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Biography |
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1954 |
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Born in Manchester |
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1972 - 1973 |
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Lanchester Polytechnic, Coventry |
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1973 - 1976 |
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Cardiff College of Art, BA(hons) 1st Class |
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1976 - 1978 |
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Slade School of Fine Art, Higher Degree in Fine Art |
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1991 - 1992 |
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Churchill College Cambridge / Kettle's Yard Artist in Residence |
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Exhibitions |
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2008 |
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Paul Winstanley ‘Survey’ 1990-2007 Artspace, Auckland, N.Z. (solo) |
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2006 |
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Vera Munro, Hamburg (solo) |
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2005 |
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‘Homeland’, Kerlin Gallery, Dublin (solo) |
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2005 |
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1301PE, Los Angeles (solo) |
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2004 |
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Gallery Vera Munro, Hamburg (solo) |
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2003 |
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Maureen Paley, Interim Art (solo) |
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2003 |
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4 ever Young, Sommer Contemporary Art Tel-Aviv |
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2002 |
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Watery, Domestic, The Renaissance Society, Chicago |
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2002 |
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Eight New Paintings, Kerlin Gallery, Dublin |
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2002 |
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Ten Years, Galerie Andreas Binder, Munich |
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2002 |
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Painted, Printed and Produced in Great Britain, Grant Selwyn Fine Art, New York |
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2002 |
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Beyond Barbizon, Elias Fine Art, Allston, Massachusetts |
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2002 |
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Illumination, Marvelli Gallery, New York |
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2002 |
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Landscape, British Council International Touring Exhibition, Casa Andrade Muricy, Curitiba, Brazil |
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2002 |
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Kerlin Gallery, Dublin (solo) |
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2002 |
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1301 PE projects and editions, Los Angeles (solo) |
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2001 |
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Melancholy, Northern Gallery for Contemporary Art, Sunderland Landscape, British Council International Touring Exhibition, Centro Cultural del Conde Duque,Madrid and touring to Sofia Municipal Gallery of Art, Bulgaria, Museu de Arte Contemporânes de Niterio, Rio de Janerio and Museu de Arte de São Paulo |
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2001 |
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Telling Tales: Narrative Impulses in Recent Art, Tate Liverpool |
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2000 |
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Maureen Paley Interim Art (solo) |
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2000 |
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Galerie Andreas Binder, Munich (solo) |
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2000 |
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1301PE, Los Angeles (solo) |
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2000 |
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The Wreck of Hope, Nunnery Gallery, London |
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2000 |
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Landscape, ACC Galerie, Weimar, Germany; House of Artists, Moscow, Russia; Peter and Paul Fortress, St Petersburg, Russia; Museum of Modern Art, Rome, Italy |
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1999 |
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Galerie Nathalie Obadia, Paris (solo) |
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1999 |
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Maureen Paley Interim Art, London (solo) |
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1999 |
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Paysages d'artistes, Fondation d'Art Contemporain Guerlain, Les Mesnuls, France |
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1999 |
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Go Away: Artists and Travel, Royal College of Art, London |
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1999 |
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Painting Pictures, Beaver College Art Gallery, Glenside, Philadelphia |
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1999 |
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I'm a Virgin, The Waiting Room, University of Wolverhampton |
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1998 - 1999 |
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Postcards on Photography, Cambridge Darkroom Gallery, Cambridge; John Hansard Gallery, Southampton; Site Gallery, Sheffield; Camerawork, London; Stills Gallery, Edinburgh |
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1998 |
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Still, Laurent Delaye Gallery, London |
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1998 |
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Made in London, Musea de Electricade, Lisbon |
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1997 - 1998 |
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Annexe, Art Now 12, Tate Gallery, London (solo) |
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1997 |
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Galerie Andreas Binder, Munich (solo) |
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1997 |
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Galerie Nathalie Obadia, Paris (solo) |
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1997 |
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C.R.G., New York (solo) |
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1997 |
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Interior, Maureen Paley Interim Art, London |
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1997 |
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Within These Walls, Kettle's Yard, Cambridge |
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1997 |
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John Moores Liverpool Exhibition 20, Walker Art Gallery, Liverpool |
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1997 |
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Longing, Galerie, Peter Kilchmann, Zurich |
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1996 |
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Maureen Paley Interim Art, London (solo) |
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1996 |
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ACE, Arts Concil Collection, Hayward Gallery, London and national tour |
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1996 |
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Inner London, Delphina Gallery, London |
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1995 |
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Crossroads, Herbert Read Gallery, KIAD, Canterbury; Wolsey Gallery, Ipswich; Centre d'Art Contemporain, Bruxelles, Belgium; FRAC Basse Normandie, Caen, France |
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1995 |
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C.R.G., New York (solo) |
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1995 |
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Galerie Nathalie Obadia, Paris (solo) |
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1994 |
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Maureen Paley Interim Art, London (solo) |
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1994 |
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On Painting, James Hockey Gallery, WSCAD, Farnham |
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1994 |
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Landscapes,Torino, Italy |
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1993 |
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Driven Landscapes, Camden Arts Centre, London (solo) |
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1993 |
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John Moores Liverpool Exhibition 18, Walker Art Gallery, Liverpool |
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1993 |
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Strictly Painting, Cubitt Street Gallery, London |
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1993 |
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Re-Present, Todd Gallery, London |
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1992 - 1993 |
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Paintings 1991-92, Kettle's Yard, Cambridge; Lancaster Gallery, Coventry; B.A.C., London; Plymouth Arts Centre, Plymouth. (solo) |
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1992 |
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Twelve Stars, Arts Council Gallery, Belfast; City Art Centre, Edinburgh; Barbican Centre, London |
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1992 |
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The Whitechapel Open, Whitechapel Art Gallery, London |
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1992 |
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British Painters, Harris Museum, Preston |
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1991 |
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Three Painters: Nicholas May, Nicholas Rule, Paul Winstanley,Maureen Paley Interim Art, London |
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1991 |
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Woodlands Arts Centre, London (solo) |
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1990 |
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Gallery Artists, Maureen Paley Interim Art |
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1989 |
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Whitechapel Open, Whitechapel Gallery, London |
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1989 |
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John Moores Liverpool Exhibition 16, Walker Art Gallery, Liverpool |
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1988 |
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Two Painters, FPA, Carlton House Terrace, London |
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1987 |
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Watermans Arts Centre, London (solo) |
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1987 |
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Six Visiting Artists, The Gallery, Falmouth School of Art |
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1986 |
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Printmaking Today, Barbican Centre, London and National Tour |
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1981 |
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Group of Four, Stavelot, Belgium |
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1981 |
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Aspects of Drawing, House Gallery, London |
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1980 |
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Group of Four, City University Gallery, London |
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1980 |
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Holborn Station Re-Design Project, Whitechapel Gallery, London |
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1979 |
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Riverside Studios, London (solo) |
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Literature |
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2005 Marguerite O’Molloy, The Village, 12th-18th February |
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2005 Cristin Leach, Sunday Times, Culture, 3rd April |
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2005 Aidan Dunne, The Irish Times, 6th April |
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2005 ‘Eyes Wide Open’, Billy Leahy, The Village, 2nd – 7th April |
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2003 ‘Utopia Remembered’, by Anthony Downey, Contemporary, No51, summer |
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2002 Jenifer Thatcher, Contemporary, November 2002 |
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2002 Billy Leahy, In Dublin, vol. 27, no. 19 Sept 26th – Oct 9th 2002 |
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2002 Aidan Dunne, The Irish Times, September 30th 2002 |
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