 |
Biography |
|
 |
1941 |
 |
Born 28, August, Dublin, Ireland |
|
 |
1946 |
 |
Family moves to Washington D.C: Education in U.S.A. |
|
 |
1961 - 1966 |
 |
Studied Fine Art at Yale University, B.A., M.F.A. |
|
 |
1965 - 1966 |
 |
Taught at School of Visual Arts, New York |
|
 |
1966 |
 |
Moves to Britain |
|
 |
1966 - 1969 |
 |
Taught at Bath Academy of Art |
|
 |
1969 |
 |
First solo exhibition, Rowan Gallery, London, England |
|
 |
1968 - 1970 |
 |
Taught at Canterbury College of Art |
|
 |
1970 - 1972 |
 |
Artist-in-Residence, King's College, Cambridge, England |
|
 |
1981 - 1982 |
 |
Living and working in New York |
|
 |
1982 |
 |
First solo exhibition with Waddington Galleries, London |
|
 |
1974 - 1988 |
 |
Taught at Goldsmith's College School of Art, London |
|
 |
1989 |
 |
Retrospective Exhibition, Whitechapel Art Gallery, London |
|
 |
1989 |
 |
Appointed Trustee of the Tate Gallery, London |
|
 |
1994 - 2000 |
 |
Appointed MIllard Professor of Fine Art, Goldsmith's College, University of London, England |
|
 |
2001 |
 |
Awarded a CBE |
|
 |
2001 |
 |
Lives and works in London, England |
|
 |
Exhibitions |
|
 |
2007 |
 |
ART Futures, Bloomberg Space, London, England (group) |
|
 |
2007 |
 |
Michael Craig Martin, The Columns, Gallery, Seoul (Korea) (solo) |
|
 |
2007 |
 |
Michael Craig Martin, A is for umbrella, Gagosian Gallery, London (solo) |
|
 |
2006 |
 |
Michael Craig-Martin, Irish Museum of Modern Art - IMMA, Dublin (solo) |
|
 |
2006 |
 |
Michael Craig-Martin, Kunsthaus Bregenz, Bregenz (solo) |
|
 |
2006 |
 |
Michael Craig-Martin, New Art Centre, Salisbury (England) (solo) |
|
 |
2006 |
 |
Michael Craig-Martin - Changement de climat (solo) |
|
 |
2006 |
 |
MAGASIN-Centre National d’art Contemporain de Grenoble, Grenoble (solo) |
|
 |
2006 |
 |
Form and Line. Prints, Green On Red Gallery, Dublin (group) |
|
 |
2006 |
 |
The Hiscox Collection #2 (group) |
|
 |
2006 |
 |
Hiscox Art Projects, London, England (group) |
|
 |
2006 |
 |
ACG Publications, Alan Cristea Gallery, London, England (group) |
|
 |
2006 |
 |
6th Shanghai Biennale - Hyper Design (group) |
|
 |
2006 |
 |
Shanghai Biennale - Shanghai Art Museum, Shanghai (group) |
|
 |
2006 |
 |
Lightboxes, Alan Cristea Gallery, London, England (group) |
|
 |
2006 |
 |
SWITCHED ON, Alan Cristea Gallery, London, England (group) |
|
 |
2006 |
 |
Morandi’s Legacy - Influences on British Art, Estorick Collection of Modern Italian Art, London, England (group) |
|
 |
2006 |
 |
MORANDI, Abbot Hall Art Gallery, Kendal, Cumbria, England (group) |
|
 |
2005 |
 |
Alan Cristea Gallery Publications, Alan Cristea Gallery, London, England (group) |
|
 |
2005 |
 |
Painting in the Edge, Gallery Hyundai, Seoul (group) |
|
 |
2005 |
 |
Raised Awareness - Curated by Bill Woodrow, Tate Modern, London, England (group) |
|
 |
2005 |
 |
Michael Craig-Martin, Galerie Haas & Fuchs, Berlin (solo) |
|
 |
2004 |
 |
Michael Craig-Martin – Surfacing, Milton Keynes Gallery, Milton Keynes (solo) |
