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Biography |
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1958 |
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Born in London, UK |
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1978 - 1979 |
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Chealsea School of Art, London |
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1979 - 1982 |
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Goldsmith’s College of Art, London |
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1983 |
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First one-person show at the Lisson Gallery, London |
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1985 |
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Exhibited at the Institute of Contemporary Arts, London |
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1993 |
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Major retrospective of his work at the Hayward Gallery, London |
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1994 |
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Wormwood Scrubs, Perimeter Wall Paintings, Commissioned by HMP Wormwood Scrubs |
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1995 |
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Awarded the Sargant Fellowship at The British School in Rome |
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1995 - 1996 |
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Residency at the Atelier Calder in Sache, France |
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1997 |
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Imagine you are moving. Commissioned and Funded by BAA Plc as part of the BAA Ar Programme in association with the Public Art Development Trust |
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2001 |
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Music Week CADS, Best Illustration for Best of Blur |
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Lives and works in London |
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Exhibitions |
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2009 |
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Valentina Bonomo, Rome, Italy (solo) |
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2009 |
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Kukje Gallery, Seoul, Korea (solo) |
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2009 |
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Sakshi Gallery, Mumbai, India (solo) |
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2009 |
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SCAI THE BATHHOUSE, Tokyo, Japan (solo) |
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2009 |
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Patrick De Brock, Knokke, Belgium (solo) |
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2009 |
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Transparency, National Theatre, Prague, Czech Republic (group) |
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2008 |
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Lisson Gallery, London (solo) |
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2008 |
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Alan Cristea Gallery, London (solo) |
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2008 |
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Krobath Wimmer, Vienna, Austria (solo) |
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2008 |
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Art Tower Mito, Japan (solo) |
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2008 |
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Recent works, MAK Vienna, Austria |
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2008 |
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The prospect 27, Roche Court Sculpture Park, Salisbury, UK (group) |
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2008 |
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Still / Motion", Mie Prefecture Museum, The National Museum of Art, Osaka, Tokyo Metropolitan Museum of Photography, Japan (group) |
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2007 |
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Passion for Art, Sammlung Essl, Vienna, Austria |
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2007 |
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Group Show II, Barbara Krakow Gallery, Boston, USA |
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2007 |
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Walk on the Vltava, Museum Kampa, Prague, Czech Republic (solo) |
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2007 |
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This is Shahnoza, Galerie Barbara Thumm, Berlin, Germany (solo) |
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2007 |
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San Diego Museum of Art, USA (solo) |
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2007 |
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Barbara Krakow Gallery, Boston, USA (solo) |
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2007 |
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Julian Opie in the 90‘s, King‘s Lynn art centre, Norfolk, UK (solo) |
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2006 - 2007 |
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Show Time, Centro de Arte Contemporáneo de Málaga, Spain |
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2006 - 2007 |
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SIGNS, outdoor exhibition organized by the Arts Council of Indianapolis, Indianapolis, Indiana, USA (solo) |
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2006 |
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Shanghai Biennale, China |
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2006 |
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Auto Nom Kasel, Germany |
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2006 |
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Alan Cristea Gallery, London, UK (solo) |
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2004 - 2006 |
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Likeness: Portraits of Artists by Other Artists, touring: California College of Arts, Wattis Institute, San Francisco, CA; McColl Center for Visual Art, Charlotte, NC; ICA Boston, MA; Dalhousie University Art Gallery, Halifax, Nova Scotia, Canada; University Art Museum, California State University at Long Beach; Illingworth Kerr Gallery, Alberta College of Art & Design, Calgary, Alberta, Canada |
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2005 |
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Gallery Mario Sequeira, Braga, Portugal (solo) |
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2005 |
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La Chocolateria, Santiago de Compostela, Spain (solo) |
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2005 |
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Scai the Bathhouse, Tokyo, Japan (solo) |
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2005 |
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ICA, Boston, USA (solo) |
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2005 |
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Gallery MGM Oslo, Norway (solo) |
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2005 |
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Gallery Valentina Bonomo, Rome, Italy (solo) |
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2004 |
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Animals, buildings, cars and people, curated by Tom Eccles, Public Art Fund, City hall Park, New York City, USA (solo) |
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2004 |
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Sara, Bryan & Monique, Lisson Gallery, London, UK (solo) |
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2004 |
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Wetterling Gallery, Stockholm, Sweden (solo) |
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2004 |
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Kunsthandlung H. Krobath & B. Wimmer, Vienna, Austria (solo) |
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2004 |
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Patrick de Brock Gallery, Knokke, Belgium (solo) |
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2004 |
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Barbara Thumm Galerie, Berlin, Germany (solo) |
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2004 |
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MCA Chicago, USA (solo) |
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2004 |
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Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern Art, Dublin, Ireland |
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2004 |
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The Tower Block, vertical architecture, Clifford Chance, Canary Wharf, London, UK |
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2004 |
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Porträt ohne Antlitz, (Face without features) Kunsthalle Kiel, Germany (exh. cat.) |
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2004 |
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Funny Cuts; cartoons and comics in contemporary art, Staatsgalerie, Stuttgart, Germany |
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2004 |
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People, Mimmo Scognamiglio, Naples, Italy |
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2004 |
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Summer Exhibiton, Royal Academy of Art, London, UK |
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2003 |
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Saved, 100 Years of the National Art Collections Fund, Hayward Gallery, London, UK (exh. cat.) |
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2003 |
