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Elmgreen & Dragset (Scandinavian)
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Elmgreen & Dragset
Belly Door 2006
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Biography |
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1961 |
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Michael Elmgreen born in Denmark |
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1969 |
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Ingar Dragset born in Norway |
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Live and work in Berlin |
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Exhibitions |
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2008 |
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Too Late, Victoria Miro Gallery, London, UK (solo) |
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2008 |
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Home is the Place You Left, Trondheim Kunstmuseum, Norway (solo) |
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2008 |
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Side Effects, Galerie Emmanuel Perrotin, Paris, France (solo) |
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2008 |
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U-Turn Copenhagen Quadriennial, Copenhagen, Denmark |
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2008 |
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Yokohama Triennale, Japan |
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2008 |
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Inauguration of Gedenkort für die im Nazionalsozialismus verfolgten Homosexuellen, Berlin, Germany (solo) |
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2008 |
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La marge d'erreur, Centre d'art contemporain la Synagogue de Delme, Delme, France |
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2008 |
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S.T.O.R.A.G.E: Ludovica Gioscia, The Agency Gallery, London, United Kingdom |
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2008 |
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Schöner Bauen- Besser Schauen, Architektur- und Denkbilder, Museum Liner, Appenzell, Switzerland |
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2008 |
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All Inclusive, Schirn Kunsthalle, Frankfurt am Main, Germany |
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2008 |
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This Is Not a Void, Galeria Luisa Strina, São Paulo, Brazil |
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2008 |
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Reality Check, Statens Museum for Kunst, Copenhagen, Denmark |
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2008 |
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Peer to Peer, Casino Luxembourg, Luxembourg |
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2008 |
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The teardrop explodes, Stadtgalerie Schwaz, Schwaz, Tirol, Austria |
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2008 |
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Ad Absurdium/Energien des Absurden- von der Klassischen Moderne zur Gegenwart, MARTa Herford, Herford, Germany |
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2008 |
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Walls in the Street, Muzej savremene unmetnosti, Beograd, Serbia |
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2008 |
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Other Than Yourself- An Investigation between Inner and Outer Space, Formal Issues, curated by Jeffrey Ian Rosen, AKTA, Tokyo, Japan |
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2008 |
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T-B A21- Thyssen-Bornemisza Art Contemporary, Vienna, Austria |
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2008 |
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Thyssen-Bornemisza, Art Contemporary- Sammlung als Aleph, Kunsthaus Graz, Graz, Austria |
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2008 |
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Extraordinary Rendition, Galería Helga de Alvear, Madrid, Spain |
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2007 |
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A Change of Mind, Giornata del Contemporaneo organizzata da AMACI, Provincia Autonoma di Bolzano, Alto Adige, Italy |
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2007 |
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Mapping the Self, Museum of Contemporary Art, Chicago, USA |
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2007 |
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Double Vision, Deutsche Bank Gallery, New York, USA |
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2007 |
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For Sale, Christina Guerra Contemporary Art, Lisboa, Portugal |
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2007 |
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Gjensyn & Fremtiden, Vigeland Museum, Oslo, Norway |
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2007 |
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Bodypoliticx, Witte de With, Rotterdam, The Netherlands |
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2007 |
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Un Fair/trade- Die Kunst der Gerchtigkeit, Neue Galerie Graz am Landesmuseeum Joanneum, Graz, Austria |
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2007 |
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Skulptur Projekte Münster 07, Münster, Germany |
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2007 |
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Cuestión Xeracional, CGAC, Santiago de Compostela, Spain |
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2007 |
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When We Build Let Us Think We build The Future, BALTIC Centre For Contemporary Art, Gateshead Quays, Gateshead, UK |
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2007 |
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Pensa/Piensa/Think, Centre D’art Santa Mònica, Barcelona, Spain |
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2007 |
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La cittá che sale, ARCOS, Sannio Contemporary Art Museum, Benevento, Italy |
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2007 |
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Made in Germany, Sprengel Museum, Hannover, Germany |
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2007 |
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Rockers Island, Olbricht Collection, Mueum Folkwang, Essen, Germany |
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2007 |
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The Price of Everything... Perspectives on the Art Market, Whitney Museum of American Art / Independent Study Program Exhibition, USA |
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2007 |
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This Is The First Day Of My Life, Malmö Konsthall, Malmö, Sweden (solo) |
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2007 |
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I Care For You, permanent installation, Villa Manin, Centre for Contemporary Art, Passariano, Italy (solo) |
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2007 |
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2. Moscow biennale of contemporary art, Moscow, Russia |
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2007 |
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Mapas, cosmogonías e pumtos e referencia, CGAC, Santiago de Compostela, Spain |
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2007 |
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Absent Without Leave, Victoria Miro Gallery, London, UK |
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2007 |
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Into Me / Our of Me, Kunst-Werke, Berlin; MACRO Museo d'Arte Contemporanea, Rome, Italy |
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2007 |
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Cross-Border.Fotografie und Videokunst aus dem MUMOK Wien, Vienna, Austria |
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2006 |
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All Our Tomorrows, Kunstraum der Universität Lüneburg, Lünebug, Germany |
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2006 |
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Faster! Bigger! Better!, ZKM, Karlsruhe, Germany |
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2006 |
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Protections, Kunsthaus Graz, Graz, Austria |
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2006 |
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Group Therapy, MUSEION, Bolzano, Italy |
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2006 |
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The Welfare Show, Serpentine Gallery, London, UK / The Power Plant, Toronto, Canada (solo) |
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2006 |
