 |
Biography |
|
 |
1898 |
 |
Born in Kovno (Kaunus), Lithuania. |
|
 |
1906 |
 |
Emigrates with his family to New York in 1906. |
|
 |
1913 |
 |
Serves as an apprentice to a lithographer. |
|
 |
1917 - 1921 |
 |
Studies art at New York University, City College of New York and the National Academy of Design. |
|
 |
1922 |
 |
Marries Tillie Goldstein. |
|
 |
1925 - 1929 |
 |
Travels several times to Europe and North Africa with his wife. |
|
 |
1929 |
 |
Birth of daughter Judith. |
|
 |
1930 |
 |
First solo exhibition at The Downtown Gallery in New York. A work is also exhibited at New York’s Museum of Modern Art. |
|
 |
1930 |
 |
His reputation as a leading artist in the social realist movement is cemented. |
|
 |
1931 |
 |
Shares a studio with photographer Walker Evans in New York. |
|
 |
1931 - 1933 |
 |
Paints his most famous series of works: “The Passion of Sacco and Vanzetti,” followed by “The Mooney Series.” |
|
 |
1933 |
 |
Works with muralist Diego Rivera for a mural at Rockefeller Center in New York. |
|
 |
1933 |
 |
Birth of son Ezra. |
|
 |
1935 |
 |
After divorcing Tillie, remarries to Bernarda Bryson. |
|
 |
1936 |
 |
Birth of daughter Susanna by Bernarda |
|
 |
1937 |
 |
Moves to Jersey Homesteads (Roosevelt), New Jersey. |
|
 |
1933 - 1938 |
 |
Works as a photographer for the Farm Security Administration, recording images of Depression era America. |
|
 |
1938 |
 |
Birth of son Jonathan. |
|
 |
1937 - 1943 |
 |
Creates several public murals, including one for the Bronx Courthouse, New York. |
|
 |
1947 |
 |
Retrospective exhibition is shown at the Museum of Modern Art, New York. |
|
 |
1954 |
 |
With Willem de Kooning, chosen to represent the United States at the Venice Biennale. |
|
 |
1956 - 1957 |
 |
Serves as the Charles Eliot Norton Professor of Poetry at Harvard University. His Norton Lectures are published by Harvard as “The Shape of Content.” |
|
 |
1969 |
 |
Dies in New York City. |
|
 |
Exhibitions |
|
 |
2007 |
 |
American Modernism, The de Yound Museum, San Francisco, CA |
|
 |
2007 |
 |
For the People, The Frances Lehmen Loeb Art Center, Pougheepsie, NY |
|
 |
2006 |
 |
Starting at Zero - Black Mountain College 1933-57, Kettle's Yard, Cambridge, Cambridgeshire (England) |
|
 |
2005 |
 |
The Bitter Years, Bob Rauschenberg Gallery, Ft. Myers, FL |
|
 |
2004 |
 |
American Expressionism - Art and Social Change, 1920s-1950s, Mary and Leigh Blcok Museum of Art, Evanston, IL |
|
 |
2003 |
 |
New York - Capitale de la photographie (1900-2000), Musee de l'Elysee, Lausanne |
|
 |
2002 |
 |
New York: Capital of Photography, MMoCA - THe Madison Museum of Contemporary Art, Madison, WI |
|
 |
2001 |
 |
Greed and Other Recent Acquisitions, ICP - International Center of Photography, New York City, NY |
|
 |
2000 |
 |
Propaganda and dreams - photography of the 1930s in the USSR and the USA, The State Russian Museum - Mikhailovsky Castle, St. Petersburg |
|
 |
1999 |
 |
Propaganda and dreams - Photographing the 1930s in the USSR and the US, ICP - International Center of Photorgraphy, New York City, NY |
|
 |
1998 |
 |
The Posters American Style, Norton Museum of Art, West Palm Beach, FL |
|
|