Kunstpalast Düsseldorf, 'Die Kunst zu Sammeln', Düsseldorf/DE
2007
Kunstverein Braunschweig, 'Kunst aus Los Angeles der 60er bis 90er Jahre', Braunschweig/DE
2007
Gagosian Gallery, 'Fit to Print – Printed Media in recent Collage', New York NY
2007
Getty Center, 'Evidence of Movement', Los Angeles/CA
2007
Museum on the Seam, 'Bare Life', Jerusalem/IL
2007
Museum van Hedendaagse Kunst, 'Who’s got the big picture?', Antwerp/BE
2007
David Zwirner, 'A Point in Space is a Place for an Argument', New York NY
2007
Vanhaerents Art Collection, 'Disorder in the House', Brussels/BE
2007
Christchurch Art Gallery, 'Reboot – The Jim Barr and Mary Barr Collection', Christchurch/NZ
2007
Hamburger Bahnhof, 'There is never a stop and never a finish. Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof. In memoriam Jason Rhoades', Berlin/DE
2007
Barbican Center, 'Panic Attack! Art in the Punk Years', London/GB
2007
Kunsthalle Wien & MUMOK, Museum Moderner Kunst Stiftung Ludwig, 'Dream & Trauma – Works from the Dakis Joannou Collection, Athens', Vienna/AT
2007
Maccarone Gallery, 'Paul McCarthy’s Chocolate Factory', New York, NY (solo)
2007
S.M.A.K. Stedelijk Museum voor Actuele Kunst, 'Paul McCarthy – Head Shop/Shop Head', Gent/BE (solo)
2007
The Essl Collection, 'Paul McCarthy: Tokyo Santa 1996/2004', Klosterneuburg/AT (solo)
2007
Middelheim Sculpture Museum, 'Paul McCarthy – Air Born / Air Borne / Air Pressure', Antwerp/BE (solo)
Kunstverein Hamburg, 'Paul McCarthy. Videos und Fotografien', Hamburg/D
2001
Villa Arson, 'Paul McCarthy', Nice/F
2001
Deitch Projects, 'Paul McCarthy The Garden', New York NY
2001
Public Art Fund (IBM Building), 'The Box', New York NY
2001
Luhring Augustine Gallery, 'Paul McCarthy', New York NY
2000
MOCA Geffen Contemporary, 'Heidi File', Los Angeles CA
2000
MOCA, 'Paul McCarthy', Los Angeles CA
2000
Patrick Painter, Inc., 'Heidi File', Santa Monica CA
2000
George's, 'The Fashion Show', Los Angeles CA
2000
New Museum of Contemporary Art, 'Paul McCarthy', New York NY
2000
Barbara Gladstone Gallery, 'Drawings 2000', New York NY
2000
Galeria OMR, 'Pinturas amuebladas', Mexico
2000
Ikon Gallery, 'Lost', Birmingham/GB
1999
Sammlung Hauser und Wirth in der Lokremise St. Gallen, ‘Dimensions of the Mind', St. Gall/CH
1998
Museum of Contemporary Art, ‘Out of Actions: Between Performance and the Object, 1949-1979', Los Angeles
Literature
2008
Barret, Terry, 'Why is that Art?. Aesthetics and criticism of Contemporary Art', Oxford, University Press, 2007, pp. 186-197, ill.
2007
Franke Melanie, Knapstein, Gabriele, 'there is never a stop and never a finsh. In memoriam Jason Rhoades', Cologne: Dumont, 2007, ill. (exh. cat.) Heiser, Jörg, 'Plötzlich diese Uebersicht. Was gute Zeitgenössische Kunst ausmacht', Berlin, claassen/ Ulstein Buchverlage, 2007, pp. 74-82
2006
Lewis, Angharad, '2006 - A Year in Exhibitions', Grafik, London, December 1, 2006, pp. 80-83, ill.
