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Biography |
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1962 |
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Born Newtownards, Co Down, Northern Ireland |
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1980 - 1985 |
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St. Martin's College of Art, London |
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1985 - 1986 |
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Chelsea School of Art, London |
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1993 |
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Grand Prize Tokyo International Print Exhibition |
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1996 |
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IMMA/Glen Dimplex Artists Award, Irish Museum of Modern Art, Dublin |
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1997 |
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Public Art Development Trust: Mark Francis / Nicky Hirst |
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Exhibitions |
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2009 |
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Kerlin Gallery, Dublin, Ireland |
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2008 |
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Gallery Forsblom, Helsinki (solo) |
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2008 |
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black mirror, curated by Marco Costantini, Centre d’art contemporain de Neuchatel, Neuchatel, Switzerland |
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2008 |
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What lies beneath the surface, Irish Museum of Modern Art - IMMA, Dublin, Ireland |
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2008 |
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Celebrating 20 years, Kerlin Gallery, Dublin, Ireland |
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2008 |
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Contemporary Graphics, Galerie Bode, Nürnberg, Germany |
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2008 |
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For the Spirit – From the UBS Art Collection, Mori Art Museum, Tokyo, Japan |
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2008 |
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Genesis – Die Kunst der Schöpfung, Zentrum Paul Klee, Bern, Switzerland |
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2008 |
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Neue Bilder 2008, Galerie Wilma Lock, St. Gallen, Austria (solo) |
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2008 |
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Galerie Stadtpark, Krems, Austria (solo) |
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2008 |
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Hugh Lande Gallery, Dublin, Ireland (solo) |
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2007 |
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Galerie Thomas Schulte, Berlin, Germany (solo) |
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2007 |
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Galeria Pelaires, Palma de Mallorca, Spain (solo) |
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2007 |
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Summer Group Show, Kerlin Gallery, Dublin, Ireland |
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2007 |
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Timeless, Galerie Wilma Lock, St. Gallen, Switzerland |
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2007 |
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Die Kunst zu sammeln”, Museum Kunst Palast, Düsseldorf, Germany |
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2007 |
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Experiments in Abstraction, Andipa Gallery, London, GB |
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2006 |
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Hirst and his Contemporaries, Andipa Gallery, London, GB |
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2006 |
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Diagnose [Kunst] – Die Medizin im Spiegel der zeitgenössischen Kunst, Kunstmuseum Ahlen, Ahlen, Germany |
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2006 |
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Silent Inside, Galerie Wilma Lock, St. Gallen, Switzerland |
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2006 |
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Summer Group Show, Kerlin Gallery, Dublin, Ireland |
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2006 |
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Pendulum, Kerlin Gallery, Dublin, Ireland (solo) |
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2005 |
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Galerie Wilma Lock, St. Gallen, Switzwerland (solo) |
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2005 |
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‘The Hardest Thing to Draw is a Kiss’, Wimbledon School of Art, London |
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2005 |
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‘After the Thaw’, AIB Art Collection, Crawford Municipal Art Gallery, Cork |
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2005 |
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‘Size Matters’, Arts Council England Touring Collection |
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2004 |
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Maureen Paley Interim Art, London, GB (solo) |
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2004 |
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Galerie Thomas Schulte, Berlin, Germany (solo) |
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2003 |
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Drawings, Galerie Thomas Schulte, Berlin, Germany (solo) |
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2003 |
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Mauleen Paley Interim Art, London, GB (solo) |
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2003 |
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Kerlin Gallery, Dublin, Ireland (solo) |
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2003 |
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Michael Kohn Gallery, Los Angeles, USA (solo) |
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2003 |
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‘Before & After Science’, Marella Arte Contemporanea, Milan |
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2002 |
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‘Dublin 7 Educate Together’, Dublin |
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2002 |
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‘Prospects Drawing Prize,’ Essor Project Space, London |
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2002 |
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‘The Rowan Collection’, IMMA, Dublin |
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2002 |
