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Biography |
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1964 |
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Born: Munich, Germany. |
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1987 - 1989 |
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Akademie der Bildenden Künste München. Munich, Germany |
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1989 - 1992 |
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Staatliche Kunstakademie Düsseldorf. Germany |
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1993 - 1994 |
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Goldsmiths College. London. MA in fine Arts |
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Works in Berlin and London |
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Exhibitions |
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2006 - 2009 |
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Der Blaue Reiter im 21. Jahrhundet, Lenbachhaus Mïünchen, Munich |
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2008 |
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Camera, Hamburger Kunsthalle, Hamburg, Germany (solo) |
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2008 |
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Black Label, Center for Contemporary Art, Kitakyushu, Japan (solo) |
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2007 |
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L�Esprit d�Escalier, Irish Museum of Modern Art, Dublin (solo) |
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2007 |
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Fondazione Giorgio Cini, Venice, presented by Fondazione Prada, Venice, Italy (solo) |
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2007 |
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Mondi Possibili, Galerie Monika Spr�th Philomene Magers, Köln/Cologne |
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2007 |
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Paint it Blue, Neues Museum Weserburg, Bremen |
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2007 |
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Unter Sternen. Aus der Sammlung Willy Michel. Fotografie, Museum Franz Gertsch, Burgdorf, Schweiz |
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2007 |
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Cross-Border. Fotografie und Videokunst aus dem MUMOK Wien, Kunstmuseum Stuttgart |
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2007 |
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Airs de Paris, Centre Pompidou, Paris |
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2007 |
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If everybody had an Ocean, Tate St. Ives, GB |
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2007 |
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Flash Cube, Leeum, Samsung Museum of Art, Seoul, Korea |
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2007 |
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Taka Ishii Gallery, Tokyo (solo) |
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2007 |
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303 Gallery, New York (solo) |
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2007 |
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Fondazione Prada, Isola di Giorgio Maggiore, Venice (solo) |
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2007 |
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Irish Museum of Modern Art, Dublin (solo) |
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2006 |
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Serpentine Gallery, London (solo) |
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2006 |
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Esther Schipper, Berlin (solo) |
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2006 |
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Max Beckmann and Thomas Demand, Museum f�r Moderne Kunst, Frankfurt |
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2006 |
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Artes Mundi, Wales International Visual Art Prize, National Museum, Cardiff |
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2006 |
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ArchiSKULPTUR, Kunstmuseum, Wolfsburg |
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2006 |
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Thomas Demand/Gregor Schneider: Werke aus der Sammlung Olbricht, Neues Museum Weserburg, Bremen, (solo) |
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2006 |
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Thomas Demand und Max Beckmann, Museum f�r Moderne Kunst, Frankfurt/M (solo) |
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2006 |
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The Gold Standard, P.S. 1 MoMA, New York |
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2006 |
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Winterausstellung, Esther Schipper, Berlin |
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2006 |
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German Photography, Richard Levy Gallery, Albuquerque, USA |
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2006 |
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Wrong, Klosterfelde Galerie, Berlin |
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2006 |
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Emanuel Hoffmann-Stiftung. Werkgruppen und Installationen, Museum für Gegenwartskunst, Basel, Switzerland |
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2006 |
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Faszination Fussball, Fussball in der Bildenden Kunst, Museum Pfalzgalerie, Kaiserslautern, Germany |
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2006 |
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Medium Fotografie, Galerie Stampa, Basel, Switzerland |
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2006 |
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Faster! Bigger! Better!, ZKM, Karlsruhe |
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2006 |
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Surprise, Surprise, Institute of Contemporary Arts, London |
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2006 |
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Why Pictures Now, Museum Moderner Kunst, Wien/Vienna, Austria |
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2006 |
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Spectacular City. Photographing the Future, Niederl�ndisches Architekturinstitut, Rotterdam, The Netherlands; weitere Station / travelled to NRW Forum Kultur und Wirtschaft, D�sseldorf |
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2006 |
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Gut + Böse. Politik, Kunst, Gesellschaft, Museen der Stadt Lüdenscheid, Germany |
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2006 |
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Auto-Nom-Mobil, Kunstverein Kassel |
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2006 |
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Klause, Esther Schipper, Berlin (solo) |
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2006 |
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Regen Projects, Los Angeles (solo) |
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2005 - 2006 |