2006
Hultkrans, Andrew, Schambelan, Elizabeth (eds.), 'Where are we going?' Palazzo Grassi, Skira editore PA, Italy, 2006, pp. 238-9, ill. (exh. cat)
2006
Mezil, Eric (ed.), 'Figures de l'acteur. Le Paradoxe du Comedian', Collection Lambert en Avignon, Editions Gallimard, Paris, 2006, p. 218, ill. (exh. cat.)
2006
Af Petersens, Magnus; McCarthy Paul (eds.), 'HEAD SHOP/SHOP HEAD', Germany, Steidl/Moderna Museet, 2006, ill. (exh. cat)
Bätzer, Nike, Kunstmuseum Lichtenstein (ed.), 'Faites vos jeux: Kunst und Spiel seit Dada', Ostfildern-Ruit: Hatje Cantz Verlag, pp. 126¡V127, ill. (exh. cat.)
2005
Macel, Christine (ed.), 'Dionysiac', Paris: Éditions du Centre Pompidou, 2005 (exh.cat.), ill.
2005
Blazwick, Iwona, Christov-Bakargiev, Carolyn, Coen, Ester (et al.), 'Faces in the Crowd: Picturing Modern Life from Manet to Today', Milan: Skira, 2005 (exh. cat.), p. 237, ill.
2005
Grosenick Uta, Riemschneider Burkhard (ed.), 'ART NOW, Vol. 2', Cologne: Taschen, 2005, pp. 276-279, ill.
2005
Husslein-Arco Agnes (ed.), 'Les Grands Spectacles', Ostfildern-Ruit: Hatje Cantz Verlag, 2005, p. 66, p. 244, p. 253, ill.
2005
Kraus Chris, Tumlir Jan, McFadden Jane (ed.), 'LA Artland', London: Black Dog Publishing Limited, 2005, pp. 204¡V205, ill.
Stiles, Christine, 'Paul McCarthy: Kristine Stiles in Conversation' [interview], Press PLAY: Contemporary Artists in Conversation, London: Phaidon Press Limited, 2005, pp. 449-461, ill.
2005
Bidner, Stefan, Feuerstein, Thomas (eds.), 'Plus ultra: Jenseits der Moderne?/Beyond Modernity?', Frankfurt am Main: Revolver, 2005, pp. 83-87, ill.
2004
La maison rouge - fondation Antoine de Galbert (ed.), 'Central Station: La collection Harald Falckenberg', Paris: La maison rouge, Fage éditions, 2004, pp. 62-63, ill.
2004
Karabelnik, Marianne (ed.), 'Stripped Bare: The Body Revealed in Contemporary Art', New York: Merrell, 2004, pp. 244-249, ill.
Meyer-Hermann, Eva, Centro de Arte Contemporáneo de Málaga (ed.), 'Paul McCarthy: Brain Box Dream Box', Málaga: Ayuntamiento, 2004 (exh. cat.)
2004
Kellein, Thomas, Lampe, Angela (ed.), 'Das grosse Fressen: Von Pop bis heute', Bielefeld: Kunsthalle Bielefeld, pp. 82-87, ill. (exh. cat.)
2004
Clair, Jean (ed.), 'The Great Parade', New Haven/London: Yale University Press/Ottawa: National Gallery of Canada, 2004 (exh. cat.), p. 40, pp. 164-165, ill.
2004
Vissault, Maïté/Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster (ed.), .cremers.haufen, Bielefeld: Kerber Verlag, 2004, p. 208, p. 233, ill. (exh. cat.)
2003
Biesenbach, Klaus, London, Barbara (ed.), 'Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust', Long Island City: P.S.1 Contemporary Art Center, 2003, pp. 199–205, ill. (exh. cat.)
Espai d’art Contemporanei de Castello, 'Micropolitics: Art and Everyday Life', Vanecia: Espai d’art Contemporanei de Castello, 2003 (exh. cat.)
2003
Raspail, Thierry (ed.), Avant, Dijon: Les Presses du Réel/Fage Éditions, 2003, pp. 100–105, pp. 188–199, ill. (exh. cat.)
