|
|
Glenn Ligon Biography
|
 |
 |
|
1980 |
|
Rhode Island School of Design Providence, RI
|
|
1982 |
|
B.A. Wesleyan University Middletown, CT
|
|
1985 |
|
Whitney Museum Independent Study Program New York, NY
|
|
|
|
Lives and works in New York
|
|
|
| Selected Exhibitions |
|
|
|
2008
|
|
"The Wizard of Oz," CCA Wattis Institute for Contemporary Arts, San Francisco, CA, September 2- December 13, 2008
|
|
2007
|
|
Sparkle Then Fade, Tacoma Art Museum, Tacoma, Washington, May 17 – September 3, 2007Sparkle Then Fade, Tacoma Art Museum, Tacoma, Washington, May 17 – September 3, 2007
|
|
2007
|
|
Mario Testino: At Home, Yvon Lambert, New York, NY, July 12 – August 21, 2007
|
|
2007
|
|
What is Painting? Contemporary Art from the Collection, Museum of Modern Art, NY, July 7 – September 17, 2007
|
|
2007
|
|
Substance & Surface, Bortolami Gallery, New York, NY, June 26 – August 31, 2007
|
|
2007
|
|
Glenn Ligon, Regen Projects, Los Angeles, CA, October 27 – December 8, 2007
|
|
2007
|
|
Contemporary Art from the Harvard University Art Museums Collections, Fogg Art Museum, Harvard, Cambridge, MA, June 23 – February 2008
|
|
2007
|
|
Repicturing the Past/Picturing the Present, Museum of Modern Art, New York, NY, June 15 – November 5, 2007
|
|
2007
|
|
Lines, Grids, Stains, Words, Museum of Modern Art, New York, NY, June 15 – October 22, 2007
|
|
2007
|
|
Art Unlimited, Regen Projecst at Art Basel 38, Switzerland, June 13 – 17, 2007
|
|
2007
|
|
Art in America, Now, Museum of Contemporary Art, ShanHai, China, May 1 – June 30, 2007
|
|
2007
|
|
Paper: from the collection of Emily Fisher Landau, curated By Bill Katz, The Fisher Landau Center for Art, Long Island, New York, NY, May 19 – December 2007
|
|
2007
|
|
Remix Identity and Abstraction, Albright Knox Art Gallery, Buffalo, NY, Fall 2007
|
|
2007
|
|
Learn to Read [working title], curated by Vincent Honoré and Maeve Polkinhorn, Tate Modern, London, United Kingdom June 19 – September 2, 2007
|
|
2007
|
|
Novel Readings, curated by Florencia Malbrán, Bard Center for Curatorial Studies, Annandale-on-Hudson, New York, NY, May 13 – 27, 2007
|
|
2007
|
|
Fast Forward: Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art, Dallas, Texas, February 11 – May 20, 2007; cat.
|
|
2006
|
|
Glenn Ligon: Brilliant Corners, Thomas Dane Gallery, London, England, October 11 – November 18, 2006
|
|
2006
|
|
We Had Everything Before Us, We Had Nothing Before Us, Yvon Lambert, Paris, France, February 4 – March 11, 2006 (solo)
|
|
2006
|
|
Glenn Ligon, Grossman Gallery at Lafayette College, Easton, PA, February 4 – March 4, 2006
|
|
2006
|
|
Defamation of Character, organized by Neville Wakefield, P.S. 1 Contemporary Art Center, Long Island City, New York, October 29, 2006, January 8, 2007
|
|
2006
|
|
Voodoo Macbeth, curated by David A. Bailey, De La Warr Pavilion, East Sussex, England, October 7, 2006 – January 22, 2007
|
|
2006
|
|
Yes Bruce Nauman, Zwirner & Wirth, New York, NY, July 7 – September 9, 2006
|
|
2006
|
|
Gifts go in one direction, curated by Alexander Nagel, apexart, New York, NY, July 5 – August 12, 2006
|
|
2006
|
|
SUBJECT, Lyman Allyn Museum, New London, Connecticut, May 13 – August 14, 2006
|
|
2006
|
|
Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, NY, March 7 – April 9, 2006
|
|
2006
|
|
Dark Places, Santa Monica Museum of Modern Art, Los Angeles, CA, January 21- April 22, 2006