|
 |
2004 |
 |
Michael Craig-Martin - New Work, Alan Cristea Gallery, London (England) (solo) |
|
 |
2003 |
 |
Michael Craig-Martin, Haunch of Venison - Zürich (ex Galerie Judin), Zurich (solo) |
|
 |
2003 |
 |
Michael Craig-Martin - Eye Of The Storm, Gagosian Gallery, New York (solo) |
|
 |
2003 |
 |
Gagosian Gallery, New York (solo) |
|
 |
2002 |
 |
Inhale/Exhale, Manchester Art Gallery (solo) |
|
 |
2002 |
 |
Works 1984-1989, Waddington Galleries, London, England (solo) |
|
 |
2002 |
 |
Inhale/Exhale, Manchester Art Gallery, Manchester, England (solo) |
|
 |
2001 |
 |
Landscapes, The Douglas Hyde Gallery, Dublin, Ireland (solo) |
|
 |
2000 |
 |
Intelligence, New British Art 2000, Tate Britain, London |
|
 |
2000 |
 |
Live in your head, Whitechapel Art Gallery, Lond |
|
 |
2000 |
 |
Voilà, Musée d’Art Moderne de la Ville de Paris, Paris |
|
 |
2000 |
 |
Shifting Ground, Irish Museum of Modern Art, Dublin, Ireland |
|
 |
2000 |
 |
Conference, Waddington Galleries, London, England (solo) |
|
 |
2000 |
 |
Haus der Kunst, Munich |
|
 |
2000 |
 |
IVAM, Valencia, Spain |
|
 |
1999 |
 |
Signature Pieces, Alan Cristea Gallery |
|
 |
1999 |
 |
‘ModernStarts: Things’, Museum of Modern Art, New York (site specific installation) |
|
 |
1999 |
 |
Michael Craig-Martin, Peter Blum Gallery, New York City, NY (solo) |
|
 |
1999 |
 |
Michael Craig-Martin - and sometimes a cigar is just a cigar, Württembergischer Kunstverein, Stuttgart (solo) |
|
 |
1998 |
 |
Michael Craig-Martin always now, Kunstverein Hannover, Hannover (solo) |
|
 |
1998 |
 |
'Elegant Austerity’, Waddington Galleries, London |
|
 |
1998 |
 |
'Jardin d’artiste’, Musée Zadkine, Paris |
|
 |
1998 |
 |
'Up to 2000’, Southampton City Art Gallery |
|
 |
1998 |
 |
‘Cluster Bomb’, Morrison Judd, London |
|
 |
1997 |
 |
Treasure Island, Gulbenkian Foundation, Lisbon |
|
 |
1997 |
 |
'Follow me: British Art on the lower Elbe’, organised by Landschaftsverband |
|
 |
1997 |
 |
Alan Cristea Gallery, London, England (solo) |
|
 |
1997 |
 |
Waddington Galleries, London, England (solo) |
|
 |
1997 |
 |
Southampton City Art gallery (solo) |
|
 |
1997 |
 |
Galerie Der Spiegel, Cologne, Germany (solo) |
|
 |
1997 |
 |
'Michael Craig-Martin und Raymond Pettibon', Kunstverein fur die Rheinlande, Dusseldorf, Germany (solo) |
|
 |
1996 - 1997 |
 |
Ace! Arts Council Collection New Purchases, South Bank Centre exhibition: touring Britain |
|
 |
1996 |
 |
‘Un siècle de sculpture Anglaise’, galerie nationale du jeu de Paume, Paris |
|
 |
1995 |
 |
Drawing the line: Reappraising drawing past and present, selected by Michael Craig-Martin, South Bank Centre exhibition: touring Britain |
|
 |
1995 |
 |
Open House, Kettle’s Yard, Cambridge |
|
 |
1995 |
 |
The Adventure of Painting, Kunstverein, Dusseldorf and Kunstverein, Stuttgart |
|
 |
1995 |
 |
Museum of Contemporary Art, Chicago (solo) |
|
 |
1994 |
 |