2003
Tate Modern, Paul McCarthy at Tate Modern, London: Tate Publishing, 2003 (exh. cat.)
2003
Unterdörfer, Michaela, Winzen, Matthias (ed.), (In the Search of) The Perfect Love, Ostfildern-Ruit: Hatje Cantz Publishers, 2003, pp. 96–125, ill. (exh. cat.)
2003
Dercon, Chris, Weski, Thomas (ed.) Partners, Cologne: Verlag der Buchhandlung Walther König, 2003
2003
Engelbach, Barbara, Museum für Gegenwartskunst Siegen (ed.), McCarthy, Paul, Hammer, Oranges, Apple [Artist’s book] Frankfurt am Main: Revolver Verlag 2003
2003
Jouannais, Jean-Yves, L’Idiotie: Art, vie, politique – méthode, Paris: Beaux Arts Magazine/Livres, 2003, pp. 33, 67, 212, 221, 256, 270
2003
McCarthy, Paul, “Témoignages”, Musée d’Art moderne de la Ville de Paris (ed.), Francis Picabia: Singulier Idéal, Paris/Arles: Actes Sud, 2003
2002
Butler Gallery (ed.), Paul McCarthy: Video tapes, Kilkenny: Butler Gallery, 2002 (exh. cat.)
2002
CAN (ed.), “Sans consentement”, Crash, no. 22, Paris, 2002, pp. 84–85, ill. (exh. cat.)
2002
De Pury & Luxembourg (ed.), Ahead of the 21st Century: The Pisces Collection, Ostfildern-Ruit: Hatje Cantz, 2002, pp. 8–9, 110–119, ill. (exh. cat.)
2002
Neues Museum Weserburg (ed.), Kunst nach Kunst, Bremen: Neues Museum Weserburg, 2002, p. 148–152, ill. (exh. cat.)
2002
Schirn-Kunsthalle Frankfurt/Hollein, Max, Grunenberg, Christoph (ed.), Shopping: 100 Jahre Kunst und Konsum, Ostfildern-Ruit: Hatje Cantz, 2002, p. 244, ill. (exh. cat.)
2002
Unterdörfer, Michaela (ed.), The House of Fiction: Sammlung Hauser und Wirth/3, Nuremberg: Verlag für moderne Kunst, 2002, pp. 42, 105, ill. (exh. cat.)
2002
Villa Arson (ed.), Paul McCarthy, Nice: Pinocchio, 2002, ill. (exh. cat.)
2002
Archer Michael, Art Since 1960: New Edition, London: Thames & Hudson, 2002
2002
Beil, Ralf, Künstlerküche, Lebensmittel als Kunstmaterial – von Schiele bis Jason Rhoades, Cologne: Dumont Verlag, 2002
Luc, Virginie, ART à MORT, Paris: Éditions Leo Scheer, October 2002
2002
Morris, Simon, Sinning: De-centering the Self [no publisher-art piece, book dedicated to Paul McCarthy], November 2002
2001
Association le printemps de septembre (ed.), Printemps de septembre: Théâtres du Fantastique, Arles/Paris: Éditions Actes Sud, 2001, pp. 44–45, 72, ill. (exh. cat.)
2001
Des Moines Art Center (ed.), My Reality: Contemporary Art and the Culture of Japanese Animation, Iowa: Des Moines Art Center, 2001, ill. (exh. cat.)
2001
Haenlein, Carl, Ahrens, Carsten (ed.), Ziviler Ungehorsam: Sammlung Falckenberg, Hanover: Kestner Gesellschaft, 2001, pp. 78, ill. (exh.cat.)
2001
Secession (ed.), Projekt Fassade: 28.2.–16.10.2000/Wiener Secession, Isolde Charim: Eleonora Louis, Vienna: Wiener Secession, 2001, pp. 30–31, ill. (exh. cat.)
