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| LONDON CALLING New York "bad girl" painter Inka Essenhigh opens at Victoria Miro in London, March 14, 2000. Photos by Mary Barone. |
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![]() Inka Essenhigh |
![]() Victoria Miro director Glenn Scott Wright |
![]() Artist Neal Tait |
![]() Painter Peter Doig |
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![]() Victoria Miro |
![]() Natasha Hill of Immaculate House |
![]() From left, artist Rachel Howard and dealer Stephanie Theodore |
![]() From left, Contemporary Art Society's Cat Newton-Groves and Kim Steele |
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| The London Institute of Contemporary Arts presents "Beck's Futures," March 17-May 17, 2000, featuring finalists for the new Beck's art prize -- works by Liz Arnold, Martin Boyce, Roderick buchanan, Chad McCail, Lucy McKenzie, Stephen Murphy, Hayley Newman, David Shrigley, Cathy Wilkes and Elizabeth Wright. | ||
![]() Artist Simon Periton |
![]() From left, artist Martin Boyce, ICA Gallery manager David Wilkinson and ICA director Phillip Dodd |
![]() Dealer Emily Tsingou and artist Henry Bond |
![]() Rodney Buchanan's, Gobstopper, 1999 |
![]() David Shrigley, Untitled (Summary of Stains on a Scientist's Coat), 2000 |
![]() Chad McCall, Genesis Chapter 2 and 3 |
![]() Liz Arnold, Field Trip, 1999 |
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![]() Dealer Lance Entwistle |
![]() Artist Hayley Newman |
![]() Beck's barman Stewart Campbell |
![]() Dealer Andrew Mummery |
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![]() Lucy McKenzie's painting installation |
![]() Stephen Murphy, Snowfall, 1999 |
![]() David Shrigley's wall of drawings |
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