 |
Biography |
|
|
1935 |
|
Born, Quincy (MA) |
|
|
1941 - 1950 |
|
Quincy public schools |
|
|
1951 - 1953 |
|
1951-53 Phillips Academy, Andover (MA) |
|
|
Exhibitions |
|
|
2009 |
|
1968. Die große Unschuld, Kunsthalle Bielefeld, Germany (group) |
|
|
2009 |
|
Gegen den Strich. 15 Jahre Sammlung des Kunstmuseums Wolfsburg, Kunstmuseum Wolfsburg, Germany (group) |
|
|
2009 |
|
Carl Andre, Sadie Coles HQ, London (solo) |
|
|
2008 |
|
Western Red Cedar, Paula Cooper Gallery, New York (NY), USA (solo) |
|
|
2008 |
|
Al C Cu Fe Pb Sn, Galerie Tschudi, Zuoz, Switzerland (solo) |
|
|
2008 |
|
Cu Al, Carl Andre - Melissa Kretschmer, Konrad Fischer Galerie, Düsseldorf, Germany (solo) |
|
|
2008 |
|
IRON: Yvon Lambert, Paris (solo) |
|
|
2008 |
|
Carl Andre, Galerie Greta Meert, Brussels, Belgium (solo) |
|
|
2008 |
|
Point of No Return, Rubicon Gallery, Dublin, Ireland |
|
|
2008 |
|
Based on Paper – The Marzona Collection, Middlesbrough Institute of Modern Art, Middlesbrough, UK |
|
|
2008 |
|
Carl Andre, Bernd & Hilla Becher, Sol Lewitt, Bridget Riley, Karsten Schubert, London |
|
|
2008 |
|
TYPED, Sadie Coles HQ, London |
|
|
2007 |
|
Carl Andre, Mark Grotjahn, John McCracken, James Turrell, Galerie Almine Rech, Paris |
|
|
2007 |
|
John McLaughlin, Carl Andre: Paintings and Sculptures, Michael Kohn Gallery, Los Angeles (CA) |
|
|
2007 |
|
Japan and the West, Kunstmuseum Wolfsburg, Germany |
|
|
2007 |
|
Paper: Fischer Landua Center For Art, Long Island City, New York |
|
|
2007 |
|
Painting and Sculpture: Fischer Landua Center For Art, Long Island City, New York |
|
|
2007 |
|
The Plastic Vacuum: Cabinet des estampes du muse d’art et d’histoire, Geneva, Switzerland |
|
|
2007 |
|
Carl Andre: Timber Works Copper Works, Paula Cooper Gallery, New York (solo) |
|
|
2007 |
|
Carl Andre: Early Works on Paper 1958 – 1966, Andrea Rosen Gallery, New York (solo) |
|
|
2007 |
|
Carl Andre: Zinc, Ace GALLERY, Beverly Hills, CA (solo) |
|
|
2007 |
|
Carl Andre: Hommage à Chillida, Kunst Station Sankt Peter, Cologne, Germany (solo) |
|
|
2007 |
|
CARL ANDRE: Poetry, Galerie Tschudi, Glarus, Switzerland (solo) |
|
|
2007 |
|
Carl Andre: 40 Jahre bei Konrad Fischer, Konrad Fischer Galerie, Berlin, Germany (solo) |
|
|
2007 |
|
Dedica 1986-2006 Twenty Years from Galleria Alfonso Artiaco:Palazzo delle Arti Napoli, Naples, Italy |
|
|
2007 |
|
Outdoor sculture: Carl Andre, Robert Gober, Sol LeWitt John : Zwirner and Wirth in Chelsea, New York |
|
|
2007 |
|
Nothing and Everything: Jeffrey Fraenkel Gallery, San Francisco |
|
|
2006 |
|
Minimalism: On and Off Paper, Vivian Horan Fine Art, New York |
|
|
2006 |
|
Nothing and Everything, Peter Freeman Inc, New York |
|
|
2006 |
|
Elemental Form, L & M Arts, New York |
|
|
2006 |
|
Selections from the Collection of Edward R. Broida, The National Gallery of Art, Washington, DC |
|
|
2006 |
|
The Guggenheim Collection, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany |
|
|
2006 |
|
What Happened to Art, Van Abbemuseum, Eindhoven, Netherlands |
|
|
2006 |
|
Strange I’ve Seen That Face Before, Kunst, Design, Architektur im Kopf, Museum Abteiberg, Mönchengladbach, Germany |
|
|
2006 |
|
Carl Andre, Galerie Tschudi, Glarus, Switzerland (solo) |
|
|
2006 |
|
Carl Andre, Georg Kargl Fine Arts, Vienna (solo) |
|
|
2006 |
|
Carl Andre, Sadie Coles HQ, London (solo) |
|
|
2006 |
|
Paula Cooper Gallery, New York, NY (solo) |
|
|
2006 |
|
Carl Andre: Passport & poetry, Konrad Fischer Galerie, Düsseldorf, Germany (solo) |
|
|
2006 |
|
Von Carl Andre bis Bruce Nauman, Hamburger Bahnhof, Museum für Gegenwart, Berlin |
|
|
2006 |
|
Galerie mit Bleistift Fischer – Papierarbeiten aus den 60er und 70er Jahren, Konrad Fischer Galerie GmbH, Düsseldorf, Germany |
|
|
2006 |
|