Centre Georges Pompidou, Paris, France (solo) |
|
 |
1994 |
 |
'An oak tree', galeria Foksal, Warsaw, Poland (solo) |
|
 |
1994 |
 |
Wall Paintings at the Villa Herbst, Museum Sztuki, Lodz, Poland (solo) |
|
 |
1994 |
 |
1994 Wall to Wall, Serpentine Gallery, London; touring to Southampton and Leeds; wall drawing exhibition with Lothar Baumgarten, Jessica Diamond, Neile Toroni, Lawrence Weiner and Barbara Kruger |
|
 |
1993 |
 |
‘Out of sight out of mind’ Lisson Gallery, London |
|
 |
1993 |
 |
‘Here and Now’, Serpentine Gallery, London |
|
 |
1993 |
 |
Accomodating, British School at Rome (solo) |
|
 |
1993 |
 |
Galerie Claudine Papillon, Paris, France (solo) |
|
 |
1993 |
 |
At Home, Waddingtons Galleries, London, England (solo) |
|
 |
1992 - 1993 |
 |
Twelve Stars: selected works from the European Parliament Collection, Arts Council Gallery, Belfast; touring to Edinburgh and London |
|
 |
1991 |
 |
Objects for the Ideal Home: The Legacy of Pop Art, Serpentine Gallery, London |
|
 |
1991 |
 |
Michael Craig-Martin, Michael Landy, Julian Opie, Goldsmiths College Art Gallery |
|
 |
1991 |
 |
Project Gallery, Museum of Modern Art, New York (solo) |
|
 |
1991 |
 |
David Nolan Gallery, New York (solo) |
|
 |
1991 |
 |
Musee des Beaux Arts, Andre alraux, Le Havre (solo) |
|
 |
1990 |
 |
Galerie Claudine Papillon, Paris, France (solo) |
|
 |
1990 |
 |
The Readymade Boomerang, Sydney Biennale, Sydney, Australia |
|
 |
1990 |
 |
A Painting Show: Michael Craig-Martin, Gary Hume, Christopher Wool, Karsten Schubert, London, England |
|
 |
1989 |
 |
'Sculpture’, Six Friedrich Gallery, Munich, Germany |
|
 |
1989 |
 |
Michael Craig-Martin, Grenville Davey, Julian Opie’, Lia Rumma Gallery, Naples |
|
 |
1989 |
 |
Whitechapel Art Gallery, London, England (retrospective) solo |
|
 |
1988 - 1989 |
 |
100 Years of Art in Britain, Leeds City Art Gallery, 100th Anniversary Exhibition |
|
 |
1988 |
 |
Starlit Waters: British Sculpture, an International Art 1986-88, Tate Gallery, Liverpool, England |
|
 |
1988 |
 |
Britannica: Trente Ans de Sculpture 1960-88, Musee des Beaux-Arts, Andre Malraux, Le Havre: touring France and Museum van Hedendaagse Kunst, Antwerp |
|
 |
1988 |
 |
That Which Appears Is Good, That Which Is Good Appears, Tanja Grunert Gallery, Cologne |
|
 |
1987 |
 |
Vessel, Serpentine Gallery, London, England |
|
 |
1987 |
 |
Wall Works, Cornerhouse Gallery, Manchester, England |
|
 |
1987 |
 |
Zach Schuster Gallery, Florida (solo) |
|
 |
1986 |
 |
L’Attitude, Galeria Comicos, Lisbon |
|
 |
1986 |
 |
Entre El Objeto Y La Image-Escultra británica contemporánea, Palacio Velázquez, Madrid; touring to Barcelona and Bilabao |
|
 |
1985 |
 |
Waddington Galleries, London, England (solo) |
|
 |
1984 |
 |
1965-72 - when attitude became form, Kettle’s Yard, Cambridge: touring to Fruitmarket Gallery, Edinburgh, Ireland |
|
 |
1984 |
 |
The British Art Show, City Museum and Art Gallery and Ikon Gallery, Birmingham: touring Britain |
|
