 |
Biography |
|
|
1946 |
|
Weiss born in Zurich, Switzerland |
|
|
1952 |
|
Fischli born in Zurich, Switzerland |
|
|
1979 |
|
Beginning of their collaboration 1979 |
|
|
|
|
Peter Fischli - Education and Exhibitions:
Academia di Belle Arti, Urbino, 1975-76
Academia di Belle Arti, Bologna, 1976-77
Group Exhibition at the Academia, Bologna 1978
Beginning of the collaboration with David Weiss, 1979
Lives and works in Zurich |
|
|
|
|
David Weiss - Education and Exhibitions:
Vorkurs, Kunstgewerbeschule, Zurich, 1963-64
Kunstgewerbeschule, Basel, (sculpture class), 1964-65
Edition Toni Gerber, Sketches‘, Berne, (with Urs Lüthi, Text: J.-Ch r.Ammann), 1970
Edition Stähli‚ Drei Geschichten‘, Zurich, 1974
Edition Stähli ‚Up and Down Town‘, Zurich, 1975
Galerie Stähli‚ The Desert is Across the Street‘ Zurich/de Appel, Amsterdam (with Urs Lüthi und Elke Kilga), 1975
Galerie Stähli, Zurich, 1976
Galerie Gugu Ernesto, Cologne, 1979
Galerie t’Venster, Rotterdam, 1979
Beginning of the collaboration with Peter Fischli, 1979
Lives and works in Zurich |
|
|
Exhibitions |
|
|
2008 |
|
Fragen & Blumen. Eine Retrospektive, Deichtorhallen, Hamburg (solo) |
|
|
2007 |
|
Fragen & Blumen. Eine Retrospektive, Kunsthaus Zürich, Zurich (solo) |
|
|
2007 |
|
Equilibres, Galerie Eva Presenhuber, Zurich (solo) |
|
|
2007 |
|
Equilibres, Sprüth Magers, Munich (solo) |
|
|
2007 |
|
Books, Editions And The Like, Swiss Institute, New York (solo) |
|
|
2007 |
|
Equilibres, Matthew Marks Gallery, New York (solo) |
|
|
2007 |
|
Multitasking, Neue Gesellschaft für Bildende Kunst e. V., Berlin |
|
|
2007 |
|
Fleischeslust – oder die Lust an der Darstellung des Fleischlichen, Bündner Kunstmuseum Chur, Chur |
|
|
2007 |
|
Swiss Made II. Präzision und Wahnsinn, Kunstmuseum Wolfsburg, Wolfsburg |
|
|
2007 |
|
The Hamster Wheel, Tese della Novissima, Arsenale di Venezia, Venice |
|
|
2007 |
|
Beneath the Underdog, Gagosian Gallery Madison, New York |
|
|
2007 |
|
100 Jahre Kunsthalle Mannheim, Kunsthalle Mannheim, Mannheim |
|
|
2007 |
|
Gärten: Ordnung, Inspiration, Glück., Lenbachhaus, Munich |
|
|
2007 |
|
Mondi Possibili 2007, Galerie Sprüth Magers, Cologne |
|
|
2007 |
|
Gartenlust. Der Garten in der Kunst, Atelier Augarten, Wien |
|
|
2007 |
|
Im Untergrund, Haus für Kunst, Uri, Schweiz |
|
|
2007 |
|
Makers and Modelers: Works in Ceramic, Barbara Gladstone Gallery, New York |
|
|
2007 |
|
I can only see things when I move. Positionen zeitgenössischer Kunst auf Papier |
|
|
2007 |
|
Staatliche Kunstsammlungen Dresden |
|
|
2006 |
|
Bücher, Editionen und Ähnliches, Kunstbibliothek Sitterwerk, St.Gallen/CH, (solo) |
|
|
2006 |
|
Equilibres, Monika Sprüth Philomene Magers, London, (solo) |
|
|
2006 |
|
Anos 80: Uma Topologia, Museu Serralves, Porto |
|
|
2006 |
|
Medium Fotografie, Galerie Stampa, Basel/CH |
|
|
2006 |
|
Flowers & Questions: A Retrospective, Tate Modern, London (solo) |
|
|
2006 |
|
Matthew Marks Gallery, Fotografias, Rat and Bear, New York (solo) |
