 |
|
Wolfgang Tillmans (German, 1968)
|
 |
Wolfgang Tillmans
Alstroemenia 2006
|
|
 |
Wolfgang Tillmans
conversion 2006
|
|
 |
Wolfgang Tillmans
end of winter (a) 2005
|
|
 |
Wolfgang Tillmans
Faltenwurf, (b/w) 2006
|
|
 |
Wolfgang Tillmans
HMD 01 2007
|
|
 |
Wolfgang Tillmans
Lighter 62 2008
|
|
|
Biography |
|
|
1968 |
|
Born in Remscheid, Germany |
|
|
1987 |
|
Lived and worked in Hamburg, Germany |
|
|
1990 - 1992 |
|
Studied at Bournemouth and Poole College of Art and Design, Bournemouth, England |
|
|
1992 - 1994 |
|
Lived and worked in London |
|
|
1994 - 1995 |
|
Lived and worked in New York City |
|
|
1995 |
|
Ars viva Prize from the Kulturkreis der Deutschen Wirtschaft |
|
|
1995 |
|
Kunstpreis der Böttcherstraße, Bremen, Germany |
|
|
1995 - 1996 |
|
Worked for three months in Berlin |
|
|
1998 - 1999 |
|
Visiting professorship at the Hochschule für bildende Künste (School of Fine Arts) Hamburg, Germany |
|
|
2000 |
|
Turner Prize 2000, Tate Britain, London |
|
|
2001 |
|
Honorary Fellowship, The Arts Institute at Bournemouth, England |
|
|
2003 - present |
|
Professorship of interdisciplinary art at Städelschule, Frankfurt am Main, Germany |
|
|
2006 - present |
|
Runs Between Bridges exhibition space in London |
|
|
2007 - present |
|
Lives and works in London and Berlin |
|
|
Exhibitions |
|
|
2009 |
|
Bijoux de famille, Chantal Crousel, Paris |
|
|
2009 |
|
Das Porträt, Kunsthalle Wien, Vienna |
|
|
2009 |
|
Form and Photo, The Museum of Contemporary Art, Los Angeles, USA |
|
|
2009 |
|
Incidental Affairs, Suntory Museum, Osaka |
|
|
2009 |
|
La Biennale di Venezia (Curated by Daniel Birnbaum), Venice |
|
|
2009 |
|
Photography in the Abstract, Lora Reynolds Gallery, Austin, Texas |
|
|
2009 |
|
Sounds and Visions, Tel Aviv Museum of Art, Tel Aviv |
|
|
2009 |
|
A Twilight Art, Harris Lieberman, New York |
|
|
2009 |
|
The Photographic Object, The Photographers’ Gallery, London |
|
|
2008 |
|
Wako Works of Art, Tokyo, Japan (exh. cat.) (solo) |
|
|
2008 |
|
Strings, Galerie Chantal Crousel, Paris, France (solo) |
|
|
2008 |
|
Lighter, Hamburger Bahnhof Museum fur Gegenwart, Berlin, Germany (exh. cat.) (solo) |
|
|
2008 |
|
Galerie Juana de Aizpuru, Madrid, Spain (solo) |
|
|
2008 |
|
Maureen Paley, London, UK (solo) |
|
|
2008 |
|
Museum Kunstpalast (permanent collection), Düsseldorf, Germany (exh. cat.) (solo) |
|
|
2008 |
|
Museo Tamayo, Mexico City, Mexico (solo) |
|
|
2008 |
|
Nuegeriemschneider, Belin, Germany (solo) |
|
|
2008 |
|
Regen Projects, Los Angeles, USA (solo) |
|
|
2008 |
|
Tate Britain (permanent collection), London, UK (solo) |
|
|
2008 |
|
Tegenwoordigheid van Geest, Stedelijk Museum, Amsterdam, Netherlands (solo) |
|
|
2008 |
|
3 A.M. Eternal, Alexandre Pollazzon Ltd, London, UK |
|
|
2008 |
|
50 Moons, Turin Triennial, Turin, Italy |
|
|
2008 |
|
Accademia Tedesca di Villa Massimo, Rome, Italy |
|
|
2008 |
|
Darkside, Fotomuseum Winterthur, Winterthur, Switzerland (exh. cat.) |
|
|
2008 |
|
De Collectie van Hans Kemna, Museum de Hallen, Haarlem, Netherlands |
|
|
2008 |
|
Folding, Haus Lange, Krefeld, Germany (exh. cat.) |
|
|
2008 |
|
Hans Kemna Collection, Frans Hals Museum, Haarlem, Netherlands (exh. cat.) |
|
|
2008 |
|
History in the Making: A Retrospective of the Turner Prize, Mori Art Museum, Tokyo, Japan |
|
|
2008 |
|
History Keeps Me Awake at Night: A Genealogy of Wojnarowicz work related to Wojnarowicz, PPOW Gallery, New York, USA |
|
|
2008 |
|
Just Different, Cobra Museum, Amsterdam, Netherlands |
|
|
2008 |
|
Life on Mars: 2008 Carnegie International, Carnegie Museum of Art, Pittsburgh, USA (exh. cat) |
|
|
2008 |
|
Ludlow 38, New York, USA |
|
|
2008 |
|
Noli Me Legere, Michael Lett, Auckland, New Zealand |
|
|
2008 |
|
Other People: Portraits from Grunwald and Hammer Collections, Hammer Museum, Los Angeles, USA |
|
|
2008 |
|
Peter Saville, Accessories to an artwork, Paul Stopler, London, UK |
|
|
2008 |
|
When it’s a Photograph, Bolksy Gallery, Otis College of Art & Design, Los Angeles, USA |
|
|
2008 |
|
Schöner wohen, Neugerriemschneider, Berlin, Germany |
|
|
2008 |
|
Städel Museum, Frankfurt, Germany |
|
|
2008 |
|
Street & Studio: An Urban History of Photography, Tate Modern, London, UK traveled to Museum Folkwang, Essen, Germany (exh. cat.) |
|
|
2008 |
|
Summer Show, Wako Works of Art, Tokyo, Japan |
|
|
2008 |
|
The Possible Document, Herald St, London, UK |
|
|
2008 |
|
Untitled (Vicarious) Photographing The Constructed Object, Gagosian, New York, USA |
|
|
2008 |
|
Yes, No & Other Options, Art Sheffield O8, Millennium Galleries, Sheffield, UK |
|
|
2008 |
|
Wako Works of Art: 15 Years/ Part III, (with Christopher Williams), Wako Works of Art, Tokyo, Japan |
|
|
2007 |
|
All The Time / Time, Galleria S.A.L.E.S., Rome, Italy (solo) |
|
|
2007 |
|
Atair, Andrea Rosen Gallery, New York, USA (solo) |
|
|
2007 |
|
Bali, Kestner-Gesellschaft, Hannover, Germany (exh. cat.) (solo) |
|
|
2007 |
|
Carciofo – Still Lifes, Oroom Gallery, Seoul, Korea (exh. cat.) (solo) |
|
|
2007 |
|
