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Antony Gormley (British, 1950)
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Antony Gormley
Domain IX 2000
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Antony Gormley
Feeling Material XXX 2007
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Antony Gormley
Inner Circle 1999
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Biography |
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1950 |
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Born in London |
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1968 - 1971 |
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After schooling at Ampleforth College, Yorkshire, he went on to complete a degree in Archaeology, Anthropology and History of Art at Trinity College, Cambridge |
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1974 |
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Returned to London after travelling to India and Sri Lanka to study Buddhism for three years |
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1977 - 1979 |
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Attended Central School of Art and Goldsmith's College before completing a postgraduate course in sculpture at Slade School of Art |
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1994 |
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Awarded the Turner Prize |
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1999 |
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Awarded the South Bank Prize for Visual Art |
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2007 |
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Awarded the Bernhard Heiliger Award for Sculpture |
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Lives and works in London |
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Exhibitions |
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2009 |
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Museo de Arte Contemporáneo de Monterrey, MARCO, Monterrey |
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2009 |
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Antony Gormley, Kunsthaus Bregenz, Bregenz, Austria |
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2009 |
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One & Other, Fourth Plinth, Trafalgar Square, London, England |
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2009 |
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Between You and Me, Artium, Vitoria, Spain |
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2008 - 2009 |
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Antony Gormley, MARCO Monterrey, Monterrey, Mexico |
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2008 - 2009 |
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Between You and Me, Musée d’art moderne de Sainte-Etienne, St. Etienne, France, 11 October – 25 January 2009 |
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2008 |
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Between You and Me, Kunsthal Rotterdam, Rotterdam, Netherlands, 12 July – 14 September (solo) |
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2008 |
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En perspective, Giacometti, Musée des Beaux Arts de Caen, Caen, France, May 17 - August 31 |
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2008 |
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Fourth Plinth Commission: The New Proposals, The National Gallery, London, UK |
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2008 |
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Space to Draw, Jerwood Space, London, UK |
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2008 |
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On Time: The East Wing Collection VIII, The Courtauld Institute of Art, London, UK |
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2008 |
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Gravity: Ernesto Esposito Collection, Artium, Vitoria-Gasteiz, Spain |
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2008 |
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Firmament, White Cube, London (solo) |
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2007 |
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Blind Light, Hayward Gallery, London (solo) |
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2007 |
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Spacetime, Mimmo Scognamiglio, Milan (solo) |
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2007 |
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Bodies in Space, Bernhard Heiliger Award for Sculpture, Georg-Kolbe-Museum, Berlin, Germany (solo) |
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2007 |
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Feeling Material, Deutscher Bundestag Gallery, Berlin, Germany (solo) |
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2007 |
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Blind Light, Sean Kelly Gallery, New York (solo) |
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2007 |
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Ataxia, Anna Schwartz Gallery, Melbourne, Australia (solo) |
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2007 |
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British Visions: Modern and Contemporary Sculpture and Works on Paper, Davidson College, North Carolina, USA |
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2007 |
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Body & Mind: Exclusively Drawings, Antony Gormley and Oliviero Rainaldi, Temple University, Rome Campus, Rome, Italy |
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2007 |
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Rummage: Sculptors’ Drawings, The Winchester Gallery, Winchester School of Art, Winchester, UK |
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2007 |
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Enigma: Absence + Presence in Contemporary Art, Nevada Museum of Art, Reno, Nevada, USA |
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2007 |
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Turner Prize: A Retrospective 1984-2006, Tate Britain, London, UK |
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2007 |
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Reflection, Pinchuk Art Centre, Kiev, Ukraine |
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2007 |
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Structures and Surfaces, Sean Kelly Gallery, New York |
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2006 |
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Breathing Room, Galerie Thaddeus Ropac, Paris, France(solo) |
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2006 |
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Altered States, Mimmoscognamiglio, Naples, Italy (solo) |
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2006 |
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Antony Gormley, Parco and Museo di Scolacium, Catanzaro, Italy (solo) |
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2006 |
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You and Nothing, Galerie Xavier Hufkens, Brussels, Belgium (solo) |
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2006 |
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Critical Mass, Museo D'Arte Contemporanea Donna Regina, Naples, Italy (solo) |
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2006 |
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To the Human Future-Flight from the Dark Side, Art Tower Mito, Japan |