|
|
2006 |
|
Cobra Museum, Play! The Art of the Game, Amstelveen |
|
|
2006 |
|
Dublin City Gallery, The Studio, Dublin |
|
|
2006 |
|
Kunstmuseum Luzern, Projektion, Luzern |
|
|
2006 |
|
Centro Atlántico de Arte Moderno – CAAM, Franz West sin / without Franz West + Der Ficker, Las Palmas de Gran Canaria |
|
|
2006 |
|
Centre d’art Santa Mònica, Franz West sin / without Franz West + Der Ficker, Barcelona |
|
|
2006 |
|
Museum für Gegenwartskunst, Emanuel Hoffmann-Stiftung. Werkgruppen und Installationen, Basel |
|
|
2006 |
|
Centre Culturel Suisse – CCS, ALLER / RETOUR 2, Paris |
|
|
2006 |
|
Galerie Klosterfelde, Wrong, Berlin |
|
|
2006 |
|
Villa Manin Centre of Contemporary Art, Passariano, Infinite Painting, Codroipo (Udine) |
|
|
2006 |
|
Museum für Gegenwartskunst, Faites vos jeux!, Siegen |
|
|
2005 |
|
Galerie Monika Sprüth, Fotografias, Cologne (solo) |
|
|
2005 |
|
Galerie Eva Presenhuber, Fotografias, Zürich (solo) |
|
|
2005 |
|
Museo Tamayo, Mexico (solo) |
|
|
2005 |
|
Contemporary Art and the Garden: Deceits and Fantasies, organized by American Federation of Art; travels to The Middlebury College Museum of Art, Middlebury, Vermont; The Parrish Art Museum, Southampton, New York; Columbia Museum of Art, Columbia South Carolina; Tacoma Art Museum, Tacoma, Washington |
|
|
2005 |
|
SlideShow, Baltimore Museum of Art, Baltimore; travels to the Contemporary Arts Center, Cincinnati; Brooklyn Museum, New York |
|
|
2005 |
|
Universal Experience: Art, Life, and the Tourist’s Eye, Museum of Contemporary Art, Chicago |
|
|
2004 |
|
Proof: The Act of Seeing with One’s Own Eyes, Australian Centre for the Moving Image, Melbourne |
|
|
2004 |
|
Animal Instincts, The Montalvo Gallery, Villa Montalvo, Saratoga, California |
|
|
2004 |
|
Hard Light, curated by Klaus Biesenback and Doug Aitken, P.S.1 Contemporary Art Center, Long Island City, New York |
|
|
2004 |
|
Spaces of Landscape and Memory, Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria |
|
|
2004 |
|
Monument to Now, Deste Foundation, Athens |
|
|
2004 |
|
Triennale Fellbach, Fellbach, Germany |
|
|
2004 |
|
Artists’ Favourites Act II, Institute of Contemporary Art, London |
|
|
2004 |
|
Memory and Landscape, La Casa Encendida, Barcelona |
|
|
2004 |
|
Before the End, Le Consortium, Dijon |
|
|
2004 |
|
fischli/weiss. unsettled work, Kestner Gesellschaft, Hannover (solo) |
|
|
2004 |
|
The Last Picture Show, Walker Art Center, Minneapolis (solo) |
|
|
2004 |
|
Kunsthallen Brandts Klædefabrik, Odense, Denmark, Peter Fischli & David Weiss: Major and Minor Questions. Works from the Goetz Collection |
|
|
2003 |
|
Purloined Nature, Kawamura Memorial Museum, Chiba |
|
|
2003 |
|
Galerie Monika Sprüth – Philomene Magers, 20th Anniversary Show, Cologne |
|
|
2003 |
|
Looking in – Looking out., Kunstmuseum Basel |
|
|
2003 |
|
Positionen zeitgenössischer Kunst, Basel |
|
|
2003 |
|
Galerie Sprüth & Magers, Cologne |
|
|
2003 |
|
