|
|
Iñigo Manglano-Ovalle Biography
|
 |
 |
|
1961 |
|
Born in Madrid, Spain
|
|
|
|
B.A. Art & Art History, Latin Am. & Spanish Lit., Williams College, Williamstown, MA
|
|
|
|
M.F.A., Sculpture, The School of the Art Institute of Chicago, Chicago, IL
|
|
|
|
Illinois Arts Council Artist Fellowship Award
|
|
|
|
ArtPace Foundation Internat'l Artist Fellowship, San Antonio, TX
|
|
|
|
National Endowment for the Arts Fellowship
|
|
|
|
Media Arts Award, Wexner Center for the Arts, Columbus, OH
|
|
|
|
Media Arts Residency, Henry Art Gallery, University of Washington, Seattle, WA
|
|
|
|
Great Cities Fellowship, College Urban Planning, University of Illinois at Chicago, IL
|
|
|
|
Neighborhood Arts Program Grant, Chicago, IL
|
|
|
|
Lives and works in Chicago, IL, USA
|
|
|
| Selected Exhibitions |
|
|
|
2007
|
|
Documenta 12, Kassel, Germany
|
|
2007
|
|
The Guggenheim, Kunstmuseum Bonn, Germany
|
|
2007
|
|
Window Interference, Mildred Lane Kemper Art Museum, St. Louis, Missouri
|
|
2007
|
|
Inigo Manglano-Ovalle - Always After, Galería Soledad Lorenzo, Madrid (solo)
|
|
2007
|
|
The Radio, Galerie Thomas Schulte, Berlin (solo)
|
|
2006
|
|
Blinking out of Existance, Rochester Art Center, Rochester, MN, USA (solo)
|
|
2006
|
|
Red Berg (r11iO1), Galerie Thomas Schulte, Berlin, Germany (solo)
|
|
2006
|
|
Max Protetch Gallery, New York (solo)
|
|
2006
|
|
Art 37 Basel 2006, Art Basel, Switzerland
|
|
2006
|
|
Random Sky, Hyde Park Art Center, Chicago, USA
|
|
2006
|
|
Singapore Biennale, Singapore (cat.)
|
|
2006
|
|
Iņigo Manglano-Ovalle, Max Protetch Gallery, New York, New York
|
|
2005
|
|
Focus: Iņigo Manglano-Ovalle, The Art Institute of Chicago, Chicago, Illilnois
|
|
2005
|
|
The 48th Corcoran Biennial, Washington, DC (cat.)
|
|
2004
|
|
The 9th International Exhibition of Architecture, La Biennale di Venezia
|
|
2004
|
|
Museo de Arte Contemporaneo de Monterrey, Mexico
|
|
2003
|
|
Iņigo ManglanoOvalle, La Caixa Foundation Madrid, Spain
|
|
2003
|
|
Doing Business: Dysfunctional Corporate Culture, Contemporary Art Galleries, Storrs / Stamford, CT
|
|
2002
|
|
Tempo, Museum of Modern Art QNS, Queens, New York (cat.)
|
|
2002
|
|
A New World Trade Center, Max Protetch Gallery, New York, New York
|
|
2002
|
|
White Flags, Barcelona Pavilion, Mies van der Rohe Foundation, Barcelona, Spain
|
|
2001
|
|
Iņigo ManglanoOvalle, Cranbrook Art Museum, Bloomfield Hills, Michigan
|
|
2001
|
|
Mies in America, Whitney Museum of American Art, New York, New York
|
|
|
| Literature |
|
|
|
2001
|
|
Armstrong, Elizabeth "Impure Beauty," en Ultra Baroque, Aspects of Post Latin American Art, 9, 10. San Diego: Museum of Contemporary Art San Diego, 2001.
|
|
2000
|
|
Betsky, Aaron. "The New Boxsters." Architecture, vol. 89, n.š 7 (julio de 2000): 83-89.
|
|
1999
|
|
Arning, Bill. "São Paulo Bienal." World Art, n.š 20 (enero de 1999): 72-74.
|
|
1996
|
|
"Context." Chicago Tribune (12 de enero de 1996): sec. 7, p. 47.
|
|
1996
|
|
Bedoya, Roberto. "Ethical Identity." Frame-Work, vol. 8, n.š 1 (1996): 30-31, 33.
|
|
1995
|
|
Baker, Kenneth. "Politics of Identity." San Francisco Chronicle (16 de mayo de 1995): E1, 3.
|
|
1993
|
|
Artner, Alan. "Sharp conceptual show dares to be different." Chicago Tribune (22 de enero de 1993): sec. 7, p. 56.
|
|
1992
|
|
Abbe, Mary. "Poor Columbus!" Minneapolis Star Tribune (1 de octubre de 1992): E1.
|
|
1991
|
|
Barkert, Lynda. "Latino/a Artists at the Cultural Center." Chicago Artists' News, vol. 17, n.š 8 (junio de 1991).
|
|
1991
|
|
"12 artist go to heart of Hispanic culture." Chicago Tribune (24 de mayo de 1991): sec. 7, p. 68.
|
|
|
|
|
|