Espai Públic / Dues Audiències. Obres i documents de la Col.lecció Herbert, Meseu d’Art Contemporani de Barcelona – MACBA, Barcelona |
|
|
2005 |
|
Artists’ Favourites, ICA, London |
|
|
2005 |
|
Paul Nesbitt: Evergreen, Inverleith House, Royal Botanic Garden, Edinburgh |
|
|
2005 |
|
Carl Andre, Galerie Tschudi, Glarus, Switzerland (solo) |
|
|
2004 |
|
Carl Andre: Black Wholes, Kunsthalle Basel, Basel, Switzerland (solo) |
|
|
2004 |
|
BLACK WHITE CARBON TIN, Sadie Coles HQ, London (solo) |
|
|
2004 |
|
Carl Andre: Lament for the Children, Paula Cooper Gallery, New York (solo) |
|
|
2004 |
|
Carl Andre: Galerie Arnaud Lefebvre, Paris (solo) |
|
|
2004 |
|
Carl Andre: Works from Glarus, Galerie Tschudi Zuoz, Switzerland (solo) |
|
|
2004 |
|
Carl Andre: Graphite, Konrad Fischer Galerie, Düsseldorf, Germany (solo) |
|
|
2004 |
|
Carl Andre: Poésie 1960-2000, Cabinet des Estampes, Geneva, Switzerland (solo) |
|
|
2004 |
|
An Empty Space, Akira Ikeda Gallery/ New York, New York |
|
|
2004 |
|
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Solomon R. Guggenheim Museum, New York |
|
|
2004 |
|
A Minimal Future? Art As Object 1958-1968, MOCA at California Plaza, Los Angeles (CA) |
|
|
2004 |
|
La odisea americana 1945/1980, Circulo de Bellas Artes, Madrid |
|
|
2004 |
|
Sculptures, Galerie Almine Rech, Paris |
|
|
2004 |
|
Love/Hate: from Magritte to Cattelan, Masterpieces from the Museum of Contemporary Art, Chicago, Villa Manin-Centro d’Arte Contemporanea, Passariano, Udine, Italy |
|
|
2004 |
|
Sculpture and Form, John Berggruen Gallery, San Fransisco (CA) |
|
|
2004 |
|
Election, organized by James Meyer, American Fine Arts, Co., New York |
|
|
2003 |
|
20th Anniversary Exhibition, Gavin Brown’s Enterprise, New York |
|
|
2003 |
|
Sculpture, Barbara Gladstone Gallery, New York |
|
|
2003 |
|
Stacked, D’Amelio Terras, New York |
|
|
2003 |
|
Hand-made Minimal, Peter Freeman Inc., New York |
|
|
2003 |
|
Sculpture, Grant Selwyn Fine Art, New York |
|
|
2003 |
|
An International Legacy: Selections from Carnegie Museum of Art, Oklahoma City Museum of Art, Oklahoma City; Nevada Museum of Art, Reno (NV); Mobile Museum of Art, Mobile (AL) |
|
|
2003 |
|
Flavin, Andre, Judd 3x3, National Gallery of Canada, Halifax, travelling to Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver, Canada |
|
|
2003 |
|
Carl Andre: Poems, Yucatan 1972, Gallery Yamaguchi, Osaka, Japan (solo) |
|
|
2003 |
|
Carl Andre: Copper Timber, Galerie Tschudi Glarus, Glarus, Switzerland (solo) |
|
|
2003 |
|
In Full View, Andrea Rosen Gallery, New York |
|
|
2003 |
|
A Simple Plan, James Cohan Gallery, New York |
|
|
2003 |
|
Large-Scale Sculpture: Andre, Grosvenor, LeWitt, Paula Cooper Gallery, New York |
|
|
2002 |
|
Passenger: The Viewer as Participant, Astrup Fearndkey Museet for Moderne Kunst, Oslo |
|
|
2002 |
|
Minimalism, Soh Gallery, Japan |
|
|
2002 |
|
Conceptual Art 1965 - 1975 from Dutch and Belgian Collections, Stedelijk Museum, Amsterdam |
|
|
2002 |
|
Galerie Arnaud Lefebvre, Paris |
|
|
2002 |
|
Artists of the Heath Gallery 1965 - 1998, Museum of Contemporary Art of Georgia. Atlanta (GA) |
|
|
2002 |
|
Sculpture, Mitchell-Innes & Nash, New York |
|
|
2002 |
|
Walk Around Time: Selections from the Permanent Collection, Walker Art Center, Minneapolis (MN) |
|
|
2002 |
|
Carl Andre, Ace Gallery LA, Los Angeles (CA) (solo) |
|
|
2002 |
|
Carl Andre, Konrad Fischer Galerie, Dusseldorf, Germany (solo) |
|
|
2002 |
|
Carl Andre, Ingots: Wood, Words, Aluminum, Paula Cooper Gallery, New York (solo) |
|
|
2002 |
|
Carl Andre, poems, Gallery Side 2, Tokyo, Japan (solo) |
|
|
2002 |
|
Drawings of Choice from a New York Collection, Kannert Art Museum, University of Illinois at Urbana Champaign |
|
|
2002 |
|
Aspects of color, Anthony Meier Fine Arts, San Francisco (CA) |
|
|
2002 |
|