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2006 |
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Less is More, More or Less, Weinstein Gallery, Minneapolis, USA |
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2006 |
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Sixty Years of Sculpture in the Arts Council Collection, Longside Gallery, Yorkshire Sculpture Park |
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2006 |
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The Ship: The Art of Climate Change, The Natural History Museum, London, UK |
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2006 |
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The Faces of a Collection, Kunsthalle Mannheim, Mannheim, Germany |
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2006 |
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Zones of Contact, 2006 Biennale of Sydney, Sydney, Australia |
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2006 |
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Motion on Paper, Ben Brown Fine Arts, London, UK |
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2006 |
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Beyond Limits, Sotheby’s at Chatsworth, Chatsworth House, Derbyshire, UK |
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2006 |
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Making a Mark, Northern Print, Newcastle upon Tyne |
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2005 |
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New Works, Sean Kelly, New York (solo) |
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2005 |
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Another Place, Crosby and Waterloo Beach, Liverpool, UK (solo) |
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2005 |
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Field for the British Isles, Longside Gallery, Yorkshire Sculpture Park, Wakefield, UK (solo) |
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2005 |
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Certain Made Places, Gallery Koyanagi, Tokyo, Japan (solo) |
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2005 |
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Asian Field, ICA, Singapore (solo) |
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2005 |
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Inside Australia, Anna Schwartz Gallery, Melbourne, Australia (solo) |
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2005 |
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Tate Sculpture: The Human Figure in British Art from Moore to Gormley, Millenium Galleries, Sheffield, UK |
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2005 |
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Figures/Sculpture, Sammlung Essl – Kunst der Gegenwart, Klosterneuburg, Vienna, Austria |
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2005 |
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Ceramics Biennale, Icheon, Korea |
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2005 |
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Glyndebourne Festival, Glyndebourne, East Sussex |
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2005 |
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Blickachsen 5, Bad Homburg, Germany |
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2005 |
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Henry Moore Epoch and Echo. Aspects of English Sculpture In The Twentieth Century, Museum Würth, Schwäbisch Hall, Germany |
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2005 |
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Sculpture: Time and Process, The Study Gallery, Poole |
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2005 |
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Soul / Inspired Art, Museum of Modern Art by the Sea, Ostend, Bruges, Belgium |
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2005 |
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Munch Revisited, Henie Onstad Kunstcenter, Oslo, Norway |
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2005 |
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Space – Now And Then, AaBe Factories, Tilburg, Netherlands |
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2005 |
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The Difference in Temperature Between Your Body And Mine, Galleria Suzy Shammah, Milan, Italy |
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2004 |
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Domain Field, Great Hall, Winchester, UK (solo) |
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2004 |
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Mass and Empathy, Fundacao Calouste Gulbenkian, Lisbon, Portugal (solo) |
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2004 |
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Clearing, White Cube, London, UK (solo) |
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2004 |
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Field for the British Isles, Gloucester Cathedral, Gloucester, UK (solo) |
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2004 |
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Asian Field, Guangdong Museum of Contemporary Art, China (solo) |
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2004 |
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Clearing, Galerie Nordenhake, Berlin, Germany (solo) |
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2004 |
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Uniform, Yale Centre for British Art, Yale, USA (solo) |
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2004 |
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Asian Field, Jonan High School, Tokyo, Japan (solo) |
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2004 |
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Antony Gormley, BP British Art Displays,Tate Britain, London, UK (solo) |
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2004 |
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Presence: Images of Christ for the Third Millenium, Canterbury Cathedral |
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2004 |
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Off the Beaten Track: Arts Council Collection Explored, Longside Gallery, Yorkshire Sculpture Park, UK |
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2004 |
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Etre: Les droits de l’homme à travers l’art, United Nations, Palais des Nations, Geneva, Switzerland |
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2004 |
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Bodily Space: New Obsessions in Figurative Sculpture, Albright-Knox Art Gallery, Buffalo, USA |
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2004 |
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A Secret History Of Clay: From Gauguin to Gormley, Tate Liverpool, Liverpool, UK |
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2004 |
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Laocoon Devoured, ARTIUM, Vitoria-Gasteiz, Spain / Centro José Guerrero, Granada / DA2, Salamanca, Spain |
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2004 |
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Summer Exhibition, Royal Academy, London, UK |
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2004 |
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A13, The Wapping Project, London, UK |
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2004 |