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Zwischen Wirklichkeit und Bild: Positionen deutscher Fotografie der Gegenwart, The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Marugame Genichiro-Inokuma Museum of Contemporary Art |
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2005 |
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ArchiSKULPTUR, Guggenheim Museum, Bilbao |
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2005 |
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After the Fact, Tullie House Museum & Art Gallery, Carlisle |
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2005 |
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Multiple R�ume: Park, Kunsthalle Baden Baden |
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2005 |
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Kunst und Pressebild nach 1945, Kunstmuseum Basel |
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2005 |
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Paysages: Constructions and Simulations, Casino Luxembourg |
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2005 |
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Victoria Miro Gallery, London (solo) |
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2005 |
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Covering the Real, Kunstmuseum Basel, Switzerland |
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2005 |
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Paysages: Constructions et Simulations, Casino Luxembourg, Luxemburg |
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2005 |
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The Museum of Modern Art, New York, (solo) |
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2004 - 2005 |
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Sculpture, Precarious Sculptures between the Melancholy and the Comical, Kunsthalle Wien |
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2004 |
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German Pavillion, 26th Sao Paulo Biennial, Sao Paulo (solo) |
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2004 |
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Phototrophy, Kunsthaus Bregenz, Bregenz (solo) |
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2004 |
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Vaerker og Dage. Nyerhvervelser i Louisianas samling 2000-2004, Louisiana Museum of Modern Art, Humlebaek |
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2004 |
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Die Zehn Gebote, Dresdner Hygienemuseum, Dresden |
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2004 |
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Sculptural Sphere, Martin Boyce, Thomas Demand, Mark Manders, Manfred Pernice, Liisa Roberts, Tom Sachs, Sammlung Goetz, Munich |
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2004 |
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Berlin-Moskau/Moskau-Berlin, Staatliches Historisches Museum, Moscow |
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2004 |
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Memory and Lanscape, La Casa Encendida, Madrid |
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2004 |
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Niels Borch Jensen, Berlin |
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2004 |
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Sculptural Sphere, Sammlung Goetz, Munich, Germany |
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2004 |
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The Office, The Photographers Gallery, London |
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2004 |
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303 gallery, New York, (solo) |
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2004 |
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Bienal de S�o Paulo (solo) |
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2003 - 2004 |
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Jede Fotografie ein Bild, Pinakothek der Moderne, Munich |
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2003 |
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Louisiana Museum of Modern Art, Humlebaek (solo) |
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2003 |
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Taka Ishii Gallery, Tokyo (solo) |
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2003 |
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Galeria Helga de Alvear, Madrid (solo) |
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2003 |
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Dundee Contemporary Arts, Dundee (solo) |
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2003 |
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Berlin-Moskau/Moskau-Berlin, Martin Gropius Bau, Berlin |
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2003 |
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Adorno, Kunstverein Frankfurt, Frankfurt |
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2003 |
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OUTLOOK, organized by the Cultural Olympiad, Hellenic Ministry of Culture, Athens |
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2003 |
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50th Venice Biennale, Giardini, Venice |
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2003 |
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Contemporary Collecting: New Art for Manchester, Manchester Art Gallery |
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2003 |
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Archive and Simulation, Centro Cultural de B�lem, Lisbon |
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2003 |
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horizonte, Museum Franz Gertsch, Burgdorf, Switzerland |
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2003 |
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La Photographie Allemande, Galerie Art & Public, Geneva |
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2003 |
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Zeitgenössische Deutsche Fotografie, Museum Folkwang, Essen |
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2003 |
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Re-Produktion, Galerie Georg Kargl, Vienna |
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2003 |
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Imperfect Innocence. The Debra and Dennis Scholl Collection, Contemporary Museum, Baltimore and Palm Beach Institute of Contemporary Art, Lake Worth, Florida |
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2003 |
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Galleri K, Oslo, Norwegen, Norway, (solo) |
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2003 |
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20th Anniversary Show, Monika Spr�th Philomene Magers, Cologne, Germany |
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2003 |
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Rijksakademie van Beeldende Kunsten, Amsterdam, The Netherlands |
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2002 - 2003 |
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Moving Pictures at the Solomon R. Guggenheim Museum and Guggenheim Museum Bilbao |
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2002 |
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Site, Santa Fe (solo) |
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2002 |
