 |
|
Jessica Stockholder (American, 1959)
|
![Jessica Stockholder - [no title] (Mixed Media) h: 24 x w: 56 x d: 21 in / h: 61 x w: 142.2 x d: 53.3 cm](http://images.artnet.com/artwork_images/761/314954t.jpg) |
Jessica Stockholder
[no title] 2006
|
|
 |
Jessica Stockholder
2003
|
|
 |
Jessica Stockholder
2007
|
|
 |
Jessica Stockholder
2009
|
|
 |
Jessica Stockholder
Untitled 2009
|
|
 |
Jessica Stockholder
untitled 2009
|
|
|
Biography |
|
|
1959 |
|
Born in Seattle, WA |
|
|
1978 - 1979 |
|
The Camden School of Art, London, England; four month program |
|
|
1978 - 1979 |
|
University of British Columbia, Vancouver, BC, Canada; Fine Arts & academic course work |
|
|
1982 |
|
University of Victoria, Victoria, BC, Canada; BFA-1982 |
|
|
1983 - 1984 |
|
Yale University, New Haven, CT, painting; University of British Columbia, Vancouver, BC, Canada; Fine Arts & academic course work |
|
|
1984 - 1985 |
|
Yale University, New Haven, CT; sculpture, MFA-1985 |
|
|
1996 |
|
John Solomon Guggenheim Fellowship Award, Visual Art |
|
|
2001 |
|
August Seeling Preis, Freundeskreis Wilhelm Lehmbruck Museum e.V., Duisburg, Germany |
|
|
|
|
Currently Director of Graduate Studies in Sculpture at Yale University, New Haven, CT |
|
|
|
|
Lives & works in New Haven, CT |
|
|
Exhibitions |
|
|
2007 |
|
Jessica Stockholder, Galerie Thomas Schulte, Berlin (solo) |
|
|
2007 |
|
Connecticut Contemporary, Wadsworth Atheneum, Hartford, USA |
|
|
2007 |
|
Like Color in Pictures, AAM - Aspen Art Museum, Aspen, USA |
|
|
2007 |
|
Paint, Vancouver Art Gallery, Vancouver, Canada |
|
|
2007 |
|
Connecticut Contemporary, Wadsworth Atheneum, Hartford, USA |
|
|
2006 |
|
Jessica Stockholder, Susan Inglett Gallery, New York (solo) |
|
|
2006 |
|
Jessica Stockholder: Of Standing Float Roots in Thin Air, P.S.1 Contemporary Art Center - MoMA, New York (solo) |
|
|
2006 |
|
Jessica Stockholder, Mitchell-Innes & Nash, New York (solo) |
|
|
2006 |
|
Space Between, Galerie Nathalie Obadia, Paris (solo) |
|
|
2006 |
|
Jessica Stockholder, Kissing the Wall: Works, 1988-2003, Blaffer Art Gallery, University of Houston, Texas, Commissaires Terrie Sultan and Nancy Doll (cat.) (solo) |
|
|
2005 |
|
Air Padded Table Haunches, Art Unlimited, Basel |
|
|
2005 |
|
Kunsthallen Brandts Klaedefabrik, Odense, Denmark, survey exhibition (solo) |
|
|
2005 |
|
Sculpture and prints, Galleria Civica D’Arte Moderna e Contemporanea di Torino, Italy (solo) |
|
|
2005 |
|
Rawhide Harangue of Aching Indices As Told By Light, School of the Museum of Fine Arts, Boston, MA (solo) |
|
|
2005 |
|
Gallerie d’arte moderna e contemporanea, Torino, Palazzo Massari Ferrara (solo) |
|
|
2004 |
|
Sam Ran Over Sand or Sand Ran Over Sam, Rice University Art Gallery, Houston, Texas (solo) |
|
|
2004 |
|
New sculpture, Sable-Castelli Gallery, Toronto, Canada (solo) |
|
|
2004 |
|
Galleria Civica D’Arte Moderna e Contemporanea di Torino, Italy (solo) |
|
|
2004 |
|
GAM Torino, Italy (solo) |
|
|
2004 |
|
Rice University Art Gallery, Houston, Texas (solo) |
|
|
2004 |
|
Sable-Castelli Gallery, Toronto, Canada (solo) |
|
|
2004 |
|
Kunst Stoff, Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, Austria |
|
|
2003 |
|
Under Pressure:Prints from Two Palms Press, The Cooper Union School of Art, New York; |
|
|
2003 |
|
Gorney Bravin + Lee, New York, NY (solo) |
|
|