Les années 70 : l’art en cause, capcMusee d’art contemporain, Bordeaux, France |
|
|
2002 |
|
Leon Tovar Gallery, New York |
|
|
2001 |
|
Carl Andre - Alain Saret, James Cohan Gallery, New York |
|
|
2001 |
|
Poetry Plastique, Marianne Boesky Gallery, New York (curated by Jay Sanders and Charles Bernstein) |
|
|
2001 |
|
Marzona Villa Manin: a private collection, Villa Manin di Passariano, Codroipo, Italy |
|
|
2001 |
|
Art Works: The Marzona Collection Art around 1968, Kunsthalle Bielefeld, Germany |
|
|
2001 |
|
Works in Progress, Galerie Arnaud Lefebvre, Paris |
|
|
2001 |
|
Carl Andre, Poems, Paula Cooper Gallery, New York (solo) |
|
|
2001 |
|
Carl Andre, Words & Small Fields, Sadie Coles HQ, London (solo) |
|
|
2001 |
|
Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London |
|
|
2001 |
|
Minimal, Zwirner & Wirth, New York |
|
|
2001 |
|
noncomposition, fifteen case studies, Wadsworth Atheneum Museum of Art, Hartford (CT ) |
|
|
2000 |
|
4 Sculptures, D’Amelio Terras, New York |
|
|
2000 |
|
Hanne Darboven: 11 x 9 = 99, Konrad Fischer Galerie, Düsseldorf, Germany |
|
|
2000 |
|
Contemporary American Drawings from the Sarah-Ann and Werner Kramarsky |
|
|
2000 |
|
Collection, Pollock Gallery, Southern Methodist University, Dallas (TX) |
|
|
2000 |
|
20th Century Steel Sculpture, Beadleston Gallery, New York |
|
|
2000 |
|
Carl Andre, Ingo Meller, Galerie Nächst St. Stephan, Vienna |
|
|
2000 |
|
Artworkers, Oriel Mostyn Gallery, Llandudno, Wales |
|
|
2000 |
|
Carl Andre, Whitechapel Art Gallery, London (solo) |
|
|
2000 |
|
Carl Andre, Galerie Tschudi, Glarus, Switzerland (solo) |
|
|
2000 |
|
Carl Andre, Paula Cooper Gallery, New York (solo) |
|
|
2000 |
|
An Empty Space, Akira Ikeda Gallery, New York |
|
|
2000 |
|
Carl Andre and Sol LeWitt, Galerie Tschudi, Glarus, Switzerland |
|
|
2000 |
|
Many Colored Objects..., Casino Luxembourg, Luxembourg |
|
|
2000 |
|
La sculpture contemporaine au jardin des tuileries, Paris |
|
|
2000 |
|
Carl Andre, Melissa Kretschmer, Mary Obering, Doug Ohlson, Galerie Frank, Paris |
|
|
1999 |
|
A Meditation on the Year 1960, D’Amelio Terras, New York |
|
|
1999 |
|
Carl Andre, Alain Kirili, Melissa Kretschmer, Ariane Lopez-Huici, Galerie Frank, Paris |
|
|
1999 |
|
Art at Work: Forty Years of The Chase Manhattan Collection, Museum of Fine Arts & Contemporary Art Museum, Houston (TX) (curated by Robert Rosenblum) |
|
|
1999 |
|
Minimal-Maximal, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain |
|
|
1999 |
|
Dessiner est un autre langage, Musée de Picardie, Amiens, France |
|
|
1999 |
|
Lament for the Children, Galerie Yvon Lambert, Paris (solo) |
|
|
1999 |
|
Carl Andre, Konrad Fischer Galerie, Düsseldorf, Germany (solo) |
|
|
1999 |
|
House of Sculpture, Modern Art Museum of Fort Worth, Fort Worth (TX) |
|
|
1999 |
|
Important Sculptors of the Late Twentieth Century, Stamford Sculpture Walk ‘99, Stamford (CT) |
|
|
1999 |
|
Minimalia, Sean Kelly Gallery, New York |
|
|
1999 |
|
Posters Exhibition, Lawrence Markey, New York |
|
|
1999 |
|
Line, Color, Form, John Berggruen Gallery, San Francisco (CA) |
|
|
1999 |
|
Zeitgenössische Kunst seit 1968, Kunstmuseum Wolfsburg, Wolfsburg, Germany |
|
|
1999 |
|
White Fire: Amerikanische Kunst 1959-1999 in Basel, Museum für Gegenwartskunst Basel, Switzerland |
|
|
1999 |
|
Another Form: Drawing into Sculpture, New York Studio School, New York |
|
|
1999 |
|
U.S. to Art 1950 - 2000, Studio Casoli, Milan, Italy |
|
|
1999 |
|
Sculptors’ Drawings, Paula Cooper Gallery, New York |
|
|
1998 |
|
Carl Andre, Alfonso Artiaco, Pozzuoli, Italy (solo) |
|
|
1998 |
|
Western Red Cedar, Konrad Fischer, Düsseldorf, Germany (solo) |
|
|
1998 |
|
Carl Andre : New Work, Royal Botanic Garden, Edinburgh (solo) |
|
|
1998 |
|
Carl Andre: New Work, Paula Cooper Gallery, New York (solo) |