Faltung, Camera Austria, Graz, Austria (solo) |
|
|
2007 |
|
Kunstverein Munich, Munich, Germany (solo) |
|
|
2007 |
|
paper drop, Galerie Daniel Buchholz, Cologne, Germany (solo) |
|
|
2007 |
|
At Home, Yvon Lambert, New York, USA |
|
|
2007 |
|
Dateline Israel: New Photography and Video Art, The Jewish Museum, New York, USA |
|
|
2007 |
|
Depth of Field: Modern Photography at the Metropolitan, Metropolitan Museum of Art, New York, USA |
|
|
2007 |
|
Edit! Photography and Film in the Ellipse Collection, Centro de Artes Visuais, Coimbra, Portugal |
|
|
2007 |
|
Garten Eden, Kunsthalle Emden, Emden, Germany, (exh. cat.) |
|
|
2007 |
|
Hava Boşluğu - Air Pocket, galerist, Istanbul, Turkey |
|
|
2007 |
|
Into Me / Out of Me, MACRO Museo d'Arte Contemporanea, Rome, Italy |
|
|
2007 |
|
Match: Otto Dix and the Art of Portraiture, Kunstmuseum Stuttgart, Stuttgart, Germany |
|
|
2007 |
|
No Such Thing as Society, Hayward Touring Exhibitions, UK |
|
|
2007 |
|
Numerica, Palazzo Delle Papesse Centro Arte Contemporanea, Siena, Italy, (exh. cat.) |
|
|
2007 |
|
Art Museum, St. Louis, USA |
|
|
2007 |
|
Seeing Things, Dorsky gallery, Long Island City, USA |
|
|
2007 |
|
The Droste Effect, Esther Schipper, Berlin, Germany |
|
|
2007 |
|
The Turner Prize: A Retrospective, Tate Britain, London, UK |
|
|
2007 |
|
The Naked Portrait, Compton Verney, Warwickshire, UK |
|
|
2007 |
|
What Does the Jellyfish Want, Museum Ludwig, Cologne, Germany |
|
|
2007 |
|
Stardust or the Last Frontier, Musée d´art contemporain du Val-de-Marne, France, (exh. cat.) |
|
|
2006 |
|
Freedom From The Known, PS1, New York (exh. cat.) (solo) |
|
|
2006 |
|
Helsinki-Festival, Taidehalli, Helsinki (solo) |
|
|
2006 |
|
Museum of Contemporary Art, Chicago; Hammer Museum, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington DC, (2007) (exh. cat.) (solo) |
|
|
2006 |
|
Pinakothek der Moderne (permanent collection), Munich, Germany (solo) |
|
|
2006 |
|
Abstract art now – floating forms, Wilhelm-Hack-Museum, Ludwigshafen, Germany |
|
|
2006 |
|
An Ongoing Low-Grade Mystery, Paula Cooper, New York, USA |
|
|
2006 |
|
As if by Magic, The Bethlehem Peace Centre, Palestine |
|
|
2006 |
|
Click Double Click, Haus Der Kunst, Munich, Germany; Bozar Expo, Brussels, Belgium |
|
|
2006 |
|
Das Achte Feld—Geschlecter, Leben und Begehren in der bildenden Kunst seit 1960, Museum Ludwig, Cologne, Germany (exh. cat.) |
|
|
2006 |
|
Deckchair dreams, London’s Royal Parks, London, UK |
|
|
2006 |
|
Faster! Bigger! Better!, ZKM / Museum für Neue Kunst, Germany |
|
|
2006 |
|
Frankfurter Positionen: Klasse Wolfgang Tillmans, Museum für Moderne Kunst, Frankfurt am Main, Germany |
|
|
2006 |
|
Galerie Daniel Buchholz at Metro Pictures, New York, USA |
|
|
2006 |
|
Good Vibrations – Visual arts and Rock music, Palazzo delle Papesse, Siena, Italy (exh. cat.) |
|
|
2006 |
|
How Queer Everything is Today, Queer Festival, Råhuset, Halmtorvet, Copenhagen, Denmark |
|
|
2006 |
|
In the Face of History: European Photographers in the 20th Century, Barbican Art Gallery, London, UK |
|
|
2006 |
|
It’s not a photo, Chelsea Art Museum, New York, USA |
|
|
2006 |
|
Landscapes, Wako Works of Art, Tokyo, Japan |
|
|
2006 |
|
Peace Camp, The Brick Lane Gallery, London, UK |
|
|
2006 |
|
Surprise Surprise, Institue of Contemporary Arts, London, UK |
|
|
2006 |
|
Thank you for the music (London Beat), Sprüth Magers Lee, London, UK |
|
|
2006 |
|
The Gold Standard, P.S.1, New York, USA |
|
|
2006 |
|
The Secret Public: The last days of the British underground 1978 - 1988, Kunstverein München, Germany; Institute of Contemporary Arts, London, UK (2007) |
|
|
2006 |
|
The Starry Messenger: Visions of the Universe, Compton Verney, Warwickshire, UK |
|
|
2006 |
|
The Studio, Dublin City Gallery The Hugh Lane, Dublin, Ireland |
|
|
2006 |
|
The Sublime is Now!, Museum Franz Gertsch, Burgdorf, Switzerland |
|
|
2006 |
|
Toutes Compositions Florales, Counter Gallery, London, UK |
|
|
2006 |
|
Y Ahora Sin Ti…, Galería Juana De Aizpuru, Madrid, Spain |
|
|
2005 |
|
2005, Galería Juana de Aizpuru, Madrid (solo) |
|
|
2005 |
|
Markt, Galerie Meerrettich, Berlin (solo) |
|
|
2005 |
|
Truth Study Center, Maureen Paley, London (solo) |
|
|
2005 |
|
Press to Exit Project Space, Skopje, Macedonia (solo) |
|
|
2005 |
|
Always a Little Further, 51st International Art Exhibition, Venice Biennale, Venice, Italy |
|
|
2005 |
|
Arbeit an der Wirklichkeit—German Contemporary Photography, The National Museum of Modern Art, Tokyo (exh. cat.) |
|
|
2005 |
|
Coolhunters, ZKM, Karlsruhe, Germany (exh. cat.) |
|
|
2005 |
|
Covering the Real, Kunstmuseum Basel, Basel, Switzerland (exh. cat.) |
|
|
2005 |
|
Extreme Abstraction, Albright Knox Gallery, Buffalo, Ny |
|
|
2005 |
|
Growing Up Absurd, Herbert Read Gallery, Canterbury, UK |
|
|
2005 |
|
Helga de Alvear Collection, MEIAC Museum, Badajoz, Spain |
|
|
2005 |
|
Migration, Kölnischer Kunstverein, Cologne, Germany (exh. cat.) |
|
|
2005 |
|
Oktobarski Salon, Belgrade |
|
|
2005 |
|
