moderni al castello di Rivoli, Europa, 05 April 2003
|
|
2003
|
|
Milano, Skira, I Moderni / The Moderns, cerca cultura, 07 April 2003
|
|
2003
|
|
Passarella, Sabrina, Un salto oltre il modernismo, Luna Nuova, 15 April 2003
|
|
2003
|
|
Per Mostre, Andar, Il villaggio dell’arte e aperto, La Stampa, 26 April 2003
|
|
2003
|
|
Polla, Barbara, Daria Martin and the Modern Pentathlon, Citizen K, Paris, Winter 2003-2004, p68, 362
|
|
2003
|
|
Rangoni, A. Giovanni, I Moderni, Piu..., March 2003
|
|
2003
|
|
Roselli, Roberto, La modernita emergente a Rivoli, Mil Ano Arte, 16 April 2003
|
|
2003
|
|
Rovera, Valentina, I moderni in mostra, Torino Magazine, No. 58, May 2003
|
|
2003
|
|
Scardim, Gabi, Guida al Maniero del futuro, Il Sole 24 Ore, 27 April 2003
|
|
2003
|
|
Sgarbi, Vittorio, Per Dimenticare la noia del Post-Modern, Grazia, 20 May 2003
|
|
2003
|
|
Viliani, Andrea, Daria Martin, (review), Flash Art International, Milan, October, 2003, p124
|
|
2003
|
|
Appuntamenti Torino Always on the Move, May 2003
|
|
2003
|
|
Contemporanei? No, Moderni, La Repubblica, Rome, April 5, 2003, p65
|
|
2003
|
|
Due Mostre, Ansa, 15 April 2003
|
|
2003
|
|
I Moderne / The Moderns, Lettera Dei Musei, 13 April 2003
|
|
2003
|
|
‘I Moderni’ in mostra al Castello di Rivoli fra musica e arte, Zero Nove, 14 April 2003
|
|
2003
|
|
Il Castello torinese dei Moderni, il Manifesto, 12 April 2003
|
|
2003
|
|
In Mostra,Grazia, 04 March 2004
|
|
2003
|
|
I Modernio / The Moderns, Go Spark, April 2003
|
|
2003
|
|
I Moderni / The Moderns, extrart, 11 February 2003
|
|
2003
|
|
L’Arte & Il Sapere, La Gazzetta Web, 19 February 2003
|
|
2003
|
|
Lightbox 2, Art Now Tate, 2003
|
|
2003
|
|
Castello di Rivoli, tema celeste, March 2003
|
|
2003
|
|
Moderni, Arata Isozaki, Janet Cardiff, Giorgia Fiorio, Alessandre Testi, Torino Sette, 23 March 2003
|
|
2003
|
|
Rivoli, ExhibArt, 15 May 2003
|
|
2003
|
|
“The Moderns” e “Electric Labyrinth” al Castello di Rivoli, Portfolio Italia, 10 April 2003
|
|
2003
|
|
The Moderns I Moderni, Torino, March 2003
|
|
2002
|
|
Cattelan, Maurizio, curator, Charley 01, New York, Spring 2002
|
|
2002
|
|
Lafuente, Pablo, A room of their own, Artreview, London, November 2002
|
|
2002
|
|
Pierini, Esther, Birds, frieze, London, April 2002, p103
|
|
2001
|
|
Rimanelli, David, First Take: Daria Martin, Artforum, New York, January 2001 , p127
|
|
2001
|
|
Tirana Biennale, National Gallery, Tirana, p275 - 275
|
|
2000
|
|
Cotter, Holland, Sentimental Education (review), The New York Times, New York, July 14, 2000
|
|
2000
|
|
Rimanelli, David Top Ten of 2000, Artforum, New York, December 2000, p120
|
|
2000
|
|
Saltz, Jerry, Realm of the Senses, The Village Voice, New York, July 6, 2000
|
|
|
|
|
|