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Martin Creed (British, 1968)
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Martin Creed
Work No. 489, Pen drawings 2005
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Martin Creed
Work No. 492, Ships comin in 2005
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Martin Creed
Work No. 549 2006
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Biography |
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1968 |
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Born in Wakefield/GB |
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1986 - 1990 |
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Slade School of Fine Art, London |
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1990 - 2001 |
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Lived and worked in London |
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2001 |
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Turner Prize winner |
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lives and works in Alicudi, Italy |
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Exhibitions |
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2006 |
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Hauser & Wirth, Zurich (solo) |
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2006 |
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How to Improve the World. 60 years of British Art, Arts Council Collection, Hayward Gallery, London |
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2006 |
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Surprise, Surprise, ICA London |
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2006 |
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Strange, I’ve seen that face before, Museum Abteiberg, Mönchengladbach |
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2006 |
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Good Vibrations – Visual arts and Rock music, Palazzo delle Papesse, Sienna |
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2006 |
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Into Me/Out of Me, P.S.1 MoMA, New York |
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2006 |
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Martin Creed – Big dogs, MC, Los Angeles |
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2006 |
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Nichts, Schirn Kunsthalle, Frankfurt am Main |
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2006 |
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As if by Magic, Art School Palestine, Bethlehem Peace Center, Bethlehem |
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2006 |
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Other Rooms, Other Voices: Contemporary Art from the FRAC Collections, The Israel Museum, Jerusalem |
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2006 |
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Concrete Language, Contemporary Art Gallery, Vancouver |
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2006 |
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I (Ich) / Performative Ontology, Secession, Vienna |
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2005 |
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Down – Up, Gavin Brown’s enterprise, New York (solo) |
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2005 |
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Feeling strangely fine, Galeria Estrany / De la Mota, Barcelona |
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2005 |
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In Concert, Schirn Kunsthalle, Frankfurt |
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2005 |
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Experiencing Duration, Biennale d’art contemporain de Lyon 2005 |
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2005 |
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Galerie Rüdiger Schöttle, Munich (solo) |
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2004 |
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Kunsthaus Baselland, 'Strategies of Desire', cur. Sabine Schaschl-Cooper, Muttenz |
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2004 |
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Serpentine Gallery, 'State of Play', cur. Rochelle Steiner, London |
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2004 |
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Work No. 360: Half the Air in a given space, Johnen Galerie, Berlin (solo) |
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2004 |
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Hauser & Wirth, London (solo) |
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2004 |
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Galerie Emmanuel Perrotin, Paris |
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2004 |
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Udjadowski Castle, 'Martin Creed', cur. Pawel Polit, Warsaw |
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2003 |
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Kunsthalle Bern, cur. Bernhard Fibicher, Bern (solo) |
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2003 |
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Languedoc-Roussillon, 'Beaucoup de Bruit pour Rien', cur. Emmanuel Lattreille, Montpellier (with Marylene Negro) |
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2003 |
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GBE Modern, 'Work No. 300', New York NY |
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2003 |
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The British School at Rome, 'Work No. 289 ', cur. Christiana Perrella, Rome |
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2003 |
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Cezary Bodzianowski, Martin Boyce, Rafal Bujnowski, Martin Creed, Slawomir Elsner, Stefan Hablützel, Candida Höfer, Marko Lulic, Thomas Ruff, Wilhelm Sasnal, Johnen & Schöttle, Cologne |
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2003 |
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Kunstverein, 'Adorno', Frankfurt |
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2003 |
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Galerie Thaddaeus Ropac, 'Skulpur 03', Salzburg |