|
|
1998 |
|
Carl Andre, Galerie Tschudi, Glarus, Switzerland (solo) |
|
|
1998 |
|
Carl Andre - Selected Works, Galerie Tanit, Münich, Germany (solo) |
|
|
1998 |
|
Every Day: the 11th Biennale of Sydney, Sydney, Australia |
|
|
1998 |
|
horizontal – vertical, Das Museum fur Moderne Kunst, Frankfurt-am-Main, Germany |
|
|
1998 |
|
Art and the American Experience, Kalamazoo Institute of Arts, Kalamazoo (MI) |
|
|
1998 |
|
Group Exhibition, Galerie Tschudi, Basel, Switzerland |
|
|
1998 |
|
Travel and Leisure, Paula Cooper Gallery, New York |
|
|
1998 |
|
Sculpture, Rhona Hoffman Gallery, Chicago (IL) |
|
|
1998 |
|
Not Today, Gavin Brown’s Enterprise, New York |
|
|
1998 |
|
Rendezvous: Masterpieces from Centre Georges Pompidou and the Guggenheim Museums, Guggenheim Museum, New York |
|
|
1998 |
|
50 Espèces d’espaces, MAC, Galeries contemporaines des musées de Marseille, Marseille, France |
|
|
1998 |
|
Amnesty International Benefit Drawing Show, Paula Cooper Gallery, New York |
|
|
1997 |
|
Carl Andre: Typewriter Drawings and Blue Cut Trials, Paula Cooper Gallery, New York (solo) |
|
|
1997 |
|
Oeuvre Poétique: Carl Andre, Centre de la Vieille Charité, Marseille, France (solo) |
|
|
1997 |
|
Carl Andre, Musée de Marseille, Marseille, France (solo) |
|
|
1997 |
|
Carl Andre, Galerie Tschudi, Glarus, Switzerland (solo) |
|
|
1997 |
|
Carl Andre, Ace Gallery, New York (solo) |
|
|
1997 |
|
Carl Andre: Passport 1960, Yucatan 1972, Galerie Arnaud Lefèbvre, Paris (solo) |
|
|
1997 |
|
Maxwell’s Demon, Margo Leavin Gallery, Los Angeles (CA) |
|
|
1997 |
|
Wood Work, Fisher Landau Center, Long Island City (NY) |
|
|
1997 |
|
Serial Attitude, Addison Gallery, Andover (MA) |
|
|
1997 |
|
The View from Denver, Museum of Modern Art, Vienna |
|
|
1997 |
|
Group Show, One Great Jones, New York |
|
|
1997 |
|
Laying Low: Postminimalism/Scatter Art, Kunstnernes Hus, Oslo |
|
|
1997 |
|
Les Moments de Lieu Propre qui rythment le silence, Galerie Arnaud Lefebvre, Paris |
|
|
1997 |
|
The Froehlich Collection, Deichtorhallen Hamburg, Kunsthalle Hamburg, Germany |
|
|
1997 |
|
Inaugural Exhibition of Hamburger Kunsthalle, Galerie der Gegenwart, Hamburg, Germany |
|
|
1997 |
|
QUERPASS, Das Museum für Modern Kunst, Frankfurt-am-Main and Städlisches Kunstinstitut Frankfurt at Jahrhunderthalle Hoechst, Germany |
|
|
1997 |
|
Two - person exhibition, CIAP Vereniging voor culturele informatie en actueel prentenkabinet, Hasselt, Belgium |
|
|
1997 |
|
Die Epoche der Moderne - Kunst im 20 Jahrhundert, Martin-Gropius-Bau, Berlin |
|
|
1997 |
|
Blurring the Boundaries: Installation Art 1969-1996, Museum of Contemporary Art, San Diego (CA) |
|
|
1997 |
|
De Re Metallica, Anthony D’Offay Gallery, London |
|
|
1997 |
|
Nonno/Padre/Figlio: Marcel Duchamp-Carl Andre-Lorenzo Missoni, Palazzo Frisacco, Tolmezzo/Udine, Italy |
|
|
1997 |
|
Sleeping Beauty, Van Abbemuseum, Eindhoven, The Netherlands |
|
|
1997 |
|
On the Edge/Contemporary Art from the Werner and Elaine Dannheisser Collection, The Museum of Modern Art, New York |
|
|
1997 |
|
Le Bel Aujourd’hui - Oeuvres d’une collection privée, Le Nouveau Musée/Institut Frac Rhone-Alpes, Villeurbanne, France |
|
|
1997 |
|
Auguste Rodin - Die Bürger von Calais, Werk und Wirkung, Skulpturenmuseum Glaskasten Marl, Germany |
|
|
1996 |
|
Total Risk, Freedom, Discipline: Abstraction in the 20th Century, The Solomon R. Guggenheim Museum, New York |
|
|
1996 |
|
Carl Andre, Konrad Fischer, Düsseldorf, Germany (solo) |
|
|
1996 |
|
Carl Andre Sculptor: Works 1958-1995, Krefeld Haus Lange and Haus Esters and Wolfsburg Kunstmuseum, Germany (solo) |
|
|
1996 |
|
Carl Andre: Sculptor 1996, Kunstmuseum Wolfsburg, Wolfsburg, Germany (solo) |
|
|
1996 |
|
Carl Andre: Sculptor 1996, Museum of Modern Art, Oxford, England (solo) |