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Disgrace, Galerie Emmanuel Perrotin, Miami, USA (solo) |
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2006 |
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Would You Like Your Eggs A Little Different This Morning?, Galleria Massimo De Carlo, Milan, Italy (solo) |
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2006 |
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The Incidental Self, Taka Ishii Gallery, Tokyo, Japan (solo) |
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2006 |
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This Is Not For You, T-B A21, Vienna, Austria |
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2006 |
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Exportable Goods, Krinzinger Projekte, Vienna, Austria |
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2006 |
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Broken Surface, Sabine Knust Galerie Maximilian Verlag, Munich, Germany |
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2006 |
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Wrong, Klosterfelde, Berlin, Germany |
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2006 |
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Kontacom 06, Contemporary Festival, Salzburg, Austria |
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2006 |
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Culture Bound/East Wing Collection VII, Courtauld Institute of Art, London, UK |
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2006 |
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Why Pictures Now, MUMOK, Vienna, Austria |
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2006 |
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Anstoss Berlin- Kunst macht Welt, Haus am Waldsee, Berlin, Germany |
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2006 |
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When the Moon Shines on the Moonshine, The Breeder, Athens, Greece |
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2006 |
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Fever Variations, Gwangju Biennale 2006, Seoul, South Corea |
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2006 |
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Surprise, Surprise, ICA, London, UK |
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2006 |
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My Blue Genes, Vigerslevvej 44, 1.tv., Valby, Copenhagen, Denmark |
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2005 |
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Baby Shower, Galleri Nicolai Wallner, Copenhagen, Denmark |
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2005 |
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Forgotten Baby, Wrong Gallery, New York, USA (solo) |
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2005 |
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The Power Plant, Toronto, Canada (solo) |
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2005 |
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Open House, Istanbul Pedestrian Exhibitions 2: Tünel - Karakoy, Istanbul, Turkey |
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2005 |
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Prada Marfa, Art Production Fund/Ballroom Marfa, Marfa, Texas, USA (solo) |
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2005 |
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The Brightness of Shady Lives, Galeria Helga de Alvear, Madrid, Spain (solo) |
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2005 |
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End Station, Bohen Foundation, New York, USA (solo) |
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2005 |
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The Welfare Show, Bergen Kunsthall, Bergen, Norway / Bawag Foundation, Wien, Austria (solo) |
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2005 |
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Wrong Gallery, New York, USA (solo) |
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2005 |
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Linienstrasse 160, Neue Mitte, Galerie Klosterfelde, Berlin, Germany (solo) |
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2005 |
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Universal Experience, Museum of Contemporary Art, Chicago, USA |
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2005 |
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Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco / White Columns, New York |
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2005 |
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Open House, Istanbul Pedestrian Exhibitions 2: Tünel – Karakoy, Istanbul, Turkjey (solo) |
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2005 |
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Kiss the Frog. The Art of Transformation, Nasjonalmuseet for Kunst, Oslo, Norway |
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2005 |
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Lichtkunst aus Kunstlicht, ZKM, Karlsruhe, Germany |
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2004 |
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Modus Operandi, Thyssen-Bornemisza Art Contemporary, Vienna, Austria |
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2004 |
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Artists’ Favourites, ICA - Institute for Contemporary Art, London, UK |
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2004 |
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Lofoten International Art Festival, Lofoten, Norway |
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2004 |
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A arañeira. A colección. Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain |
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2004 |
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Die Zehn Gebote, catalogue, Deutsches Hygiene-Museum, Dresden, Germany |
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2004 |
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Intervention 37, Sprengel Museum, Hannover, Germany (solo) |
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2004 |
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Blocking the View, Tate Modern, London, UK (solo) |
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2004 |
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Moving Energies, Museum Folkwang, Essen, Germany (solo) |
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2004 |
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Sammlung Plum, Museum Kurhaus Kleve, Kleve, Germany |
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2004 |
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Works and Days, Louisiana Museum for Moderne Kunst, Humlebaek, Denmark |
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2004 |
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10 Year Anniversary Exhibition, Taka Ishii Gallery, Tokyo, Japan |
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2004 |
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Reordering Reality, Columbus Museum of Art, Columbus, Ohio, USA |
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2004 |
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Revolving Doors, Fundación Telefonica, Madrid, Spain |
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2003 |
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Out.Look, Kunstverein Springhornhof, Neuenkirchen, Germany |
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2003 |
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Utopia Station, 50th Biennale di Venezia, Venice, Italy |
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2003 |
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Living Inside The Grid, New Museum, New York, USA |
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2003 |
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nation, Frankfurter Kunstverein, Frankfurt a.M., Germany |
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2003 |
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Happiness, Mori Art Museum, Tokyo, Japan |
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2003 |
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The Living Museum, Museum für Moderne Kunst, Frankfurt a.M., Germany |
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2003 |
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Skulptur Biennale Münsterland, Münster, Germany |
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2003 |
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Short Cut, Fondazione Trussardi, Milan, Italy (solo) |
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2003 |
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Spaced Out Portikus, catalogue, Frankfurt a.M., Germany (solo) |
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2003 |
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Paris Diaries, Galerie Emmanuel Perrotin, Paris, France (solo) |
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2003 |
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Phone Home, Tanya Bonakdar Gallery, New York, USA (solo) |
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2003 |
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Constructed Catastrophes, CCA, Kitakyushu, Japan (solo) |
