Cornelis van Spaendonck was born in the Dutch city of Tilburg, but by the age of seventeen, after completing an apprenticeship in Antwerp, he followed his older brother Gerard, also a gifted still life artist, to Paris. Like his older brother, who went on to become professor of flower painting at the Jardin des Plantes in Paris and a major contributor to the royal collection of botanical watercolors, Cornelis van Spaendonck went on to a long and celebrated career in France. In 1779 he was already exhibiting successfully and ten years later he was accepted as a member of the Académie des Beaux Arts. During that same period he served as a designer and as director of the prestigious Sèvres porcelain works. Van Spaendonck's status and prosperity were undisturbed by the political upheavals which took place during his long life, and he remained an acclaimed flower painter well into the 19th century.

Cornelis and his brother Gerard retained quite distinctive styles throughout their careers. Cornelis used a softer touch in his works, which tend to be more romantic and fanciful than those of his more literal-minded brother. This atmospheric still life, with its lush cornucopia of flowers, including tulips, peonies, roses, morning glories and many others, overflowing a vase, demonstrates those qualities, as well as the technical virtuosity and finish for which Cornelis became famous.