Grotesk! 130 Jahre der Frechheit, Haus der Kunst, Munich |
|
|
2003 |
|
Grotesk! 130 Jahre der Frechheit, Schirn Kunsthalle Frankfurt, Frankfurt |
|
|
2003 |
|
Unsettled Work - Peter Fischli/David Weiss, Spruth Magers Lee, London |
|
|
2003 |
|
50th Biennale Venice, Ritardi e Rivoluzioni, Venice |
|
|
2003 |
|
Editions and books, Galerie Barbara Wien, Berlin |
|
|
2003 |
|
Museum Boijmans Van Beuningen, Rotterdam, (solo) |
|
|
2003 |
|
Hunde (Dogs), Matthew Marks Gallery New York, (solo) |
|
|
2003 |
|
Mori Art Museum, Happiness, Tokyo |
|
|
2003 |
|
Biennale Venedig, Utopia Station, Venice |
|
|
2002 |
|
Matthew Marks Gallery, New York |
|
|
2002 |
|
Fragen Projektion, Museum Ludwig, Cologne (cat.) |
|
|
2002 |
|
Subréel, MAC, Galeries Contemporaines des Musées de Marseille |
|
|
2002 |
|
Wallflowers, Kunsthaus Zurich |
|
|
2002 |
|
Moving Pictures, Solomon R. Guggenheim Museum, New York |
|
|
2002 |
|
Kunsthaus Zürich, Wallflowers. Grosse Fotografien, Zurich |
|
|
2002 |
|
Paul Morris Gallery, IT’S A WILD PARTY AND WE’RE HAVING A GREAT TIME., New York |
|
|
2002 |
|
Galerie Yvon Lambert, Paris |
|
|
2002 |
|
El Museu d’Art Contemporani de Barcelona, COL LECCIO MACBA |
|
|
2002 |
|
Serpentine Gallery, En Route, London |
|
|
2002 |
|
Museum Ludwig, Fragen, Projektionen, Cologne, (solo) |
|
|
2002 |
|
Matthew Marks Gallery, New York |
|
|
2001 |
|
Monika Sprüth/Philomene Magers, Peter Fischli David Weiss. Airports, Munich, (solo) |
|
|
2001 |
|
Matthew Marks Gallery, Tenth Anniversary Exhibiton – 100 Drawings and Photographs, New York |
|
|
2001 |
|
100 Drawings and Photographs, New York |
|
|
2001 |
|
Kunstmuseum Solothurn, Analogue Dialogue, Solothurn |
|
|
2001 |
|
Kunstmuseum Wolfsburg, the Dark, Wolfsburg Museum für Moderne Kunst Frankfurt am Main, Szenenwechsel XX, Frankfurt am Main |
|
|
2001 |
|
Kunst-Werke, Bildarchive, Berlin |
|
|
2001 |
|
Kunsthalle Nürnberg, Ein gut plazierter Helm ist wie ein beruhigender Blick, Nürnberg |
|
|
2001 |
|
Neues Museum Weserburg, Ohne Zögern-Without Hesitation. Blicke in die Sammlung Olbricht, Bremen |
|
|
2001 |
|
Deichtorhallen Hamburg, Vom Eindruck zum Ausdruck Grässlin Collection, Hamburg |
|
|
2001 |
|
University of Brighton Gallery, makeshift, Brighton, UK |
|
|
2001 |
|
Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (cat.) |
|
|
2001 |
|
Analogue Dialogue, Kunstmuseum Solothurn, Switzerland |
|
|
2001 |
|
The Dark, Kunstmuseum Wolfsburg, Germany |
|
|
2001 |
|
Busi (Kitty), Matthew Marks Gallery, New York |
|
|
2001 |
|
The 59th Minute: Video Art on the Times Square Astrovision, (organized by Creative Time), Times Square, New York, (solo) |
|
|
2001 |
|
Kunst-Werke, Berlin |
|
|
2001 |
|
Biennale Yokohama |
|
|
2001 |
|
Büsi (Kitty) 2001, Timesquare Project Public Art Found. New York |
|
|
2001 |
|
Museu de Arte Contemporanea Fundacao de Serralves, Fischli & Weiss. Mundo visivel, Porto, (solo) |
|
|
2000 - 2001 |
|
Leopold-Hoesch-Museum, Düren (Günther-Peill-Preis), (solo) |
|
|
2000 |
|