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non-places, Frankfurter Kunstverein, Frankfurt/Main, Germany |
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2002 |
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Real Space, Conceptual Space, Govett-Brewster Art Gallery, New Plymouth, New Zealand |
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2002 |
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andere r�ume, other spaces, Kunstverein in Hamburg, Hamburg |
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2002 |
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Screen Memories, Art Tower Mito, Contemporary Art Centre, Japan |
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2002 |
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Balsam-Exhibiton der Fussballseele, Helmhaus, Zurich |
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2002 |
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In Szene gesetzt, Museum für Neue Kunst, ZKM Karlsruhe |
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2002 |
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Paarungen, Berlinische Galerie, Berlin |
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2002 |
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Trade, Nederlands Foto Institut, Rotterdam |
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2002 |
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La natura della natura morta da Manet ai nostri giorni, Galleria d�Arte Moderna, Bologna |
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2002 |
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Great Theatre of the World, 2002 Taipei Biennial, Taipei Fine Arts Museum |
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2002 |
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Lenbachhaus, Munich |
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2002 |
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Castello di Rivoli, Turin (solo) |
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2002 |
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Hof, Schipper & Krome, Berlin (solo) |
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2001 |
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Aspen Art Museum, Aspen (solo) |
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2001 |
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Thomas Demand con Caruso St. John architetti, Galleria d�arte moderna di Palazzo Pitti, Florence |
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2001 |
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De Appel, Amsterdam (solo) |
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2001 |
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ArtPace, San Antonio, Texas (solo) |
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2001 |
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Report, Sprengel Museum, Hannover (solo) |
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2001 |
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303 Gallery, New York (solo) |
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2001 |
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Televisions, Kunsthalle Wien, Vienna |
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2001 |
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Und keiner hinkt, Kunsthalle Düsseldorf |
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2001 |
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Ich bin mein Auto, Kunsthalle Baden-Baden |
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2001 |
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Biennale de Lyon, Lyon |
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2001 |
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Inside House, Orleans Museum of Fine Arts |
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2001 |
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Trade, Fotomuseum Winterthur |
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2001 |
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Public Offerings, Museum of Contemporary Art, Los Angeles |
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2001 |
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Und keiner hinkt, Kunstmuseum Kleve |
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2001 |
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Tempted to Pretend, Kunsthalle Kaufbeuren |
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2001 |
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Tracking, CCAC, San Francisco |
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2001 |
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Big Nothing, Kunsthalle Baden-Baden |
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2001 |
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Open End. 11 Exhibitions of Contemporary Art. from 1960 to Now - Sets and Situations, Museum of Modern Art, New York 2000 |
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2001 |
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Public Offerings, Museum of Contemporary Art, Los Angeles, USA |
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2001 |
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Big Nothing, Kunsthalle Baden-Baden, Germany |
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2001 |
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Trade. Waren, Wege und Werte im Welthandel heute, Fotomuseum Winterthur, Switzerland |
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2001 |
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Sprengel Museum Hannover |
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2000 - 2001 |
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Fondation Cartier pour l�Art Contemporain, Paris (solo) |
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2000 |
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Cartier Fondation pour l'Art Contemporain. Paris, France |
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2000 |
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Les rumeurs urbaines/Urban Rumours, FriArt, Fribourg |
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2000 |
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La forma del mondo/la fine del mondo, Padiglione Arte Contemporanea, Milan |
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2000 |
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N�gociations, CRAC-Centre R�gional d�Art Contemporain, S�te |
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2000 |
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Cross-Roads. Artists in Berlin, Sala Plaza de Espa�a de la Comunidad, Madrid |
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2000 |
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Small World: Dioramas in Contemporary Art, MoCA, San Diego/La Jolla |
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2000 |
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Victoria Miro Gallery, London (solo) |
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2000 |
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Monika Spr�th Gallery, Cologne (solo) |
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2000 |
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Galerie Peter Kilchmann, Z�rich (solo) |
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2000 |
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Les Rumeurs Urbaines / Urban Rumors, FriArt, Fribourg, France |
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2000 |