 |
1984 |
 |
Waddington & Shiell Gallery, Toronto, Canada (solo) |
|
 |
1983 |
 |
New Art, Tate Gallery, London, England |
|
 |
1982 |
 |
Aspects of British Art Today, Metropolitan Art Museum, Tokyo: touring Japan |
|
 |
1982 |
 |
Fifth Triennale India, New Delhi, India (solo) |
|
 |
1982 |
 |
Waddington Galleries, London (and 1985, 1988, 1992) solo |
|
 |
1981 |
 |
Galerija Suvremene Umjetnosti, Zagreb (solo) |
|
 |
1981 |
 |
‘British Sculpture in the 20th Century’, Whitechapel Art Gallery, London |
|
 |
1981 |
 |
'Malmoe’, Konsthall, Malmo Sweden |
|
 |
1981 |
 |
‘Construction in Process’, Lodz, Poland |
|
 |
1980 |
 |
Galerie Bama, Paris, France (solo) |
|
 |
1979 |
 |
Oliver Dowling Gallery, Dublin, Ireland (solo) |
|
 |
1979 |
 |
Galeria Foksal, Warsaw, Poland (solo) |
|
 |
1979 |
 |
Galeria Akumlatory, Poznan, Poland (solo) |
|
 |
1979 |
 |
‘Un Certain Art Anglais’, Musee d’Art Moderne de la Ville de Paris; organised by ARC II and the British Council |
|
 |
1979 |
 |
'JP II’, Palais des Beaux-Arts, Brussels, in collaboration with the British council |
|
 |
1978 |
 |
Galerie December, Dusseldorf, Germany (solo) |
|
 |
1978 |
 |
‘Michael Craig-Martin: 10 works 1970-77’ (solo) |
|
 |
1978 |
 |
Institute of Modern Art, Brisbane; touring Australia (solo) |
|
 |
1977 |
 |
‘Documenta VI’, Kassel, West Germany |
|
 |
1977 |
 |
‘Hayward Annual: Current British Art Part II’, Hayward Gallery, London, England |
|
 |
1977 |
 |
‘Reflected Images’, Kettle’s Yard Gallery, Cambridge, England |
|
 |
1977 |
 |
‘Works on Paper - The Contemporary Art Society’s Gifts to Public Galleries 1952-77’, Royal Academy of Arts, London, England |
|
 |
1976 - 1977 |
 |
Turnpike Gallery, Leigh (solo) |
|
 |
1976 - 1977 |
 |
New Gallery, London (solo) |
|
 |
1976 - 1977 |
 |
Glynn Vivian Art Gallery & Museum, Swansea (solo) |
|
 |
1976 - 1977 |
 |
Third Eye Centre, Glasgow, Ireland (solo) |
|
 |
1975 |
 |
‘IX Biennale des Jeunes Artistes’, Paris, France |
|
 |
1975 |
 |
‘Body and Soul’, Peter Moores Liverpool Project 3, Walker Art Gallery, Liverpool R.I.B.A., London, England |
|
 |
1975 |
 |
'Contemporary British Drawings’, XIII Bienal of Sao Paolo |
|
 |
1974 |
 |
‘Idea and Image in Recent Art’, Art Institute of Chicago |
|
 |
1974 |
 |
'Art as Thought Process’, Serpentine Gallery, London |
|
 |
1974 |
 |
Galerie December, Munster, Germany (solo) |
|
 |
1973 |
 |
‘11 British Artists’, Staatlichen Kunsthalle, Baden-Baden: touring to Kunsthalle, Bremen |
|
 |
1973 |
 |
‘Henry Moore to Gilbert & George’, Palais des Beaux-Arts, Brussels |
|
 |
1972 |
 |
‘7 Exhibitions’, Tate Gallery, London |
|
 |
1972 |
 |
'The New Art’, Hayward Gallery, London |
|
 |
1971 |
 |
Arnolfini Gallery, Bristol (solo) |
|
 |
1971 |
 |
Richard Demarco Gallery, Edinburgh, Ireland (solo) |
|
 |
1970 |
 |
‘Critic’s Choice’, Arthur Tooth & Sons, London |
|
 |
1969 |
 |
Rowan Gallery, London. (also 1970, 1972, 1973, 1974, 1975, 1976, 1978, 1980) |
|
|