|
|
1996 |
|
Carl Andre, Bonnefantemuseum, Maastricht, The Netherlands (solo) |
|
|
1996 |
|
Carl Andre, Syningarsalur/Exhibition Space, Reykjavik (solo) |
|
|
1996 |
|
STILLANOVEL, Witte de With, Center for Contemporary Art, Rotterdam, The Netherlands |
|
|
1996 |
|
Max's Kansas City: A 30th Anniversary, Max's, New York |
|
|
1996 |
|
Coleccion Permanente: Novas Incorporacions: Coleccion Fundacion ARCO, CGAC, Santiago, Spain |
|
|
1996 |
|
Wide White Space - Une histoire de l’art des années 60/70, MAC, galeries contemporaines des musées de Marseille, Marseille, France |
|
|
1996 |
|
Chimériques polymères: Le Plastique dans l’Art du XXème Siècle, Musée d’Art Moderne et d’Art Contemporain, Nice, France |
|
|
1996 |
|
Wechselspiel, Buddhist Sculpture, Galerie C. Delank, Bremen, Germany |
|
|
1996 |
|
The Froehlich Collection, Tate Gallery, London, England, traveling to Kunsthalle Tübingen, Staatsgalerie, Stuttgart, Germany and Württembergischer Kunstverein Stuttgart, Germany and Hamburg, Germany |
|
|
1996 |
|
Untitled, Galeria Elvira González, Madrid |
|
|
1996 |
|
Carl Andre, Erik Satie, Constantin Brancusi, Galerie Arnaud Lefèbvre, Paris |
|
|
1996 |
|
Luis Barragan: Sitio + Superficie, Antiguo Colegio de San Ildefonso, Mexico City |
|
|
1996 |
|
Gray Matter, The Mark Moore Gallery, Santa Monica (CA) |
|
|
1996 |
|
Carl Andre and Melissa Kretschmer: New Work, Trans Hudson Gallery, New York |
|
|
1996 |
|
Minimal Art, Koldo Mitxelena Kulturnea, San Sebastian, Spain |
|
|
1995 |
|
Carl Andre: Sand/Lime Instar, Gagosian Gallery, New York (solo) |
|
|
1995 |
|
Paula Cooper Gallery, New York (solo) |
|
|
1995 |
|
Carl Andre, Galerie Tschudi, Glarus, Switzerland (solo) |
|
|
1995 |
|
Mapping: A Response to MoMA, American Fine Arts, Co., New York (organized by Peter Fend) |
|
|
1995 |
|
Livres d'Artistes, Centre d'Art Contemporain, Geneva, Switzerland (curated by Paolo Columbo) |
|
|
1995 |
|
Carl Andre-Sol LeWitt, Alfonso Artiaco, Pozzuoli/Napoli, Italy |
|
|
1995 |
|
Andre, Darboven, LeWitt, Weiner: Drawings, Structures, Relations, ICP, New York |
|
|
1995 |
|
Sculpture Small Scale, Robert McClain & Co., Houston (TX) |
|
|
1995 |
|
American Sculptors in the 1960s: Selected Drawings from the Collection, The Museum of Modern Art, New York |
|
|
1995 |
|
Une Constellation, Galerie Arnaud Lefèbvre, Paris |
|
|
1995 |
|
Wide White Space - Internationale Kunst 1966-1976, Kunstmuseum Bonn, Germany |
|
|
1995 |
|
Ix, ALDEBARAN, Espace Vigneron, Baillargues, France |
|
|
1995 |
|
Les fragments du désir - Collections en Exposition, works owned by the Fonds Régional d’Art Contemporain Nord, Pas de Calais, Anc. Ets. des Magasins OLD ENGLAND, Future Museum of Instruments, Brussels |
|
|
1995 |
|
Die Sammlung Marzona, Museum Moderner Kunst Stiftung Ludwig Wien, Palais Liechtenstein, Vienna |
|
|
1995 |
|
Julian’s Show (curated by Julian Pretto), Littlejohn Contemporary, New York |
|
|
1995 |
|
Carl Andre, Alan Charlton, Richard Long, Mario Merz, Ulrich Rückreim, NieleToroni, Galerie Tschudi, Glarus, Switzerland |
|
|
1995 |
|
Donald Judd and Artist Friends, Galerie nächst St. Stephan, Vienna |
|
|
1995 |
|
Cornered, Paula Cooper Gallery, New York |
|
|
1995 |
|
25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles (CA) |
|
|
1995 |
|
Donald Judd and Artist Friends, Galerie Nachst St. Stephan, Vienna |
|
|
1995 |
|
Vernissage, Galerie Tschudi, Glarus, Switzerland |
|
|
1995 |
|
Revolution: Art of the Sixties From Warhol to Beuys, Museum of Contemporary Art, Tokyo |
|
|
1995 |
|
Abstand und Nähe, Works of the late 60's and early 70's, Galerie Bugdahn und Kaimer, Düsseldorf, Germany |
|
|
1995 |
|
Carl Andre-New Work, Nicola Tyson-Paintings, Anthony d'Offay Gallery, London |
|
|
1995 |
|
Chain Reaction: An Abbreviated Survey of Idea-Based Art, Track 16 Gallery, Santa Monica (CA) |
