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James Hayward (American, 1943)
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James Hayward
Abstract #141 2007
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James Hayward
Abstract #147 2008
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James Hayward
Abstract #98 2005
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James Hayward
Chromachord #125 2006
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Biography |
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1943 |
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Born in San Francisco, California |
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1966 |
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BA, San Diego State University San Diego, CA |
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1966 - 1969 |
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Graduate school, University of California Los Angeles, CA |
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1972 |
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MFA, University of Washington, painting Seattle, WA |
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1977 |
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Young Talent Award, Los Angeles County Museum of Art |
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1981 |
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Japan-United States Creative Arts Fellowship (fellowship year spent in Kyoto, Japan, studying the Tea Ceremony and Japanese Gardens) |
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1983 |
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John Simon Guggenheim Memorial Fellowship |
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1991 |
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Awards in the Visual Arts 10 Grant |
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1993 |
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National Endowment for the Arts Fellowship |
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1996 |
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Pollock-Krasner Foundation Grant |
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Public Collections:
Museum of Contemporary Art, Los Angeles, California
San Francisco Museum of Modern Art, San Francisco, California
Los Angeles County Museum of Art, Los Angeles, California
Cleveland Museum of Fine Art, Cleveland, Ohio
Albright-Knox Gallery, Buffalo, New York
San Jose Museum of Art, San Jose, California
Minneapolis Institute of the Arts, Minneapolis, Minnesota
Pasadena Museum of California Art, Pasadena, California
Orange County Museum of Art, Newport Beach, California
Laguna Beach Museum of Art, Laguna Beach, California
University Art Museum, University of California, Santa Barbara, California
Museum of Contemporary Art, Miami Beach, Florida
Anderson School of Business, University of California, Los Angeles, California
Denver Art Museum, Denver Colorado |
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Exhibitions |
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2007 |
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“GREY SCALE”, Peter Blake Gallery, Laguna Beach, California
“L’INVITATION AU VOYAGE”, Modernism, San Francisco, California
Modernism, San Francisco, California “Works 1975-2007” |
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2006 |
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“DRIVEN TO ABSTRACTION”, Riverside Art Museum, Riverside, California (curated by Peter Frank) catalogue
Gallery C, Hermosa Beach, California “THE EMANCIPATION OF PAINT” -solo
Mandarin, Los Angeles, California “ABSENCE/PRESENCE” -solo |
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2005 |
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James Hayward, Cue Art Foundation, curated by Mike Kelley
“Step Into Liquid” OTIS Ben Maltz gallery group show with Jane Callister, Pia Fries, James Hayward, Michael Reafsnyder, David Reed curated by Dave Hickey
“Monster of Monochrome” Mandarin, Los Angeles, solo exhibition
Peter Blake Gallery, Laguna Beach, California "NEW WORK" -solo
Modernism, San Francisco, California "MONOCHROME PAINTINGS" -solo
TRIPLE PLAY: RICHARD ALLEN MORRIS, JAMES HAYWARD, ED MOSES", R.B.