Shadowplay—An Homage to H. C. Andersen, Kunsthallen Brandts Klaedefabrik, Odense, Denmark; Kunsthalle zu Kiel, Kiel, Germany; Landesgalerie Linz, Linz, Austria (exh. cat.) |
|
|
2005 |
|
Superstar, Das Prinzip Prominenz in der Kunst, Kunsthalle und Kunstforum, Vienna (exh. cat.) |
|
|
2005 |
|
Il Teatro dell’Arte, Villa Manin, Passariano, Italy |
|
|
2005 |
|
Thank you for the Music, Galerie Sprüth Magers, Munich, Germany |
|
|
2005 |
|
Weltbilder, Helmhaus, Zurich (exh. cat.) |
|
|
2004 |
|
Atmosphere, Museum of Contemporary Art, Chicago |
|
|
2004 |
|
BISS—Architektur der Obdachlosigkeit, Museum der Arbeit, Hamburg, Hamburg, Germany (exh. cat.) |
|
|
2004 |
|
Colección Taschen, Museo Reina Sofia, Madrid |
|
|
2004 |
|
Encounters in the 21st Century, 21st Century Museum of Contemporary Art, Kanazawa, Japan |
|
|
2004 |
|
Enthüllt, Städtische Museen, Heilbronn, Germany (exh. cat.) |
|
|
2004 |
|
The Flower as Image, Louisiana Museum for moderne kunst, Humlebœk, Denmark; Fondation Beyeler, Riehen, Switzerland (exh. cat.) |
|
|
2004 |
|
Friedrich Christian Flick Collection, Hamburger Bahnhof, Berlin (exh. cat.) |
|
|
2004 |
|
Im Rausch der Dinge, Fotomuseum Schweiz, Winterthur, Germany |
|
|
2004 |
|
Inventory, Scott King, Donald Urquhart, Portikus, Frankfurt am Main, Germany, curated by Wolfgang Tillmans |
|
|
2004 |
|
Wolfgang Tillmans: Freischwimmer, Tokyo Opera City Art Gallery, Tokyo (exh. cat.) (solo) |
|
|
2004 |
|
neugerriemschneider, Berlin (solo) |
|
|
2004 |
|
Panoramabar, Berlin (permanent installation) (solo) |
|
|
2004 |
|
Regen Projects, Los Angeles (solo) |
|
|
2004 |
|
Encounters in the 21st Century: Polyphony – Emerging Resonances, 21st Century Museum for Contemporary Art, Kanazawa, Japan (solo) |
|
|
2004 |
|
Wako Works of Art, Tokyo (exh. cat.) (solo) |
|
|
2004 |
|
Jetzt und zehn Jahre davor, Kunstwerke, Berlin (exh. cat.) |
|
|
2004 |
|
Landscape 2, Tower Art Gallery, Eastbourne, UK |
|
|
2004 |
|
Likeness: Portraits of Artists by Other Artists, California College of Arts, CCA Wattis Institute for Contemporary Arts, San Francisco, Calif.; McColl Center for Visual Art, Charlotte, N.C.; Institute for Contemporary Art, Boston, Mass.; Dalhousie University Art Gallery, Halifax, Canada; University Art Museum, California State University, Long Beach, Calif.; Illingworth Kerr Gallery, Alberta College of Art and Design, Calgary, Canada; Contemporary Art Center of Virginia, Virginia Beach, Va. (exh. cat.) |
|
|
2004 |
|
Monument to Now, The Dakis Joannou Collection, Athens (exh. cat.) |
|
|
2004 |
|
Il Nudo, Galleria d’Arte Moderna, Bologna, Italy |
|
|
2004 |
|
Rose C’est la Vie, Tel Aviv Museum of Art, Tel Aviv |
|
|
2004 |
|
Werke aus der Sammlung Boros, Museum für Neue Kunst ZKM, Karlsruhe, Germany (exh. cat.) |
|
|
2003 |
|
Andrea Rosen Gallery, New York (solo) |
|
|
2003 |
|
Frans Hals Museum, Haarlem, Netherlands (solo) |
|
|
2003 |
|
Galerie Daniel Buchholz, Cologne, Germany (solo) |
|
|
2003 |
|
View From Above, Louisiana Museum for moderne kunst, Humlebœk, Denmark (exh. cat.) (solo) |
|
|
2003 |
|
if one thing matters, everything matters, Tate Britain, London (exh. cat.) (solo) |
|
|
2003 |
|
20th Anniversary Show, Galerie Monika Sprüth, Cologne, Germany |
|
|
2003 |
|
Abstraction in Photography, Von Lintel Gallery, New York |
|
|
2003 |
|
actionbutton, Nationalgalerie Hamburger Bahnhof, Berlin |
|
|
2003 |
|
After the Observatory, Paula Cooper Gallery, New York |
|
|
2003 |
|
Anniversary Exhibition, Gavin Brown’s Enterprise, New York |
|
|
2003 |
|
Architektur der Obdachlosigkeit, Neue Pinakothek, Munich, Germany (exh. cat.) |
|
|
2003 |
|
Attack—Kunst und Krieg im Zeitalter der Medien, Kunsthalle Wien, Vienna (exh. cat.) |
|
|
2003 |
|
Auto-nom, NRW-Forum Kultur und Wirtschaft, Düsseldorf, Germany |
|
|
2003 |
|
Berlin/Moskau, Martin-Gropius-Bau, Berlin (exh. cat.) |
|
|
2003 |
|
Dubrow International, Roger Smith Gallery, New York |
|
|
2003 |
|
Fast Forward, Sammlung Goetz, ZKM, Karlsruhe, Germany (exh. cat.) |
|
|
2003 |
|
Here and There, The Morris and Helen Belkin Art Gallery at the University of British Columbia |
|
|
2003 |
|
Looking In—Looking Out, Kunstmuseum Basel, Basel, Switzerland |
|
|
2003 |
|
M_ARS—Kunst und Krieg, Neue Galerie, Graz, Austria (exh. cat.) |
|
|
2003 |
|
Montagna: Arte, acienza, mito, Museo d’Arte Moderna e contemporanea di Trento e Rovereto, Rovereto, Italy |
|
|
2003 |
|
Mixtapes, California College of Arts and Crafts, San Francisco, USA. |
|
|
2003 |
|
My People Were Fair and Had Cum in their Hair (But Now They’re Content to Spray Stars from your Boughs), Team Gallery, New York, USA |
|
|
2003 |
|
outlook, cultural olympiade, Athens (exh. cat.) |
|
|
2003 |
|
öffentlich/privat, Gesellschaft für zeitgenössische Kunst, Leipzig, Germany |
|
|
2003 |
|
Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, Wolfsburg, Germany (exh. cat.) |
|
|
2003 |
|
Saint Sebastian, Kunsthalle Wien, Vienna (exh. cat.) |
|
|
2003 |
|
Sex, Karyn Lovegrove Gallery, Los Angeles |
|
|
2003 |
|
Society for Contemporary Art Selection, The Art Institute of Chicago |