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‘Eight New Paintings’, Kerlin Gallery Dublin |
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2002 |
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Gallerie Wilmma Lock, St Gallen Switzerland (solo) |
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2002 |
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Gallery Anne de Villepoix, Paris (solo) |
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2001 |
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New Paintings, Galerie Reinhard Hauff, Stuttgart (solo) |
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2001 |
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Irish Art Now, IMMA. Dublin |
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2001 |
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Fluid, Wolverhampton City Art Gallery, Wolverhampton |
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2001 |
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Galerie Wilma Lock, St. Gallen, Switzerland |
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2000 - 2001 |
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‘Shifting Ground: Fifty Years of Irish Art’, Irish Museum of Modern Art, Dublin |
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2000 |
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‘Irish Art Now: From the Poetic to the Political’,Chicago Cultural Center, Chicago |
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2000 |
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Kerlin Gallery, Dublin (solo) |
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2000 |
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Maureen Paley/Interim Art, London (solo) |
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2000 |
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‘Elements’, Milton Keynes Gallery (solo) |
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2000 |
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‘Premio Michetti’: Europe, different perspectives in painting, Museo Michetti, Francavilla al Mare, Italy |
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2000 |
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‘In the Mind’s Sky’, Ruth Chandler Williamson Gallery, Claremont, California |
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2000 |
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The Wreck of Hope, The Nunnery Gallery, London |
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2000 |
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Zero Zero Four Four,Crawford Municipal Gallery, Cork; Ormeau Baths Gallery, Belfast |
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1999 - 2000 |
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‘Irish Art Now: From the Poetic to the Political’, McMullen Museum of Art, Boston College; Art Gallery of Newfoundland and Labrador, Canada |
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1999 |
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drei positionen in der malerei, Reinhard Hauff, Stuttgart, Germany |
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1999 |
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Macro-Micro, Contemporary Painters Negotiate Small Truths, University of Texas (Blanton Museum of Art) |
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1999 |
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Zero Zero Four Four, PS1, New York and Allbright-Knox Art Gallery, Buffalo |
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1999 |
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POSTMARK: An Abstract Effect, Site Santa Fe, New Mexico |
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1999 |
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‘A Quiet Storm, Painting in Abstraction’, Kohn/Turner Gallery, L |
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1999 |
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Mary Boone Gallery, New York (solo) |
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1999 |
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Kohji Ogura Gallery, Nagoya, Japan (solo) |
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1999 |
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Galerie Wilma Lock, St. Gallen, Switzerland (solo) |
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1998 |
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Kohn Turner Gallery, Los Angeles (solo) |
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1998 |
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Maureen Paley/Interim Art, London (solo) |
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1998 |
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Galerie Anne de Villepoix, Paris (solo) |
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1998 |
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post Naturam - nach der Natur, Stadt Münster, Germany. |
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1998 |
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Sensation - Saatchi Collection, Museum fur Gegenwart, Berlin |
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1998 |
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Galleria Emilio Mazzoli, Modena, Italy |
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1997 |
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Interior, Maureen Paley/Interim Art, London |
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1997 |
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Surface, GOW Langsford, Auckland, New Zealand |
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1997 |
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Sensation - Saatchi Collection, Royal Academy of Art, London |
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1997 |
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Beau Geste, Angles Gallery, Los Angeles |
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1997 |
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Residue, Douglas Hyde Gallery, Dublin |
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1997 |
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Nat West Painting Prize, London |
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1997 |
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Galerie Martina Detterer, Frankfurt, Germany (solo) |
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1997 |
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Kerlin Gallery, Dublin (solo) |
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1997 |
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Mary Boone Gallery, New York (solo) |
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1996 |
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Terra Nova - New Territories, Harewood House, Leeds (solo) |
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1996 |
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Bloom Gallery, Amsterdam (solo) |
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1996 |
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Galerie Anne de Villepoix , Paris (solo) |
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1996 |
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Absolut Vision, New British Painting in the 1990's, M.O.M.A., Oxford |
