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Biography |
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1962 |
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Born in London |
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1982 - 1983 |
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Working Men's College, London |
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1983 - 1984 |
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London College of Printmaking |
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1984 - 1987 |
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Goldsmith's College, London |
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Lives and works in London |
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Exhibitions |
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2008 |
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“Sarah Lucas”, Sadie Coles HQ, London |
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2008 |
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"Female Trouble," Pinakothek der Moderne, Munich |
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2008 |
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"The Left Hand of Darkness," El Proyecto, New York |
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2008 |
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"God & Goods: Spirituality and Mass Confusion," Villa Manin Centro d'Art Contemporanea, |
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2008 |
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"Depreciation and Devastation," Gavin Brown's Enterprise at Passerby, New York |
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2007 |
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“Souflé”, Kunstraum Innsbruck, Austria |
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2007 |
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“Hamster Wheel” Venice Biennale, Venice (cat.), travelling to “Printemps de September”, Toulouse and Centre d’Art Santa Monica Barcelona |
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2007 |
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Perceval, Public Art Fund, Doris C. Freeman Plaza, New York |
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2007 |
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“Unmonumental”, The New Museum, New York |
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2007 |
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“An Archaeology: Zabludowicz Collection,” Project Space 176, London. |
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2007 |
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“The Third Mind,” Palais de Tokyo, Paris |
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2007 |
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“So Wrong, I’m Right, Eddie Martinez, William J. O’Brien, Roman Wolgin and Jonas Wood,” Blum and Poe, Los Angeles |
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2007 |
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"Global Feminisms," Brooklyn Museum, New York |
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2007 |
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"Held Together with Water: Art from the Sammlung Verbund," Vienna, Austria |
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2007 |
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"Happy Birthday: Sarah Lucas, Barbara Bloom," Christophe Daviet-Thery, Paris |
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2006 |
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"Perceval," Public Art Fund, New York |
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2006 |
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In the darkest hour there may be light, Serpentine Gallery, London |
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2006 |
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All Hawaii Entrées/Lunar Reggae, Irish Museum of Modern Art, Dublin |
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2006 |
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Defamation of Character, PS 1 MoMA, New York |
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2006 |
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Eye on Europe: Prints, Books, & Multiples/1960 to Now, MOMA, New York |
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2006 |
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DEFAMATION OF CHARACTER, P.S.1 MoMA, Long Island |
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2006 |
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Printemps de Septembre 2006, Printemps de Septembre, Toulouse |
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2006 |
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Glasgow International 2006, Glasgow International |
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2006 |
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Lichtkunst aus Kunstlicht, ZKM, Karlsruhe |
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2006 |
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Rundlederwelten, Martin Gropius Bau, Berlin |
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2006 |
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Vanitas, De Hallen, Frans Hals Museum, Haarlem. The Netherlands |
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2006 |
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Sarah Lucas, Tate Liverpool, Liverpool (solo) |
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2005 |
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Sarah Lucas Retrospective, Kunsthalle Zurich; Kunstverein Hamburg; Tate Liverpool (solo) |
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2005 |
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FRAGILE, Analix Forever, Genf |
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2005 |
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Skulptur. Prekärer Realismus, Kunsthalle Wien |
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2005 |
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FROM ABOVE, Georg Kargl, Wien |
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2005 |
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Atomkrieg, Kunsthaus, Dresden |
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2005 |
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Just love me, Fries Museum, Leeuwarden |
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2005 |
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Curry Expo, Contemporary Fine Arts, Berlin |
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2005 |
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Drunk vs. Stoned 2, Gavin Brown, New York |
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2005 |
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A view of women, De Hallen, Haarlem |
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2005 |
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Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin |
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2005 |
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GOD IS DAD, Gladstone Gallery, New York, cat. (solo) |
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2004 |
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In-A-Gadda Da-Vidda, (with Angus Fairhurst and Damien Hirst), Tate Britain, cat. |
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2004 |