|
|
2003 |
|
Somewhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art, Contemporary Arts Center, Cincinnati, Ohio |
|
|
2003 |
|
Von Korpern und anderen Dingen: Deutsche Fotografie im 20 Jahrhundert, Deutsches Historisches Museum, Berlin |
|
|
2003 |
|
Warum!, Martin-Gropius-Bau, Berlin |
|
|
2002 |
|
Lights (Body), Andrea Rosen Gallery, New York (solo) |
|
|
2002 |
|
Lights (Body), Galeria S.A.L.E.S, Rome (solo) |
|
|
2002 |
|
Maureen Paley/Interim Art, London (solo) |
|
|
2002 |
|
Partnerschaften II (with Jochen Klein), Neue Gesellschaft für Bildende Kunst, Berlin (exh. cat.) (solo) |
|
|
2002 |
|
Regen Projects, Los Angeles (solo) |
|
|
2002 |
|
sommercontemporaryart, Tel Aviv (solo) |
|
|
2002 |
|
Veduta dall’ alto, Castello di Rivoli—Museo d’Arte Contemporanea, Rivoli, Turin (exh. cat.) (solo) |
|
|
2002 |
|
Vue d’en Haut, Palais de Tokyo, Paris (exh. cat.) (solo) |
|
|
2002 |
|
Wolfgang Tillmans: still life, The Fogg Art Gallery, Busch Reisinger Museum, Harvard; Cambridge, Mass. (exh. cat.) (solo) |
|
|
2002 |
|
Beyond Barbizon, Elias Fine Art, Allston, Mass. |
|
|
2002 |
|
From the Observatory, Paula Cooper Gallery, New York |
|
|
2002 |
|
HOSSA—Arte Alemàn del 2000, Centro Cultural Andratx, Mallorca, Spain |
|
|
2002 |
|
International Contemporary Art, Museo de Arte Moderno, Mexico City |
|
|
2002 |
|
In the Making, CCAC Wattis Institute, San Francisco, Calif. |
|
|
2002 |
|
Jochen Klein (1967–1997) und Wolfgang Tillmans, Neue Gesellschaft fur Bildende Kunst, Berlin |
|
|
2002 |
|
Moving Pictures, Solomon R. Guggenheim Museum, New York; Guggenheim, Bilbao, Spain (2003) |
|
|
2002 |
|
Museum unserer wünsche, The museum of our wishes, Museum Ludwig, Köln, Germany |
|
|
2002 |
|
Painted, Printed and Produced in Great Britain, Grant Selwyn Fine Art, New York |
|
|
2002 |
|
Remix: Contemporary Art & Pop, Tate Liverpool, Liverpool, UK (exh. cat.) |
|
|
2002 |
|
Sensationen des Alltags, Kunstmuseum, Wolfsburg, Germany (exh. cat.) |
|
|
2002 |
|
Transform the World 2002, Wako Works of Art, Tokyo |
|
|
2001 |
|
Andrea Rosen Gallery, New York (solo) |
|
|
2001 |
|
Science Fiction/hier und jetzt zufrieden sein AC: Isa Genzken, Wolfgang Tillmans, Museum Ludwig, Cologne, Germany (exh. cat.) (solo) |
|
|
2001 |
|
Super Collider, Galerie Daniel Buchholz, Cologne, Germany (solo) |
|
|
2001 |
|
View from Above/Aufsicht, Deichtorhallen Hamburg, Germany; Castello di Rivoli—Museo d’Arte (solo) |
|
|
2001 |
|
Contemporanea, Rivoli, Italy; Palais de Tokyo, Paris; Louisiana Museum for moderne kunst, Humlebœk, Denmark (exh. cat.) (solo) |
|
|
2001 |
|
Wako Works of Art, Tokyo (exh. cat.) (solo) |
|
|
2001 |
|
Abbild: Recent Portraiture and Depiction, Landesmuseum Joanneum, Graz, Austria |
|
|
2001 |
|
AC: Isa Genzken/Wolfgang Tillmans, Museum Ludwig, Cologne, Germany |
|
|
2001 |
|
The Beauty of Intimacy: Lens and Paper, Kunstraum Innsbruck, Austria |
|
|
2001 |
|
Century City: Art and Culture in the Modern Metropolis, Tate Modern, London (exh. cat.) |
|
|
2001 |
|
Club Club Club, Le Confort Moderne, Poitiers, France |
|
|
2001 |
|
Contemporary Utopia, Latvian Centre for Contemporary Art, Riga, Latvia (exh. cat.) |
|
|
2001 |
|
Espace d’Art Contemporain, Geneva, Switzerland |
|
|
2001 |
|
Freestyle, Werke Aus Der Sammlung Boros, Das Museum Morsbroich, Leverkusen, Germany |
|
|
2001 |
|
Un mundo feliz/Brave new world, OMR, Mexico City |
|
|
2001 |
|
Museum unserer Wünsche, Museum Ludwig, Cologne, Germany |
|
|
2001 |
|
La natura della natura morta, Galleria d’Arte Moderna, Bologna, Italy (exh. cat.) |
|
|
2001 |
|
Neue Welt, Frankfurter Kunstverein, Frankfurt am Main, Germany (exh. cat.) |
|
|
2001 |
|
Open City: Street Photographs, 1950–2000, Museum of Modern Art, Oxford, UK; The Lowry, Manchester, UK; Museo de Belles Artes de Bilbao, Spain; Hirshhorn Museum and Sculpture Garden, Washington, DC |
|
|
2001 |
|
Places in the Mind: Modern Photographs from the Collection, The Metropolitan Museum of Art, New York |
|
|
2001 |
|
Portrait, Lindig in Paludetto, Turin, Italy; Zeitgenossische Kunst Milchof, Nuremberg, Germany |
|
|
2001 |
|
Record Collection, VTO gallery, London; International 3, Manchester Gallery, Manchester, UK; Forde Gallery, Geneva, Switzerland |
|
|
2001 |
|
Some German Photography, Mark Moore Gallery, Santa Monica, Calif. |
|
|
2001 |
|
Some Options in Abstraction, Harvard University |
|
|
2001 |
|
Carpenter Center, Cambridge, Mass. |
|
|
2001 |
|
Sex—Vom Wissen und Wünschen, Hygienemuseum, Dresden, Germany (exh. cat.) |
|
|
2001 |
|
Shopping, Schirn Kunsthalle, Frankfurt am Main, Germany; Tate Liverpool, Liverpool, UK |
|
|
2001 |
|
Tattoo Show, Modern Art Inc., London |
|
|
2001 |
|
Uniforms, Order and Disorder, Stazione Leopolda, Florence, Italy; P.S.1 Contemporary Art Center, New York, USA (exh. cat.) |
|
|
2001 |
|
“Why bother?” The Burger King Exhibition, Whitechapel Art Gallery, London |
|
|
2001 |
|
Zero Gravity, Kunstverein der Rheinlande und Westfalen, Kunsthalle Düsseldorf, Düsseldorf, Germany (exh. cat.) |
|
|