2003 |
|
TV Tipped Toe Nail & the Green Salami, Chelsea Art Museum, New York, NY (solo) |
|
|
2003 |
|
Galerie Rolf Ricke, Cologne, Germany (solo) |
|
|
2003 |
|
CAPC, Musée d’art contemporain de Bordeaux, France (solo) |
|
|
2003 |
|
Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (solo) |
|
|
2003 |
|
Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany (solo) |
|
|
2002 |
|
Baltic Art Center, Visby, Sweden, curated by Lynne Cooke (solo) |
|
|
2002 |
|
Galleria Raffaela Cortese, Milan, Italy (solo) |
|
|
2002 |
|
Art Downtown: New Photography, Wall St Rising, New York, NY |
|
|
2002 |
|
Print Publisher's Spotlight, Barbara Krakow Gallery, Boston, MA |
|
|
2002 |
|
Beyond the Pale: Material Possibilities, Neuberger Museum of Art, Purchase, NY |
|
|
2002 |
|
Under Pressure: Prints from Two Palms Press, University Gallery, University of Massachusetts, Amherst, MA |
|
|
2001 |
|
Camera Works, Marianne Boesky Gallery, New York, NY |
|
|
2001 |
|
American Art from Sammlung Goetz, Rudolfinum, Prague, Czech Republic |
|
|
2001 |
|
Prints & Multiples, Senior & Shopmaker Gallery, New York, NY |
|
|
2001 |
|
Objective Color, Yale University Art Gallery, New Haven, CT |
|
|
2001 |
|
Galerie Nächst St.Stephan,Vienna, Austria (solo) |
|
|
2001 |
|
Gorney Bravin + Lee, New York, NY (solo) |
|
|
2001 |
|
Galerie Nathalie Obadia, Paris, France (solo) |
|
|
2000 |
|
Vortex in the Play of Theatre with the Real Passion (for Kay Stockholder) and installation: Pictures at an Exhibition,
Kunstmuseum St. Gallen, St. Gallen, Switzerland (solo) |
|
|
2000 |
|
Bucknell Art Gallery, Bucknell University, Lewisburg, PA (solo) |
|
|
1996 |
|
Nott Memorial Art Museum Union College, Schenectady, NY |
|
|
1996 |
|
Tom Solomon's Garage, Los Angeles, CA |
|
|
1996 |
|
Studio la Città, Verona, Italy |
|
|
1995 |
|
Sweet for Three Oranges, Sala Montcada de la Fundacion 'la Caixa' Barcelona, Spain |
|
|
1995 |
|
Painting outside Painting: 44th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C. |
|
|
1995 |
|
Una nuova tradizione americana, Galleria Oddi Baglioni Rome, Italy |
|
|
1995 |
|
Re-Fab: Painting Abstracted, Fabricated, Contemporary Art Museum University of South Florida, Tampa, FL |
|
|
1995 |
|
Elena Sisto, Lisa Hoke, Jessica Stockholder, Dru Arstark Gallery, New York, NY |
|
|
1995 |
|
Color in Space: Pictorialism in Contemporary Sculpture, David Winton Bell Gallery, List Art Center Brown University, Providence, RI |
|
|
1995 |
|
New York - Positionen Aktueller Malerei, Studiogalerie Kunstverein Mus. Schloss Morsbroich Leverkusen, Germany |
|
|
1995 |
|
On Target, Horodner Romley Gallery, New York, NY |
|
|
1995 |
|
Jay Gorney Modern Art, Jay Gorney Modern, Art New York, NY |
|
|
1995 |
|
S.L. Simpson Gallery, Toronto, Canada |
|
|
1994 |
|
Country Sculpture, Installation: Ho, Le Consortium, Dijon, France |
|
|
1994 |
|
Unbound: Possiblities in Painting, Installation: Fa, Hayward Gallery, London, England |
|
|
1994 |
|
Pink Lady, Weatherspoon Art Gallery University of North Carolina, Greensboro, NC |
|
|
1994 |
|
Joan Snyder/Jessica Stockholder, Jay Gorney Modern Art, New York, NY |
|
|
1994 |
|
Reveillon '94, Stux Gallery, New York, NY |
|
|
1994 |
|
Joe's Garage, TZ'Art & Co. New York, NY |
|
|
1994 |
|
Ethereal Materialism, Apex Art, New York, NY |
|
|
1994 |
|