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Den Haag Sculpture Project, Den Haag, Netherlands |
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2004 |
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Out of Place, Galerie Nordenhake, Berlin, Germany |
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2004 |
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Conversation Pieces, The Hague, the Netherlands |
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2004 |
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A Araneira. 100 Artistas Da Coleccion CGAC, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain |
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2004 |
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Umedalen, Umea, Sweden |
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2004 |
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Cobweb, CGAC, Santiago de Compostela, Spain |
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2004 |
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20JAHRE20YEARS, Galerie Thaddaeus Ropac, Salzburg, Austria |
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2004 |
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Making Space, Taking Place, Tuscia, Poggibonsi |
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2004 |
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British Sculpture Show, National Museum of Art, Bucharest, Romania |
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2003 |
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Asian Field, China touring exhibition; Guangzhou, Beijing, Shanghai, Chongqing (solo) |
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2003 |
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Standing Matter, Galerie Thaddaeus Ropac, Salzburg, Austria (solo) |
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2003 |
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Domain Field, BALTIC, Gateshead, UK (solo) |
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2003 |
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Independence, South London Gallery, London, UK |
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2003 |
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Blickachsen, Bad Homburg, Germany |
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2003 |
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Me & More, Kunstmuseum Luzern, Switzerland |
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2003 |
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SKULPTUR 03, Max-Gandolph-Bibliothek and Galerie Thaddaeus Ropac, Salzburg |
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2003 |
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Past and Present: Jewellery by 20th Century Artists, Louisa Brown Gallery, London, UK |
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2003 |
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Open Spaces: Vancouver International Sculpture Project – Third Biennale, Vancouver, Canada |
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2003 |
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Perpetual Bliss – Form, Symbol & Material in Contemporary Sculpture, Galerie Thaddaeus Ropac, Paris, France |
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2002 |
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The Nude In 20th Century Art, Kunsthalle Emden, Germany |
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2002 |
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Blast To Freeze, Les Abattoirs, Toulouse, France |
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2002 |
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Beaufort 2003, De Panne Beach, Belgium |
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2002 |
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Territoires Nomades, Rurart, Poitou Charentes, France |
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2002 |
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Himmelschwer (As Heavy as the Heavens – Transformations of Gravity), Landesmuseum Joanneum and Jesuit’s College, Graz, Austria (Part of Graz 2003) |
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2002 |
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Sancturary – Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow, UK |
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2002 |
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Antony Gormley: Sculpture, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain (solo) |
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2002 |
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Antony Gormley, Galleria Mimmo Scognamiglio, Naples, Italy (solo) |
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2002 |
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Antony Gormley, Galerie Xavier Hufkens, Brussels, Belgium (solo) |
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2002 |
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Tuscia Electa, San Casciano, Italy (solo) |
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2002 |
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Antony Gormley Drawing, The British Museum, London. UK (solo) |
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2002 |
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Field For the British Isles, The British Museum, London, UK (solo) |
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2002 |
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Inside Australia, Lake Ballard, Perth International Arts Festival, Australia (solo) |
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2002 |
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Sculptura Internazionale a la Mandria, Villa Dei Laghi, Venaria Reale, Turin, Italy |
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2002 |
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Slip: British And Dutch Contemporary Artists Working with Ceramic, Frans Halsmuseum, Haarlem, the Netherlands (touring to Sainsbury Centre of Visual Arts, Norwich) |
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2002 |
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Time Space Motion, Galerie Thaddaeus Ropac and Max-Gandolph-Bibiliotek, Salzburg. Austria |
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2002 |
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European Field, Galleri Stefan Andersson, Umeå [part of Umedalen Skulptur 2002] |
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2002 |
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Who Comes – Who Leaves – Who Stays, Eastern Cemetery, Malmo, Sweden |
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2002 |
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Blast to Freeze, Kunstmuseum Wolfsburg, Germany |
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2002 |
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Gardens of Art: The Sculpture Park at the Frederik Meijer Gardens, Grand Rapids, Michigan, USA |
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2002 |
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Self-Evident: Making the Self the Subject of Art from 1970 to the Present Day, Tate Britain, UK |
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2002 |
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Retrospectacle: 25 Years of Collecting Modern And Contemporary Art, Denver Art Museum, USA |
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2002 |
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To Eat or Not to Eat, CASA. Centro de Arte de Salamanca, Salamanca, Spain |
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2001 |
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New Works, Galerie Nordenhake, Berlin, Germany (solo) |