Sichtbare Welt, Plötzlich diese übersicht, Grosse Fragen-Kleine Fragen, Museum fur Gegenwartskunst, Basel (cat.) |
|
|
2000 |
|
El mon visible, Museu de Art Contemporani de Barcelona |
|
|
2000 |
|
ARC, Musée d'Art Moderne de la Ville de Paris, (solo) |
|
|
2000 |
|
Minding, Le Garage, Geneva |
|
|
2000 |
|
Fest der Flusse, Wienfluss U4 Stadtpark, Vienna |
|
|
2000 |
|
Europeans, Zwirner & Wirth, New York |
|
|
2000 |
|
Le Garage, Minding, Geneva |
|
|
2000 |
|
Wienfluss U4 Stadtpark, Fest der Flüsse, Vienna |
|
|
2000 |
|
Zwirner & Wirth, Europeans, New York |
|
|
2000 |
|
Museo El Centro de la Imagen, Pero mira como (with Gabriel Orozco and Richard Wentworht), Mexico |
|
|
2000 |
|
El Museo de las Artes in Guadalajara, Pero mira como (with Gabriel Orozco and Richard Wentworht), Mexico |
|
|
2000 |
|
Sammlung Goetz, (with Mike Kelley), Munich |
|
|
2000 |
|
Angles Gallery, Inventional, Santa Monica, CA |
|
|
2000 |
|
Ikon Gallery, as it is, Birmingham |
|
|
2000 |
|
Kunstmuseum Bern, Eiszeit, Bern |
|
|
2000 |
|
Graphische Sammlung der ETH Zürich, La prima idea. Aktuelle Malerei auf Papier, Zürich |
|
|
2000 |
|
Musée d'art moderne de la Ville de Paris, voilà – le monde dans la tête, Paris |
|
|
2000 |
|
Bonakdar Jancou Gallery, Staged, New York |
|
|
2000 |
|
Museum zu Allerheiligen / Kunstverein Schaffhausen, fleurs, Schaffhausen |
|
|
2000 |
|
Museo d‘Arte Contemporanea/Castello di Rivoli, Turin |
|
|
2000 |
|
Massachusetts Museum of Contemporary Art |
|
|
2000 |
|
Tate Gallery, London |
|
|
2000 |
|
Museum Plantin Moretus und Umgebung, Orbis Terrarum - Ways of Worldmaking. |
|
|
2000 |
|
Kartographie und Zeitgenössische Kunst, cur. Moritz Küng, Antwerp |
|
|
2000 |
|
Opéra national, L’Opéra. Un chant d’étoiles, Brussels |
|
|
2000 |
|
The Finnish Museum of Photography Cable Factoriy, Some Parts of This World. |
|
|
2000 |
|
Helsinki Photography Festival 2000, Helsinki |
|
|
2000 |
|
Dundee Contemporary Arts, Moment, Dundee, UK |
|
|
2000 |
|
Bankadar Jancou Gallery, Staged. Constructions of Reality in Contemporary Photography, New York |
|
|
2000 |
|
Deichtorhallen Hamburg, Hausschau. das Haus in der Kunst, Hamburg |
|
|
2000 |
|
Museum für Gegenwartskunst, Sichtbare Welt, Plötzlich diese Übersicht, Grosse Fragen-Kleine Fragen, Basel |
|
|
2000 |
|
Museu d'Art Contemporani de Barcelona, El mon visible, Barcelona |
|
|
1999 |
|
Matthew Marks Gallery, New York, (solo) |
|
|
1999 |
|
ARC Musée d’Art Moderne de la Ville de Paris, Paris |
|
|
1999 |
|
Matthew Marks Gallery, New York (cat.) |
|
|
1999 |
|
Galerie Kampl im Kunstforum, Trailer, Munich |
|
|
1999 |
|
Contemporary Swiss Art, The Museum of Contemporary Art – Ludwig Museum Budapest, Budapest |
|
|
1999 |
|
Maisons/Häuser. Carsten Höller. Rosemarie Trockel. Peter Fischli & David Weiss, Musée d’Art Moderne de la Ville de Paris, Paris |
|
|
1999 |
|
Real Stories II, Friedrich Petzel Gallery/Marianne Boesky Gallery, New York |
|
|
1999 |
|