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2003 |
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Kunstverein, 'Soundsystem', Salzburg |
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2003 |
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Museum Boijmans van Beuningen, 'Shine', Rotterdam |
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2003 |
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Galerie Analix Forever, 'SMALL THINGS', Geneva |
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2002 |
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Alberto Peola Arte contemporanea, 'A large piece of furniture partially obstructing a door', Turin |
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2002 |
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The Wrong Gallery, New York NY |
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2002 |
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Galerie Johnen & Schöttle, 'BOYCE - CREED - SALA - SASNAL', Cologne |
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2002 |
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Galerie Thaddaeus Ropac, 'The Young and the Hung', Salzburg |
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2002 |
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Collection Haubrok, 'No Return', Mönchengladbach, Germany |
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2002 |
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CCAC, 'Rock my World: Recent Art and the Memory of Rock’n’Roll', San Francisco CA |
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2002 |
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Wolverhampton Gallery, 'Strike', Wolverhampton, GB |
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2002 |
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Vista Mare associaione culturale, 'On/Of', Pescara, Italy |
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2002 |
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Charlottenborg, 'My Head is on Fire but my Heart is full of Love', Copenhagen |
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2002 |
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The Museum of Modern Art, 'Tempo', New York NY |
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2001 |
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Tate Britain, 'Turner Prize 2001', London |
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2001 |
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Yokohama Museum, 'Space-Jack!', cur. Yukie Kamiya, Yokohama, Japan |
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2001 |
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Brighton University Art Gallery, 'Makeshift', cur. David Green, Brighton |
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2001 |
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Tate Britain 'Art Now: Martin Creed, Turner Prize 2001', London |
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2001 |
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Galerie Johnen & Schöttle, 'The lights off', Cologne |
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2001 |
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Rüdiger Schöttle, Munich (with Anri Sala) |
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2001 |
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Camden Arts Centre, 'Martin Creed Works', cur. Godfrey Worsdale, London |
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2001 |
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Sankt Peter, 'Work No. 252', Cologne |
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2001 |
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Hamilton Art Gallery, Hamilton, Canada |
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2001 |
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Micromuseum for Contemporary Art, 'Work No. 265', Palermo |
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2000 |
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Gavin Brown's Enterprise, 'Work No. 227', New York NY |
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2000 |
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Times Square, 'Work No. 225', New York NY (Project of the Public Art Fund) |
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2000 |
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Southampton City Art Gallery, 'Martin Creed Works', Southampton, GB |
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2000 |
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Whitechapel Art Gallery, 'Protest and Survive', London |
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2000 |
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Fondazione Pistoletto, 'A casa di... ', cur. Giacinto di Pietrantonio, Biella, Italy |
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2000 |
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Tate Britain, 'Intelligence: New British Art 2000', London |
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2000 |
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Shed im Eisenwerk, '...Sabotage... ', Frauenfeld, Switzerland |
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2000 |
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Exit Art, 'Collector’s Coice', New York NY |
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2000 |
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'The British Art Show 5', cur. Pippa Coles, Matthew Higgs and Jacqui Poncelet, Edinburgh |
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2000 |
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Chelsea & Westminster Hospital, 'Don’t worry', London |
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2000 |
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Kunstraum Innsbruck, 'The invisible Touch', Innsbruck, Austria |
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1999 |
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Galerie Krinzinger, 'Limit Less, Aktuelle Britische Kunst', cur. Matthew Higgs, Vienna |
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1999 |
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Museum of Contemporary Art, '54x54x54', London |
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1999 |
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291 Gallery, 'Porcupines/Arthinking', cur. Graham Higgin, London |