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La forma del mondo / la fine del mondo, Padiglione Arte Contemporanea, Mailand/Milan, Italy |
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2000 |
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Vision and Reality, Louisiana Museum of Modern Art, Humlebeak, Denmark |
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2000 |
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Perfidy La Tourette, l'Arbresle, France |
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2000 |
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Clip City / City Vision - Media City Seoul, Seoul, South-Korea |
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2000 |
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Die scheinbaren Dinge, Haus der Kunst, Munich, Germany |
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2000 |
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Negociations, CRAC - Centre regional d'Art Conremporain, Sete, France |
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2000 |
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Deep Distance, Kunsthalle Basel, Switzerland |
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2000 |
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Cruce de Caminos / Crossroads, Communidad de Madrid, Spain |
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2000 |
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Supermodel, MoCa Mass, North Adams, USA |
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2000 |
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Contemporary Dioramas, San Diego Museum of Art |
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2000 |
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Age of Influence, MCA, Chicago |
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1999 - 2000 |
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Can you hear me?, 2nd Ars Baltica Triennial ofPhotographic Art, Stadtgalerie im Sophienhof, Kiel, 3 November - 12 December, Kunsthalle Rostock, 6 February 2000 - 2 April 2000 |
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1999 - 2000 |
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Carnegie International 1999/2000, Carnegie Museum of Art Pittsburgh, PA |
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1999 |
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fotografie und archiv. gestern war heute, Stadthaus Ulm, Ulm |
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1999 |
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The Mirror�s Edge, curated by Okwui Enwezor, Bild Museet, Umea, Nov 21, 1999 - Feb 20, 2000 |
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1999 |
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'The Carnegie International, The Carnegie Museum of Art, Pittsburgh |
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1999 |
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Tunnel, Art Now 17, Tate Gallery, London (solo) |
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1999 |
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Space, Schipper & Krome, Berlin |
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1999 |
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Grand Illusions - Demand Gursky Ruscha, Museum of Contemporary Art, Miami |
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1999 |
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Mirrors Edge, Bildmuseet Umea, Schweden/Sweden; Vancouver; Turin; Glasgow |
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1999 |
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Can You Hear Me?, 2. Ars Baltica-Triennale, Kiel, Germany |
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1999 |
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Contemplating Pollock, Victoria Miro Gallery, London |
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1999 |
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Grosse Illusionen, Kunstmuseum Bonn; MOCA Miami |
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1999 |
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Wohin kein Auge reicht, Deichtorhallen Hamburg, Germany |
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1999 |
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Restructing Space, Architectural Association, London |
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1999 |
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Objects in Rear Mirror..., Galerie Max Hetzler, Berlin |
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1999 |
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Children of Berlin, P.S.1, New York |
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1999 |
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Anarchitecture, De Appel, Amsterdam |
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1999 |
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Kraftwerk Berlin, Aarhus Kunstmuseum, Denmark |
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1999 |
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Carnegie International, Carnegie Museum of Pittsburgh, Pittsburgh |
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1998 |
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Kunsthalle Zurich, Switzerland |
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1998 |
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Berlin Bienalle Berlin, Germany |
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1998 |
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The End is the Beginning, Bricks & Kicks, Wien/Vienna, Austria, P.S.1, New York |
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1998 |
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Zone, Fondazione Re Rebaudengo per l�Arte, Guarene d�Alba, Berlin Biennale |
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1998 |
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Vollkommen gew�hnlich, Kunstverein Freiburg, Germany |
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1998 |
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View One, Mary Boone Gallery, New York |
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1998 |
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Exterminated Angel, Galerie Ghislaine Hussenot, Paris |
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1998 |
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Artificial, MACBA, Barcelona |
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1998 |
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City Bank Photography Prize 97/98, Photographers Gallery, London |
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1998 |
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Sydney Biennale |
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1998 |
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Site Construction, South London Gallery, London |
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1998 |
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Kunsthalle Bielefeld, Germany, (solo) |
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1998 |
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Kunstverein Freiburg, Germany, (solo) |
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1998 |
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Galerie Schipper & Krome, Berlin, (solo) |
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1998 |
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Galerie Monica de Cardenas, Mailand/Milan, Italy, (solo) |
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1998 |
