 |
Biography |
|
|
1980 - 1983 |
|
Camberwell School of Art |
|
|
1985 - 1987 |
|
Goldsmiths College University of London |
|
|
|
|
Public Collections |
|
|
|
|
Tate Gallery, London |
|
|
|
|
Arts Council of Great Britain |
|
|
|
|
British Council |
|
|
|
|
Contemporary Arts Society, London |
|
|
|
|
French National Collection |
|
|
|
|
French Regional Collections |
|
|
|
|
Hirshhorn Museum Washington |
|
|
|
|
Albright Knox New York State |
|
|
|
|
Museet For Samdiskunst |
|
|
Exhibitions |
|
|
2007 |
|
Cathy de Monchaux, FRED London (solo) |
|
|
2006 |
|
Printemps de Septembre, Toulouse |
|
|
2005 |
|
New Work, Charring X Gallery. London (solo) |
|
|
2004 |
|
Sculpture Triennale, Frankfurt, Germany |
|
|
2003 |
|
Tender Prey, Arti et Amicitiae, Amsterdam |
|
|
2003 |
|
Sweetly the Air Flew Overhead, The Damien B Art Center, Miami, USA (solo) |
|
|
2002 |
|
Cathy de Monchaux At Home, Dominic Berning, London (solo) |
|
|
2002 |
|
Wetherspoon Gallery, Greensboro, USA (solo) |
|
|
2002 |
|
Material Matters, Norrkopings Museum, Sweden |
|
|
2001 |
|
Votive, British Council tour, New Zealand |
|
|
2001 |
|
Sacred and Profane, Arts Council of Great Britain. Touring exhibition |
|
|
2000 |
|
Sean Kelly, New York |
|
|
2000 |
|
Hirshhorn Museum, Washington D.C (solo) |
|
|
2000 |
|
Albright Knox Art Gallery, Buffalo, New York (solo) |
|
|
1999 |
|
Sean Kelly Gallery, New York (solo) |
|
|
1999 |
|
Mitchell Innes and Nash Gallery, New York (solo) |
|
|
1998 |
|
Turner Prize, Tate Gallery, London |
|
|
1998 |
|
Wounds Between Democracy and Redemption In Contemporary Art, Moderna Museet, Stockholm |
|
|
1998 |
|
Material Culture, Hayward Gallery, London |
|
|
1997 |
|
Whitechapel Art Gallery, London (solo) |
|
|
1996 |
|
Sean Kelly Gallery, New York (solo) |
|
|
1996 |
|
Sala Moncada De La Fundacion La Caixa, Barcelona |
|
|
1995 |
|
Feminin-Masculin, Centre Georges Pompidou, Paris |
|
|
1995 |
|
ART 95, Museum of Contemporary Art, Helsinki |
|
|
1994 |
|
The Day After Tomorrow, Belem Museum, Lisbon |
|
|
1994 |
|
Biennale of Sao Paolo, Brazil |
|
|
1994 |
|
Arnolfini, Bristol* (solo) |
|
|
1994 |
|
Jennifer Flay Gallery, Paris (solo) |
|
|
1993 |
|
Chisenhale Gallery, London (solo) |
|
|
1993 |
|
Center For Contemporary Art, Glasgow (solo) |
|
|
1993 |
|
Studio Guenzani, Milan (solo) |
|
|
1993 |
|
Galerie Marc Jancou, Zurich (solo) |
|
|
1993 |
|
In Site - New British Sculpture, Museet For Samdiskunst, Oslo |
|
|
1993 |
|
Prospect 93, Frankfurter Kunstverein, Frankfurt |
|
|
1992 |
|
Biennale of Sydney, Australia |
|
|
1991 |
|
Plastic Fantastic Lover, Blum Helman Warehouse, New York |
|
|
1991 |
|
Galerie Jennifer Flay, Paris (solo) |
|
|
1991 |
|
Galerie Grita Insam, Vienna (solo) |
|
|
1990 |
|
Laure Genillard Gallery, London (solo) |
|
|
1990 |
|
Studio Guenzani, Milan (solo) |
|
|
1990 |
|
The British Art Show 1990, Hayward Gallery and tour |
|
|
1990 |
|
Je reviens de chez le charcutier, Gallerie Ghislaine Hussenot, Paris |
|
|
1990 |
|
Laure Genillard Gallery, London |
|
|
1990 |
|
Visions 90, Centre International d’Art Contemporain de Montréal |
|
|
1989 |
|
It’s a Still Life, a National Touring Exhibition, Arts council Collection |
|
|
1989 |
|
Barcelona Biennale, Barcelona |
|
|
1989 |
|
Promises, Promises, Serpentine Gallery, London |
|
|
1988 |
|
Mario Flecha Gallery, London (solo) |
|
|
|
|
Public Art Projects |
|
|
|
|
2002 Other Men’s Wives (theatre) |
|
|
|
|
1998 The Day Before You Looked Through Me, Cullercoats Metro Station, Newcastle, with Locus |
|
|
|
|
1997 Confessional, commission for Sculpture at Goodwood |
|
|
return to artnet.com