Symphonie en Sous-Sol, Galerie Renos Xippas, Paris, France |
|
|
1994 |
|
John Dunn, Adelheid Mers, Carla Preiss, Jessica Stockholder, John Dunn, Adelh, N.A.M.E. Gallery Chicago, IL |
|
|
1994 |
|
Information Service, Goethe House, New York, NY |
|
|
1994 |
|
Untitled, Postmasters Gallery, New York, NY |
|
|
1994 |
|
The Beauty Show, Four Walls, New York, NY |
|
|
1994 |
|
Don't Look Now, Thread Waxing Space New York, NY |
|
|
1994 |
|
The Little House on the Prairie, Marc Jancou Gallery, London, England |
|
|
1994 |
|
Balkenhal, Dunham, Gilliam, Hirst, McCaslin, Stockholder, Weinstein, Dunha, Baumgartner Galleries Washington, D.C. |
|
|
1994 |
|
Herr Schlelermachers Sista Dröm: Förställningar om Måleriet, Galerie Nordenhake Stockholm, Sweden |
|
|
1993 |
|
Testwall: Small 3 Dimensional Multiples, TZ'Art & Co. New York, NY |
|
|
1993 |
|
Galerie Nathalie Obadia, Paris, France |
|
|
1993 |
|
Jours Tranquilles à Clichy, Tennisport Arts, New York, NY |
|
|
1993 |
|
Ordnung und ZerStörung, Lothringer Strasse 13, Munich, Germany |
|
|
1993 |
|
The Good, the Bad, and the Ugly.. a Modest Proposal, Galerie Jousse Seguin Paris, France |
|
|
1993 |
|
John Good Gallery, New York, NY |
|
|
1993 |
|
Anniversary Exhibition, Daniel Weinberg Gallery, Santa Monica, CA |
|
|
1993 |
|
Mettlesome & Meddlesome: Selections from the Collection of Robert J. Schiffler, The Contemporary Arts Center, Cincinnati, OH |
|
|
1993 |
|
American Fine Arts, New York, NY |
|
|
1993 |
|
Simply Made in America, The Aldrich Museum of Contemporary Art, Ridgefield, CT |
|
|
1993 |
|
Galerie Ludwig, Galerie Ludwig Krefeld, Germany |
|
|
1993 |
|
Edge of Hothouse Glass, Galerie des Arènes, Carré d'Art Musée d'Art Contemporain de Nîmes, France |
|
|
1993 |
|
As Long as it Lasts, Installation: Ca, Witte de With Rotterdam, Netherlands |
|
|
1992 |
|
Sea Floor Movement to Rise of Fire Place Stripping, Kunsthalle Zürich Zürich, Switzerland |
|
|
1992 |
|
SpICE BOXed Project(ion), Galerie Metropol, Vienna, Austria |
|
|
1992 |
|
Flower Dusted Prosies, American Fine Arts Co. New York, NY |
|
|
1992 |
|
Growing Rock Candy Mountain - Grasses in Canned Sand, Westfälischer Kunstverein Munster, Germany |
|
|
1992 |
|
Transgressions in the White Cube: Territorial Mappings, Suzanne Lemberg Usdan Gallery, Bennington College, Bennington, VT |
|
|
1992 |
|
Cultural Fabrication, John Good Gallery, New York, NY |
|
|
1992 |
|
Women Artists not included in Documenta 9, Kunstlerhaus Stuttgart, Stuttgart, Germany |
|
|
1991 |
|
Peter Nadin and Jessica Stockholder, Warren Adelson Gallery, New York, NY |
|
|
1991 |
|
Outside America: Going into the 90s, Fay Gold Gallery, Atlanta, GA |
|
|
1991 |
|
1991 Biennial, Whitney Museum of American Art, Installation: Re, Whitney Museum of American Art New York, NY |
|
|
1991 |
|
UNTITLED Seepage: Sandwashed, Sundried & Shrinkwrapped, Ezra and Cecile Zikha Gallery, Center for Arts Wesleyan University, Middletown, CT |
|
|
1991 |
|
Skin Toned Garden Mapping, The Renaissance Society at the Univ. of Chicago Chicago, IL |
|
|
1991 |
|
Near Weather Wall; Making a Clean Edge II, Witte de With Rotterdam, Netherlands |
|
|
1991 |
|
Daniel Weinberg Gallery, Santa Monica, CA |
|
|
1991 |
|
Jürgen Meyer, Jessica Stockholder, Franz West, Christine Burgin Gallery New York, NY |
|
|
1991 |
|
American Artists of the Eighties, Palazzo delle Albere, Trento, Italy |