|
|
1995 |
|
Sniper's Nest: Art That Has Lived With Lucy Lippard, Center for Curatorial Studies at Bard College, Annandale-on-Hudson (NY) |
|
|
1995 |
|
A Passion for the New New Art in Tel Aviv Collections, Tel Aviv Museum of Art, Tel Aviv, Israel |
|
|
Literature |
|
|
2008 |
|
Cranford Collection 01, (Guernsey: Cranford Collection) |
|
|
2008 |
|
Tiddy Rowan, London: a guide to modern + contemporary ART in the city (Quadrille, London) |
|
|
2007 |
|
Patricia Bickers & Andrew Wilson, Talking Art: Interviews with artists since 1976 (London: Art Monthly & Ridinghouse) |
|
|
2007 |
|
Exhibitionism: An Exhibition of Works from the Marieluise Hessel Collection ( Hessel Museum of Art, Annandale- on- Hudson |
|
|
2007 |
|
Paper , (Fischer Landau Center For Art, Landau Center For Art, Long Island City) |
|
|
2007 |
|
Painting and Sculpture, (Landau Center For Art, Long Island City Galerie Arnaud LeFebvre, Paris, France) |
|
|
2007 |
|
The Plastic Vacuum, ( John Tremblay and C Geneva, Switzerland) |
|
|
2006 |
|
About Carl Andre: Critical Texts Since 1965 (London: Ridinghouse) |
|
|
2005 |
|
Carl Andre, Cuts: Texts 1959 - 2004 (Boston (MA): Massachusetts Institute of Technology) |
|
|
2005 |
|
Carl Andre Glarus 1993-2004 (Köln, Germany: Galerie Tschudi, Glarus and Verlag Bucchandlung Walther König) |
|
|
2005 |
|
Carl Andre and Melissa Kretschmer, Dialogues (Milan, Italy: 1000eventi and Libri Scheiwiller) |
|
|
2005 |
|
Carl Andre and Melissa Kretschmer, Due (Milan, Italy: 1000eventi) |
|
|
2005 |
|
Hugh Honour and John Fleming, A World History of Art (7th ed.), (London: Laurence King Publishing Ltd) |
|
|
2005 |
|
David Bjelajac, American Art: A Cultural History (2nd ed.), (London: Laurence King Publishing Ltd) |
|
|
2005 |
|
Brandon Taylor, Art Today, (London: Laurence King Publishing Ltd) |
|
|
2004 |
|
Briony Fer, The Infinite Line (New Haven and London: Yale University Press) |
|
|
2004 |
|
Ana Mendieta: Earth Body (Washington DC: Hirshhorn Museum and Sculpture Garden, Smithonian Institution |
|
|
2004 |
|
Off the Wall: Works from the JPMorgan Chase Collection (New York: Bruce Museum and JPMorgan Chase) |
|
|
2004 |
|
Singular Forms (Sometimes Repeated): Art from 1951 to the Present (New York: Solomon R. Guggenheim Foundation) |
|
|
2003 |
|
Carl Andre, American Drill (facsimile publication of a 1963 poem) (Brussels: Les Maitres de Formes Contemporains / Michèle Didier; New York: Paula Cooper Gallery) |
|
|
2003 |
|
Martha Buskirk, The Contingent of Contemporary Art (Massachusetts: MIT Press) |
|
|
2003 |
|
Sheryl Conkelton, with Elizabeth Thomas, An International Legacy: Selections from Carnegie Museum of Art (New York: American Federation of Arts) |
|
|
2003 |
|
Flavin, Andre, Judd (Halifax, Canada: National Gallery of Canada) |
|
|
2003 |
|
Malin Hedlin Hayden, Out of Minimalism: The Referential Cube (Sweden: Uppsala University) |
|
|
2002 |
|
Suzaan Boettger, Earthworks: Art and the Landscape of the Sixties (Los Angeles (CA): University of California Press) |
|
|
2002 |
|
Life Death Love Hate Pleasure Pain: Selected works from the Museum of Contemporary Art Chicago, Collection (Chicago (IL): MCA) |
|
|
2002 |
|
Artists of the Heath Gallery 1965 – 1998 (Atlanta (GA): Museum of Contemporary Art of Georgia) |
|
|
2002 |
|
Josef Helfenstein and Jonathan Fineberg, eds. Drawings of Choice from a New York Collection (Champaign (IL): Krannert Art Museum) |
|
|
2002 |
|
Passenger: The Viewer as Participant (Oslo: Astrup Fearnley Museum of Modern Art) |
|
|
2002 |
|
Works From the DaimlerChrysler Collection and from the Paul Maenz Collection: A Dialogue (Berlin: Impressum) |
|
|
2001 |
|
American Visionaries: Selection from the Whitney Museum of American Art (New York: Whitney Museum of American Art) |