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1999 |
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California College of Arts and Crafts, 'Searchlight: Consciousness at the Millenium', San Francisco |
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1999 |
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Or Gallery, 'Getting the Corners', cur. Matthew Higgs, Vancouver |
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1999 |
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ICA, 'Nerve', London |
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1999 |
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Anthony Wilkinson Gallery, London |
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1999 |
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Centre regional d’art contemporain, 'Ainsi de suite 3 (Teil II)', cur. Sabine Schaschl, Sete/F |
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1999 |
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Marc Foxx Gallery, Los Angeles |
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1999 |
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Art Metropole, Toronto |
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1999 |
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Galerie Praz-Delavallade, Paris |
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1999 |
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Cabinet Gallery, London |
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1999 |
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The Portico, 'Work No. 203', London |
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1999 |
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Space 1999, 'Work No. 160', London |
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1999 |
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Alberto Peola Arte Contemporanea, Turin |
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1998 |
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Galerie Analix B & L Polla, Geneva |
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1998 |
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Spacex Gallery, 'Lovecraft', cur. Martin McGeown and Toby Webster, Exeter, GB |
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1998 |
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Gavin Brown's enterprise, 'Not Today' New York NY |
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1998 |
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Wiensowski & Harbord, 'Imitating Christmas', cur. Jen Hoffmann, Berlin |
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1998 |
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11th Biennale of Sydney, 'every day', cur. Jonathan Watkins, Sydney |
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1998 |
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Titanik, 'Proper: Blind Date 1', cur. Paula Toppila, Turku, Finnland |
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1998 |
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Whitechapel Art Gallery, 'Speed', cur. Jeremy Millar, London |
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1998 |
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Kunsthalle, 'Crossings', cur. Cathrin Pichler, Vienna |
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1998 |
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Galerie Praz-Delavallade, 'Camouflage 2000', Robert Garnett, Paris |
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1998 |
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South London Gallery, 'Lovecraft', cur. Martin McGeown and Toby Webster, London |
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1998 |
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Cabinet Gallery, 'Sunday', cur. Matthew Higgs, London |
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1998 |
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Galleria Paolo Vitolo, 'An Idea of Art / Art and Life', Milan |
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1998 |
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Todd Gallery, 'Not Nothing', London |
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1997 |
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'Dimensions Variable', Helsinki and Stockholm |
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1997 |
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Galerie de l'Ancien College, 'Laure Genillard - Une selection et une collection', Chatellerault |
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1997 |
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CCA, 'Lovecraft', cur. Martin McGeown and Toby Webster, Glasgow |
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1997 |
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Cairn Gallery, Nailsworth, Gloucestershire, GB |
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1997 |
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Up & Co., 'Superstore de Luxe No.1', cur. Sarah Staton, New York NY |
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1997 |
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Art Metropole, 'Answer Affirmative or Negative', Toronto |
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1997 |
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Galerie Mot & van den Boogaard, cur. Macha Roesink, Brussels |
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1997 |
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CASCO, 'Snowflakes Falling on the International Dateline', Utrecht, Netherlands |
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1997 |
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Norwich Gallery, 'Imprint 93 (and other related ephemera)', cur. Matthew Higgs, Norwich, GB |
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1997 |
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Galleria Paolo Vitolo, Milan |
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1997 |
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Victoria Miro Gallery, London |
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1997 |
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The British School at Rome, Rome |
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1996 |
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Musee d'Art Moderne, 'Life / Live', cur. Laurence Bosse and Hans Ulrich, Paris |