2000 |
|
Blushes, fig–1, London (solo) |
|
|
2000 |
|
Galerie Meyer Kainer (with Jochen Klein), Vienna (solo) |
|
|
2000 |
|
Galerie Rüdiger Schöttle (with Thomas Ruff), Munich, Germany (solo) |
|
|
2000 |
|
90 60 90, Museo Jacobo Borges, in cooperation with the Goethe Institut, Caracas, Venezuela (exh. cat.) |
|
|
2000 |
|
All Dressed Up, Apex Art, New York |
|
|
2000 |
|
Apocalypse: Beauty and Horror in Contemporary Art, Royal Academy of Arts, London |
|
|
2000 |
|
The arsFutura Show, arsFutura, Zurich |
|
|
2000 |
|
Arts & Facts, Galleria Franco Noero, Turin, Italy |
|
|
2000 |
|
AutoWerke—Europäische und amerikanische Fotografie 1998–2000, Deichtorhallen, Hamburg, Germany (exh. cat.) |
|
|
2000 |
|
The British Art Show 5, organized by the Hayward Gallery, London, for The Arts Council of England; Scottish National Gallery of Modern Art, Edinburgh, UK; John Hasard Gallery, University of Southampton, Southampton, UK: Southampton City Art Gallery, Southampton, UK; Millais Gallery, Southampton, UK; Fotogallery, Cardiff, UK; Ikon Gallery, Birmingham, UK (exh. cat.) |
|
|
2000 |
|
Collection Première Heure, Groupe Premiere Heure, Saint-Cloud, France |
|
|
2000 |
|
Collector’s Choice, Exit Art, New York |
|
|
2000 |
|
Complicity, Australian Centre for Photography, Sydney |
|
|
2000 |
|
Conversione di Saulo, Palazzo Odescalchi, Rome |
|
|
2000 |
|
Deep Distance: Die Entfernung der Fotografie, Kunsthalle Basel, Basel, Switzerland (exh. cat.) |
|
|
2000 |
|
Dire AIDS: Arte nell’epoca del AIDS/Art in the Age of Aids, Promotrice delle Bella Arte, Turin, Italy (exh. cat.) |
|
|
2000 |
|
German Photoworks, Wako Works of Art, Tokyo |
|
|
2000 |
|
‘high five’ im warmen Monat Mai, Galerie Schedler, Zurich |
|
|
2000 |
|
Joitakin Osia Maailmasta/Some Parts of this World, Helsinki Photography Festival, Helsinki (exh. cat.) |
|
|
2000 |
|
Landscape, organized by The British Council, London; Museu de Arte de São Paulo, Brazil; Museu de Arte Contemporânea de Niterói, Rio de Janeiro, Brazil; Sofia Municipal Gallery of Art, Sofia, Bulgaria; Centro Cultural del Conde Duque, Madrid; Galleria Nazionale d’Arte Moderna, Rome; Peter and Paul Fortress, St. Petersburg, Russia; Central House of Artists, Moscow; ACC Gallery, Weimar, Germany (exh. cat.) |
|
|
2000 |
|
Look at Me: Fashion and Photography in Britain, 1960 to the present, The British Council, Madrid; Kunsthal, Rotterdam; Fondazion Nicola Trussardi, Milan, Italy; Marina Alla Scala Art Centre, Milan, Italy; Centre for Contemporary Arts, Ujazdowski Castle, Warsaw; Mali Manezh, Moscow; State Museum of the History of St. Petersburg, St. Petersburg, Russia; Tallinna Kunstihoone Fond, Tallin, Estonia; Øksnehallen, Copenhagen; Museu de Documantatio I Museu Textill, Terrasa, Spain; Recinto Ciudadela, Pamplona, Spain; Palacio de abrantes, Salamanca, Spain; House of Art, Bratislava, Slovakia (exh. cat.) |
|
|
2000 |
|
Lost, Ikon Gallery, Birmingham, UK (exh. cat.) |
|
|
2000 |
|
Eine Munition unter anderen, Frankfurter Kunstverein, Frankfurt am Main, Germany (exh. cat.) |
|
|
2000 |
|
The Oldest Possible Memory, Collection Hauser and Wirth, Lokremise St. Gallen, St. Gallen, Switzerland |
|
|
2000 |
|
Platforma, sommercontemporaryart, Tel Aviv |
|
|
2000 |
|
Photography Now, Contemporary Arts Center, New Orleans, La. (exh. cat.) |
|
|
2000 |
|
Présumés innocents, CAPC Musée d’art contemporain, Bordeaux, France (exh. cat.) |
|
|
2000 |
|
Protest and Survive, Whitechapel Art Gallery, London |
|
|
2000 |
|
Quotidiana: The Continuity of the Everyday in 20th Century Art, Castello di Rivoli—Museo d’Arte Contemporanea, Rivoli, Turin (exh. cat.) |
|
|
2000 |
|
The Sea & the Sky, The Royal Hibernian Academy, Dublin; Beaver College Art Gallery, Glenside, Pa. (exh. cat.) |
|
|
2000 |
|
Les Trahisons du modéle, corps et attitudes II, Stéfane Ackermann agence d’art contemporain, Luxembourg |
|
|
2000 |
|
Turner Prize 2000, Tate Britain, London |
|
|
2000 |
|
Vanishing Points, Groupe Première Heure, Saint-Cloud, France |
|
|
1999 |
|
Wako Works of Art, Tokyo (exh. cat.) (solo) |
|
|
1999 |
|
Eins ist sicher: Es kommt immer ganz anders als man denkt, Städtische Galerie, Remscheid, Germany (solo) |
|
|
1999 |
|
Galleria S.A.L.E.S, Rome (solo) |
|
|
1999 |
|
neugerriemschneider, Berlin (solo) |
|
|
1999 |
|
Regen Projects, Los Angeles (solo) |
|
|
1999 |
|
Saros, Galerie Daniel Buchholz, Cologne, Germany (solo) |
|
|
1999 |
|
Soldiers—The Nineties, Andrea Rosen Gallery, New York (solo) |
|
|
1999 |
|
Soldiers—The Nineties, arsFutura Galerie, Zurich (solo) |
|
|
1999 |
|
Soldiers—The Nineties, Neuer Aachener Kunstverein, Aachen, Germany (solo) |
|
|
1999 |
|
sommercontemporaryart, Tel Aviv (solo) |
|
|
1999 |
|
Space between Two Buildings/Soldiers—The Nineties, Maureen Paley/Interim Art, London (solo) |
|
|
1999 |
|
Can You Hear Me?, 2nd Ars Baltica Triennial of Photographic Art, Stadtgalerie im Sophienhof, Kiel, Germany; Kunsthalle Rostock, Rostock, Germany |
|
|
1999 |
|
