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Udomsak Krisanamis (Thai, 1966)
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Udomsak Krisanamis
Bottom of the Ocean 2008
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Udomsak Krisanamis
Bugg Superstar 2004
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Udomsak Krisanamis
I'm Qualified to Satisfy You 2002
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Udomsak Krisanamis
It's Time 2008
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Udomsak Krisanamis
Looks Like December 2008
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Udomsak Krisanamis
New Soul 2008
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Biography |
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1966 |
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Born in Bangkok, Thailand |
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1985 - 1989 |
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Chulalongkorn University, Bangkok, Thailand |
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1991 - 1993 |
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School of the Art Institute of Chicago |
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Lives and works in Bangkok |
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Exhibitions |
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2008 |
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Victoria Miro Gallery, London (solo) |
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2008 |
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‘Back to Black’. Kestnergesellschaft, Hanover, Germany |
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2007 |
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‘Very Abstract & Hyper Figurative’, Thomas Dane Gallery, London |
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2007 |
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‘Inwords’ the UNIVERSITY MUSEUMS of the University of Delaware |
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2007 |
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Galerie Giti Nourbakhsch, Berlin, Germany (solo) |
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2007 |
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Gavin Brown’s enterprise (solo) |
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2006 |
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VER Gallery, Bangkok,Thailand (solo) |
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2006 |
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Kenneth L. Fried Collection of Contemporary Art, Lambertville, New Jersey |
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2006 |
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‘Dereconstruction,’ Barbara Gladstone Gallery, New York curated by Matthew Higgs |
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2006 |
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‘Infinite Painting,’ Villa Manin Centre for Contemporary Art, Codroipo. Italy |
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2005 |
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Gallery Side 2, Tokyo, Japan (solo) |
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2005 |
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‘Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper,’ Andrea Rosen Gallery |
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2005 |
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‘Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo,’ curated by Franceso Bonami, Turin, Italy |
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2004 |
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Giti Nourbakhsch Gallery, Berlin (solo) |
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2004 |
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Victoria Miro Gallery, London (solo) |
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2004 |
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‘Keep Your Head to the Sky,’ Gavin Brown’s enterprise, New York |
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2003 |
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‘Inaugural Group Exhibition,’ Gavin Brown’s enterprise, New York |
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2003 |
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‘1st Gold NMAC Artists Tournament’, Fundacion NMAC, Spain |
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2003 |
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‘Painting Pictures’, Kunstmuseum Wolfsburg, Wolfsburg |
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2003 |
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‘20th Anniversary- Welcome home,’ Gavin Brown’s enterprise, New York |
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2003 |
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Kunsthalle Basel, Basel (cat.) (solo) |
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2002 |
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Massimo de Carlo, Milan (solo) |
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2002 |
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Gavin Brown’s enterprise, New York (solo) |
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2002 |
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‘The Longest Winter,’ University Galleries, Florida Atlantic University, Boca Raton, FL |
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2002 |
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‘Pertaining to Painting’, Contemporary Arts Museums, Austin Museum of Art, Austin |
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2002 |
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‘Hard To Read,’ Center for Curatorial Studies Museum, Bard College, NY, curated by Feng Liu |
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2002 |
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‘New Prints 2001/ Autumn’, IPCNY, New York |
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2001 |
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Victoria Miro Gallery, London, UK (solo) |
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2001 |
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‘The Mystery of Painting’, Sammlung Goetz, Munich, Germany (cat.) |
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2001 |
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‘Fresh: Recent Acquisitions’, Albright Knox Art Gallery, Buffalo, NY |
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2001 |
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‘Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London |
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2001 |
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‘Painting at the Edge of the World’, Walker Art Center, Minneapolis |
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2000 |