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1996 |
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Anthony d'Offay Gallery, 'Against', London |
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1996 |
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Design Institue, 'The Speed of Light, The Speed of Sound', cur. Jeremy Millar, Amsterdam/NL |
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1996 |
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Arts Council Collection, Hayward Gallery, 'Ace!', London/GB |
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1996 |
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Karsten Schubert, 'A Century of Sculptors' Drawings', London |
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1996 |
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Sainsbury Centre for Visual Arts, 'East International', Norwich |
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1996 |
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Galleria Paolo Vitolo, 'Trace 1995-96', Milan |
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1996 |
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Eisfabrik, 'weil morgen', cur. Stefan Kalmar, Hannover |
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1996 |
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Castello di Rivara, 'Affinata', cur. Carolin Lindig, Turin |
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1996 |
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Royal College of Art, 'try', London |
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1996 |
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Focal Point Gallery, 'Kiss This', Southend-on-Sea/GB |
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1996 |
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The Rooms, 'Some Drawings: From London', cur. Kate Bernard, London |
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1996 |
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Three Month Gallery, 'A4 Favours', cur. Padraig Timoney, Liverpool |
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1996 |
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Bund, 'Banana Republic', London |
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1995 |
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Cubitt Gallery, 'Just Do It', cur. Stefan Kalmar, London |
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1995 |
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Galerie Analix B & L Polla, Geneva |
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1995 |
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Galleria Paolo Vitolo, Milan |
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1995 |
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Camden Arts Centre, London |
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1995 |
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Javier Lopez Gallery, London |
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1995 |
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Laure Genillard Gallery, London |
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1995 |
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City Racing, 'Imprint 93 / City Racing', cur. Matthew Higgs, London |
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1995 |
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Anthony Wilkinson Fine Art, 'Unpop', cur. Bob and Roberta Smith, London |
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1995 |
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Three Rooms and a Kitchen, 'The Fall of Man', Pori, Finnland |
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1995 |
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Starkmann Ltd., 'In Search of the Miraculous', London |
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1995 |
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Viafarini, 'Fuori Fase', cur. Angela Vettese, Mila |
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1995 |
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Jibby Beane, 'Multiple Choice', London |
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1995 |
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Frode, 'Snow Job', cur. Lionel Bovier, Geneva |
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1995 |
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Last order(s), 'My Darling Cicciolina... ', cur. Francesca Piovano, London |
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1994 |
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Rhizome, 'Conceptual Living', cur. Macha Roesink, Amsterdam |
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1994 |
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Marc Jancou Gallery, 'The Little House on the Prairie', London |
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1994 |
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Transmission Gallery, 'Modern Art', Glasgow |
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1994 |
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Cabinet Gallery, 'Imprint 93/Cabinet Gallery', cur. Matthew Higgs, London |
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1994 |
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Gio' Marconi, 'Domestic Violence', cur. Alison Jacques, Milan |
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1994 |
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CCA, 'Art Unlimited: Multiples of the 1960s and 1990s', Glasgow |
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1994 |
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ISA, 'Potato', cur. Gary Thomas, Steve McIntyre and Alison Jacques, London |
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1994 |
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Todd Gallery, London |
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1994 |
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Cubitt Gallery, London |
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1994 |
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Marc Jancou Gallery, London |
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1993 |
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Starkmann Limited, 'Work No. 78', London |
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1993 |