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2003 |
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Spectacular, Museum Kunstpalast, Düsseldorf, Germany |
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2002 |
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25th Sao Paulo Biennial, Sao Paulo, Brazil |
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2002 |
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Pause, Gwangju Biennial, Gwangju, South Corea |
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2002 |
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Preis der Nationalgalerie für junge Kunst, Hamburger Bahnhof, Berlin, Germany |
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2002 |
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Beyond Paradise, National Art Gallery, Bangkok, Thailand |
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2002 |
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Bienal de Arte de Pontevedra, Pontevedra, Spain |
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2002 |
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Palais de Tokyo, Paris, France |
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2002 |
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Shopping, Schirn Kunsthalle, Frankfurt a.M., Germany |
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2002 |
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Sudden Glory: Slapstick in Contemporary Art, CCAC, San Francisco, USA |
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2002 |
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No return. Positionen aus der Sammlung Haubrok, Städtisches Museum Abteiberg, Mönchengladbach, Germany |
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2002 |
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How are You Today?, Galleria Massimo de Carlo, Milano, Italy (solo) |
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2002 |
|
Powerless Structures, Fig. 229, CGAC, Santiago de Compostela, Spain (solo) |
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2002 |
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Museum, Sala Montcada / Fundaciò La Caixa, Barcelona, Spain (solo) |
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2002 |
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Suspended Space, Taka Ishii Gallery, Tokyo, Japan (solo) |
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2002 |
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Please, Keep Quiet, Galleri Nicolai Wallner, Copenhagen, Denmark (solo) |
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2002 |
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Critcal & Radical, Olivetti Fondazione, Rome, Italy |
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2002 |
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Living Inside The Grid, The New Museum of Contemporary Art, New York, USA |
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2001 |
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Strategies Against Architecture II, Fondazione per l'arte, Pisa, Italy |
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2001 |
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Group Show, Galleri Nicolai Wallner, Copenhagen, Denmark |
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2001 |
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Schauspiel Haus, Hamburg, Germany |
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2001 |
|
Taking Place, catalogue, Kunsthalle Zürich, Zurich, Switzerland (solo) |
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2001 |
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Powerless Structures, fig. 111, Portikus, Frankfurt a. M., Germany (solo) |
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2001 |
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Opening Soon, Tanya Bonakdar Gallery, New York, USA (solo) |
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2001 |
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A Room Defined by its Accessibility, Statens Museum for Kunst, Copenhagen, Denmark (solo) |
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2001 |
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Linienstrasse 160, Galerie Klosterfelde, Berlin, Germany (solo) |
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2001 |
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Egofugal, 7th International Istanbul Biennal, Istanbu, Turkeyl |
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2001 |
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AUDIT, Casino Luxembourg, Luxembourg |
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2001 |
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The End of All things, Galleria Massimo de Carlo, Milano, Italy |
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2001 |
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Neue Welt, Frankfurter Kunstverein, Frankfurt/M., Germany |
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2001 |
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Hortus Conclusus, Witte de With, Rotterdam, the Netherlands |
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2001 |
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Inside Space, MIT List Visual Arts Center, Cambridge, MA, USA |
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2001 |
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TV Tokyo, Palais de Tokyo, Paris, France |
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2000 |
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Borderline Syndrome, Manifesta 3, Ljubljana, Slowenia |
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2000 |
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What If..., curated by Maria Lind, Moderna Museet, Stockholm, Sweden |
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2000 |
|
Sporting. Life, Museum of Contemporary Art, Sydney, Australia |
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2000 |
|
Zwischen anderen Ereignissen, Galerie für Zeitgenössische Kunst Leipzig, Leipzig, Germany (solo) |
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2000 |
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Roslyn Oxley9 Gallery, Sydney, Australia (solo) |
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2000 |
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Manifesta III, Ljubljana, Slovenia |
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2000 |
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5 shows, 5 curators, Staff USA/AC Project Room, New York (USA) |
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2000 |
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Waiting, Mjelby Art Centre, Halmsted, Swden |
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2000 |
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Sightings, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, USA |
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2000 |
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Use your illusion, part 3, Arnolfini, Bristol, UK |
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2000 |
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Century of Innocence, Rooseum, Malmö, Sweden |
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2000 |
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The works shown in this space..., neugerriemscneider, Berlin, Germany |
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2000 |
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AC Project Room/Staff USA, curated by Connie Butler, MOCA, New York, USA |
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2000 |
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IASPIS Galleriet, curated by Daniel Birnbaum, Stockholm, Sweden |
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2000 |
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Center for Curatorial Studies, curated by Jeffrey Walkowiak, Bard College, New York, USA |
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2000 |
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Echigo-Tsumarigo Triennial, curated by Nancy Spector, Japan |
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2000 |
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Century of Innocence, Rooseum, Malmö, Sweden |
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2000 |
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Leaving The Island, Pusan Contemporary Art Festival, Pusan, South Corea |
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2000 |
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Echigo Tsumari Triennial, Echigo Tsumari, Japan |
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1999 |
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Signs of Life, Melbourne Biennial, Melbourne, Australia |
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1999 |
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Extinction des Feux, Art & Public, Geneva, Switzerland |
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1999 |
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Opening, Galleri Nicolai Wallner, Copenhagen, Denmark |
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1999 |
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Search for the Spirit, NGBK, Berlin, Germany |
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1999 |