|
|
2001 |
|
Carl Andre: Works on Land (Belgium: Middelheimmuseum Antwerpen) |
|
|
2001 |
|
Thomas Kellein (ed.), Art Works: The Marzona Collection Art around 1968 (Ostfildern, Germany: Hatje Cantz Verlag) |
|
|
2001 |
|
Marzona Villa Manin: A Private Collection (Ostfildern, Germany: Hatje Cantz Verlag) |
|
|
2001 |
|
James Meyer, Minimalism: Art and Polemics in the Sixties (New Haven (CT) and London: Yale University Press) |
|
|
2001 |
|
Noncomposition: Fifteen Case Studies (Hartford (CT): Wadsworth Atheneum Museum of Art) |
|
|
2001 |
|
Alex Potts, The Sculptural Imagination (New Haven (CT) and London,Yale University Press) |
|
|
2001 |
|
Poetry Plastique (New York: Marianne Boesky Gallery) |
|
|
2001 |
|
Anne Rorimer, New Art in the 60s and 70s Redefining Reality (London: Thames & Hudson) |
|
|
2000 |
|
Kunstmuseum Wolfsburg Gesammelte Werke I: Zeitgenössische Kunst seit 1968 (Wolfsburg, Germany: Kunstmuseum Wolfsburg) |
|
|
2000 |
|
Vanitas: Meditations on Life and Death in Contemporary Art (Richmond (VA): Museum of Fine Arts) |
|
|
2000 |
|
Anatxu Zabalbeascoa and Jovier Rodriguez Marcos, Minimalisms (Barcelona, Spain: Editorial Gustavo Gili, SA) |
|
|
1999 |
|
The American Art Book (London: Phaidon Press) |
|
|
1999 |
|
The American Century: Art & Culture 1950 – 2000 (New York: The Whitney Museum of American Art) |
|
|
1999 |
|
Carl Andre, Alain Kirili, Melissa Kretschmer, Ariane Lopez-Huici (Paris: Galerie Frank) |
|
|
1999 |
|
Contemporary American Masters: The 1960s (Roslyn Harbor (NY): Nassau County Museum of Art) |
|
|
1999 |
|
Important Sculptors of the Late Twentieth Century, exhibition catalogue from the Stamford Sculpture Walk |
|
|
1999 |
|
The History of Western Art (Japan: Shogakukan) |
|
|
1999 |
|
White Fire/Flying Man: Amerikanische Kunst 1959-1999 in Basel (Basel Art Fair) |
|
|
1999 |
|
Kira Van Lil, Hallen für neue Kunst, Schaffhausen (Ostfildern, Germany: Hatje Cantz) |
|
|
1998 |
|
Carl Andre: Sculptor 1997 (Marseille, France: Musée Cantini) |
|
|
1998 |
|
The Edward R. Broida Collection: A Selection of Work (Orlando (FL): Orlando Museum of Art) |
|
|
1998 |
|
Every Day: The 11th Biennale of Sydney (Sydney, Australia) |
|
|
1998 |
|
Kunst in den Treptowers (Berlin: Allianz Versicherung-AG) |
|
|
1998 |
|
Minimal Art: Andre, Flavin, Judd, LeWitt, Morris (Brussels: Banque Bruxelles Lambert) |
|
|
1998 |
|
The View From Denver (Vienna: Museum Moderner Kunst Stiftung Ludwig Wien) |
|
|
1998 |
|
Wounds: Between Democracy and Redemption in Contemporary Art (Stockholm: Modern Museet) |
|
|
1998 |
|
Michael Fried, Art and Objecthood (Chicago (IL): University of Chicago Press) |
|
|
1998 |
|
Claudia Gould and Valerie Smith (eds.), 5000 Artists Return to Artists Space: 25 Years (New York: Artists Space) |
|
|
1998 |
|
Rosalind Krauss, ‘Sculpture in the Expanded Field’, (1979), reprinted in Preziosi, Donald (ed.), The Art of Art History: A Critical Anthology (New York: Oxford University Press) |
|
|
1997 |
|
The Age of Modernism: Art in the 20th Century (Ostfildern-Ruit, Germany: Verlag Gerd Hatje) |
|
|
1997 |
|
Auguste Rodin: Die Bürger von Calais -- Werk und Wirkung (Marl, Germany: Skulpturenmuseum Glaskasten) |
|
|
1997 |
|
Le Bel Aujourd’hui: Œuvres d’une Collection Privée (Rhône - Alpes, France: Nouveau Musée / Institut – Frac) |
|
|
1997 |
|
Blurring the Boundaries: Installation Art 1969-1996 (San Diego (CA): Museum of Contemporary Art) |
|
|
1997 |
|
Collecció Panza di Biumo Anys 80 i 90 (Sa Llonja, Spain: Conselleriea d’Educació) |
|
|
1997 |
|
Una Collecció Particular: Fragments de 1971 a 1996 (Barcelona, Spain: Museu d’Art de Girona) |
|
|
1997 |
|
Rolf Bothe, ed., Hamburger Kunsthalle, Galerie der Gegenwart, Hamb Kunst zu Weimar / Sammlungen - Geschichte und Ausblick (Weimar, Germany: Neues Museum) |