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Lisson Gallery, 'Wonderful', Life London |
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1992 |
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Laure Genillard Gallery, 'Inside a Microcosm', cur. Gareth Jones, London |
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1992 |
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Transmission Gallery, 'Outta Here', cur. Douglas Gordon, Glasgow |
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1991 |
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Laure Genillard Gallery, London |
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1991 |
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Angel Row Gallery, cur. Mark Dey, Nottingham |
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1989 |
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The Black Bull, cur. Tess Jaray, London |
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Literature |
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Martin Creed: “The Lights Off ”, (ex. cat.) Australian Center for Contemporary Art, Melbourne, 2006 |
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Martin Creed, (ex. cat.) Kunsthalle Bern, 2004 |
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Martin Creed: the whole world + the work = the whole world, (ex. cat.) Centre for Contemporary Art, Ujazdowski Castle, Warsaw, 2004 |
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My Head is on Fire but my Heart is Full of Love, (ex. cat.) The Modern Institute, Glasgow |
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Rock My World: Recent Art and the Memory of Rock ’n’ Roll, (ex. cat.) Wattis Institute for Contemporary Arts, San Francisco, 2002 |
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Massimiliano Gioni, “Cuoghi e Fantasmi,” Carnet Arte #1, September / October 2003 |
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Michele Maccarone, “Roberto Cuoghi / Michele Maccarone,” Sherman #1, February 2002 |
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Museum Boijmans Von Beuningen (ed.), 'Shine: Wishful Fantasies and Visions of the Future in Contemporary Art', Rotterdam: Museum Boijmans Von Beuningen, 2003 (exh.cat.) |
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--, 'Dancing with myself', in: Work, Art in Progress, Trento, no. 7, October-December 2003, pp. 14-15, ill. |
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Higgs, Matthew, 'Martin Creed', in: Work, Art in Progress, Trento, no. 7, October-December 2003, pp. 20-21, ill. |
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Bradley, Will, Bretton-Meyer, Henriette, Webster, Toby, 'My Head is on Fire but my Heart is Full of Love', Copenhagen: Charlottenborg Udstillingbygning/Glasgow: The Modern Institute, 2002 (exh.cat.) |
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CCAC Wattis Institute for Contemporary Arts (ed.), 'Rock My World: Recent Art and the Memory of Rock’ n’ Roll' [text by: Ralph Rugoff, Ann Powers, Matthew Higgs], San: Francisco: CCAC Wattis Institute for Contemporary Arts, 2002 (exh.cat.) |
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Herkenhoff, Paolo, Marcoci, Roxana, Basilio, Miriam, 'Tempo', New York: The Museum of Modern Art, 2002 (exh.cat.) |
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Reindl, Uta, 'Review', in: Tema Celeste, Milan, April 2002, p. 92 |
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Sans, Jerome, 'On Stage', in: The Curator’s Egg, no. 3, 2002 |
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Pinto, Roberto, Williams, Gilda (ed.), 'Arte All’Arte – V edizione 2000', Roma: Gli Ori/San Gimignano: Arte Continua, 2001 |
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Kamiya, Yukie (cur.), 'Space-Jack!', Yokohama: Yokohama Museum of Art, 2001 (exh.cat.) |
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Bush, Kate, 'London Field', in: Artforum, New York, vol. XXXIX, no. 1, September 2001, p. 85 |
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McGee, John, 'Space-Jack!', on: http://metropolis.japantoday.com/tokyoart/392/tokyoartinc.htm, Tokyo, 2001 |
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Searle, Adrian, 'Appalling Fascination of a Career-enhancing Competition', in: The Guardian, London, May 31, 2001 |
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Button, Virginia, Esche, Charles (ed.), 'Intelligence. New British Art 2000', London: Tate Publishing, 2000 |
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Southamton City Art Gallery (ed.), 'Martin Creed Works', Southamton: Southamton City Art Gallery, 2000 (exh.cat.) |
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Coles, Alex, 'Review', in: Art in America, New York, November 2000 |
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Rindler, Lawrence (ed.), 'Searchlight: Consciousness at the Millennium', London: Themes & Hudson, 1999 |
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Collings, Metthew (ed.), 'This is Modern Art', London: Weidenfeld & Nicolson, 1999 |
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Patrizio, Andrew (ed.), 'Contemporary Sculpture in Scotland', Craftsman House (imprint of G&B International, Sydney), 1999 (exh.cat.) |
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Di Pietrantonio, Giacinto, Mandelinck, Gwy, 'Serendipiteit', Watou Poeziezomer, 1999 |
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--, 'A message to our readers', in: The Art Newspaper, London, no. 98, December 1999 |
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Buck, Louisa, 'London Calling by Louisa Buck', in: The Art Newspaper, London, no. 98, December 1999 |
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Meenaghan, Tony, 'Q: Is this a screwed up piece of paper or the star of new art exhibition? A: BOTH’', in: The Mirror, London, November 12, 1999 |
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Cara, Page, 'This Crumpled Sheet of A4 is a Work of Art', in: The Daily Record, Glasgow, November 12, 1999 |
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Mark, Lisa Gabrielle, 'Frash Heir', in: C, International Contemporary Art Publication, Toronto, no. 63, September 1999 |
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Beech, Dave, 'Martin Creed', in: Art Monthly, London, no. 226, May 1999 |
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Higgs, Matthew, 'Martin Creed: 20 Questions', in: Untitled, London, no. 18, Spring 1999 |