looselipssinkships. Projections vidéos, Galerie Erna Hécey, Luxembourg |
|
|
1999 |
|
h:min:sec. Eine Ausstellung zur Zeit, Kunstraum Innsbruck, Innsbruck |
|
|
1999 |
|
Un musée en appartement. Une exposition de toutes les gravures, multiples et photopraphies, publiés par Parkett, Centre d’Art Contemporain Genève, Geneva |
|
|
1998 |
|
Kunsthalle Köln, Mai 98, Cologne |
|
|
1998 |
|
Kunsthalle Zürich, Zurich |
|
|
1998 |
|
11th Biennale of Sydney, Sydney |
|
|
1998 |
|
Kunstausstellung Holderbank, Holderbank, Switzerland |
|
|
1998 |
|
Kunsthaus Zürich, Freie Sicht aufs Mittelmeer, Zurich |
|
|
1998 |
|
The Museum of Modern Art Gunma, Eight people from Europe, Gunma, Japan |
|
|
1998 |
|
Kunsthalle Wien, Alpenblick. Die zeigenössische Kunst und das Alpine, Vienna |
|
|
1998 |
|
Kunstverein Hamburg, I shop therefore I am, Hamburg |
|
|
1998 |
|
Freie Sicht aufs Mittelmeer. Junge Scheizer Kunt mit Gasten und Galtmahl, Kunsthaus Zurich |
|
|
1998 |
|
Galerie Monika Sprüth, Cologne |
|
|
1998 |
|
White Cube, London, (solo) |
|
|
1998 |
|
Galerie Hauser & Wirth & Presenhuber, Zurich, (solo) |
|
|
1998 |
|
Institute of Contemporary Art, Boston, (solo) |
|
|
1998 |
|
Kunstmuseum Wolfsburg, Wolfsburg |
|
|
1998 |
|
Arbeiten im Dunkeln, Kunstmuseum Wolfsburg, (solo) |
|
|
1998 |
|
Flughäfen 1988-1998, Monika Sprüth Galerie, Köln, (solo) |
|
|
1997 |
|
In a Restless World, Institut of Contemporary Art, Philadelphia, (solo) |
|
|
1997 |
|
Wexner Center for the Arts, Columbus, (solo) |
|
|
1997 |
|
Museum of Modern Art, San Francisco, (solo) |
|
|
1997 |
|
Centre de Saint-Gervais, Geneva |
|
|
1997 |
|
Skulpturen Projekte 97, Münster, Germany |
|
|
1997 |
|
documenta X, Kassel, Germany |
|
|
1997 |
|
Centro d’Arte Contemporanea Ticino, Transit. Fotografia degli anni '90, Bellinzona, Switzerland |
|
|
1997 |
|
Airport, The Photographers‘s Gallery, London |
|
|
1997 |
|
Von den Dingen. Gegenstände in der zeitgenössischen Kunst, Museum zu Allerheiligen, Kunstverein Schaffhausen, Schaffhausen, Switzerland |
|
|
1997 |
|
Louisiana Museum of Modern Art, Now Here, Humlebaek, Denmark |
|
|
1997 |
|
Museum Schloss Burgk, (Landschaft) mit dem Blick der 90er Jahre, Burgk/Saale |
|
|
1997 |
|
Fast nichts. Almost invisible, Ehemaliges Umspannwerk Singen, Singen/Hohentwiel, Germany |
|
|
1996 |
|
Peter Fischli and David Weiss: In a Restless World, San Francisco Museum of Modern Art San Francisco |
|
|
1996 |
|
Hamburger Bahnhof. Museum für Gegenwartskunst Berlin |
|
|
1996 |
|
In a Restless World, Walker Art Center, Minneapolis, (solo) |
|
|
1996 |
|
Serpentine Gallery, London, (solo) |
|
|
1996 |
|
Arbeiten im Dunkeln, Kunsthaus Zürich, Zurich |
|
|
1996 |
|
ICA, Philadelphia |
|
|
1996 |
|
Non! Pas comme ca!, Centre d’Art Neuchatel |
|
|
1995 |
|
Biennale Venice, Swiss Pavillon, Venice |
|
|
1995 |
|
Monika Sprüth Galerie, Cologne |
|
|
1995 |
|
Zeichen und Wunder, Kunsthaus Zürich, Zurich |
|
|
1995 |
|
Mai de la Photo, Reims |
|
|
1995 |
|
American Center, Micromegas, Paris |