|
|
2006
|
|
Skin Is a Language, Whitney Museum of American Art, New York, New York, January 12 – May 21, 2006
|
|
2005
|
|
A Brief History of Invisible Art, CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 – February 21, 2006 Linkages and Themes in the African Diaspora, Museum of the African Diaspora, San Francisco, CA, December 1, 2005 – March 12, 2006
|
|
2005
|
|
Looking at Words: The Formal Presence of Text in Modern Contemporary Works on Paper, conceived by Barbaralee Diamonstein- Spielvogel, Andrea Rosen Gallery, New York, NY, October 28, 2005 – January 15, 2006
|
|
2005
|
|
Glenn Ligon: Some Changes, The Power Plant, Toronto, Canada, June 25 – September 5, 2005; travels to the Contemporary Art Museum, Houston, TX, January 14 – April 2, 2006; The Andy Warhol Museum, Pittsburgh, September 30 – December 31, 2006; Wexner Center for the Arts, Ohio, January 27 – April 22, 2007; Belkin Art Galery, Vancouver, Canada, June 1 – August 19, 2007; Mudam – Foundation Musee d'Art Moderne Grand-Duc Jean, Luxembourg, October 12 – January 7, 2008; catalogue
|
|
2005
|
|
Collective Histories / Collective Memories: California Modern, Orange County Museum of Modern Art, Newport Beach, CA, February 9, 2005 – September 26, 2006
|
|
2005
|
|
Drawing from the Modern, 1975 - 2005, Museum of Modern Art, New York, NY, September 14, 2005 – January 9, 2006
|
|
2005
|
|
ROMANCE (a novel), curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 – October 15, 2005; cat.
|
|
2005
|
|
A Thousand Words, Inman Gallery, Houston, Texas, July 9 – August 27, 2005
|
|
2005
|
|
Getting Emotional, Institute of Contemporary Art, Boston, Massachusetts, May 18 – September 5, 2005
|
|
2005
|
|
Double Consciousness: Black Conceptual Art Since 1970, Contemporary Arts Museum, Houston, organized by Valerie Cassel Oliver, January 22 – April 17, 2005
|
|
2004
|
|
Open House, Brooklyn Museum of Art, Brooklyn, NY
|
|
2004
|
|
Singular Forms (Sometimes Repeated), Solomon R. Guggenheim Museum, New York, NY, curated by Nancy Spector
|
|
2003 - 2004
|
|
Only Skin Deep: Changing Visions of the American Self, International Center of Photography, New York, NY, curated by Coco Fusco and Brian Wallis; travels to Seattle Art Museum, Seattle, WA
|
|
2003 - 2004
|
|
Supernova, San Francisco Museum of Modern Art, San Francisco, CA
|
|
2003
|
|
Going There, DAmelio Terras, New York, NY
|
|
2003
|
|
Annotations, Dia Center for the Arts, New York, NY, online project
|
|
2003
|
|
Fast Forward: Twenty Years of White Rooms, White Columns, New York, NY (catalogue)
|
|
2003
|
|
Stranger in the Village, Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY
|
|
2003
|
|
Influence, Anxiety, and Gratitude (Toward and understanding of trans-generational dialogue as a gift economy), MIT List Visual Arts Center, Cambridge, MA, curated by Bill Arning
|
|
2002
|
|
LIFE DEATH LOVE HATE PLEASURE PAIN: Selected works from the MCA Permanent Collection, Museum of Contemporary Art, Chicago, IL
|
|
2002
|
|
Drawings of Choice from a New York Collection, Krannert Art Museum University of Illinois at Urbana-Champaign, Champaign, IL, curated by Joself Helfenstein: traveled to Arkansas Arts Center, Little Rock, AR; Georgia Museum of Art, Athens, GA; Bowdoin College Museum of Art, Brunswick, ME; Cincinnati Art Museum, Cincinnati, OH.