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Lillington, David, 'Martin Creed', in: Metropolis M, Utrecht, April 1999 |
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Jones, Jonathan, 'What’s so minimal about 15 000 balloons?', in: The Observer, London, March 14, 1999 |
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Mclver, Brian, 'Meet the modern artist who admits his work in rubbish', in: Saturday Times, Glasgow, March 6, 1999 |
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Obrist, Basualdo, Bonami, Cameron [et al.], 'cream – contemporary art in culture', London: Phaidon Press, 1998 |
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Bingham, Juliet, Watkins, Jonathan, Spark, Joe, 'every day', Sydney: Biennale of Sydney Ltd, 1998 |
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Groos, Ulrike, Müller, Markus, 'Make it Funky: Crossover zwischen Musik, Pop, Avantgarde und Kunst', Cologne: Oktagon Verlag, 1998 |
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Cathrin, Pichler, 'Crossings. Kunst zum Hören und Sehen', Vienna: Kunsthalle Wien/Ostfildern: Hatje Cantz Verlag, 1998 (exh.cat.) |
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Toppila, Paula, 'Proper (blind date) 1-3', Helsinki: Frame Finnish Fund for Art Exchange, 1998 |
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Buck, Louisa, 'UK Artist Q&A' [interview], in: The Art Newspaper, London, no. 86, November 1998 |
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Stephens, Craig, 'Live Scene: Owada', in: Revolver, Sydney, September 28, 1998 |
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Collings, Matthew, 'Blimey. From Bohemia to Britpop', London: 21, 1997 |
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Gallagher, Ann, 'Dimensions Variable – New Works for the British Council Collection', London: The British Council, 1997 |
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Pigott, Hadrian, [et al.], 'Go into a shop and ask for nothing', in: very, New York, no. 2, 1997 |
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Green, David, 'Minimal Interventions', in: Contemporary Visual Arts, London, no. 17, 1997 |
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Wilson, Andrew, 'Band Art', in: Art Monthly, London, no. 210, October 1997 |
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Archer, Michael, 'The Object of Art', in: Art Monthly, London, no. 208, July-August 1997 |
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Kyriacou, Sotiris, 'Propositions', in: Art Monthly, London, no. 208, July-August 1997 |
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Freedman, Carl, 'Generation W(eird)', in: The Guardian, London, May 27, 1997 |
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Joliffe, Kira, 'The Idler Presents: owada', in: The Idler, London, no. 18, Spring 1997 |
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Coles, Alex, 'Martin Creed – No Entry', in: Art + Text, Los Angeles, no. 56, February-April 1997 |
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van den Boogaard, Oscar, 'zonder titel 1 T/M 4', in: Metropolis M, Utrecht, no. 1, February 1997 |
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Rolo, Jane, Hunt, Ian (ed.), 'Bookworks – A Partial History and Sourcebook', London: Bookworks, 1996 |
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Bosse, Laurence, Obrist, Hans Ulrich (ed.), 'Life/Live', Paris: Paris-Musées, Éditions des Musées de la Ville de Paris, 1996 (exh.cat) |
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Creed, Martin, 'Martin Creed: the whole world + the work = the whole world' artist’s book, text by: John O’Reilly], Geneva: Galerie Analix B&L Polla/London: Karsten Schubert Gallery, 1996 |
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'Ace!', London: Arts Council of England, 1996 |
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Frith Street Gallery, Karsten Schubert Gallery (ed.), 'From Figure to Object: A Century of Sculptors', London: Frith Street Gallery/Karsten Schubert Gallery, 1996 (exh.cat.) |
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Norwich Gallery, Sainsbury Centre for Visual Arts (ed.), 'EAST International', Norwich: Norwich Gallery/Sainsbury Centre for Visual Arts, 1996 (exh.cat.) |
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Williams, Gilda, 'Martin Creed Tabula Rasa', in: Art Monthly, London, no. 195, April 1996 |
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--, 'My Darling Cicciolina', London: FILEF, 1995 |
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Piccoli, Cloe, 'Martin Creed', in: Flash Art Italia, Milan, December-January 1995-1996 |
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Kent, Sarah, 'Sound&Vision', in: Time Out, London, August 30 – September 9, 1995 |
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--, 'The Ruby Kelly Column', in: Art Review, London, vol. XLVII, June 1995 |
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Lederman, Erika, 'Unlimited Works at Starkmann Limited', in: Art Monthly, London, no. 185, April 1995 |
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Arts Council of England (ed.), 'Art Unlimited: Multiples of the 1960s and 1990s', London: Arts Council of England, 1994 |
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O’Reilly, John, 'Art for Bart’s sake', in: The Modern Review, London, vol. 1, no. 16, August-September 1994 |
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Searle, Adrian, 'Martin Creed and Sam Samore', in: Time Out, London, July 21-July 27, 1994 |
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Collings, Matthew, 'Matthew Collings on some kind of sculpture show at Laure Genillard', in: City Limits, London, January 1992 |
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'I don’t know what I want. Work No. 320' [CD with 1 song], London: Serpentine Gallery, 2004 |
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'I Can’t Move' [CD with 7 songs], Toronto: Art Metropole, 1999 |
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'EVERTHING IS GOING TO BE ALRIGHT. Work No. 207, 208, 209' [CD with 3 songs], London: The Pier Trust, 1999 |
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'Martin Creed: Work No. 117' [audio cassette with text on inner sleeve by John O’Reilly], Milan: Paolo Vitolo, 1995 |
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