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303 Gallery, New York (solo) |
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1997 |
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Centre d�Art contemporain de Vassiviere en Limousin, (solo) |
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1997 |
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Gallery Victoria Miro, London, (solo) |
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1997 |
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Monika Spr�th Galerie, Cologne, Germany, (solo) |
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1997 |
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Shoshana Wayne Gallery, Los Angeles, (solo) |
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1997 |
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Positionen künstlerischer Photographie in Deutschland nach 1945, Martin-Gropius-Bau/Berlinische Galerie, Berlin |
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1997 |
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The Spiral Village, Bonnefanten Museum, Maastricht, The Netherlands |
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1997 |
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Broken Home, Greene Naftali Gallery, New York |
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1997 |
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Making it real, ICI/the Aldrich Museum of Contemporary Art, Ridgefield Conneticut a. o. (touring) |
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1997 |
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Defamillar, Regen Projects, Los Angeles |
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1997 |
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The Set-Up: Demand, Crewdson, Morimura, Galerie Barbara Farber, Amsterdam |
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1997 |
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Une Minute Scenario, Le Printemps de Cahors/Fondation Cartier, Cahors |
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1997 |
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Transit, �cole nationale sup�rieure des beaux-arts�, Paris |
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1997 |
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Demand/Ketter, Galerie Peter Kilchmann, Zurich, Switzerland |
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1997 |
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Elsewhere at the Carnegie Museum of Art in Pittsburgh |
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1996 |
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New Photography at the Museum of Modern Art, New York |
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1996 |
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Radical Images, Joanneum, Steir. Landesmuseum, Graz, Austria |
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1996 |
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Fotografia nell�arte tedesca contemporanea, Galleria Gian Ferrari, Milan, Italy |
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1996 |
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Ritratti di Interno, Studio la Citta Verona, Italy |
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1996 |
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Prospect �96, Kunstverein Frankfurt, Frankfurt/M, Germany |
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1996 |
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Passion privee, Musee d�art moderne de la ville de Paris, Paris, France |
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1996 |
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Raumbilder-Bildr�ume, Museum Folkwang, Essen |
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1996 |
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Campo 6: The Spiral Village, Galleria Civica d�arte contemporanea Torino, Turin, Italy |
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1996 |
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New Photography, Museum of Modern Art, New York |
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1996 |
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Max Protech Gallery, New York, (solo) |
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1996 |
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Galerie Tanit, Munich (solo) |
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1996 |
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Galerie de l�ancienne Poste, Calais (solo) |
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1992 |
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Galerie Tanit. Munich, Germany - first solo exhibition |
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Literature |
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2005 |
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Roxana Marcoci, Thomas Demand, MoMA, Thames & Hudson |
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2005 |
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Zwischen Wirklichkeit und Bild: Positionen deutscher Fotografie der Gegenwart, The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Marugame Genichiro-Inokuma Museum of Contemporary Art |
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2005 |
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William Feaver, ARTNews, Thomas Demand – Victoria Miro, September 2005 |
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2005 |
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Brian Dillon, FT Magazine, Object Lessons, June 2005 |
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2005 |
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Isabelle Schiavi, Pluk, Thomas Demand, Issue 25, July/August 2005 |
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2005 |
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Martin Coomer, Time Out, Thomas Demand, 22 – 29 June 2005 |
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2005 |
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Adrian Searle, Guardian, The devil in the detail, 21 June 2005 |
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2005 |
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Charles Darwent, Independent, Here’s a few he made earlier, 19 June 2005 |
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2005 |
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Pepe Karmel, Art in America, The Real Simulations of Thomas Demand, June/July 2005 |
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2005 |
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Martha Schwendener ,Time Out, Paper Trail, March 3-9 2005 |
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2005 |
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ArtReview, Neville Wakefield, Sites Unseen, February 2005 |
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2005 |
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Andrea Bellini, Flash Art, Thomas Demand: Limited Moves But Unlimited Possibilities, May/June 2005 |
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2005 |
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Michael Kimmelman, New York Times, Painterly Photographs of a Slyly Handmade Reality, March 4 2005 |
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2005 |
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Michael Fried, Artforum, Without a Trace, March 2005 |
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2004 |