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Gavin Brown's enterprise, New York, NY (solo) |
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2000 |
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Wexner Center for the Arts, Columbus, OH (solo (solo) |
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2000 |
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Gallery Side 2, Tokyo, Japan (solo) |
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2000 |
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Galleria Massimo di Carlo, Milano, Italy |
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2000 |
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'Spot On', Victoria Miro Gallery, New York, NY |
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2000 |
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'Greater New York', P.S.1, Long Island City, NY |
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1999 |
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'Examining Pictures', Whitechapel Art Gallery, London, UK (cat.) |
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1999 |
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Nach-Bild', Kunsthalle Basel, Basel, Switzerland (curated by Peter Pakesch - catalogue) |
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1999 |
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'Zone (Espèces d'Espaces)', Palazzo Re Rebaudengo, Guarene d'Alba, Italy (curated by Francesco Bonami) |
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1999 |
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Il Capricorno, Venice, Italy (solo) |
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1999 |
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Fruitmarket Gallery, Edinburgh, Scotland (with Peter Doig) (solo) |
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1999 |
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Marc Foxx Gallery, Los Angeles, CA (solo) |
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1998 |
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Arnolfini Gallery, Bristol, UK (with Peter Doig) (solo) |
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1998 |
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Gavin Brown's enterprise, New York, NY (solo) |
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1998 |
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Micheline Szwajcer, Antwerp, Belgium (solo) |
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1998 |
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'Every Day ', 11th Biennale of Sydney, Australia |
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1998 |
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Project 63, Museum of Modern Art, New York, NY |
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1998 |
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'A to Z', The approach, London, UK (curated by Matthew Higgs) |
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1998 |
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'Lovecraft', South London Gallery, London, UK (curated by Martin McGeown and Toby Webster) |
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1998 |
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'Exterminating Angel', Galerie Ghislaine Hussenot, Paris, France (curated by Joshua Decter) |
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1997 |
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Henry Art Gallery, University of Washington, Seattle, WA (solo) |
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1997 |
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Victoria Miro Gallery, London, UK (solo) |
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1997 |
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'Essential Gestures', Johnson County Community College Gallery of Art, .Overland, KS |
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1997 |
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'Lovecraft', Centre for Contemporary Arts, Glasgow, Scotland |
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1996 |
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'Site-Santa Fe', Santa Fe, NM (curated by Francesco Bonami) |
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1996 |
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'Drawings for the Mab Library', AC Project Room, New York, NY |
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1996 |
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'Tangles', Otis Gallery, Otis College of Art & Design, Los Angeles, CA |
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1996 |
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Gavin Brown's enterprise, New York, NY |
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1996 |
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'Screen', curated by Joshua Decter, Frederich Petzel Gallery, New York, NY |
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1996 |
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Gavin Brown's enterprise, New York, NY (solo) |
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1996 |
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Marc Foxx Gallery, Santa Monica, CA (solo) |
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1995 |
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Marc Foxx Gallery, Santa Monica, CA |
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1995 |
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Gavin Brown's enterprise, New York, NY |
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1994 |
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260 Washington Ave, Brooklyn NY (solo) |
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1993 |
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"inconsequent", Natalie Rivera, New York, NY |
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1993 |
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MFA Thesis Show, School of the Art Institute of Chicago, Chicago, IL |
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1993 |
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Gallery 2, Chicago, IL |
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1991 |
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215 Willoughby Ave, Brooklyn, NY (solo) |
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1990 |
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Goethe Institute, Bangkok, Thailand (solo) |
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1989 |
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"Bring Good Thing to Life", Toshiba Thailand Co., Ltd., Bangkok, Thailand |
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1989 |
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13th Bua Luang Exhibition of Painting, Bangkok Bank, Bangkok, Thailand |
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1989 |