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1996 |
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Scattering Matrix, curated by Jane Hart, Richard Heller Gallery, Santa Monica |
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1996 |
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Black, Grey & White, Galerie Bugdahn und Kaimer, Düsseldorf |
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1996 |
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Microscopic territories, Harewood House Trust, Harewood |
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1996 |
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British Abstract Art III, Flowers East Gallery, London |
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1996 |
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Whitechapel Open, London |
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1996 |
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IMMA/Glen Dimplex Artists Award exhibition, Irish Museum of Modern Art, Dublin. |
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1996 |
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Mary Boone Gallery, New York. (Mark Francis, Leonardo Drew, Oliver Herring) |
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1995 |
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Testing the Water, Tate Gallery, Liverpool |
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1995 |
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Voyage Anglais, Rheimes, France |
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1995 |
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John Moores, Walker Art Gallery, Liverpool |
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1995 |
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Kerlin Gallery, Dublin (solo) |
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1995 |
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Maureen Paley/Interim Art, London (solo) |
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1995 |
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Galerie Thieme+Pohl, Darmstadt, Germany (solo) |
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1995 |
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City Art Gallery, Manchester (solo) |
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1995 |
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From Here, Karsten Schubert/Waddington Galleries, London. |
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1995 |
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Painters' Opinion, Bloom Gallery, Amsterdam |
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1995 |
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The Adventure of Painting, Kunstvereins Düsseldorf and Stuttgart, Germany |
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1994 |
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Human Nature, Mark Francis & Brad Lochore Herve Mikaeloff, Paris |
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1994 |
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The Curator's Egg, Anthony Reynolds Gallery, London |
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1994 |
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New Modern British Paintings (1988 - 1994), Richard Salmon Ltd., London |
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1994 |
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East 1994, Norfolk Institute of Art & Design, Norwich |
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1994 |
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Paintmarks, Kettle's Yard, Cambridge |
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1994 |
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Unveiled, Cornerhouse, Manchester |
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1994 |
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Europa 94, Munich Order Centre, Munich |
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1994 |
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Maureen Paley/Interim Art, London (solo) |
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1994 |
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Whitechapel Open, London |
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1993 |
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Recent Acquisitions, Tate Gallery, London |
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1993 |
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An Undiscovered Country; 10 Abstract Painters, curated by Charles Hall, Rebecca Hossack Gallery, London, Ikon Touring Exhibition |
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1993 |
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Snap Shots, curated by Anthony Wilkinson, Eagle Gallery, London |
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1993 |
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A Decade of Collecting, Tate Gallery, London |
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1993 |
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International Print Exhibition, Tokyo |
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1993 |
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Whitechapel Open, London |
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1992 |
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South Bank Show, Royal Festival Hall, London |
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1992 |
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British Art comes to St. Helena, St Helena (selected by Mary Rose Beaumont) |
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1992 |
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Twelve Stars, European Parliment Exhibition, Belfast, Edinburgh, London, Zurich |
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1992 |
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Jill George Gallery, London (solo) |
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1990 |
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Thumb Gallery, London (solo) |
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1990 |
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Four Painters, New Academy, London |
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1990 |
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Bonhams Contemporary Auction, London |
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1990 |
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Whitechapel Open, London |
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1989 |
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Christie's New Contemporaries, Royal College of Art, London |
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1986 |
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4 New Painters, Paton Gallery, London |
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1986 |
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ILEA class of '86, Royal Festival Hall, London |
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1986 |
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On the Wall Gallery, Belfast |
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1985 |
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Another View of Ireland, Irish Artists in London |