Flashes: Contemporary Trends, Fondation Cartier pour l’art contemporain, Paris; Centro Cultural de Belèm, Lisbon; Fondacion Miró, Barcelona, Spain; Centro Arte Contemporanea Palazzo delle Papesse, Siena, Italy (exh. cat.) |
|
|
1999 |
|
The Garden of Eros, Palau de la Virreina, Barcelona, Spain |
|
|
1999 |
|
How Will We Behave?, Robert Prime, London |
|
|
1999 |
|
Hypertronix, Espai d’Art Contemporani de Castelló, Castelló, Spain (exh. cat.) |
|
|
1999 |
|
The Image of the Other, Fòrum Universal de les Cultures, Barcelona, Spain (exh. cat.) |
|
|
1999 |
|
In Your Face, New Langton Fine Arts, San Francisco, curated by Robert Shimshak Macht und Fürsorge: Das Bild der Mutter in der zeitgenössischen Kunst, Siemens Kulturprogramm, Trinitatis Church, Cologne, Germany (exh. cat.) |
|
|
1999 |
|
. . . om det sublima/ . . . on the sublime, Rooseum, Malmö, Sweden (exh. cat.) |
|
|
1999 |
|
der siebte himmel, Christuskirche Köln, Cologne, Germany |
|
|
1999 |
|
Views from the Edge of the World, Marlborough Chelsea, New York |
|
|
1999 |
|
Vision of the Body: Fashion or Invisible Corset, Kyoto Museum of Modern Art, Kyoto, Japan; Museum of Contemporary Art, Tokyo (exh. cat.) |
|
|
1999 |
|
Wohin kein Auge reicht—Von der Entdeckung des Unsichtbaren, Deichtorhallen Hamburg, Hamburg, Germany (exh. cat.) |
|
|
1999 |
|
Word Enough to Save a Life, Word Enough to Take a Life, Clare College Mission Church, London |
|
|
1999 |
|
Zoom, Württembergischer Kunstverein Stuttgart, Stuttgart, Germany; Museum Abteiberg, Mönchengladbach, Germany |
|
|
1998 |
|
Andrea Rosen Gallery, New York (solo) |
|
|
1998 |
|
Café Gnosa, Hamburg, Germany (solo) |
|
|
1998 |
|
Le Case d’Arte di Pasquale Lecese, Milan, Italy (solo) |
|
|
1998 |
|
Fruiciones, Museo Nacional Reina Sofia, Espacio Uno, Madrid (exh. cat.) (solo) |
|
|
1998 |
|
Berlin/Berlin, Berlin Biennale |
|
|
1998 |
|
Collection: Un autre regard, CAPC Musée d’art contemporain, Bordeaux, France |
|
|
1998 |
|
Curatorial Program, New York Curatorial Program, New York |
|
|
1998 |
|
The DG Bank Collection, Hara Museum of Contemporary Art, Tokyo (exh. cat.) |
|
|
1998 |
|
Edifying Sappho and Socrates, Sydney Gay & Lesbian Mardi Gras, Sydney |
|
|
1998 |
|
Fashion at the Beach, Bass Museum of Art, Miami Beach, Fla., curated and organized by Charles Cowles and Dennis Christie; Contemporary Art Center of Virginia, Virginia Beach, Va.; Orange County |
|
|
1998 |
|
Museum of Art, Newport Beach, USA (exh. cat.) |
|
|
1998 |
|
Fast Forward Image, Hamburger Kunstverein, Hamburg, Germany (exh. cat.) |
|
|
1998 |
|
From the Corner of the Eye, Stedelijk Museum, Amsterdam (exh. cat.) |
|
|
1998 |
|
Galerie Daniel Buchholz, Cologne, Germany |
|
|
1998 |
|
Galerie Ghislaine Hussenot, Paris |
|
|
1998 |
|
Germania Anno 00 . . . , Newsantandrea, Savona, Italy |
|
|
1998 |
|
Kunstausstellung Holderbank, Holderbank Management und Beratung AG, Holderbank, Switzerland |
|
|
1998 |
|
Look at Me, Kunsthal Rotterdam; The British Council Touring Exhibition |
|
|
1998 |
|
New York Color School, Valerie’s Gallery, New York |
|
|
1998 |
|
Die Parkett-Künstlereditionen im Museum Ludwig, Cologne, Germany |
|
|
1998 |
|
Photo Op, Geoffrey Young Gallery, Great Barrington, Mass. |
|
|
1998 |
|
Portrait: Human Figure, Galerie Peter Kilchmann, Zurich |
|
|
1998 |
|
The Sound of One Hand: The Collection of Collier Schorr, Apex Art, New York |
|
|
1998 |
|
La Sphère de l’intime, Le Printemps de Cahors Festival, Saint-Cloud, France |
|
|
1998 |
|
Still Life: 1900–1998, Marlborough Graphics, Marlborough Gallery Inc., New York; Kunsthalle Bremen, Bremen, Germany |
|
|
1998 |
|
Stretch, Tensta Konsthall, Stockholm (exh. cat.) |
|
|
1998 |
|
Sunday by Matthew Higgs, Cabinet Gallery, London |
|
|
1998 |
|
The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers, The Institute of Contemporary Art, Boston, USA |
|
|
1998 |
|
Veronica’s Revenge, Lambert Collection, Geneva, Switzerland; Centre d’art contemporain, Paris; Deichtorhallen Hamburg, Hamburg, Germany (exh. cat.) |
|
|
1997 |
|
Galleria S.A.L.E.S, Rome (solo) |
|
|
1997 |
|
hale-Bopp, Galerie Daniel Buchholz, Art Cologne, Cologne, Germany (solo) |
|
|
1997 |
|
I Didn’t Inhale, Chisenhale Gallery, London (solo) |
|
|
1997 |
|
The 90s: A Family of Man?, Casino Luxembourg— |
|
|
1997 |
|
Forum d’art contemporain, Luxembourg (exh. cat.) |
|
|
1997 |
|
Absolute Landscape: Between Illusion and Reality, Yokohama Museum of Art, Yokohama, Japan (exh. cat.) |
|
|
1997 |
|
Kunst . . . Arbeit, Forum der Südwest LB, Stuttgart, Germany (exh. cat.) |
|
|
1997 |
|
Die Kunsthalle Bremen zu Gast in Bonn, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany (exh. cat.) |
|
|
1997 |
|
Positionen künstlerischer Photographie in Deutschland von 1945–1995, Berlinische Galerie, Martin-Gropius-Bau, Berlin (exh. cat.) |
|
|
1997 |
|
Projects, Irish Museum of Modern Art, Dublin (exh. cat.) |
|
|
1997 |
|
Reality, Yokohama Museum of Art, Yokohama, Japan |
|
|
1997 |
|
Sous le Manteau, Galerie Thaddaeus Ropac, Paris (exh. cat.) |
|
|
1997 |
|
We Gotta Get Out of This Place, Cubitt, London |
|
|
1997 |
|
