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 | California: Views by Robert Adams of the Los Angeles Basin 1978-1983 With an introduction by Robert Hass, a documentation of the social and ecological |
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 | changes to the area during that period. |
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 | Lee Friedlander Relating to Friedlander's 1970 cornerstone, Self-Portrait, the artist once again returns to documenting own image. |
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 | 88 pages, 77 duotone reproductions, 9 x 9 inches. Hardcover, signed and numbered in an edition of 600, $75; Hardcover, unsigned, $50; Softcover, $35 |
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 | 20Twenty A celebration of the medium of photography published to coincide with the gallery's 20th anniversary. |
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 | 184 pages, 73 color reproductions, hardcover, 12 x 10½ inches $45 |
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 | San Francisco Album: Photographs by George Robinson Fardon Published in collaboration with Hans P. Kraus, Jr., with contributions by four photographic historians. |
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 | 176 pages, 32 tritone reproductions and numerous other illustrations, hardcover, 11 x 10 inches $45 |
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 | Susan Derges: Woman Thinking River Produced in collaboration with Danziger Gallery. Essays by Mark Haworth-Booth and Charlotte Cotton. |
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 | 80 pages, 47 color reproductions, hardcover, 12½ x 8¼ inches $35 |
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 | The Man in the Crowd: The Uneasy Streets of Garry Winogrand With an introduction by Fran Lebowitz and an essay by Ben Lifson. |
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 | Richard Avedon Portraits Special Edition A comprehensive selection of Richard Avedon's photographic portraiture, published in conjunction with a major Avedon exhibition at The Metropolitan Museum of Art, New York. Limited to 100 signed and nu |
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 | Richard Avedon : Made in France An important selection of the artist's photographs made in Paris for Harper's Bazaar during the 1950's. |
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 | 168 pages, 107 duotone reproductions, hardcover, 10½ x 11¼ inches $45 |
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 | Dust Breeding: Photographs, Sculpture & Film Artist and curator Steve Wolfe used Man Ray and Marcel Duchamp's 1920 collaboration Dust Breeding |
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 | as the fulcrum for this conceptually driven catalog and exhibition. Artists include Robert Gober, Moholy-Nagy, |
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 | Cindy Sherman, Edward Weston, and Rachel Whiteread. 28 pages, 21 reproductions, softcover, 10 x 8½ inches $15 |
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 | Lee Friedlander: Self-Portrait Twenty-eight years after the original edition was published and now long out of print, the classic collection is freshly |
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 | mined with this expanded re-publication. John Szarkowski contributes a compelling afterword considering the role |
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 | these portraits have played in the past several decades. 112 pages, 49 duotone reproductions, softcover, 9 3/8 x 10 inches $35
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 | David Smith: Photographs 1931-1965 Produced in collaboration with Matthew Marks Gallery. With an introduction by Rosalind Krauss and an essay |
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 | by Joan Pachner. 128 pages, 118 duotone reproductions, softcover, 11¼ x 9 inches $35 |
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 | Open Secrets: Seventy Pictures on Paper, 1815 to the Present Published in collaboration with Matthew Marks Gallery, New York. Thirty-five drawings interwoven with thirty-five |
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 | photographs. Artists include Arbus, Cornell, Degas, de Kooning, Evans, Guston, Johns, Mondrian, Muybridge, |
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 | Picasso, Stieglitz, Warhol, and Weston. 144 pages, 70 reproductions, softcover, 11 x 9 inches $35 |
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 | Under the Sun: Photographs by Christopher Bucklow, Susan Derges, Garry Fabian Miller, and Adam Fuss |
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 | A survey of each artist's photographs is reproduced through the extraordinary printing of Allethaire Press. Essay |
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 | by David Alan Mellor; much documentation. 104 pages, 28 reproductions, softcover, 10½ x 8 inches $40 |
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 | Seeing Things Superbly printed catalogue published on the occasion of the gallery's 15th anniversary. Fifty images spanning the |
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 | history of photography, from Fox Talbot to Hiroshi Sugimoto. 108 pages. 50 reproductions, softcover, 11 x 10 inches SOLD OUT |
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 | The Kiss of Apollo: Photography and Sculpture, 1845 to the Present |
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 | Essay by Eugenia Parry Janis. Printing supervised by Richard Benson. The history of 'photography's love affair |
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 | with sculpture.' Photographers include Atget, Eakins, Evans, Frank, Groover, Sheeler, Sommer, and Warhol. 108 pages, 41 reproductions, hardcover, 11 x 10 inches $35 |
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 | Carleton E. Watkins: Photographs 1861-1874 Essay by Peter E. Palmquist. Vivid tritone reproductions by Gardner Lithograph. |
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 | 222 pages, 111 reproductions, hardcover, 11 x 11 inches $75 |
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 | The Insistent Object: Photographs 1845-1986 Twenty-seven unexpected, iconic studies of objects by such photographers as Charles Aubry, Diane Arbus, |
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 | Louis-Emile Durandelle, Dr. Harold Edgerton, Lee Friedlander, Eadweard Muybridge, Man Ray, and Edward Weston.36 pages, 27 reproductions, soft cover, 13 x 10 inches. $25 |
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 | Photography in Spain in the Nineteenth Century Essay by Lee Fontanella. The only publication in English surveying the major nineteenth century photographers in Spain, |
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 | including Charles Clifford, Juan Laurent, Massari, and Spreafico. With an appendix of photographers' blind-stamps and |
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 | signatures and a survey of institutions with Spanish holdings in their collections. 40 pages, 38 reproductions, softcover, 11¾ x 8¼ inches $15 |
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 | Henry Wessel: House Pictures Published to accompany his gallery exhibition in 1992. 32 pages, 25 color reproductions, softcover, 8½ x 11 inches $15 |
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 | Bill Dane: History of the Universe Published to accompany his gallery exhibition in 1992. 32 pages, 25 color reproductions, softcover, 8½ x 11 inches $15 |
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 | Lee Friedlander: Kitaj Kitaj by Lee Friedlander chronicles both an intimate friendship of more than three decades and the aesthetic evolution of two major American artists. Includes a reminiscence by Kitaj himself and an introduction |
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