Stevenson Gallery, La Jolla, CA
"PARALLEL VISIONS: JAMES HAYWARD & DORIT CYPUS", Mandarin, Los Angeles
“PINK”, Patricia Faure Gallery, Santa Monica, California
Mandarin Gallery, Los Angeles, California “MONSTER OF MONOCHROME” catalogue |
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2004 |
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Charlotte Jackson Fine Art, Sante Fe, New Mexico "MONOCHROME PAINTINGS" -solo
Peter Blake Gallery, Laguna Beach, California "NEW WORK" -solo
"100 ARTISTS SEE GOD", Institute for Contemporary Art, London, England
"100 ARTISTS SEE GOD", Laguna Beach Museum of Art, Laguna Beach, California
"100 ARTISTS SEE GOD", Contemporary Jewish Museum, San Francisco, California
"CAHIERS DART", 25th Anniversary Exhibition, Modernism, San Francisco, California
"THE GRASS IS GREENER", Charlotte Jackson Fine Art, Sante Fe, New Mexico |
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2003 |
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Ace Contemporary Exhibitions, Los Angeles, CA "GREY/NEUTRAL/SMOKE" -solo
"ARTIST'S GIFTS", Museum of Contemporary Art, Los Angeles, California
"DRUNKEN MASTERS", Gallery C, Hermosa Beach, California
"PHAT 'N SASSY", Charlotte Jackson Fine Art, Sante Fe, New Mexico
"NOT THE USUAL SUSPECTS", Manny Silverman Gallery, Los Angeles, California
"EXTREME PAINT", Peter Blake Gallery, Laguna Beach, California |
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2002 |
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"FIVE TIMES FOUR", Modernism, San Francisco, California
"FOUR FROM L.A.", Galeerie Daniel Buchholz, Koln, Germany
"TRADE SHOW", Chapman University, Orange, California
"ABSTRACT PAINTING", Modernism, San Francisco, California
"GILBERT-ROLFE/HAYWARD/MOSES", Richard Tellis Gallery, Los Angeles, CA |
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2001 |
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Chac-mool, Los Angeles, California "RECENT WORK" -solo
"COLLECTORS SELECT", Mariah Koogler McNay Museum, San Antonio, Texas
"FOUR LOS ANGELES PAINTERS", Hemp Farm Gallery, Vienna, Austria |
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2000 |
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Modernism, San Francisco, California "THE ITALIAN PAINTINGS" -solo
Peter Blake Gallery, Laguna Beach, California "RECENT PAINTINGS"-solo
"MONOCHROME", Charlotte Jackson Fine Art, Sante Fe, New Mexico |
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1999 |
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"DEJA JADIS",Modernism, San Francisco, California
"THEMES OUT OF SCHOOL", Creative Artists Agency, Los Angeles, California
"UNDER 500/INTIMATE ABSTRACT PAINTING", Black Dragon Society, Los Angeles
"LIFE IS ELSEWHERE", No Limit Events, Milan, Italy
"MATERIAL ISSUES", San Jose Museum of Art, San Jose, California |
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1998 |
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Paintings, Modernism San Francisco, CA -solo
Nothing's Perfect, Chac-mool Los Angeles, CA -solo
Chromachords, Sala Diaz San Antonio, CA
Now and Then, New Image Art Los Angeles, CA -solo
Starting with McLaughlin, Patricia Faure Gallery Santa Monica, CA
Selected Paintings & Works on Paper, Modernism San Francisco, CA |
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1995 |
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Moroccan Paintings, Modernism San Francisco, CA
Plane/Structures, Otis Gallery, Otis College of Art and Design Los Angeles, CA |
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1993 |
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Let's Get Physical, Blum Helman Gallery New York, NY
Artificial Paradise, Burnett Miller Gallery Los Angeles, CA
Fire Paintings, Ace Contemporary Exhibitions Los Angeles, CA
Red Maps, Genovese Gallery Boston, MA |
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1992 |
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Red Maps, Ace Contemporary Exhibitions Los Angeles
Physical Abstraction II, Ace Contemporary Exhibitions Los Angeles, CA |
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1991 |
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Awards in the Visual Arts 10, Hirshorn Museum Washington D.C. |
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1990 |
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Absolute Contemplation, Newspace Los Angeles |
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1989 |
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Absolutes, Modernism San Francisco, CA |
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1980 |
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Automatic Paintings, Mizuno Gallery Los Angeles, CA |
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Literature |
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1998 |
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Baker, Kenneth, "Indifferent Strokes", San Francisco Chronicle, November 14, 1998 E8 (photo) |
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1998 |
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Pagel, David, "Art Reviews", Los Angeles Times, May 22, 1998, F28 |
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1998 |
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Pagel, David, "Art Reviews", Los Angeles Times, April 24, 1998, F29 |
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1995 |
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Piety: Critical Essays on the Visual Arts 1986-1993, Cambridge University Press, 1995, pp. 95-114 (photos) |
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1994 |
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Wood, Carol, "Free-for-all Formalism", New Art Examiner, November 1994, pp. 26-30 |
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Gilbert-Rolfe, Jeremy, "James Hayward: Non-representation Which Doesn't Represent", Beyond |
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