2001
Parfait, Françoise, Vidéo: Un art contemporain, Paris: Édition du Regard, 2001
2001
Pellegrin, Julie, “L’Objet humain: Simulation et manipulation dans l'oeuvre de Paul McCarthy”, Centre Choréographique National de Grenoble (ed.), Corps/objet: Sur le rapport du corps artificiel, Grenoble: Centre Choréographique National de Grenoble, October 2001, pp. 10–13, ill.
2001
Sties, Kristine, Uncorrupted Joy: Art Actions, Art History and Social Values, 2001
2001
Wege, Astrid, Art Now, Cologne: Taschen, 2001, pp. 106–107, ill.
2001
___, A Creative Legacy: A History of the National Endowment for the Arts, Visual Artists Fellowship Program 1966–1995, New York: Harry N. Abrams, 2001
2000
Capc – Musée d’art contemporain de Bordeaux (ed.), Présumés innocents: L'art contemporain et l'enfance, Bordeaux, 2000, pp. 24, 31, 58, ill. (exh. cat.)
2000
Dickhoff, Wilfried, König, Kasper (ed.), In Between: Das Kunstprojekt der EXPO 2000, Cologne: DuMont Verlag, 2000, pp. 68–81, ill. (exh. cat.)
2000
IKON Gallery (ed.), Lost, Birmingham: IKON Gallery, 2000, p. 69, ill. (exh. cat.)
2000
Kunstmuseum Liechtenstein (ed.), Kunstmuseum Liechtenstein, [text by Friedemann Malsch, Christine Meyer-Stoll + et al.], Zurich: ProLitteris, 2000, pp. 43–44, ill. (exh. cat.)
2000
Meyer-Hermann, Eva (ed.), Paul McCarthy “Dimensions of the Mind”: The Denial and the Desire in the Spectacle, Cologne: Oktagon/ St. Gallen: Sammlung Hauser und Wirth, 2000, ill. (exh. cat.)
2000
New Museum of Contemporary Art (ed.), Paul McCarthy, New York/Ostfildern-Ruit: New Museum of Contemporary Art/Hatje Cantz, 2000, ill. (exh. cat.)
2000
The Power Plant Contemporary Art Gallery (ed.), Mike Kelley and Paul McCarthy Collaborative Works [text by Phillip Monk, Ann Goldstein + et al.], Toronto, 2000 (exh. cat.)
2000
Walker Art Center (ed.), Let's Entertain: Life's Guilty Pleasures, Minneapolis: Walker Art Center, 2000, ill. (exh. cat.)
2000
Barth, Miles, Merritt, Raymond (ed.), A Thousand Houndes, Cologne: Taschen, 2000
2000
Bauman, Gillick, Grosz, Groys, Kay, Rushkoff [et al.], Fresh Cream: Contemporary Art in Culture, London: Phaidon Press Limited, 2000, p. 394
2000
Bonami, Francesco, Frisa, Maria Luisa, Tonchi, Stefano (ed.), Uniform Order and Disorder, Milan: Edizioni Charta/Pitti Immagine, 2000, pp. 244–245, ill.
2000
Buck, Louisa, Moving Targets 2: A User’s Guide to British Art Now, London: Tate Publishing, 2000
2000
Fineberg, Jonathan, Art Since 1940: Strategies of Being, New York: Harry N. Abrams, Inc., 2000
2000
Franzen, Brigitte, Die Vierte Natur: Garten in der zeitgenössischen Kunst, Cologne: Verlag der Buchhandlung Walther König, 2000
2000
Guasch, Anna Maria, El arte último del siglo XX: Del posminimalismo al lo multicultural, Madrid: Alianza Forma, 2000, cover, ill.
2000
Montano, Linda M., Performance Artists Talking in the Eighties, Barkeley: University of California Press, 2000
2000
Sanders, Mark, Star Culture, London: Phaidon Press Limited, 2000
2000
Warr, Tracey, Jones, Amelia (ed.), The Artist’s Body, London: Phaidon Press Limited, ill.