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TITLE:
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Paysage
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CATEGORY:
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Paintings
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MATERIALS:
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Oil on millboard
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MARKINGS:
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Wax seal of the artist’s posthumous estate sale on the reverse of the panel
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SIZE:
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h: 27 x w: 33.4 cm / h: 10.6 x w: 13.1 in
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REGION:
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French
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PRICE*:
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Contact Gallery for Price
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DESCRIPTION:
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Although Delacroix is primarily known as a painter of historical and contemporary subjects, he was much more versatile. His flower paintings for instance were much admired by Vincent van Gogh. Delacroix also was an industrious watercolorist and in this medium he filled his sketchbooks with numerous studies of landscapes. Pure landscape paintings in oil paint are however quite rare and most of them date from his mature years. He clearly enjoyed the subject for the freedom of composition and execution it offered him. As the present painting demonstrates for Delacroix landscape was more than the plain portrayal of the natural world. It constituted an artistic challenge in the sense that the artist cleverly seeks to shape this vision of landscape within a reasoned compositional structure, in order to arrive at a pleasing depiction both in terms of the illusionism and of the proportions of the elements. Dr Lee Johnson (see literature) dates our painting tentatively to the 1850s. As indeed dating Delacroix’s landscapes is a precarious task the possibility should not be excluded the it was executed as early as 1824, during the artist’s visit to England. On that occasion Delacroix presumably bought one of Constable’s sketchbooks the drawings therein which would have provided a ready impetus to take up landscape painting in the loose manner here in evidence. In fact, quite a different reason for allotting an early date to our painting is the support. According to Peter Bower, an expert on nineteenth-century artist’s papers and millboards, the board of our painting is most likely manufactured in England. An early date thus seems more probable.
Eugène Delacroix was born into a wealthy family, being the son of Charles Delacroix, a Minister under the Directoire and later a Prefect, and of Victoire Oeben. Both his parents died when he was still very young. He entered the studio of Pierre Guérin in 1815, where he met Théodore Géricault and he came into contact with Richard Parks Bonington while studying old masters in the Louvre. In 1816 he enrolled in the École des Beaux-Arts where his education was strongly influenced by the formal neoclassical style of Jacques-Louis David. Delacroix, however, developed a fancy for the colourful, painterly style of earlier masters, in particular Peter Paul Rubens and Paolo Veronese. Delacroix’s friend Géricault also had a decisive influence on his early works. His career began in 1822 when the Paris Salon accepted his first picture. He was innovative in his choice of subject matter, favouring themes formerly untreated, often drawn from literature and contemporary events set in the Near East. A visit in 1825 to England further nurtured his broad interest in foreign literature, especially Byron and Shakespeare and made him acquainted with the English artists Sir Thomas Lawrence, David Wilkie and Willem Etty. A highly influential trip to Spain, Morocco and Algeria in 1832 provided him with an entire new array of themes and motifs to which he was drawn for the rest of his life. However, during the following decades it was mostly literary themes that attracted his attention.
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PROVENANCE:
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The artist’s posthumous sale, February 1864, probably part of lot 219 Collection of Camille Corot, possibly acquired from the above sale Corot’s posthumous sale, Paris 7 June 1875, part III Larrieu Baudoin, acquired from the above by July 1889 Maurice Gobin, by 1837, by descent to Private collection, Paris, by 1957
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LITERATURE:
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A. Robaut, L’œuvre complet de Eugène Delacroix, Paris 1885, no. 1176bis (pencil sketch by Robaut in Tracings IV of the author’s personal copy) L. Rossi Bortolatto, L’opera pittorica completa di Delacroix, Milan 1972, under nos. 672-679, p. 126, ill. L. Johnson, The Paintings of Eugène Delacroix : A Critical Catalogue, Oxford 1981-, vol. 3 (1986), no. 487, p. 256, vol. 4, pl. 285, ill.
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EXHIBITION HISTORY:
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Paris, Maurice Gobin, Peintures, Aquarelles et Dessins par Eugène Delacroix, 1937, no. 96 (as ‘Paysage, environs de Champrosay, or d’Augerville’) Paris, Galerie Claude Aubry, De Delacroix à Théodore Rousseau, 1957, no. 14
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