|
|
2002
|
|
Recent Acquisitions, Fonds Régional d¹Art Contemporain, Reims, France
|
|
2002
|
|
Documenta XI, Kassel, Germany, curated by Okwui Enwezor
|
|
2002
|
|
Glenn Ligon, Anthony Meier Fine Arts, San Francisco, CA
|
|
2001
|
|
Colored, D¹Amelio Terras, New York
|
|
2001
|
|
Portraits and Not-Portraits, Kunstverein Munich, Germany
|
|
2001
|
|
Stranger, The Studio Museum in Harlem, New York, NY (catalogue)
|
|
2000
|
|
Coloring: New Work, Walker Art Center, Minneapolis, MN (catalogue)
|
|
2000
|
|
Currents 81, St. Louis Art Museum St. Louis, MO
|
|
2000
|
|
Points of Reference, Fredrick Hayes, , Addison Gallery of American Art Andover, MA
|
|
2000
|
|
Good Business is the Best Art, , The Bronx Museum of Art New York, NY
|
|
1999
|
|
The American Century: Art and Culture 1900-2000, , Whitney Museum of American Art New York, NY
|
|
1999
|
|
Other Narratives: Fifteen Years, , Contemporary Arts Museum Houston, TX
|
|
1999
|
|
Contemporary Narratives in American Prints, , Whitney Museum of American Art at Champion Stamford, CT
|
|
1998
|
|
Núcleo Historico, , XXIV Bienal de Sao Paulo Sao Paulo, Brazil
|
|
1998
|
|
Glenn Ligon: Unbecoming, University of Pennsylvania Philadelphia, PA
|
|
1998
|
|
Glenn Ligon, ArtPace San Antonio, TX
|
|
1997
|
|
Glenn Ligon: Day of Absence, Ezra and Cecile Zikha Gallery Middletown, CT
|
|
1997
|
|
Coming of Age, , White Columns New York, NY
|
|
1997
|
|
Sunny Days/Critical Times, , The Bohen Foundation New York, NY
|
|
1996
|
|
The Evidence of Things Not Seen: Drawings by Glenn Ligon, Brooklyn Museum of Art Brooklyn, NY
|
|
1995
|
|
Photos and Notes, Max Protetch Gallery New York, NY
|
|
1995
|
|
Skin Tight, MIT List Visual Arts Center Cambridge, MA
|
|
1995
|
|
In The Flesh, Aldrich Museum of American Art Ridgefield, CT
|
|
1995
|
|
Fag-o-Sites, Gallery 400 Chicago, IL
|
|
1994
|
|
Duchamp's Leg, Walker Art Center Minneapolis, MN
|
|
1994
|
|
New Paintings, Max Protetch Gallery New York, NY
|
|
1994
|
|
Project Room, Ruth Blum Gallery Santa Monica, CA
|
|
1993
|
|
White, Max Protetch Gallery New York, NY
|
|
1993
|
|
Good Mirrors Are Not Cheap, Whitney Museum of American Art at Phillip Morris New York, NY
|
|
1992
|
|
Glenn Ligon, Max Protetch Gallery New York, NY
|
|
1991
|
|
Biennial Exhibition, Whitney Musuem of American Art New York, NY
|
|
1985
|
|
Open Studio, Whitney Musuem Independant Study Program New York, NY
|
|
|
| Literature |
|
|
|
2001
|
|
Firstenberg, Lauri. 'Neo-Archival and Textual Strategies: An Interview with Glenn Ligon.' Art Journal Spring 2001: 42 - 47.
|
|
2001
|
|
Koestenbaum, Wayne. 'Color Me Glenn.' Coloring. Minneapolis, Minnesota: Walker Art Center, 2001.
|
|
1999
|
|
English, Darby. 'Question Marks and Futures Already Alive: Glenn Ligon and Kara Walker, Together for the First Time.' New York: Brent Sikkema Gallery. December, 1999.
|
|
1998
|
|
Golden, Thelma. 'Everynight.' Unbecoming. Philadelphia: Institute of Contempory Art, 1998.
|
|
1998
|
|
Cotter, Holland. 'Stories About Race, Politics, and Himself.' New York Times December 2, 1998. 48-49.
|
|
|
| Links to further information |
|
|
|
|
|