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Biography |
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1936 |
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Born Cologne, Germany |
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1956 - 1960 |
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Staatliche Werkakademie (State Art Academy), Kassel, 1. Staatsexamen (equivalent of M.F.A.) |
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1960 - 1961 |
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Stanley William Hayter's Atelier 17, Paris |
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1961 |
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Tyler School of Fine Arts, Temple University, Philadelphia |
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1961 |
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Fulbright Fellowship |
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1963 - 1965 |
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Returned to Cologne. Taught at Pädagogische Hochschule, Kettwig, and other institutions |
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1966 - 1967 |
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Taught at University of Washington, Seattle; Douglas College, Rutgers University, New Jersey; Philadelphia College of Art |
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1978 |
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Award: National Endowment for the Arts |
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1993 |
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Award: Golden Lion (shared with Nam June Paik), Venice Biennale |
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1994 |
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Guest Professorship, Hochschule für Bildende Künste, Hamburg |
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1997 |
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Regents Lecturer, University of California, Berkeley |
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1998 |
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Prize of Helmut-Kraft-Stiftung, Stuttgart |
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1967 - 2002 |
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Taught at Cooper Union, New York (Professor of Art Emeritus) |
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2004 |
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Award: Peter-Weiss-Preis, Bochum |
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Lives in New York (since 1965) |
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Exhibitions |
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2008 |
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Bundesgartenschau, Galerie Sfeir-Semler, Hamburg |
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2008 |
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Paula Cooper Gallery, New York, NY (1/11-2/16/08) |
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2007 |
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New York States of Mind, Queens Museum of Art, Queens, NY (12/16/07-3/23/08) |
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2007 |
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Mask, James Cohan Gallery in collaboration with Joseph G. Gerena Fine Art, New York, NY (12/13/07-1/26/08) |
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2006 |
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The Message Is the Medium, curated by Marshall Reese, Jim Kempner Fine Art, New York, NY (9/9-9/30/06) |
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2006 |
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Hans Haacke wirklich, curated by Matthias Flügge, Akademie der Künste, Berlin, Germany (11/18/06-1/14/07) |
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2006 |
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Hans Haacke - wirklich Werke 1959-2006, curated by Robert Fleck, Deichtorhallen Hamburg, Hamburg, Germany (11/17/06-2/4/07) |
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2006 |
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Here + Now, Elizabeth Leach Gallery, Portland, OR (8/3-9/2/06) |
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2006 |
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Fourteen Artists/Fourteen Years: Mahaffey Fine Art, curated by Annette Dixon, PortlandArt Museum, Portland, OR (9/30/06 - 1/14/07) |
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2006 |
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Zero: International Avant-garde of the 50s and 60s, Museum Kunst Palast, Düsseldorf, Germany (4/9-7/9/06) |
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2005 |
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Open Systems: Rethinking Art c.1970, Tate Modern, London, England |
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2005 |
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Monuments for the USA, California College of Art Gallery, San Francisco, CA |
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2005 |
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Kritische Gesellschaften: Kunst, Kritik und die Versprechen des Kapitalismus, Badischer Kunstverein, Karlsruhe |
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2005 |
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Bewegliche Teile-Formen des Kintetischen, Museum Tinguely, Basel, Switzerland |
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2005 |
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Occupying Space-Sammlung Generali Foundation, Haus der KUnst, Munich, Germany |
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2005 |
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Kontexte der Fotografie, Museum für Gegenwartskunst Siegen |
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2005 |
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behind the facts. Interfunktionen 1968-1975, Kunsthalle Fridericianum, Kassel, Germany |
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2005 |
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MIRRORICAL RETURNS: Marcel Duchamp and the 20th Century Art, Yokohama Museum of Art, Kanagawa, Japan |
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2004 |
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A Minimal Future? Art as Object 1958-1968, Museum of Contemporary Art (MOCA), Los Angeles |
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2004 |
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Behind the Facts, Interfunktionen 1988-1975, Fundació Joan Miró, Barcelona. Traveled to Museu Serralves, Porto |
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2004 |
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Art and Utopia, Action Restricted, Museu d'Art Contemporani de Barcelona, Barcelona |
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2004 |
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Beyond Geometry: Experiments in Form 1940s-1970s, Los Angeles County Museum, Los Angeles. |
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2004 |
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Traveled to Miami Art Museum, Miami |
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2004 |
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Moscow-Berlin, Historical Museum, Moscow |
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2004 |
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70/90 Engagierte Kunst, Neues Museum, Nürnberg |
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2004 |
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Bewegliche Teile, Formen des Kinetischen, Kunsthaus Graz, Graz |
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2004 |
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Mirrorical Return, National Museum of Art, Osaka |
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2003 |
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Air, James Cohan Gallery, New York |
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2003 |
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The Last PictureShow: Artists Using Photography 1960-1982, Walker Art Center, Minneapolis |
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2003 |
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Traveled to UCLA Hammer Museum, Los Angeles (2004) |
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2003 |
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Berlin-Moskau, Martin-Gropius-Bau, Berlin |
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