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Lè Grând Præmière Opénïng Shöw, Galleri Nicolai Wallner, Copenhagen, Denmark |
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1999 |
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Parking, Public Art Work, High Bridge Park, New York, USA |
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1999 |
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Pavement, Martinez Gallery, New York, USA |
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1999 |
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Powerless Structures, Fig. 57-60, The Project, New York, USA (solo) |
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1998 |
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Dug Down Gallery/ Powerless Structures, Fig. 45, Reykjavik Art Museum, Reykjavik, Island (solo) |
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1998 |
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Zone Franche, Grand Halle de Villette, Paris, France |
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1998 |
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Wrapped, Vestsjaellands Kunstmuseum, Sorø, Denmark |
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1998 |
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High Infidelity, Kunstraum der Universität Lüneburg, Lüneburg, Germany |
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1998 |
|
Bicycle Thieves, Gallery 400, Chicago, USA |
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1998 |
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Underground, Galleri Asbæk, Copenhagen, Denmark |
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1998 |
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Junge Szene, Wiener Secession, Vienna, Austria |
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1998 |
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Berlin/Berlin, Berlin Biennale, Berlin, Germany |
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1998 |
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Pakkhus, Momentum, Moss, Norway |
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1998 |
|
Nuit Blanche, Musée d'Art Moderne de la Ville de Paris, Paris, France |
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1998 |
|
Nordic Nomads, White Columns, New York, USA |
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1998 |
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Warming, The Project, New York, USA |
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1998 |
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Cool Places, Contemporary Art Centre, Vilnius, Lithuania |
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1997 |
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The Louisiana Exhibition, Louisiana Museum of Modern Art, Humlebaek, Denmark |
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1997 |
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6. Muestra de Performance Internacional, Mexico City, Mexico |
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1997 |
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The April Sessions, ICA, London, UK |
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1997 |
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Full House, Galerie Schipper & Krome, Berlin, Germany |
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1997 |
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To Ken Ishii..., Galleri Struts, Oslo, Norway |
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1997 |
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Powerless Structures, Gallery Campbells Occasionally, Copenhagen, Denmark |
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1997 |
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12 Hours of White Paint, Galleri Tommy Lund, Odense, Denmark |
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1996 |
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Gallery Campbells Occasionally, Copenhagen, Denmark |
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1996 |
|
Meningsdannelse 2, Nikolaj Contemporary Art Center, Copenhagen, Denmark |
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1996 |
|
Update, Copenhagen, Denmark |
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1996 |
|
Between You & Me, Overgaden, Copenhagen, Denmark |
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1996 |
|
The Scream, Borealis 8, Arken, Museum of Modern Art, Ishøj, Denmark |
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1995 |
|
Fan Också (Damn), Forumgalleriet, Malmø, Sweden |
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1995 |
|
Art Against AIDS, Gallery Nicolai Wallner and Michael Andersen, Copenhagen, Denmark |
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Literature |
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2008 |
|
Reality Check, exhibition catalogue, Statens Museum for Kunst, Copenhagen, Denmark |
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2008 |
|
For Sale, exhibition catalogue, Cristina Guerra Contemporary Art |
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2008 |
|
Lèche-Vitrine / Distribution & Merchandising Visuel Dans La Mode, catalogue, Edition Du Regard |
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2007 |
|
Anyang Public Art Project, APAP 2007 |
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2007 |
|
Into me/Out of Me, exh. cat., Hatje Cantz |
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2007 |
|
Kelvin – colour today, cat., Die Gestalten Verlag |
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2007 |
|
Architecture Now!, Taschen |
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2007 |
|
SpaceCraft, cat., Die Gestalten Verlag |
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2007 |
|
Mark Gisbourne, Double Act – Künstler Paare, Prestel Verlag |
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2007 |
|
Bing, May-September 2007, Interview with Elmgreen & Dragset by Maurizio Cattelan, p.60-63 |
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2007 |
|
Kunst/Art, exhibition catalogue, Lufthansa Aviation Center, Frankfurt |
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2007 |
|
Hannoversche Allgemeine Zeitung, April 25, 2007, Hoffnung auf Ankunft |
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2007 |
|
Rockers Island, exhibition catalogue, Olbricht Collection, Museum Folkwang, Essen |
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2007 |
|
Wonderland, Issue 5, 2007, Color Proof #5, Elmgreen & Dragset, p.66-67 |
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2007 |
|
Baltazar Castor, This Is The First Day OF My Life, Panbladet, Issue 2, March 2007, p.16-17 |
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2007 |
|
Martin Hägg, Landskrona Posten, April 7, 2007, Den Stängda Dörrens Öppning, p.30 |
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2007 |
|
Viewing Room, Vol.2, exhibition catalogue, Daiwa Radiator Factory, Japan |
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2007 |
|
Svenska Dagbladet, April 7, 2007, Verk Utan Modstand |
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2007 |
|
Benjamin Weinthal, Berlin’s Harshly Felt Divide, GayCityNews, March 15-21, 2007, p.2 and p.25 |
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2007 |
|
Pensa/Piensa/Think, #37, July-August 2007, Desaparición |
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2007 |
|
Marina Fokidis, When the Moon Shines on the Moonshine, Frieze, March 19, 2007 |
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2007 |
|
Fred A. Bernstein, Sand Box, The New York Times, April 1, 2007, p.123-128 |
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2007 |
|
Present, Percentage for Art in the Netherlands, catalogue, Episode Publishers, Rotterdam |
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2007 |
|
Schwarzes Loch, Holger Liebs, Süddeutsche Zeitung, May 24, 2007, p. 13 |
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2007 |
|
2 Moscow Biennale of Contemporary Art, Footnotes on Geopolitics, Market, and Amnesia, exhibition catalogue |
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2007 |
|
KulturSpiegel, June 2007, Aufklärungsbedarf, p.10-11 |
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2007 |
|
Made In Germany, exhibition catalogue, Sprengel Museum, Hannover, Hatje Cantz Verlag |
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2007 |
|
Annabelle Hirsch, Alexandra Link and Jeffrey Work, Sleek, Spring 2007, States of Matter, Sculptural sublimations in a state of flux, p.105-106 |
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2007 |
|
Joni Taylor, Pol Oxygon, Issue 20, 2007, Art imitates Idea, p. 56-63 |
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2007 |
|
Adrian searle, Pek-a-boo!, The Guardian, June 26, 2007, p. 23-26 |
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2007 |
|
Polly Staple, Expanded Fields, Frieze, September 2007, p. 145-147, image also p. 3 |
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2007 |
|
Johanne Nordby Wernø, Allis’ assoterte, Dagbladet, August 13, 2007, p. 44-45 |
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2007 |
|
Holland Cotter, The New York Times, June 8, 2007, Quirks and Attitude to Burn, Münstersche Zeitung, Kunst muss irritieren, p.1 |
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2007 |
|
Kent Olsen, Jyllands Posten, July 25, 2007, Mindesmærke for homoseksuelle, p. 11 |