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Lenbachhaus Kunstbau, Munich, Germany |
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2003 |
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Arcadia; the other life of video games, Govett-Brewster Art Gallery, New Zealand |
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2003 |
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Addiction, curated by Christopher Kul-Want, 15 Micamber Street, London, UK |
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2003 |
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Bienal de Valencia, Valencia, Spain |
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2003 |
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No Art-No City - City Utopias in Contemporary Art. Städtische Galerie im Buntentor, Bremen, Germany (exh. cat.) |
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2003 |
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Auto-nom, das Automobil in der Zeitgenössischen Kunst, NRW Forum Kultur und Wirtschaft, Düsseldorf, Germany (exh. cat.) |
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2003 |
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Urban Codes - Coder/De' coder, espace de l'art concret, Château de Mouans, Mouans-Sartoux, France (exh. cat.) |
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2003 |
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Trickfilm, André Buchmann Galerie, Cologne, Germany |
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2003 |
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Robert Mc Lain Gallery, Houston, Texas, USA |
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2003 |
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MART - Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy (exh. cat.) |
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2003 |
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Galerie Bob Van Orsouw, Zurich, Switzerland (solo) |
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2003 |
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Neues Museum Nurnberg, Nuremberg, Germany (solo) |
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2003 |
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K21 Düsseldorf, Germany (solo) |
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2003 |
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Alan Cristea Gallery, London, UK (solo) |
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2002 |
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Rebecca Camhi Gallery, Athens, Greece (solo) |
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2002 |
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Mario Sequeira Gallery, Porto, Portugal (solo) |
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2002 |
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Berlin Classics, an installation in the courtyard of the gallery in collaboration with Caroline Raspé, Galerie Barbara Thumm, Berlin, Germany (solo) |
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2002 |
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Barbara Krakow Gallery, Boston, MA, UK (solo) |
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2001 |
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Lisson Gallery, London, UK (exh. cat./ solo) |
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1983 |
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Lisson Gallery, London, UK (solo) |
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1982 |
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Sculpture for a Garden, (Hounslow Sculpture II), Gunnersbury Park, London, UK |
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Literature |
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2006 |
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Julian Opie - Showtime, CAC Malaga, Spain (cat.) |
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2006 |
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Vicente Jarque: Julian Opie, o el arte de la ambigüedad, Arte y Parte, no. 47, December 2006/January 2007 |
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2004 |
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Philipp Holstein: Julian Opie, der Vorsteher von Oz, Rheinische Post, 25. November 2004 |
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2004 |
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Ingeborg Ruthe: Piktogramm statt Weibsbild, Berliner Zeitung, 01. Dezember 2004 |
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2004 |
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Uta Grundmann, Nach dem Trubel - Berliner Galerien im Herbst, Berliner Zeitung, 01. Dezember 2004 |
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2004 |
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Tom Horan, The Olympics of the art world, The Telegraph, June 2004 |
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2004 |
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Michael Glover, Colourful, simple and noisy, The Independent, March 2004 |
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2004 |
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Our selection, The Art Newspaper, March 2004 |
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2004 |
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Settlements text by Laurent Heygi, Saint Etienne, France (cat.) |
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2004 |
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Saved; 100 years of the national art collections fund, Hayward Gallery/Art Fund |
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2004 |
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Julian Opie, Landscapes Wetterling Gallery, Stockholm (cat.) |
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2004 |
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Julian Opie - Bijou, Sara, Bryan and Monique Lisson Gallery (cat.) |
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2004 |
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Julian Opie (J.O), text by Mary Horlock, Tate Gallery publication |
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2003 |
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Julian Opie Neues Museum Nurnberg, Germany (cat.) |
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2003 |
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Urban Codes coder/decoder Espace de l’art concrete, Mouans-Sartoux, France (cat.) |
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2003 |
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Bijou gets undressed text by Julian Heynen, K21 Dusseldorf, Germany (cat.) |
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2003 |
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Auto-Nom NRW forum, Dusseldorf, Germany published by Hatje Cantz |
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2003 |
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Julian Opie/Alan Cristea ‘newspaper’ Alan Cristea Gallery, London (cat.) |
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2003 |
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Rose Aidin, Brush with fame, Observer October 2003 |
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2003 |
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Maev Kennedy, Saved, The Guardian, October 2003 |
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2003 |
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Hannah Jones, The art of changing faces, Western Mail, April 2003 |
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2002 |
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William Jackson, “Art 33 Basel”, Galleries, August 2002 |
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2002 |
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Paul Usherwood, “B. Opened”, Art Monthly, No. 259, September 2002, p. 1-4 |
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2002 |
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From Archipov to Zittel, selected Ikon Off-site projects 2000 – 2001, texts by Deborah Kenmode and Jonathan Watkins |
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2002 |
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Sculptura 02 International Art in Public Spaces, Falkenbreg, Sweden (cat.) |
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2002 |
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Continuity/Departure, Tokyo Museum of Art, curator Kazuo Nakabayashi (cat.) |
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2001 |
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Multiplication, a British Council touring exhibition of artist’s multiples, National Museum of Art, Bucharest. (cat.) |
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2001 |
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Julian Opie, Wetterling Gallery, Stockholm (book of stamps) |
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2001 |
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Sarah Kent, Time Out, 28 February 01 |
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2001 |
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Cat Callender, Holidays of the rich and famous, The Observer Magazine, 5 August, p. 35 |
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2000 |
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Andrew Graham Dixon, The Art of Success, Vogue, pp.179-92, London, May 2000 |
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2000 |
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Julian Opie, Abbaye Saint-André, centre d’art contemporain, Meymac, France (cat.) |
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1999 |
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Breaking the Mould, British Art of the 1980s and 1990s, The Weltkunst Collection, London (cat.) |
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1990 |
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Face Value, The Standard, London, 20 July |
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1990 |
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John Russell Taylor. Taking a narrow view, The Times, 26 March |
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