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1985 |
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Athena International Awards, Mall Galleries, London |
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1985 |
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Riverside Open, Riverside Studios, London |
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1984 |
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Stowells Trophy, Royal Academy of Arts, London |
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1984 |
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Summer Group Show, Tom Caldwell Gallery, London |
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1983 |
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Summer Show, Tom Caldwell Gallery, Dublin |
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1983 |
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New Contemporaries, The Mall Gallery, London |
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Literature |
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2008 |
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Dyer, Richard, James Peto, Francis McKee, 'Mark Francis', Dublin City Gallery, The Hugh Lane |
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2007 |
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Dyer, Richard, 'Mark Francis', Mallorca Spain: Sala Pelaires |
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2006 |
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Leahy, Bill, 'Keeping in Time', Village, 23 February – 1 March 2006 |
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2006 |
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Totally Dublin, February 2006 |
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2006 |
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Aidan Dunne, The Irish Times, Experiments with the science world, Feb 2006 |
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2005 |
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New Paintings-Neue Bilder, Galerie Wilma Lock St. Gallen/CH, 14- September – 26 November |
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2005 |
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‘Warmespeicher Malerei’, St. Galler-Tagblatt – Kultur, by Ursula Bbadrutt. Ostschweizer Agenda 29 September |
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2005 |
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Valjakka, Timo, 'Paintings, 2002-2005', Galerie Forsblom, Helsink |
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2005 |
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'After the Thaw: Recent Irish Art from the AIB Art Collection', February 05 – April 02 2005, Crawford Art Gallery, Cork, Cat. includes an essay by Aiden Dunne |
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2005 |
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Rudd, Natalie, 'From here to infinity and back', Size Matters, Arts Council England Touring Collection |
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2004 |
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Michael Wilson, Artforum, May 2004 |
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2004 |
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Rebecca Geldard, Time Out, 12th-19th May, 2004 |
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2003 |
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Aidan Dunne, Irish Times, 29th October, 2003. |
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2003 |
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Catherine Leen, Sunday Times – Culture, 19th October 2003. |
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2003 |
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19 Jan Suspended amid different worlds, Los Angeles Times, 21 March |
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2003 |
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‘Kunst und Sciences’ 12 January, NZZ am Sonntag, by Dr Gerhard Mack |
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2003 |
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MacGiolla Léith, Caoimhin, 'Paintings', Michael Kohn Gallery, Los Angeles |
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2003 |
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Marella, Giovanni, 'Before and After Science', Marella Arte Contemporanea, Milan |
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2002 |
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Johnstone, Isobel, 'Raising the temperature 100 degrees', Talbot Rice Gallery, Edinburgh |
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2002 |
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Harrison, Eddie. The Saatchi Gift, Metro Life, 10 January |
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2002 |
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New Paintings, Galerie Wilma Lock St. Gallen/CH, ‘Netzwerk’ St. Galler-Tagblatt- Kultur, 4 Oktober, by Kristin Schmidt |
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2001 |
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MacGiolla Léith, Caoimhín. Soundings: The Paintings of Mark Francis, Irish Arts Review, Yearbook 2001, Vol. 17 |
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2001 |
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Notate, biomorph: Mark Francisbei Hauff, Frankfurter Allgemeine Zeitung, 02 June |
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2001 |
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Achterbahn, Francis in der Galerie Hauff, Stuttgarter Zeitung, 23 May |
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2001 |
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Malerei als kartografisches System, Stuttgarter Nachrichten, 24 April |
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2001 |
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Fluid: Wolverhampton City Art Gallery, ‘The productive body’, David Hopkins |
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2001 |
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'Soundings, The Paintings of Mark Francis’, Caoimhin MacGiolla Leith, Irish Arts review, Yearbook 2001, Vol.17 |
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2000 |
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Art Works: deutsche Bank, British and German Contemporary Art 1960-2000, ‘1990s Pidgn – and Ultra Modernism’ |
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2000 |
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Daly, Catherine. Mark Francis, The Sunday Times, (Irish edition), 31 December |
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2000 |
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Dunne, Aiden. Mark Francis, The Irish Times, The Ticket, 29 November |
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2000 |
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Wood, Catherine. Reflecting on his work: the artist Mark Francis, The Lancet, Vol 356, 05 August |
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2000 |
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Staff Brandl, Mark. Mark Francis at MK G, Art in America, July |
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2000 |