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2007 |
|
Manuel Jennen, Münstersche Zeitung, Hohle Primmadonnen, p. 4 |
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2007 |
|
Slike Hohmann, Monopol, # 8, 2007, 2 Fragen an Elmgreen & Dragset, p. 12 |
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2007 |
|
Skulptur Projekte Münster 07, exhibition catalogue, Münster |
|
|
2007 |
|
The Price of Everything... Perspectives on the Art Market, exhibition catalogue, Whitney Museum of American Art / Independent Study Program Exhibition |
|
|
2007 |
|
Ossian Ward, Ich bin indifferent, Time Out, June 27-July 3, 2007, p. 43 |
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2007 |
|
Jon Voss Queer bar på Malmö Konsthall, QX, March 15, 2007 |
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2007 |
|
Ditte Vilstrup Holm, Kom tæt på hverdagen og bøsselivet på Malmø Kunsthal, |
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2007 |
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Mapas, cosmogonías e pumtos e referencia, exhiition catalogue, CGAC, Santiago de Compostela |
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2007 |
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Julie Fjeldstad, Underliggjørerne, Morgenbladet, February 16, 2007 |
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2007 |
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Marie Belot Bing, Journal of a maid, January-April 2007, Disgrace, p42-45; p.46-49 |
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2006 |
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Kontracom 06. Contemporary.Festival.Salzburg, exhibition catalogue, Salzburg |
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2006 |
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Faster! Bigger! Better!, exhibition catalogue, ZKM, Karlsruhe, Verlag Walther König |
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2006 |
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Fever Variations, I, exhibition catalogue, Gwangju Biennale 2006 |
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2006 |
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Not A Drop But The Fall, exhibition catalogue, Künstlerhaus Bremen, Revolver |
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2006 |
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Under Construction, European Kunsthalle, symp. cat., Verlag Walther König |
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2006 |
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Art of Welfare, symp. cat. , Office for Contemporary Art Norway |
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2006 |
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Desenhos [drawings]: A-Z, catalogue, Collection Madeira Corporate Services |
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2006 |
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Nybrud – dansk kunst i 90’erne, catalogue, Rune Gade & Camilla Jalving, Aschehoug |
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2006 |
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Overblik – 63 danske samtidskunstnere, catalogue, Michael Jeppesen, Politikens Forlag |
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2006 |
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Hekmag, Fall/Winter 2006/2007, Elmgreen/Dragset, p. 152-153 |
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2006 |
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Nicholas Boston, Keepers of the flame, Out Magazine, December 2006, p. 94-95 |
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2006 |
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Nicolas Trembley, Réflexes conditionnés, Numéro, November 2006, p. 34-36 |
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2006 |
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Art – das Kunstmagazin, October 2006, Das Atelier der Welt, p. 28 |
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2006 |
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Daniel Sander, Traum von Raum, KulturSpiegel, September 2006, p. 12-16 |
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2006 |
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Aaron Moulton, Flash Art Italy, Aug-Sep 2006, How Are You Today?, p. 80-83 |
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2006 |
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Männer Aktuell, June-July 2006, Poesie in Beton, Carsten Bauhaus, p. 28-31 |
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2006 |
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Melanie Puff, The Welfare Show, Kunstforum International, May-June 2006, p. 389-391 |
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2006 |
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Supitcha Tovivich, art4d, April 2006, Power Structures, p. 64-68 |
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2006 |
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Waltraud Schwab, taz, March 28 2006, Das mahnmal der anderen Seite, p. 23 |
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2006 |
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Aric Chen, arfa or Marfa?, Spoon, January-February 2006, p. 56-61 |
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2006 |
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Laura Cumming,Guard your sanity in the waiting room of life, The Observer, February 5, 2006 |
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2006 |
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Adrian Searle, The lost world, The Guardian, January 31, 2006, p. 18-20 |
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2006 |
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Charlotte Cripps, Cultural Desert, The Independent, January 30, 2006, p. 39 |
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2006 |
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Rachel Campbell-Johnston, We were only being boring,The Times, January 24, 2006, p. 17-18 |
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2006 |
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Nikolaus Hablützel, Die Kälte der Ewigkeit, Die Tageszeitung, Januray 23, 2006, p. 17 |
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2005 |
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The Welfare Show, exhibition catalogue, Verlag Walther König |
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2005 |
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Exhibition catalogue, Ralph Rugoff ed., Monuments for the USA, CCA Wattis Institute, San Francisco, p. 60-63 |
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2005 |
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Exhibition catalogue, Kari J. Brandtzaeg ed., Kiss the Frog. The Art of Transformation, Oslo National Museum, , p. 104-107 |
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2005 |
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Jens Hoffmann and Joan Jonas eds., Art works, Perform, Thames and Hudson, London, p. 36/37 |
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2005 |
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Jemima Montagu, Elmgreen & Dragset, Art & Architecture, Winter 2005-2006, Profile: p.32-35 |
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2005 |
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Art Now, Vol 2, 2005, Taschen, Elmgreen & Dragset, pp.144-147 |
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2005 |
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Jens Hoffmann, The Wrong Me and the Real Us, Wrong Times, 2005, p. 13-14 |
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2005 |
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Beatrix Ruf, Giovanni Carmine, contemporary 21, no. 77, 2005, p. 102-105 |
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2005 |
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Vogue Deutsch, December 2005, Window-Shopping, p. 48 |
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2005 |
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Silke Hohmann, Die Wüste Bebt, Monopol, No.6, December 2005-January 2006, p.22-41 |
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2005 |
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Style & the Family Tunes, December 2005, Prada Marfa, Edith Ambusch, p. 128-129 |
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2005 |
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Liza Zeitz, Die Suche nach der einbeinigen Frau, Frankfurter Allgemeine Zeitung, November 17, 2005, p. 33 |
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2005 |
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Jens Asthoff, Elmgreen & Dragset ‚Not A Drop But The Fall’, Kunstforum International, November 2005-January 2006, Bd. 178, p. 301-302 |
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2005 |
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Avisa Nordland, October 31, 2005, Falskt skilt – ekte kunst, Øyvind A. Olsen, p.26 |
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2005 |
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Cordula Vielhauer, Prada, Texas, Süddeutsche Zeitung, October 26, 2005, p. 15 |
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2005 |
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Javier Díaz-Guardiola, ABC D las Artes y las Letras, October 22-28, 2005, Entiéndeme tú a mí, p. 36-37 |
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2005 |