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Contemporary Art Exhibition, Thai Farmers Bank, Bangkok, Thailand |
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Literature |
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2007 |
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Winn, Lance, “InWords: The Art of Language,” published by University of Delaware |
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2006 |
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Goodbody, Bridget L., Review, The New York Times, February 2, p. E35 |
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2006 |
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Higgs, Matthew, “Dereconstruction,” published by Gladstone Gallery, New York, NY |
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2004 |
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Bell, Kirsty, Contemporary, Issue No. 58, February, pp. 79-81 |
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2003 |
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Pakesch, Peter; Vegh, Christina; Bell, Kirsty , “Udomsak Krisanamis,” published by Kunsthalle Basel, Basel |
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2002 |
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Knode, Marilu, Vitamin P, Phaidon Press, London, pp. 182-183 |
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2002 |
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Bell, Kirsty, “Art Now,” published by Taschen, editaed by Uta Grosenick and Burkhard Riemschneider, Koln |
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2001 |
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Thiel, Wolf Gunter, ‘Signs of Meaning and signs of Effect. The Work of Udomsak Krisanamis’ in The Mystery of Painting, Sammlung Goetz, Munich, pp. 100-114 |
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2001 |
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“Loose,” Arena + Homme (ill.), Spring/Summer, p. 252 |
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2001 |
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Stern, Steven, “The Story of O”, Frieze, April, pp. 70-73 |
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2001 |
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Periz. Ingrid, review, Art News, November |
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2001 |
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Soonthornsawad, Jay-Noppanat, “Zero,” WC Magazine, p. 93 |
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2000 |
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Avgikos, Jan, review, Artforum, November, p.154 |
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2000 |
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Daily, Meghan, “Udomsak Krisanamis”, Time Out New York, September 21-28, p.69 |
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2000 |
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Smith, Roberta, “Udomsak Krisanamis, The New York Times, Friday, September 29 |
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1999 |
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Tiravanija, Rirkrit, “Dusk”, Nach-Bild (cat.), p. 56-57 |
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1999 |
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Lee, Margaret Juhae, “From op-ed to op art”, ARTnews, March, p. 122 |
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1998 |
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Swenson, Ingrid, "Udomsak Krisanamis", Everyday: The 11th Biennale of Sydney, Sydney, Australia, p. 142 (cat.) |
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1998 |
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Higgs, Matthew, "Udomsak Krisanamis", Cream: Contemporary art in culture, Phaidon Press, London, UK, p. 236 |
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1998 |
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Chapman, Jake, "From Dawn till Dusk: Peter Doig and Udomsak Krisanamis", Peter Doig / Udomsak Krisanamis, Arnolfini, Bristol, UK (cat.) |
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1998 |
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Hunt, Ian, "Night's thousand eyes", Peter Doig / Udomsak Krisanamis, Arnolfini, Bristol, UK (cat.) |
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1998 |
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Kino, Carol, "Op 'til you drop", Time Out New York, June 25-July 2, p.57 |
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1998 |
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Saltz, Jerry, Review, Time Out New York, June 1998 |
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1998 |
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Tone, Lilian and Umland, Anne ,"In your Eye”, projects 63, MOMA brochure, May |
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1998 |
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Cotter, Holland, "Chelsea-The New Center of Gravity", The New York Times, May 15, Art Review |
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1998 |
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Dee Mitchell, Charles, Art in America, November, p.47 Currah, Mark, Review, Time Out, February 10, p. 30 |
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1998 |
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catalogue, 'Truce', Site Santa Fe, Santa Fe, NM |
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1998 |
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Thorson, Alice, “New Realities of Abstraction”, Kansas City Star, November 30 – December 7 |
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1998 |
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Ostrow, Saul, ‘Essential Gestures’, Johnson County Community Museum, November 9 – December 21. |
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1997 |
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Pagel, David, "Isolated Concept", Los Angeles Times, February 1, p. F3 |
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1997 |
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Smith, Roberta, Review, The New York Times, February 2, p. C26 |
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1997 |
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Schjeldahl, Peter, "Screenery", Village Voice, February 13, p.77 |
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1997 |
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Perchuk, Andrew, Review, Artforum, April, p. 107 |
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1997 |
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Smith, Roberta, "Enter Youth, Quieter and Subtler", The New York Times, May 17, p. C1 |
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1995 |
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Pagel, David, "New Testament' Puts Words to the Test”, Los Angeles Times, August 10, p. F8 |
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