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Coomer, Martin. Time Out, 06 July-13 July |
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2000 |
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Herbert, Martin. Mark Francis, Interim Art, Time Out, 28 June–05 July |
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2000 |
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Aidin, Rose. ‘Painting by numbers’, The Times |
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2000 |
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Dunne, Aiden. ‘No national identity, please. We’re Irish’ |
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2000 |
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Mark Francis, Elements, Milton Keynes Gallery, texts by Stephen Snoddy, Stephen Jay Gould and Andrew Cross |
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2000 |
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‘Mark Francis’, Catherine Daly, Sunday Times, 31 Dec 2000 |
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2000 |
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Aidan Dunne, The Irish Times, The Ticket, 29 Nov 2000 |
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2000 |
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Robson, David. ‘Now the Brit pack get a gallery all to themselves’, The Express, 24 March |
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2000 |
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Young, Robin & Morgan, Jonathan. ‘Broad canvas for a new face of Tate Britain’ The Times, 24 March |
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2000 |
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Clark, Robert. ;Home thoughts from abroad’, The Guardian Guide, 12-18 February |
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2000 |
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Darwent, Charles. ‘Anatomy of an obsessive’, The Independent on Sunday, 23 January |
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2000 |
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Tracy, Luvvi. ‘Francis? Wonderful’, Milton Keynes on Sunday, 23 January |
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2000 |
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Lubbock, Tom. ‘Behind the scenes at the museum’, The Independent, 18 January |
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2000 |
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Shifting Ground: Fifty Years of Irish Art, ‘Irish art in the 1990s’ Caoimhin MacGiolla Leith |
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2000 |
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Irish Art Now From the Poetic to the Political, ‘Renegotiating the given’ Declan McGonagle, ‘Politics’, Kim Levin |
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2000 |
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Premio Michetti, ‘Europe, different perspectives in painting’, Ganni Romano |
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2000 |
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Zero Zzero Four Four, ‘Interview’, Nuala Fenton, ‘Introduction’, Peter Murray |
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2000 |
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'Mark Francis', Netter Art Collection, George Theime Verlag |
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1999 |
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Mark Francis, Ken Johnson, The New York Times, 12 March |
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1999 |
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Cluttered to Perfection, Jane Burton, The Independent on Sunday Mag. 28 February |
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1999 |
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Negotiating Small Truths: Blanton Museum of Fine Art, University of Texas, essay ‘Negotiating the Truth in Painting’ by Annette Dimeo Carlozzi The Irish Times, 09 February Stewart, Clare. |
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1999 |
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Art for the Millennium, The Times, 11 December |
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1999 |
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Mitchell, Steve. Without Boundaries: "Irish" Art at the Albright-Knox, Artvoice, 07-13 October |
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1999 |
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Huntington, Richard. The Clouds roll in, The Buffalo News Arts & Entertainment, 03 October |
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1999 |
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Schade, Christopher. Blanton curator’s first show finds truth, Austin American-Statesman, 18 September |
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1999 |
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Smith, Roberta. The Irish Struggle For a Visual Poetry To Call Their Own, The New York Times, Weekend, 25 June |
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1999 |
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Mack, Gerhard. Marks merkwürdige Mikrokosmen, Paradeplatz, 23 April |
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1999 |
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Preview: 0044, Dawn Fulcher, Contemporary Visual Arts, Issue 23 |
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1999 |
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Paintings: Ein Ire in St. Gallen, Vorarlberger-Nachrichten, 17 April |
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1999 |
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Pulsieren in Zeitlupe, Ursula Badrutt Schoch, St. Gallen-Tagblatt/Kultur, 9 April |
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1998 |
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Post Naturam – Nach der Natur (Stadt Muster: Germany), ‘Natural Cuts’ by Gudrun Bott and Magdelena Broska |
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1998 |
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A Brush with Tradition, Louisa Buck, Joyce no.41, Spring issue |
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1998 |
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Seductive Dots, Leah Ollman, Los Angeles Times, 15 May |
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1998 |
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Spontaneitat und Controlle, Barbara Henke, Haudelsblatt Kunstmarkt, 6 January |
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1998 |
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NatWest sells Old Masters to buy Modern British Art, Nigel Reynolds, Daily Telegraph, 26 February |
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1998 |
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Mark Francis, Journal Frankfurt, December / January |
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1997 |
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Sensation – Saatchi Collection, ‘From Freeze to House 1988-94’, by Richard Shone, ‘Everyone a Winner! Selected British Art From the Saatchi Gallery 1987-97’ by Martin Maloney |
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1997 |
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John Moores Liverpool Exhibition No.20 |