|
|
1997 |
|
Laying Low (Oslo: Kunstnernes Hus) |
|
|
1997 |
|
Robert Storr (ed.), On the Edge / Contemporary Art from the Werner and Elaine Dannheisser Collection (New York: The Museum of Modern Art) |
|
|
1997 |
|
Stommeln Synagogue (Rhineland, Germany: Stommeln Synagogue) |
|
|
1997 |
|
Michael Archer, Art Since 1960 (London: Thames and Hudson) |
|
|
1997 |
|
Paul Ardenne, ART: L’Age Contemporain: Une histoire des arts plastiques á la fin du XXe siècle (Paris: Editions Du Regard) |
|
|
1997 |
|
Robert Hughes, American Visions: The Epic History of Art in America (New York) |
|
|
1997 |
|
Maaretta Jaukkuri (ed.), Poesie der Teilnahme (Dresden) |
|
|
1997 |
|
Joachim Kaak, Corinna Thierolf, Hanne Darboven / John Cage (Munich, Germany: Staatsgalerie moderner Kunst) |
|
|
1997 |
|
John T. Kirk, The Shaker World (New York: Harry Abrams, Inc.) |
|
|
1997 |
|
Peter Walker, Minimalist Gardens (Spacemaker Press) |
|
|
1996 |
|
The 20th Century Art Book (London: Phaidon Press) |
|
|
1996 |
|
Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline (New York: Solomon R. Guggenheim Museum) |
|
|
1996 |
|
Ian Cole (ed.), Carl Andre and The Sculptural Imagination (Oxford, England: Museum of Modern Art) |
|
|
1996 |
|
Carl Andre: Sculptor 1996 (Germany: Oktagon) |
|
|
1996 |
|
Chimériques polymeres: Le Plastique dans L’Art du XXème Siècle (Nice, France: Musée d’Art Moderne et d’Art Contemporain) |
|
|
1996 |
|
The Froehlich Foundation and Collection (London: Tate Gallery Publishing, London) |
|
|
1996 |
|
Luis Barragán: Sitio + Superficie (Mexico: Antiguo Colegio de San Ildefonso) |
|
|
1996 |
|
Minimal Art (San Sebastian, Spain: Koldo Mitxelena Kulturunea) |
|
|
1996 |
|
Gabriella Belli (ed.), The Panza di Biumo Collection: some artists from the 80s and 90s (Milan, Italy: Electa) |
|
|
1996 |
|
Sammlung Speck (Cologne, Germany: Ludwig Museum) |
|
|
1996 |
|
Kristine Stiles and Peter Selz (eds.), Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings (Berkeley (CA): University of California Press) |
|
|
1996 |
|
Thomas Crow, The Rise of the Sixties: American and European Art in the Era of Dissent (New York: Harry N. Abrams, Inc.) |
|
|
1996 |
|
Anthony Haden-Guest, True Colors: The Real Life of the Art World (New York: Atlantic Monthly Press) |
|
|
1996 |
|
Irving Sandler, Art of the PostModern Era: From the Late 1960s to the Early 1990s (New York: Harper Collins) |
|
|
1996 |
|
Henry M. Sayre, A World of Art, 2nd edition (New Jersey (NY): Prentice Hall) |
|
|
1996 |
|
Nicholas Serota, Experience or Interpretation: The Dilemma of Museums of Modern Art (London: Thames and Hudson) |
|
|
1996 |
|
Pascale Le Thorel-Daviot, Petit Dictionnaire: Des Artistes Contemporains (Paris: Bordas) |
|
|
1995 |
|
Christo and Jeanne-Claude to Jeff Koons: John Kaldor Art Projects and Collection (Sydney, Australia: Museum of Contemporary Art) |
|
|
1995 |
|
Revolution: Art of the Sixties from Warhol to Beuys (Tokyo: Museum of Contemporary Art) |
|
|
1995 |
|
Passions Privées: Collections Particulieres d'Art Moderne et Contemporain en France (Paris: Paris-Musées) |
|
|
1995 |
|
Sculpture (London: Anthony d’Offay Gallery) |
|
|
1995 |
|
Jonathan Fineberg, Art Since 1940: Strategies of Being (London: Laurence King Publishing) |
|
|
1995 |
|
Ghislain Mollet-Viéville, Art Minimal and Conceptuel (Geneva, Switzerland: Editions d'Art Albert Skira S.A.) |
|
|
1995 |
|
Gregor Stemmrich (ed.), Minimal Art - Ein kritische Retrospektive (Dresden/Basel) |
|
|
1995 |
|
Brandon Taylor, Avant-Garde and After: Rethinking Art Now (New York: Harry N. Abrams) |
|
|
1995 |
|
Doris von Drathen, Kritisches Lexikon der Gegenwartskunst (Munich, Germany: Weltkunst / Bruckmann) |
|
|
1995 |
|
Angela Ziesche, Das Schwere und das Leichte (Cologne, Germany: DuMont) |
|
|
return to artnet.com