|
|
1991 |
|
Plastic Fantastic Lover (object a), Blum Helman Warehouse, New York, NY |
|
|
1991 |
|
Awards in the Visual Arts 10, Traveling Exhibit, Southeastern Center for Contemporary Art, Winston-Salem |
|
|
1991 |
|
Sculptor's Drawings, Paula Cooper Gallery, New York, NY |
|
|
1991 |
|
The Museum of Natural History, Barbara Farber Gallery, Amsterdam, Netherlands |
|
|
1991 |
|
Physicality: an Exhibition on Color Dimensionality in Painting, The Gallery, New York, NY |
|
|
1990 |
|
Daniel Weinberg Gallery, New York, NY |
|
|
1990 |
|
Information, Terrain, San Francisco, CA |
|
|
1990 |
|
Pop 90, Postmasters Gallery, New York, NY |
|
|
1990 |
|
Les Choix des Femmes, Le Consortium and L'Espace Frac et l'Usine, Dijon, France |
|
|
1990 |
|
Mary Heilmann and Jessica Stockholder, Isabella Kacprzak Gallery Cologne, Germany |
|
|
1990 |
|
Where it Happened, American Fine Arts, New York, NY |
|
|
1990 |
|
Stuttering, Stux Gallery, New York, NY |
|
|
1990 |
|
The Technological Muse, Katonah Museum of Art Katonah, NY |
|
|
1990 |
|
Contigent Realms, The Whitney Msueum of Art at Equitable Center, New York, NY |
|
|
1990 |
|
Detritus, Jack Tilton Gallery, New York, NY |
|
|
1990 |
|
Stendhal Syndrome: The Cure, Andrea Rosen Gallery New York, NY |
|
|
1989 |
|
Berkshire Art Association 1989 Exhibition of Painting and Sculpture, Berkshire Museum, Pittsfield, MA |
|
|
1989 |
|
American Fine Arts Company, New York, NY |
|
|
1989 |
|
A Climate of Site, Barbara Farber Gallery, Amsterdam, Netherlands |
|
|
1989 |
|
Galerie Xavier Hufkens, Brussels, Belgium |
|
|
1989 |
|
Mixing Food with the Bed, The Mattress Factory Pittsburg, PA |
|
|
1988 |
|
Indoor lighting for my father, Mercer Union Toronto, Ontario, Canada |
|
|
1988 |
|
Artists and Curators, John Gibson Gallery, New York, NY |
|
|
1987 |
|
It's not over 'til the fat lady sings, Contemporary Art Gallery Vancouver, Canada |
|
|
1985 |
|
Wall Sandwich, Installation, Melinda Wyatt Gallery, New York, NY |
|
|
1984 |
|
In-side Out, Art Culture Resource Center Toronto, Canada |
|
|
1982 |
|
No Title, Open Space Gallery Victoria, British Columbia, Canada (solo) |
|
|
Literature |
|
|
2003 |
|
Jessica Stockholder, Kissing the Wall: Works, 1988-2003 Copyright 2003 by Blaffer Gallery |
|
|
2003 |
|
Cohen, David. Arts & Letters: Gallery-Going, in: The New York Sun, 5 Nov; p. 15 |
|
|
2003 |
|
Smith, Roberta. Review: Jessica Stockholder, in: The New York Times, 31 October; p.E41 |
|
|
2003 |
|
Yablonsky, Linda. Art Reviews: Jessica Stockholder, in:Time Out New York, 23 – 30 October; p. 79 |
|
|
2003 |
|
Dannatt, Adrian. Contemporary Commercial Galleries: Jessica Stockholder Table Top Sculpture, No. 140, October; p. 3 |
|
|
2003 |
|
Tumlir, Jan. Trespassing: Houses x Artists, in: Frieze, Summer; p. 120 |
|
|
2003 |
|
Yablonsky, Linda. Even the Kitchen Sink, in: ARTnews, May; pp. 136-139, cover |
|
|
2002 |
|
Strati, Maria Cristina. Stockholder at Raffaella Cortese, Arte & Critica, nr. 30/31 |
|
|
2001 |
|
Mitchell, Charles Dee. Making the Case for Pleasure, in: Art in America, November; pp.122-129 |
|
|
2001 |
|
Schjeldahl, Peter. Desert Songs: A Maverick biennial in Santa Fe, in: The New Yorker, 13 August. |
|
|
2001 |
|
Rush, Michael. Santa Fe, Searching for the Meaning, in: The New York Times, 8 July; p.AR 31 |
|
|
|
|
return to artnet.com