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1997 |
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Den Betrachter auf Distanz halten, Konstanze Cruwell, IAS, 27 December |
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1997 |
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Mark Francis, Schwarz und Rund, Frankfurter Rundschau, 27 December |
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1997 |
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Mark Francis, Catalogue essay, Tim Marlow, Kerlin Gallery, Dublin |
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1997 |
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Interior, Time Out, Sue Hubbard, 12 November |
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1997 |
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Voglio uffici come musei, La Stampa, Gabriele Beccaria, 12 October |
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1997 |
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Blair goes abstract but avoids dead cows, Nigel Reynolds, Daily Telegraph, 9 October |
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1997 |
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New man at the Ministry shows his true colours in art, Dan Glaister |
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1997 |
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Herbert Martin, Time Out, September |
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1997 |
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The Guardian, 9th Oct |
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1997 |
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Who are they pointing at?, Independent/EYE, Tom Lubbock, 18 September |
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1997 |
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Confessions of a gallery curator, Sunday Tribune, Aidan Dunne, 31 August |
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1997 |
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Nat West Prize, The Independent on Sunday, Tim Hilton, 25 May |
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1997 |
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Nat West Prize, Financial Times, Bill Packe, 20 May |
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1997 |
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Mary Boone Gallery, The New York Times, Grace Glueck, 31 Jan |
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1997 |
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Letter from New York, Art Monthly, Andrew Cross, Feb no. 20 |
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1997 |
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Mary Boone Gallery, The New Yorker, 3 Feb |
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1996 |
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1996 Absolut Vision, New British Painting in the 1990s Catalogue, M.O.M.A., Oxford, ‘A Story of the Eye’ by David Elliott |
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1996 |
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A Scattering Matrix, Richard Heller Gallery Catalogue, Curated by Jane Hart |
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1996 |
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Hello. Artists in Conversation, R.C.A., ‘Under the Microscope. Mark Francis Talks to Clare Manchester’ |
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1996 |
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IMMA/Glen Dimplex Artists Award Catalogue |
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1996 |
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The IMMA/Glen Dimplex Award, The Sunday Times, 12 May |
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1996 |
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Made in London, Simmons and Simmons, ‘The Element of Risk’ by Richard Shone |
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1996 |
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Crooked Style, The Observer,William Fever |
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1996 |
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The Best of Brit Painting, The Guardian, Adrian Searle |
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1996 |
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On the Surface, The Independent, Andrew Graham-Dixon |
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1996 |
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The Vision Thing, Art Monthly, Andrew Wilson, Absolut Vision, M.O.M.A., Oxford |
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1996 |
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The Sunday Independent, review by Ciara Ferguson,21 April |
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1996 |
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IMMA/Glen Dimplex, Sunday Times, Medb Ruane, 31 March |
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1996 |
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The Irish Times, review by Brian Fallon, 5 April |
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1996 |
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Cityline Magazine, Charles Purcell, April issue |
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1996 |
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The Tribune Magazine, review by Aidan Dunne, 24 March |
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1996 |
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IMMA/Glen Dimplex, Phoenix Magazine, 29 March |
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1996 |
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IMMA/Glen Dimplex, In Dublin Magazine, Caoimhín Mac Giolla Léith, 28 March |
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1996 |
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Critics Choice, The Sunday Tribune, by Aidan Dunne, 17 March |
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1996 |
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Arts Diary, The Evening Herald, 14 March |
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1996 |
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Gallery Glance, Dublin Event Guide, 7 March |
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1995 |
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Interim Art, 1995 Catalogue |
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1995 |
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From Here – Karsten Schubert/Waddington Gallery, London, Cat. |
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1995 |
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John Moores Liverpool Exhibition No. 19 Cat. |
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1995 |
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The Adventure of Painting, Kunstvereine, Susseldorf and Stuttgart, Cat. |
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1995 |
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Rewind 95, The Irish Times, Brian Fallon, 28 Dec |
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1995 |
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The how right we were syndrome, The Tribune Magazine, 17 Dec |
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1995 |