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Catrin Lorch, Hier bin ich hip, hier darf ich sein: Die ‚Frieze Art Fair’ in London;.Frankfurter Allgemeine Zeitung, October 22, 2005 |
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2005 |
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Ramón Rentería, Storefront in the desert, El Paso Times, October 17, 2005, p. 1A |
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2005 |
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Barbara Novovitch, Vandal Hated the Art, but, Oh, Those Shoes, The New York Times, October 8, 2005, p. A11 |
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2005 |
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Mariano Mayer, The Brightness of Shady Lives, Neo, October 2005, p. 50 |
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2005 |
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Jennifer Allen, Michael Elmgreen and Ingar Dragset, Klosterfelde (Linienstrasse), Artforum, October 2005, , p. 286-287 |
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2005 |
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Prada opens closed boutique in desert, Flash Art, October 2005, , p. 51 |
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2005 |
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Eric Wilson, Little Prada in the Desert, The New York Times, September 29, 2005, p. G9 |
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2005 |
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Andrea Domesle, www.artmagazine.cc, September 19, 2005, Akteneinsicht |
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2005 |
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André Rottmann, Einsatz in zwei Wänden, Texte zur Kunst, September 2005, p185- 187 |
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2005 |
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Sanat Sezonu, Istanbul Yaya Sergileri 2, Time Out Istanbul, September 2005, p. 38-40 |
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2005 |
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Holger Liebs, Etnik Paranoia, Laute Lage im Klischee: Die neunte Kunstbiennale in Istanbul, Süddeutsche Zeitung, September 20, 2005, p. 19 |
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2005 |
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Nav Haq, Super Store, ArtReview, September 2005, p. 66-69 |
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2005 |
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Elmgreen & Dragset, Flash Art, July-September 2005, p. 74 |
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2005 |
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Eve Meltzer, Frieze, June-August 2005, Monuments for the USA, p. 93 |
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2005 |
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Monopol, June-July 2005, Duopol, p. 162 |
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2005 |
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Baby you can drive my car, Flash Art, May-June 2005, p.74 |
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2005 |
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Roberta Smith, All Aboard. End Station, New York Times, April 1, 2005, p. E27 |
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2005 |
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Benjamin Carlson, Elmgreen & Dragset, End Station, Time Out New York, April 28-May 4, 2005, p. 74 |
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2005 |
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Francesco Bonami, Universal Experience. Art, Life, and the Tourist’s Eye, Museum of Contemporary Art, Chicago, Ed. p. 146/147 |
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2004 |
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Jochen Volz ed. Turbulenz. Portikus Projekte 2001-2004, Portikus Frankfurt am Main |
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2004 |
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Klaus Biesenbach ed., Die Zehn Gebote, exhibition catalogue, Deutsches Hygiene-Museum, Dresden |
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2004 |
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Sammlung Plum, exhibition catalogue, Museum Kurhaus, Kleve. |
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2004 |
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Christian Gether ed., Coupling. Gender Identity in Michael Elmgreen and Ingar Dragset’s Art, Text by Jenny Lund, in: ARKEN Bulletin 2004, ARKEN Museum of Modern Art, Ishøj, Denmark, p. 64-72 |
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2004 |
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Luke Leitch, Watch the Birdie, Evening Standard, May 11, 2004, p. 8 |
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2004 |
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Jonathan Jones, Watch the Birdie, Guardian, May 12, 2004, p. 3 |
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2003 |
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Daniel Birnbaum and Jochen Voltz eds., Spaced Out, exhibition catalogue |
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2003 |
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Elmgreen & Dragset, exhibition catalogue, Portikus, Frankfurt am Main |
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2003 |
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Francesco Bonami and Maria Luisa Frisa eds., Dreams and Conflicts. The Dictatorship of the Viewer, 50th International Biennale di Venezia, exhibition catalogue, Venice |
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2003 |
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Dan Cameron ed., Living Inside the Grid, exhibition catalogue, New Museum of Contemporary Art, New York |
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2003 |
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Cream 3. Contemporary Art in Culture, London/New York, pp. 128-131 |
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2003 |
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David Elliott and Pier Luigi Tazzi eds., Happiness. A Survival Guide for Art + Life, exhibition catalogue, Mori Art Museum, Tokyo |
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2003 |
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Dorothea von Hantelmann, Skulptur Biennale Münsterland 2003, exhibition catalogue, Freiburg, pp. 66-69, pp. 132-137 |
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2003 |
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Nicolas de Oliveira, Installation Art in the New Millenium, London, p. 97 |
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2003 |
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Jean Hubert Martin, The odd couple, carnet arte, No. 1, September/October 2003, pp. 19-20 |
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2003 |
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Michele Robecchi, Out of Site, Flash Art, No. 231, July-September, Elmgreen&Dragset.,pp. 90-93 |
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2003 |
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Sabine B. Vogel, Kunst-Bulletin, 7/8, Juli/August, Das lebendige Museum, Museum Moderner Kunst, p. 53 |
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2003 |
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Matthew Rose, Short Cut: a funny thing happened on the way to Rimini, art -themagazine.com, July 2003 |
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2003 |
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Kim Zamet, Living inside the grid, Contemporary, No. 51, New York: New Museum of Contemporary Art –, pp.82-83 |
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2003 |
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Germano Celant, Michael Elmgreen & Ingar Dragset, Interni, No. 532, June, pp. 290-295 |
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2003 |
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Fiachra Gibbons, The Spell of Venice; Ape answers art’s demands, The Guardian, June 16, 2003, p.4 |
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2003 |
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Enrico Santifaller, Abschied vom Portikus, Bauwelt, June 13, 2003, p. 3 |
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2003 |
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Frankfurter Allgemeine Zeitung, May 24, 2003, Abschied und Neubeginn im Portikus, p. 57 |
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2003 |
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Konstanze Crüwell, Die Bulldozer warten schon. Abschiedsfest zum Portikus-Abriss, Frankfurter Allgemeine Zeitung, May 25, 2003, p. R3 |
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2003 |
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Claudia Michels, Die Stadt als Kunstwerk. Abschied von der Kunsthalle Portikus, Frankfurter Rundschau, May 24, 2003, p. 25 |
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2003 |
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Rudolf Schmitz, Zu neuen Mainufern. Der Frankfurter Portikus wird abgerissen, soll aber auferstehen, Sueddeutsche Zeitung, May 23, 2003, S. 19 |
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2003 |
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Michael Hierholzer, Das Museum lebt. Menschen als Kunstwerke im MMK, Frankfurter Allgemeine Zeitung, May 18, 2003 |