Zeitgeist Becomes Form: German Fashion Photography 1945–1995, Pat Hearn Gallery, New York; Morris Healy Gallery, New York |
|
|
1996 |
|
Andrea Rosen Gallery, New York (solo) |
|
|
1996 |
|
arsFutura Galerie, Zurich (solo) |
|
|
1996 |
|
Faltenwürfe, Galerie Daniel Buchholz, Cologne, Germany (solo) |
|
|
1996 |
|
For When I’m Weak I’m Strong/Wer Liebe wagt lebt morgen, Kunstmuseum, Wolfsburg, Germany (exh. cat.) (solo) |
|
|
1996 |
|
Galleri Nicolai Wallner, Copenhagen (solo) |
|
|
1996 |
|
Kunstverein Elsterpark, Leipzig, Germany (solo) |
|
|
1996 |
|
a/drift: Scenes from the Penetrable Culture, Bard College Center for Curatorial Studies, Annandale-on-Hudson, New York |
|
|
1996 |
|
Arken Museum for moderne kunst, Copenhagen (exh. cat.) |
|
|
1996 |
|
Blind Spot: Photography—The First Four Years, Paolo Baldacci Gallery, New York |
|
|
1996 |
|
By Night, La Fondation Cartier pour l’art contemporain, Paris (exh. cat.) |
|
|
1996 |
|
Das deutsche Auge—33 Photographen und ihre Reportagen, Deichtorhallen Hamburg, Hamburg, Germany |
|
|
1996 |
|
Dites-le avec des fleurs, Galerie Chantal Crousel, Paris |
|
|
1996 |
|
Everything that’s Interesting is New, The Dakis Joannou Collection, Athens; Art Academy, Athens; Arken Museum for moderne kunst, Copenhagen |
|
|
1996 |
|
Festival International de la Photo de Mode, Biarritz, France |
|
|
1996 |
|
Glockengeschrei nach Deutz, Galerie Daniel Buchholz, Cologne, Germany (exh. cat.) |
|
|
1996 |
|
I Feel Explosion, flat above Manchester Arndale Centre, Manchester, UK |
|
|
1996 |
|
Intermission, Basilico Fine Arts, New York, curated by Toland Grinnell and Matthew Ritchie |
|
|
1996 |
|
New Photography #12, The Museum of Modern Art, New York |
|
|
1996 |
|
Nudo y Crudo: Sensitive Body, Visible Body, Claudia Gian Ferrari Arte Contemporanea, Milan, Italy (exh. cat.) |
|
|
1996 |
|
Pictures of Modern Life, Galerie Rodolphe Janssen, Brussels; École régionale des Beaux-Arts de Tours, Tours, France |
|
|
1996 |
|
Le Plaisir et les ombres, Fondation pour l’Architecture, Brussels |
|
|
1996 |
|
Prospect ’96—Fotografie in der Gegenwartskunst, Frankfurter Kunstverein und Schirn Kunsthalle, Frankfurt am Main, Germany (exh. cat.) |
|
|
1996 |
|
The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers, Sabbathday Lake, Maine, conceived and organized by France Morin; Institute of Contemporary Art, Maine College of Art, Portland; Institute of Contemporary Art, Boston |
|
|
1996 |
|
Shift, Haus der Kulturen der Welt, Berlin, organized by Neue Gesellschaft für Bildende Kunst (exh. cat.) |
|
|
1996 |
|
Traffic, CAPC Musée d’art contemporain, Bordeaux, France |
|
|
1996 |
|
Urgence, CAPC Musée d’art contemporain, Bordeaux, France (exh. cat.) |
|
|
1996 |
|
Visitors’ Voices: Recomposing the Collection, Walker Art Center, Minneapolis |
|
|
1996 |
|
wunderbar, Kunstraum Wein, Vienna; organized by Stephan Schmidt-Wulffen; Kunstverein, Hamburg, Germany |
|
|
1995 |
|
Interim Art, London (solo) |
|
|
1995 |
|
Kunsthalle Zurich (exh. cat.) (solo) |
|
|
1995 |
|
neugerriemschneider, Berlin (solo) |
|
|
1995 |
|
Portikus, Frankfurt am Main, Germany (exh. cat.) (solo) |
|
|
1995 |
|
Regen Projects, Los Angeles (solo) |
|
|
1995 |
|
Stills Gallery, Edinburgh (solo) |
|
|
1995 |
|
ars viva 95/96 Photographie, Anhaltische Gemäldegalerie Dessau, Dessau, Germany; Frankfurter Kunstverein, Frankfurt am Main, Germany; Kunsthalle Nürnberg, Nuremberg, Germany (exh. cat.) |
|
|
1995 |
|
Benefit Exhibition for D.E.A.F., Inc., Nicole Klagsbrun Gallery, New York, organized by Jeff Koons |
|
|
1995 |
|
Bildermonde—Modebilder: Deutche Modephotographien von 1945–1995, Institute fur Auslandsbeziehungen, Stuttgart, Germany, organized by F. C. Gundlach (exh. cat.) |
|
|
1995 |
|
The Enthusiast, Gavin Brown’s Enterprise, New York |
|
|
1995 |
|
Every Time I See You, Galleri Nicolai Wallner, Malmö, Sweden; galleri index, Stockholm |
|
|
1995 |
|
Galerie Analix B&L Polla, Geneva, Switzerland |
|
|
1995 |
|
Guaranteed Personalities, Lydmar Hotel, Stockholm, curated by Thomas Nordanstad Human Nature, New Museum of Contemporary Art, New York |
|
|
1995 |
|
Kunstpreis der Böttcherstraße in Bremen, Kunsthalle Bremen, Bremen, Germany (exh. cat.) |
|
|
1995 |
|
Mondo Nova, Le Case d’Arte, Milan, Italy (exh. cat.) |
|
|
1995 |
|
Photographies, Galerie Rodolphe Janssen, Brussels |
|
|
1995 |
|
Take Me (I’m Yours), Serpentine Gallery, London; Kunsthalle Nürnberg, Nuremburg, Germany (exh. cat.) |
|
|
1995 |
|
White Columns, New York, Auction Benefit |
|
|
1994 |
|
Andrea Rosen Gallery, New York (solo) |
|
|
1994 |
|
Fehlmann AG, Schoeftland, Switzerland (solo) |
|
|
1994 |
|
Galerie Daniel Buchholz, Cologne, Germany (solo) |
|
|
1994 |
|
Galerie Thaddaeus Ropac, Paris (solo) |
|
|
1994 |
|
100 Umkleidekabinen, Bad zur Sonne, Graz, Austria (exh. cat.) |
|
|
1994 |
|
Ars Lux, 100 artist billboard light boxes across Italy |
|
|
1994 |
|
Expose Yourself, The Tannery, London, England |
|
|
1994 |
|
Les Dimanches de l’amour, École des Beaux-Arts de Rennes, Rennes, France |
|
|