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IMMA/Glen Dimplex Award Shortlist, The Sunday Times, 17 Dec |
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1995 |
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Turn on the Dimplex, Irish Times, 14 Dec |
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1995 |
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An Irishman's Diary, The Irish Times, Kevin Myers, 14 Dec |
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1995 |
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Temple or Bar, The Irish Times, Luke Clancy, 28 Dec |
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1995 |
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Who needs London?, The Independent on Sunday, Tim Hilton, 5 Nov |
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1995 |
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Kerlin Gallery, The Irish Times, Luke Clancy, 31 Oct |
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1995 |
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Kerlin Gallery, The Sunday Times, Medb Ruane, 29 Oct |
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1995 |
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On Exhibitions, The Independent, Iain Gale, 27 Oct |
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1995 |
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Compendium of Coolness, Liverpool Daily Post, Adrian Henri, 26 Oct |
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1995 |
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Manchester City Art Gallery, Frieze, Mark Durden, issue 22 |
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1995 |
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Interim Art, Art Monthly, Simon Morley, issue 187 |
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1995 |
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Around the Galleries: Interim Art, Saccha Craddock, Times, May |
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1995 |
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Manchester City Art Gallery, Big Issue, Rob Haynes |
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1995 |
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Manchester City Art Gallery, City Life |
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1995 |
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Interim Art, Time Out, Martin Coomer |
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1995 |
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Waddingtons/ Karsten Schubert, Art Monthly, Michael Archer issue 186 |
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1995 |
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Adventure of Paintings, Stuttgarter Zeitung, Wolfgang Rainer |
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1995 |
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Adventure of Painting, Westdeutsche Zeitung, Sophia Wiliams |
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1995 |
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Adventure of Painting: Rheinische Post |
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1995 |
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Human Nature, Galerie Thieme+Pohl: Fritz 6 |
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1995 |
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Galerie Theme+Pohl, Darmstadter Echo, Roland Held, 20 June |
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1995 |
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Galerie Thieme+Pohl: Mark Francis, Lebendiges Darmstadt, June |
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1995 |
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Neue Kunstausstellungen, Darmstadter Echo, 25 May |
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1995 |
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Galerie Thieme+Pohl: Darmstadter Kulturnachrichren |
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1995 |
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Painter's Opinion, De Volkskrant, Suto Wama |
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1994 |
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East 1994, Norfolk Institute of Art and Design, Cat. |
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1994 |
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Paintmarks, Kettle’s Yard, Cambridge. ‘Paintmarks from Illusion to Expression to Contemplation’ by Michael Harrison |
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1994 |
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Europa 94, Munich Order Centre, Munich, Cat. |
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1994 |
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Mark Francis/ Brad Lochore, Art & Expos, Paris |
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1994 |
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Mark Francis, Interim Art, London, texts by Peter Fleissig and Christopher Bucklow |
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1994 |
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Review: Interim Art, Time Out, David Lillington, May |
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1994 |
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East, Art Monthly, Mark Durden |
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1994 |
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The Curator's Egg, Summer: Untitled, issue no.5 |
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1994 |
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Whitechapel Open, The Times, Richard Cork |
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1994 |
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Life in Venice, Untitled, Tony Godfery, issue no.3 |
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1994 |
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The Richter Scale, Arts Review, Charles Gall |
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1993 |
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David Lillington review, Time Out |
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1992 |
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Twelve Stars European Parliament Exhibition, Belfast, Edinburgh, London, Zurich, Brussels, Cat. |
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1992 |
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Mark Francis, New Paintings and Monoprints, Jill George Gallery, London, text by Stuart Morgan |
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1990 |
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Pick of the Week, The Guardian, Charles Hall |
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1990 |
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Mark Francis, Painting and Monotypes, Thumb Gallery, London, text by Charles Hall |
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1989 |
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New Art Goes Under The Hammer, The Telegraph, Richard Cork |
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1986 |
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Four New Painters at Paton, Artscribe, Ian Brunskill, No. 58 |
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