|
|
1995 |
|
Swiss Pavilion, XLVI Biennale Venice |
|
|
1994 |
|
Museum der Stadtentwässerung Zürich, Cloaca Maxima, cur. Hans-Ulrich Obrist, Zurich |
|
|
1994 |
|
Sonnabend Gallery, New York, (solo) |
|
|
1993 |
|
Kunsthalle Zürich, Zurich, (solo) |
|
|
1993 |
|
Le Case d’Arte, Milan, (solo) |
|
|
1993 |
|
Musée d’Art et d’Histoire, Geneva, (solo) |
|
|
1993 |
|
Double Take, Kunsthalle Wien, Vienna |
|
|
1993 |
|
Post Human, Deichtorhallen, Hamburg |
|
|
1993 |
|
Equilibre, Aargauer Kunsthaus, Aarau, Switzerland |
|
|
1993 |
|
Passing Through, Galerie Walcheturm, Zurich |
|
|
1992 |
|
Schweizer Landesmuseum, Sonderfall Schweiz, Zurich |
|
|
1992 |
|
Kunsthalle Basel, Projekt Schweiz, Basel |
|
|
1992 |
|
Galerie Walcheturm, Zurich, (solo) |
|
|
1992 |
|
Galleria Locus Solus, Genua, (solo) |
|
|
1992 |
|
Galerie Francesca Pia, Bern, (solo) |
|
|
1992 |
|
Musée National d’Art Moderne (Centre Georges Pompidou), Paris, (solo) |
|
|
1992 |
|
Swiss Pavilion of the World's Fair, Seville |
|
|
1992 |
|
Musée National d'Art Moderne, Centre George Pompid Paris |
|
|
1992 |
|
Asher Edelman Foundation, Post Human, Pully/Lausanne |
|
|
1992 |
|
Castello di Rivoli, Post Human, Turin |
|
|
1992 |
|
Deste Foundation for Contemporary Art, Double Take, Athens |
|
|
1992 |
|
Hayward Gallery, Double Take, London |
|
|
1992 |
|
Platzverführung, Stuttgart/Schondorf, Germany |
|
|
1992 |
|
Expo 1992, Swiss Pavillon, Sevilla |
|
|
1992 |
|
Centre Culturel Suisse, Oh cet echo, Paris |
|
|
1991 |
|
Kunstverein der Rheinlande und Westfalen, Düsseldorf, (solo) |
|
|
1991 |
|
Wiener Secession, Vienna, (solo) |
|
|
1991 |
|
Galerie Achenbach, Frankfurt, (solo) |
|
|
1991 |
|
Galleria Bonomo, Rome, (solo) |
|
|
1991 |
|
Galerie Walcheturm, Zurich |
|
|
1991 |
|
Chamer Räume - Kunst an Ort, Cham, Switzerland |
|
|
1991 |
|
Martin-Gropius-Bau, Metropolis, Berlin |
|
|
1991 |
|
Grosse Orangerie - Schloss Charlottenburg, Schwerelos, Berlin |
|
|
1991 |
|
Metropolis, International Art Exhibition, Martin-Gropius-Bau Berlin |
|
|
1990 |
|
Villa Arson, Nice |
|
|
1990 |
|
Biennale, Sydney |
|
|
1990 |
|
Galerie Hussenot, Paris, (solo) |
|
|
1990 |
|
IVAM, Valencia, (solo) |
|
|
1990 |
|
Kunstverein München, Munich, (solo) |
|
|
1990 |
|
Galerie Marga Paz, Madrid, (solo) |
|
|
1989 |
|
University of South Florida, Tampa, (solo) |
|
|
1989 |
|
Sonnabend Gallery, New York |
|
|
1989 |
|
Galerie Monika Sprüth, Cologne, (solo) |
|
|
1989 |
|
Le Case d’Arte, Milan |
|
|
1989 |
|
Galerie Susan Wyss, Zurich, (solo) |
|
|
1989 |
|
Galerie Akhnaton, Cairo, (solo) |
|
|
1989 |
|
Biennale, Sao Paulo |
|
|
1989 |
|
Rooseum, Malmö |
|
|
1989 |
|
Sonnabend Gallery, New York, (solo) |
|
|
1988 |
|
The Museum of Contemporary Art Los Angeles |
|
|
1988 |
|
Video Installations, Institute of Contemporary Arts London |
|
|
1988 |
|
Biennale di Venezia, Aperto, Venice |
|
|
1988 |
|
Carnegie International, Pittsburgh |
|
|
1988 |
|
ICA Art Gallery, London, (solo) |
|
|