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2003 |
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Das lebendige Museum: Menschen als Kunstwerke im Frankfurter MMK. Frankfurter Allgemeine Zeitung, May 17, 2003 |
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2003 |
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Elke Buhr, Auf dem Meldeamt. Der Frankfurter Kunstverein widmet sich der komplexen Frage der 'nation', Frankfurter Rundschau, May 15, 2003 |
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2003 |
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Michael Hierholzer, Ohne Autobahn keine deutsche Identität. Internationale ‘nation’: Ausstellung im Frankfurter Kunstverein, Frankfurter Allgemeine Zeitung, May 14, 2003, p. 45 |
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2003 |
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Gian Guido Vecchi, Pronto, mandante i ghisa: c’è un incidente in Galleria Corriere della Sera, May 9, 2003 |
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2003 |
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Riccarda Mandrini, Quella Fiat da galleria, il manoifesto, May 9, 2003, p. 15 |
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2003 |
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Alessandra Menzani, Anche questa è un’opera d’arte e Trussardi la presenta al mondo, Libero, May 8, 2003, p. 19 |
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2003 |
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La Repubblica, May 8, 2003, Trussardi prendre l’arte e la porta da ogni parte, p. XIII |
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2003 |
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Ivanmaria Vele, Boiler, Issue 1: Great Escape, Interview |
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2003 |
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The Breeder, issue 9, insert |
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2003 |
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Lars Bang Larsen, Space campaigns and living work, (a-n) magazine, March, pp. 30-33 |
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2003 |
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Ellen McBreen, Michael Elmgreen and Ingar Dragset at Emmanuel Perrotin,Art in America, 2003 p. 155-56 |
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2003 |
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Pierre-Evariste Douaire, Michael Elmgreen & Ingar Dragset. Paris Diaries, Paris-art.com, March 2003, www.paris-art.com |
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2003 |
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Kim Levin, ShortList, The Village VOICE, Feb. 26-Mar.4, Vol. XLVIII, p. 68 |
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2003 |
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Dag Yngland, Adresseavisen, February 21, 2003, Proveoserer i hele verden, p. 26 |
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2003 |
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Camilla Eeg, Sofistikerte rominvasjoner, Kunst, 2003:01, pp.58-63 |
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2003 |
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Politiken, January 3, 2003, Birger Thøgersen, Interview, Kultursektionen, p.1, p.5 |
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2002 |
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Beatrix Ruf ed., Michael Elmgreen & Ingar Dragset: Taking Place, exhibition catalogue, Ed., Kunsthalle Zürich / Hatje Cantz |
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2002 |
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Chuz Martinez ed., Fundacio La Caixa, monography, Elmgreen & Dragset: Museum, Barcelona |
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2002 |
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Inseon Kim ed., Pause, Kwangju Biennial, Exhibition catalogue, Ed., Kwangju |
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2002 |
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B.Riemschneider and U.Grosenick eds., Art Now, Ed., Cologne |
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2002 |
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No return, Sammlung Haubrock, Exhibition catalogue, Abteiberg Museum, Mönchengladbach |
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2002 |
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Sander and Sheik eds., We‘re All Normal, Contemporary Nordic artists writings, Black Dog Publishing Limited, London, pp.88-91 |
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2002 |
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Daniel Birnbaum, White on White, Artforum International, April |
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2002 |
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Jörg Heiser, Frieze, Jan. – Feb., issue 64, Istanbul Biennial, p. 92 |
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2002 |
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Harald Fricke, Modern Painters, Vol 15, No. 4, View from Berlin – Invisible Industry, p.52 |
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2002 |
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Mika Hannula, Metropolis M, , Elmgreen&Dragset, pp.48-51 |
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2002 |
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Gregory Volk, Art in America, March 2002,Back to Bosphorus, p.44 |
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2002 |
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Christina Tilmann, Tagesspiegel, Kranker Mann, was nun ?, Oct.12th, 2002 |
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2002 |
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Niklas Maak, Nur die Sonne war Zeuge, Frankfurter Allgemeine, p.48, May 17th |
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2002 |
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Jörg Heiser, Süddeutsche Zeitung, Krankenzimmer mit Meerblick, p. May 17th |
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2002 |
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K. Wittneven, Einer gegen Alle, Der Tagesspiegel, p. 27, May 17th |
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2002 |
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Die G.Walde, Welt, 25.000 Euro für ein Krankenhausbett, p. 28, May18th |
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2002 |
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Ingeborg Ruthe, Fünf Namen und ein Scheck, Berliner Zeitung, p.10 |
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2002 |
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Harald Fricke, Der markt schaut mit, die tageszeitung, p.14, May 22nd |
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2002 |
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C.Meixner, Frankfurter Rundschau, Im Krankenbett, p. 25, May 28th |
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2002 |
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Mika Hannula, Paletten, Platsbundenhet, diskurs, nätverkande, pp. 37-41, #249-250 |
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2001 |
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A little bit of history repeated, exhibition catalogue, Kunst-Werke Berlin, p. 20/21 |
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2001 |
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Maskuliniteter, exhibition catalogue, Nikolaj Contemporary Art Center, Copenhagen |
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2001 |
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I like theater & theater likes me, exhibition catalogue, Deutsches Schauspielhaus in Hamburg, pp. 10-15 |
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2001 |
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egofugal, 7th International Istanbul Biennial, exhibition catalogue, Turkey |
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2001 |
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Jacob Fabricius, audit, exhibition catalogue, Casino Luxembourg, Forum d’art contemporain, Rent, pp. 48-53 |
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2001 |
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Introduction by Tanya Elstgeest From #4, exhibition catalogue, July, Witte de With, Center for Contemporary Art, Rotterdam, Breeze od AIR/Hortus Conclusus, pp. 74-77 |
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2001 |
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Sven Bjerregaard and Marianne Torp eds., monograhy Elmgreen&Dragset: A Room Defined by its Accessibility, Statens Museum for Kunst, Copenhagen |
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2001 |
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Petra Schellen, die tageszeitung, Oct. 13/14, Neuer Initiationsritus, p. 27 |
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2001 |
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Jens Hoffmann, Small Twists – Bigger Splashes! A conversation with Michael Elmgreen & Ingar Dragset, Trans> Arts. Cultures.Media, #9/10, pp. 294-304 |
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2001 |
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Jennifer Allen, Michael Elmgreen & Ingar Dragset, Artforum International, Oct., Klosterfelde, pp. 167/168 |
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2001 |