1994 |
|
Dinos and Jake Chapman, Georgina Starr, Wolfgang Tillmans, Andrea Rosen Gallery, New York |
|
|
1994 |
|
L’Hiver de l’amour, Musée d’art moderne de la ville de Paris (exh. cat.) |
|
|
1994 |
|
Homegrown, Lotus Club, Cologne, Germany |
|
|
1994 |
|
Mechanical Reproduction, AP, Amsterdam (exh. cat.) |
|
|
1994 |
|
Photo ’94, The Photographer’s Gallery on Art 94, London |
|
|
1994 |
|
Rien à signaler, Galerie Analix, Geneva, Switzerland (exh. cat.) |
|
|
1994 |
|
Soggetto Soggetto, Castello di Rivoli—Museo d’Arte Contemporanea, Rivoli, Turin (exh. cat.) |
|
|
1994 |
|
Sonne München, Galerie Daniel Buchholz, Cologne, Germany |
|
|
1994 |
|
Streetstyle, Victoria & Albert Museum, London (exh. cat.) |
|
|
1994 |
|
The Winter of Love, PS1, New York |
|
|
1993 |
|
Atelier, collaboration with Isa Genzken; Galerie Daniel Buchholz, Cologne, Germany; Wilma Tolksdorf, Hamburg, Germany |
|
|
1993 |
|
Belcher, Höller, General Idea, Tillmans, Odenbach, Galerie Daniel Buchholz, Cologne, Germany |
|
|
1993 |
|
Christmasshop, Air de Paris, Paris |
|
|
1993 |
|
Fuck the System, Villa Rossi, Lucca, Italy |
|
|
1993 |
|
June, Galerie Thaddaeus Ropac, Paris |
|
|
1993 |
|
November Television, Videoprojekt Remscheid, Esther Schipper, Cologne, Germany |
|
|
1993 |
|
Phenylovethylamour, Unfair 1993, Cologne, Germany, stand of the Galerie Daniel Buchholz |
|
|
1993 |
|
Tresorraume, Unfair 1993, Cologne, Germany |
|
|
1993 |
|
arsFutura Galerie, Zurich (solo) |
|
|
1993 |
|
Galerie Daniel Buchholz—Buchholz + Buchholz, Cologne, Germany (solo) |
|
|
1993 |
|
Interim Art, London (solo) |
|
|
1993 |
|
L.A. Galerie, Frankfurt am Main, Germany (solo) |
|
|
1992 |
|
Diptychen, 1990–1992, PPS. Galerie F. C. Gundlach, Hamburg, Germany (solo) |
|
|
1992 |
|
i-D Now, Pitti Image, Palazzo Corsini, Florence, Italy |
|
|
1992 |
|
tomorrow people, Imagination Gallery, London |
|
|
1992 |
|
We Haven’t Stopped Dancing Yet, PPS, Galerie F. C. Gundlach, Hamburg, Germany |
|
|
1991 |
|
Icons of a Mutinous Age: Three Photographers, Bournemouth and Poole College of Art and Design, Bournemouth, England |
|
|
1991 |
|
Grauwert Galerie, Hamburg, Germany (solo) |
|
|
1989 |
|
Café Gnosa, Hamburg, Germany (solo) |
|
|
1989 |
|
Die Hamburg Schachtel, Museum für Kunst und Gewerbe, Hamburg, Germany (exh. cat.) |
|
|
1988 |
|
Approaches, Café Gnosa, Hamburg, Germany (solo) |
|
|
1988 |
|
Approaches, Fabrik—Foto—Forum, Hamburg, Germany; Municipal Library, Remscheid, Germany (solo) |
|
|
1988 |
|
Blutsturz, Front, Hamburg, Germany (solo) |
|
|
Literature |
|
|
2008 |
|
Lighter. Hamburger Bahnhof, Museum für Gegenwart, Hatje Cantz, Ostfildern |
|
|
2007 |
|
The Conversation Series Vol. 6 – Wolfgang Tillmans. Verlag der Buchandlung Walther König, Köln, Germany |
|
|
2007 |
|
Carciofo – Still Lifes. Oroom Gallery, Seoul, Korea. |
|
|
2006 |
|
Freedom From The Known. New York and Göttingen, Germany: PS1 and Steidl Verlag |
|
|
2006 |
|
Wolfgang Tillmans. exh. cat., Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London |
|
|
2006 |
|
Why we must provide HIV treatment information. (photography) HIV i-base, London, UK |
|
|
2006 |
|
Wolfgang Tillmans: Manual. Verlag der Buchandlung Walther König, Köln, Germany |
|
|
2005 |
|
truth study center. Cologne, Germany: Taschen |
|
|
2004 |
|
Wolfgang Tillmans: Freischwimmer. Tokyo: Tokyo Opera City Gallery |
|
|
2004 |
|
Wako Book 3, exh. cat., Tokyo: Wako Works of Art |
|
|
2003 |
|
if one thing matters, everything matters. London: Tate Publishing |
|
|
2002 |
|
Wolfgang Tillmans. London and New York: Phaidon Press |
|
|
2002 |
|
Wolfgang Tillmans: Still Life. Cambridge, Mass: Harvard University Art Museum |
|
|
2001 |
|
AC: Isa Genzken/Wolfgang Tillmans. edited by Museum Ludwig, Cologne, Germany: Verlag der Buchhandlung Walther König |
|
|
2001 |
|
Partnerschaften II, exh. cat., Berlin: Neue Gesellschaft für Bildende Kunst |
|
|
2001 |
|
Portraits. Cologne, Germany: Verlag der Buchhandlung Walther König |
|
|
2001 |
|
View from Above/Aufsicht, Ostfildern-Ruit, Germany: Hatje Cantz Verlag |
|
|
2001 |
|
Wako Book 2, exh. cat., Tokyo: Wako Works of Art |
|
|
1999 |
|
Soldiers: The Nineties. Cologne, Germany: Verlag der Buchhandlung Walther König |
|
|
1999 |
|
Total Solar Eclipse/Totale Sonnenfinsternis. Cologne, Germany: Galerie Daniel Buchholz |
|
|
1999 |
|
Wako Book 1999, exh. cat., Tokyo: Wako Works of Art |
|
|
1998 |
|
Fruiciones, exh. cat., Madrid: Museo Nacional Reina Sofia |
|
|
1998 |
|
Wolfgang Tillmans: Burg. Cologne, Germany: Taschen, reissued as Wolfgang Tillmans, 2002 |
|
|
1997 |
|
Concorde. Cologne, Germany: Verlag der Buchhandlung Walther König |
|
|
1996 |
|
For When I’m Weak I’m Strong/Wer Liebe wagt lebt morgen, exh. cat., Ostfildern-Ruit, Germany: Kunstmuseum Wolfsburg and Hatje Cantz Verlag |
|
|
1995 |
|
Wolfgang Tillmans. Cologne: Taschen, reissued 2002 |
|
|
1995 |
|
Wolfgang Tillmans. Frankfurt am Main, Germany: Portikus Frankfurt am Main |
|
|
1995 |
|
Wolfgang Tillmans. Zurich: Kunsthalle Zürich |
|
|
|
|
return to artnet.com