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2001 |
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Insiders, New Art Centre and Sculpture Park, Roche Court, East Winterslow, UK (solo) |
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2001 |
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Insiders, White Gallery, Brighton, UK (solo) |
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2001 |
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Antony Gormley, Contemporary Sculpture Centre, Tokyo, Japan (solo) |
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2001 |
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Some Of The Facts, Tate St. Ives, Cornwall, UK (solo) |
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2001 |
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Dialogue: Antony Gormley Allotment, Kockumshallen, Malmo, Sweden (solo) |
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2001 |
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Field for The British Isles, Church of St. Mary the Virgin, Shrewsbury; Tullie House, Carlisle (solo) |
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2001 |
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States and Conditions, Orchard Gallery, Derry (touring to Model Arts and Niland Gallery, Sligo) (solo) |
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2001 |
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Drawings, Sommer Contemporary Art, Tel Aviv, Israel |
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2001 |
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Vibration, Utsunomiya Museum of Art, Japan |
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2001 |
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Geometrie Plus Gestus, Galerie Thaddaeus Ropac and Max-Gandolph-Bibiliotek, Salzburg, Austria |
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2001 |
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Steirischer Herbst 2001, Graz, Austria |
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2001 |
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Miroslaw Balka, Antony Gormley, Ulrich Ruckreim, Galleri Solvberget, Stavanger, Norway |
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2000 |
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Quantum Cloud (part of North Meadow Sculpture Project), Millennium Dome, Greenwich, London, UK (solo) |
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2000 |
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Quantum Clouds and Other Work, Galerie Thaddaeus Ropac, Paris, France (solo) |
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2000 |
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Field, Vieille Église, Caumont, Picardy, France (solo) |
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2000 |
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Strange Insiders, fig-1, London, UK (solo) |
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2000 |
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Drawn, White Cube2, London, UK (solo) |
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2000 |
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Trialogo: Giuseppe Gallo, Antony Gormley, David Hammons, Palazzo delle Esposizioni, Rome, Italy; Kwangju Biennale, Korea |
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2000 |
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London Calling, Fundraising auction for Ken Livingstone’s Mayoral Campaign, Gimpel Fils, London, UK |
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2000 |
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Out There, White Cube2, London, UK |
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2000 |
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Lost Paradise Lost, Lutherkirche/ Kunsthalle zu Kiel, Hanover, Germany |
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2000 |
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Between Cinema and a Hard Place, Tate Modern, London, UK |
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2000 |
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Lappeenranta 2000, South Carelia Art Museum, Lappeenranta, Finland |
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2000 |
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Enclosed and Enchanted, Museum of Modern Art, Oxford and touring to Mappin Art Gallery, Sheffield and others |
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2000 |
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Narcisse blessé: Autoportraits Contemporains, Passage de Retz, Paris, France |
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2000 |
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Positionen, Galerie Thaddaeus Ropac and Max-Gandolph-Bibiliotek, Salzburg, Austria |
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2000 |
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Interplay: Selected Works from the Museum and Private Collections, Museet for Samtidskunst, Oslo, Norway |
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2000 |
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Utopia, Rogaland Kunstmuseum, Stavanger, Norway |
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2000 |
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Conversation, Milton Keynes Gallery, Milton Keynes |
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2000 |
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Die Intelligenz der Hand, Rupertinum, Salzburg, Austria |
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Literature |
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2005 |
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“Art Listings: Antony Gormley,” Time Out New York, June 9-15, 2005, p.63 |
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2005 |
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“Art Listings: Antony Gormley,” New York Magazine, May 30th, 2005, p. 121. |
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2005 |
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“Books: ‘Making Space’,” tema celeste, Volume XXII, No. 109, May-June 2005, p. 24 |
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2005 |
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Cascade, Rebecca, “Getting Into Competitive Shape,” Art + Auction, March 2005, p. 84 |
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2005 |
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Chambers, Christopher, “Antony Gormley: Sean Kelly Gallery,” Flash Art, Vol. XXXVIII, No. 243, July-September 2005, p. 122. |
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2005 |
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Dantas, Andréa, “Raphael Castoriano Respira Arte Contemporânea, Caras, Edition 607, No. 25, pp. 60-63 |
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2005 |
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“ICI New York Studio Events” (invitation), 2005 |
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2005 |
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MacAdam, Barbara A., “Antony Gormley,” ARTnews, Volume 104, No. 7,Summer 2005, p. 198 |
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2005 |
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Neuman, William, “A Penthouse Closer to the Stars,” The New York Times, Sunday, May 29th, 2005, Section 11, p. 2 |
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2005 |
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Smith, Roberta, “Antony Gormley: ‘Clearing IV’,” The New York Times,Friday,June 3, 2005, E27 |
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