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Axel John Wieder, Pferdeposter im staatlichen Elend, die tageszeitung, July 12, p. 17 |
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2001 |
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Gianni Jetzer, Material 5, Borderline, pp. 89-91 |
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2001 |
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Vanessa Joan Müller, Texte zur Kunst, Juni, 11. Jg., issue 42, Auf gleicher Wellenlänge, pp. 182-184 |
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2001 |
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Christian Huther, Blick auf die Erdkugel, Osnabrücker Zeitung, June 15 |
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2001 |
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Silke Hohmann, NATO-Kunst, Journal Frankfurt, May, p. 47 |
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2001 |
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Katrin Bettina Müller, Der Luxus der Leere, die tageszeitung, May 11, p. 22 |
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2001 |
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Christine Temin, The Boston Globe, Feb. 20, Exhibition mixes art and architecture |
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2001 |
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Frankfurter Rundschau, Feb. 20, Heute in den verbeulten Portikus |
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2001 |
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Rudolf Schmitz, In der weißen Zelle schwingt nun die Frankfurter Welle.,Frankfurter Allgemeine Zeitung, Feb. 14 |
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2001 |
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Gabriele Nicole, Der Kunstcontainer wird zur Raumskulptur, Frankfurter Neue Presse, Feb. 6 |
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2001 |
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Michael Hierholzer, Wenn sich Boden und Decke wölben, Frankfurter Allgemeine Zeitung, Feb. 3 |
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2001 |
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Sandra Danicke, Frankfurter Rundschau, Huch, Feb. 2 |
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2001 |
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Joanne Silver, Boston Herald, Feb. 2, Home is where the cliches aren’t. Visual Arts |
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2000 |
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Borderline Syndrome, exhibition catalogue, Manifesta 3, pp. 64-66 |
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2000 |
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The Port of Pusan, Pusan ContemporaryArt Festival, exhibition catalogue, Gook, Pusan |
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2000 |
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Jan Winkelmann ed., Elmgreen & Dragset: Zwischen anderen Ereignissen, exhibition catalogue, Galerie für Zeitgenössische Kunst Leipzig |
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2000 |
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Century of Innocence – The History of The White Monochrome Rooseum, Exhibition catalogue, Malmö, pp. 44-45 |
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2000 |
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Sporting Life, exhibition catalogue, Museum of Cintemporary Art, Sydney |
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2000 |
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Alison Gingeras, Queering the cube, Hugo Boss Prize 2000, Exhibition catalogue, Guggenheim, New York, pp. 43-45 |
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2000 |
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Daniel Birnbaum, Artforum International, Dec., Best of..., pp. 126/127 |
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2000 |
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artext, no. 71, Manifesta 3, p. 83 |
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2000 |
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Jens Hoffmann, Flash Art International, Oct., Aperto Performance, pp. 49-51 |
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2000 |
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Sara Arrhenius, nu: The nordic art review, vol. II, no. 5, Has the title stolen the show?, pp. 78/79 |
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2000 |
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Sabeth Buchmann, Auf den zweiten Blick, Texte zur Kunst, Sept., issue 39, pp. 200-203 |
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2000 |
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Martin Pesch, Wegen Umbau Geöffnet, Frankfurter Rundschau |
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2000 |
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Lars Bang Larsen, Frieze, issue 53, White Out, pp. 100-103 |
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2000 |
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Andreas Schlaegel, Flash Art, May-June, p. 120 |
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2000 |
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Nick Dent, Blue Magazine, no 25, Art Beats, pp. 32-34 |
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1999 |
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Bill Arning, Art in America, Nov., pp. 163-164 |
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1999 |
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Lawrence Chua, A Fireplace in Harlem, Art/Text, no. 66, Aug – Oct, pp. 44-49 |
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1999 |
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Franklin Sirmans, NU: The nordic art review, issue 1, Signifying Structures, pp. 76-81 |
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1999 |
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Gregory Williams, Frieze, issue 45, Nordic Nomads |
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1999 |
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Bill Arning, Honcho, no. 8, Powerless Structures, pp. 73-74 |
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1999 |
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Holland Cotter, New York Times, Feb. 19 |
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1999 |
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Alan Jolis, ARTnews, Jan., Melting the Ice |
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1999 |
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Thomas Wulffen, Kunstforum, no. 143, Berlin Biennale |
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1998 |
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Berlin/Berlin, exhibition catalogue, Berlin Biennale, pp. 99-100 |
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1998 |
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Junge Szene, exhibition catalogue, Wiener Secession, pp. 89-90 |
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1998 |
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Nuit Blanche, exhibition catalogue, Musée d´art Moderne de la Ville de Paris |
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1998 |
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Pakkhus, exhibition catalogue, Momentum, pp. 38-39 |
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1998 |
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Elmgreen & Dragset: Powerless Structures, monography, M.Kremer, H.U.Obrist, S.Kofod Olsen, Nifc |
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1998 |
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Ruth Maurer, Springerin, Sept-Nov, Junge Szene 98 |
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1998 |
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Andrea Kroksnes, Springerin, Sept-Nov, Momentum, 98 |
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1998 |
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Michael Hübl, KunstForum, Bd. 140, Draußen und Drinnen |
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1998 |
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Alexandre Melo, ArtForum, March, Louisiana Exhibition |
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1998 |
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Sophie Berrebi, Frieze, no. 40, Nuit Blanche |
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1998 |
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Lotte Sandberg, beyond the local context, Siksi, no. 3-4 |
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1997 |
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Lars Bang Larsen, Frieze, issue 34, Powerless Structures, p. 70 |
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1997 |
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Terry P. Meyers, Art/Text, no. 60 |
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1997 |
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Lars Bang Larsen, Documents sur l´art, no.11, Alternative Learning, pp. 44-50 |
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1996 |
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The Scream/Borealis 8, exhibition catalogue, Ed. Kim Levin, Arken Museum of Contemporary Art |
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1996 |
|
Between You & Me, catalogue, Danish Cultural Ministry’s Exhibition Space for Young Art. |
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