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Bart Lootsma, Douglas Fogle, Helmut Friedel, Ed. Susanne Böller, Thomas Demand, b&k+ - catalogue to accompany the German contribution to 26th São Paulo Biennial, Walther König, Cologne |
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2004 |
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Sculptural Sphere, Martin Boyce, Thomas Demand, Mark Manders, Manfred Pernice, Liisa Roberts, Lisa Roberts, Tom Sachs, Kunstverlag Ingvild Goetz, Munich |
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2004 |
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Ralph Rugoff and Julia Franck. Phototrophy, Kunsthaus Bregenz, Bregenz |
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2003 |
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Jörg Heiser, Pulp Fiction, frieze, issue 73, March |
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2003 |
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Rebecca Sonkin, Minister of the Interior, Art + Auction, September |
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2003 |
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Anders Kold, Kopimageren I Invalidenstrasse, Louisiana Magasin, October |
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2003 |
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Nancy Spector, James Rondeau, Michael Rush, Imperfect Innocence. The Debra and Dennis Scholl Collection, Contemporary Museum, Baltimore and Palm Beach Institute of Contemporary Art, Lake Worth, Florida |
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2003 |
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Bartomeu Mari & Chia Chi Jason Wang, 2002 Taipei Biennial, Great Theatre of the World, Taipei Fine Arts Museum |
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2002 |
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Susanne Gaensheimer, Jeffrey Eugenides, Collier Schorr, Neville Wakefield, Thomas Demand, Schirmer/Mosel, Städtische Galerie im Lenbachhaus München, Louisiana Museum of Modern Art, Humlebaek |
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2002 |
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Marcella Beccaria, Thomas Demand, Castello di Rivoli Museo d’Arte Contemporanea |
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2002 |
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Yilmaz Dziewor, andere räume, other spaces, Kunstverein in Hamburg, Hamburg |
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2002 |
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Kyle MacMillan, Artforum, Thomas Demand at Aspen Museum, April, 2002 |
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2002 |
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Holger Liebs, Future Demands, frame, April/May,2002 |
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2001 |
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Phillippe Nolde, Les espaces improbables de Thomas Demand, Beaux Arts Magazine, January, 2001 |
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2001 |
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Camille Morineau, images de soupçon: photographies de maquettes. The Empty Image, artpress, 264, January, 2001 |
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2001 |
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Dodie Kazanjian, People are Talking about.... in demand. Artist Thomas Demand rides the new wave of German photography, American Vogue, March, 2001 |
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2001 |
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Jenni Sorkin, Thomas Demand, 303 Gallery, New York, frieze, issue 60, June, July, August 2001 |
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2001 |
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Adrian Searle, Andreas Ruby, Jörg Heiser, Parkett,Edition 62, with Tacita Dean and John Wesley, 2001 |
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2001 |
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Paul Schimmel etc., Public Offerings, Museum of Contemporary Art, Los Angeles and Thames & Hudson, London |
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2001 |
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Holger Liebs, Yilmaz Dziewior, Ulrike Schneider, Thomas Demand, Sprengel Museum, Hannover, June |
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2001 |
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Dean Sobel, Lars Lerup, Thomas Demand, Aspen Art Museum, Aspen in collaboration with De Appel, Amsterdam |
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2001 |
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Francesco Bonami, Thomas Demand con Caruso St John architetti a Palazzo Pitti, Pagliai Polistampa |
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2001 |
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Thomas Seelig, Urs Stahel, Martin Jaeggi, Trade, Commodities, Communication and Consciousness, Fotomuseum Wintherthur/Scalo, Zürich |
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2000 |
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Toby Kamps, Ralph Rugoff, Small World, Dioramas in Contemporary Art, Museum of Contemporary Art, San Diego |
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2000 |
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Peter Pakesch, Isabel Zürcher, Deep Distance, Die Entfernung der Fotografie, Kunsthalle Basel |
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2000 |
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Kjeld Kjeldsen etc., Vision og Virkelighed (Vision and Reality) , Louisiana Museum of of Modern Art, Denmark |
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2000 |
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Francesco Bonami,Régis Durand Thomas Demand, French version, Fondation Cartier pour l’art contemporain, Paris/Actes Sud, Arles, English version Fondation Cartier pour l’art Contemporain/Thames & Hudson, London, New York |
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2000 |
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Nancy Princethal, Paper Chases, art/text, No. 67, Nov 1999 - Jan 2000 |
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2000 |
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Jenni Sorkin, The Carnegie International, Art Monthly, No. 232, Dec 99-Jan 00 |
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2000 |
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Martha Schwendener, Thomas Demand. Foggy Intersection of Photography and Truth, Flash Art, October, 2000 |
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2000 |
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Charles Darwent, Seeing double in a world made of paper, The Independent on Sunday, 3 December, 2000 |
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2000 |
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William Packer, A demanding opposition, The Financial Times, Visual Arts, Paris, 12, December, 2000 |
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2000 |
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Sarah Kent, Space is the place, Two German artists furnish an epic Hoxton gallery, Time Out, December 13-20, 2000 |
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2000 |
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Andrew Mead, Sets without an actor, Thomas Demand, the architects’ journal, 21 December, 2000 |
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1999 |
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1999 Kathrin Becker etc., Can you hear me? 2nd Ars Baltica Triennale of Photographic Art, Oktagon Verlag, Germany, 1999 |
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