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Empreinte Moi, Galrie Emmanuel Perrotin, Paris |
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2004 |
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Gifted, The Arts Gallery, University of the Arts London, London |
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2004 |
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Drunk vs. Stoned, General Store in association with Gavin Brown’s enterprise, New York |
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2004 |
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Werke aus der Sammlung Boros, ZKM, Karlsruhe, Germany |
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2004 |
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Esprit/Spirit, Galerie Nathalie Obadia, Paris |
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2004 |
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Atomkrieg, Kunsthaus Dresden, Germany |
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2004 |
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Man, Rubble, London |
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2004 |
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57th Aldeburgh Festival, Contemporary British Sculpture at Snape (Angus Fairhurst, Damien Hirst, Sarah Lucas), Snape, England |
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2004 |
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Sculpture: Precarious Realism between Melancholie and the Comic, Kunsthalle Vienna |
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2004 |
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From Above, Georg Kargl, Vienna |
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2003 |
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Temple of Bacchus (with Colin Lowe and Roddy Thomson), Milton Keynes Gallery, England, cat. (solo) |
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2002 |
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Charlie George, Contemporary Fine Arts, Berlin (solo) |
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2002 |
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Sarah Lucas, room installation at Tate Modern, London (solo) |
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2001 |
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CAKE, Sarah Lucas at Counter Editions, London (solo) |
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2000 |
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Self Portraits 1990-98, Tomio Koyama Gallery, Tokyo (solo) |
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2000 |
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Sarah Lucas: Beyond the Pleasure Principle, Freud Museum, London (solo) |
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2000 |
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Sex and the British, Galerie Thaddeus Ropac, Paris |
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2000 |
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New British Art, Tate British Millbank, London |
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2000 |
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The Fag Show, Sadie Coles HQ, London (solo) |
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1999 |
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Beautiness, Contemporary Fine Arts, Berlin (solo) |
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1998 |
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Odd-bod Photography, Sadie Coles HQ London |
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1998 |
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The Old In Out, Barbara Gladstone Gallery New York (solo) |
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1998 |
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Sensation: Young British Artists in the Saatchi Collection, Brooklyn Museum Brooklyn, New York |
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1997 |
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The Law, St. John's Lofts London (solo) |
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1997 |
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Bunny Gets Snookered, Sadie Coles HQ London |
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1997 |
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Car Park, Ludwig Museum Köln, Cologne (solo) |
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1996 |
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Sarah Lucas, Museum Boymans-van Beuningen Rotterdam (solo) |
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1996 |
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Sarah Lucas, Portikus Frankfurt am Main, Germany |
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1996 |
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Is Suicide Genetic?, Contemporary Fine Arts, Berlin (solo) |
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1995 |
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Supersensible, Barbara Gladstone Gallery, New York (solo) |
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1994 |
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Got a Salmon on (Prawn), Anthony d'Offay Gallery, London, Where's My Moss” White Cube, London |
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1993 |
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The Shop with Tracy Emin , 103 Bethnal Green Road, London (solo) |
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1993 |
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From Army to Armani with Tracey Emin, Galerie Analix, Geneva (solo) |
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1992 |
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Penis Nailed To A Board, City Racing Gallery, London (solo) |
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1992 |
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The Whole Joke, 8 Kingly Street, London (solo) |
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Literature |
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2009 |
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White, Michelle, “Sarah Lucas,” Modern Painters, February 2009, pp 88 |
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2009 |
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Fox, Dan, “Sarah Lucas,” Frieze, March 2009, pp151-152 |
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2008 |
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"The Approval Matrix," New York Magazine, January 21-28, pp 97 |
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2008 |
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"Sarah Lucas", Arte Contemporanea: Cinque, Mondadori 2008 |
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2008 |
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"Sarah Lucas", Arte Contemporanea: Sei, Mondadori 2008 |
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2008 |
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Wolin, Joseph, “Who’s Afraid of Jasper Johns?” Modern Painters, September 2008, p. 108. |
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2008 |
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God & Goods: Spiritualità e Confusione di Massa/Spirituality and Mass Confusion (Udine, Italy: Villa Manin Centre for Contemporary Art) |
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2008 |