1988 |
|
Third Eye Center, Glasgow |
|
|
1988 |
|
Musée de peinture et de sculpture, Grenoble |
|
|
1988 |
|
Interim Art, London |
|
|
1988 |
|
Centre d’Art Contemporain, Geneva |
|
|
1988 |
|
Portikus, Frankfurt |
|
|
1988 |
|
ICA Art Gallery, London |
|
|
1988 |
|
Third Eye Center, Glasgow, (solo) |
|
|
1988 |
|
Musée de peinture et de sculpture, Grenoble, (solo) |
|
|
1988 |
|
Interim Art, London, (solo) |
|
|
1988 |
|
Centre d’Art Contemporain, Geneva, (solo) |
|
|
1988 |
|
Portikus, Frankfurt, (solo) |
|
|
1987 |
|
Galerie Monika Sprüth, Cologne, (solo) |
|
|
1987 |
|
List Visual Arts Center, Massachusetts, (solo) |
|
|
1987 |
|
Renaissance Society, Chicago |
|
|
1987 |
|
Institut for Art and Urban Resources, P.S. 1, New York |
|
|
1987 |
|
Museum of Contemporary Art, Los Angeles |
|
|
1987 |
|
Museum for Art, Dallas |
|
|
1987 |
|
Universitiy Art Museum, Berkeley |
|
|
1987 |
|
Le Case d’Art, Milan |
|
|
1987 |
|
Galerie Monika Sprüth, Cologne |
|
|
1987 |
|
List Visual Arts Center, Massachusetts |
|
|
1987 |
|
Renaissance Society, Chicago, (solo) |
|
|
1987 |
|
Institut for Art and Urban Resources, P.S. 1, New York, (solo) |
|
|
1987 |
|
University Art Museum Berkeley |
|
|
1986 |
|
Sonnabend Gallery, New York, (solo) |
|
|
1986 |
|
The Corridor, Reykajvik, (solo) |
|
|
1985 |
|
The Serpentine Gallery London |
|
|
1985 |
|
Stiller Nachmittag, Galerie Monika Sprüth, Cologne, (solo) |
|
|
1985 |
|
Kunsthalle Basel, Peter Fischli/David Weiss, Basel, (solo) |
|
|
1985 |
|
Groninger Museum, Groningen, (solo) |
|
|
1985 |
|
Centre Culture Suisse, Paris, (solo) |
|
|
1985 |
|
Produzentengalerie, Hamburg, (solo) |
|
|
1985 |
|
Kölnischer Kunstverein, Cologne, (solo) |
|
|
1984 |
|
Galerie Crousel-Hussenot, Paris, (solo) |
|
|
1984 |
|
An International Survey of Recent Painting and Sculpture, Museum of Modern Art New York |
|
|
1983 |
|
Fieber, Galerie Monika Sprüth, Cologne |
|
|
1982 |
|
St. Galerie, St. Gallen, (solo) |
|
|
1981 |
|
Plötzlich diese Übersicht, Galerie Stähli, Zurich, (solo) |
|
|
Literature |
|
|
2005 |
|
Fotografias. Cologne |
|
|
2005 |
|
Peter Fischli David Weiss. Contemporary Artists, Phaidon London |
|
|
2003 |
|
Mi trova la fortuna? |
|
|
2003 |
|
Will happiness find me? |
|
|
1993 - 2003 |
|
Hotel Paris. Tonbandkassette / cassette (edition) |
|
|
1990 - 2003 |
|
Airports. Offsetdruck & Buch / offset print & book (edition) |
|
|
1980 - 2003 |
|
Ordnung und Reinlichkeit. 15 Photokopien / photocopies (edition) |
|
|
2001 |
|
ohne Titel (Blumen / flowers). Inkjet (edition) |
|
|
1996 |
|
Die Filme. Hamburger Bahnhof, Berlin |
|
|
1995 |
|
Bericht über den künstlerischen Schmuck... |
|
|
1995 |
|
Katalog / catalogue. XLVI Biennale di Venezia |
|
|
1991 |
|
BILDER, ANSICHTEN |
|
|
1990 |
|
Das Geheimnis der Arbeit |
|
|
1989 |
|
Photographs. |
|
|
1988 |
|
Parkett No. 17 |
|
|
1982 |
|
Plötzlich diese Übersicht |
|
|
|
|
Peter Fischli David Weiss. Katalog. Musée d’ Art Moderne |
|
|
return to artnet.com