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Excerpt: Se;ections from the Jeanne Greenberg Rohatyn Collection, Vasser College, NY, 2008. |
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2007 |
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Nochlin, Linda(ed.), Global Feminisms, Brooklyn Musuem/Merrell, 2007 |
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2007 |
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Parreno, Phillipe(ed.), All Hawaii Entrees/ Lunar Reggae, Charta/Irish Museum of Modern Art, 2007 |
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2007 |
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Unmonumental: The Object in the 21st Century, Phaidon, New York, 2007 |
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2007 |
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Segal, Monica and Richard, Contemporary Realism: The Seavest Collection, Collectors Press Books, Portand, 2007 |
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2006 |
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Sarah Lucas. La poétesse philisophe, Marie-Thérèse Perrin (Hrsg.) Ausst. Kat. Printemps de septembre à Toulouse, Vol. 3, 2006 |
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2005 |
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Sarah Lucas, Yilmaz Dziewior, Beatrix Ruf (Hrsg.), Ausst. Kat, Kunsthalle Zürich, Kunstverein in Hamburg, Ostfildern Ruit 2005. |
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2005 |
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Christiane Hoffmans, Kruder Feminismus, Welt am Sonntag, 24. Juli 2005, S. 66 |
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2005 |
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Uta Baier, Brave Schülerin, Die Welt, 22. Juli 2005, S. 27. |
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2005 |
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Johanna di Blasi, Sarah Lucas’ zartherbe Zoten, Monopol, Nr. 3, Juni/Juli 2005, S. 142 |
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2005 |
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Art Now Vol 2, Taschen, New York, 2005 |
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2005 |
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GOD IS DAD, (Gladstone Gallery, New York) |
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2005 |
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Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo, ed. Francesco Bonami, Skira Editore S.p.A., Milano, 2005 |
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2005 |
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Empreinte Moi, Galerie Emmanuel Perrotin, Miami |
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2005 |
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Mahon, Alyce, Eroticism & art, Oxford University Press, New York, 2005 |
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2005 |
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Dickins, Rosie, The Usborne Book of Art, Usborne Press, 2005 |
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2004 |
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Gifted (The Arts Gallery, London: University of the Arts) |
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2004 |
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In-A-Gadda-Da-Vida (London: Tate Britain / Tate Publishing) |
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2004 |
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Just Love Me. Post-Feminist Art of the 1990’s from the Goetz Collection (Bergen Art Museum, Bergen, Norway) |
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2004 |
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Sexes: images- pratiques et pensées contemporaines (Collection dirigée par Fabrice Bousteau: beaux arts magazine: livres) |
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2004 |
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Antje Majewski et al., Atomkrieg (New York: Lukas and Sternberg) |
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2004 |
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Cumming, Laura, Family Favourites: The Fourth Plinth, The Observer, 18. Januar 2004 |
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2004 |
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Renton, Andrew, There is life after Hoxton, Evening Standard, 6. Januar 2004 |
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2004 |
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Walsh, Holly, Sarah Lucas, Colin Lowe and Roddy Thomson, Frieze, Nr. 76, Summer 2004, S. 121-122, ill. |
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2004 |
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Jones, Dafydd, In-A-Gadda-Da-Vida, ArtReview, Volume LIV April 2004 |
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2004 |
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Sumpter, Helen, Dead Bird Show, Time Out, 30. Dezember-7. Januar 2004 |
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2004 |
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Herbert, Martin, The Fourth Plinth, Time Out, 30. Dezember-7. Januar 2004 |
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2004 |
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Art 35 Basel, Swiss Magazine, Juni 2004 |
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2004 |
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Gronlund, Melissa, Tate Britain: In-A-Gadda-Da-Vida, Contemporary, no. 63, 2004 |
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2003 |
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Roken in de kunst: van Jan Steen tot Pablo Picasso (Rotterdam, The Netherlands: Kunsthal Rotterdam / Amsterdam: Ludion) |
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2003 |
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A Bigger Splash: Uma Seleção de Arte Britânica da Coleção da Tate 1960-2003 / A Bigger Splash: A Selection of British Art from Tate Collection 1960-2003 (São Paulo: Brasil Connects) |
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2003 |
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Bad Behaviour from the Arts Council Collection (London: Hayward Gallery Publishing) |
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2003 |
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BIDA 2003 – Bienal Internacional del Deporte en el Arte (Salamanca, Spain) |
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2003 |
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La Biennale di Venezia 50th International Art Exhibition “Dreams and conflicts: The Dictatorship of the Viewer”, (Venice, Giardini della Biennale – Arsenale) |
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2002 |
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Face Off: A Portrait of the Artist (Cambridge, England: Kettle’s Yard) |
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2002 |
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Bice Curiger, Kunst Expansiv – Zwischen Gegenkultur und Museum (Regensburg, Germany: Lindinger + Schmid Verlag GdbR) |
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2002 |
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Gill Saunders, Wallpaper in Interior Decoration (London: V&A Publications) |
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2002 |
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Tim Marlow on Tate Modern (London: Spafax Publishing) |
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