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Biography |
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1960 |
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Born in 1960, in England; lives and works in London. |
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1980 - 1984 |
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Central St. Martin's School of Art, BA Fine Art Film (1st Class Honors) |
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1987 - 1989 |
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Les Entrepreneurs de L’Audiovisuel European (EAVE), Brussels (Post-Doctoral) |
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SELECTED AWARDS |
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1991 Semaine de la Critique Prize, Young Soul Rebels, Cannes Film Festival |
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1993 John McKnight International Artist Award, Minneapolis, Minnesota |
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1995 Rockefeller Humanities Fellowship Award, New York University, Centre for Media, Culture and History |
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1996 Wexner Museum Fine Arts International Artist Award, Columbus, Ohio |
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1997 Pratt and Whitney Canada Grand Prize, 15th International Festival of Films on Art for Frantz Fanon, Black Skin White Mask |
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1998 Andy Warhol Foundation Award, USA |
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1998 Jerome Foundation Award, USA |
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1999 Art Pace, International Artist in Residence, San Antonio, Texas |
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2001 The McDermott Award, MIT Cambridge Massachusetts |
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2002 Eyebeam’s Moving Image Commission program, Artist in Residence, New York, USA |
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2002 Ford Foundation Commission, New York, USA |
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2002 Bohen Foundation Commission, New York, USA |
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2002 Frameline Lifetime Achievement Award, San Francisco, USA |
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2003 6th Festival International de Cortometraje y Cine Alternativo de Benalmadena (ficcab), Prize for outstanding career in cinematography, Benalmadena |
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2003 Grand Jury Award, KunstFilmBiennale, Cologne, Germany |
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2003 Surrey Institute of Art and Design, Honorary Degree, Master of Arts |
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2005 Aurora Award, Aurora Picture Show, Houston Texas, USA |
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SELECTED SCREENINGS/FESTIVALS |
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2008 Berlin Film Festival, Berlin, Germany |
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2008 Derek, Sundance Film Festival, Park City, Utah |
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2006 Baltimore, Kino Eye Festival, Antwerp, Belgium |
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2006 Looking for Langston, 20th Gay and Lesbian Festival, London |
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2006 True North (single screen) and Fantôme Afrique (single screen), Sundance Film Festival, Park City, Utah |
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2005 Paradise Omeros, Baltimore and True North, Locarno International Film Festival, Locarno, Switzerland |
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2005 Three and Long Road to Mazatlan, Outfest, Los Angeles |
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2005 Territories, Looking for Langston, and Franz Fanon: Black Skin White Mask, Museum Ludwig, Cologne |
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2005 Three, Long Road to Mazatlan, Vagabondia and Paradise Omeros, La Rochelle, France |
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2004 Baadasssss Cinema, ZKM Fate of Alien Mides, Germany |
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2004 Baltimore (Single Screen), KunstFilmBiennale tour of Latin America: Sao Paulo, Rio de Janeiro and Buenos Aires |
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2004 Frantz Fanon, Åarhus Festival of Contemporary Art, Denmark |
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2004 The Long Road to Mazatlan, Pink Screens, Brussels, Belgium |
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2004 Frantz Fanon, Dakar Biennale, Senegal, May |
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2004 Baltimore and Paradise Omeros, Jeonju International Film Festival, Korea |
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2004 Paradise Omeros, Be-bop Sessions Festival, Exeter |
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2004 Paradise Omeros. Museé du Louvre, Paris |
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2004 Baltimore (triple screen version) Berlin Biennale 04, Germany |
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2004 Artist in Focus at Rotterdam Film Festival, showing Baltimore (single screen) Paradise Omeros (single Screen, Vagabondia (single screen), The Long Road to Mazatlan (single screen) |
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2003 The Attendant, Tate Liverpool, Liverpool, 27 November |
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2003 Frantz Fanon, Contemporary Art Museum, St. Louis, Missouri |
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2003 Paradise (single screen version), Raindance Film Festival/Dazed & Confused, London |
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2003 Baltimore (single screen version), KunstFilmBiennale, Cologne, Germany |
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2003 Territories, A Century of Artists’ Film in Britain, Tate Britain, London |
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2003 Vagabondia, The Long Road to Mazatlan, Baadasssss Cinema, Three, The Attendant, Looking for Langston, MOMA, New York |
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2003 Baadasssss Cinema, The Jeonju International Film Festival, Korea |
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2002 The Attendant, Nuit Blanche/Nuit Video, Paris |
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2003 Three, Electromediascope, The Nelson-Atkins Museum of Art, Kansas |
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2002 Paradise Omeros, Vagabondia, The Long Road to Mazatlan, Three, The Attendant, Territories Brief Encounters Film Festival, Arnolfini, Bristol |
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2002 The Long Road to Mazatlan, The Attendant, Three, Looking for Langston, Contemporary |
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2002 Film and Video, Moderna Museet, Stockholm. Touring to: Borås Kunstmuseum, Sweden (12th Sept) and Platform Garanti Contemporary Art Center, Istanbul (27th Sept) |
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2002 Franz Fanon: Black Skin, White Mask Malmö Film Festival, Sweden |
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2002 Paradise Omeros, Tate Britain |
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2002 Looking for Langston, The Attendant, Trussed, Vagabondia, Future Past of Visual Culture, Tate Britain |
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2002 Looking for Langston, The Long Road Mazatlan, Fierce & Warwick Arts Centre |
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2001 Isaac Julien Film Retrospective, Neue Galerie, Graz, Austria |
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2001 Umeå Film Festival, Bildmuseet, Sweden |
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2000 Franz Fanon: Black Skin, White Mask, Looking for Langston, The Attendant Künslterhaus, Stuttgart |
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2000 Three, International Film Festival Rotterdam |
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2000 Three, Lesbian and Gay Film Festival, London |
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INSTALLATIONS |
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2005 Fantôme Afrique, Triple screen projection, 16mm colour film, DVD transfer. 5.1 Sound. 17 mins |
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2005 Fantôme Créole, Four screen projection, 16mm colour film, DVD transfer. 5.1 Sound. 23.27 mins |
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2004 True North, Triple screen projection. 16 mm black&white/colour film, DVD transfer. Sound. 14.20 min |
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2003 Baltimore, Triple screen projection. 16mm black&white/colour film, DVD transfer. Sound. 11.36min. |
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2002 Paradise Omeros, Triple screen projection. 16mm black&white/colour film, DVD transfer. Sound. 20.29 min. |
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2000 Vagabondia, Double screen rear projection. 16mm, colour film, video transfer. Sound.7min |
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1999 Long Road to Mazatlan, Triple screen rear projection. 16mm, sepia/ colour film, video transfer.Sound.20min |
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1999 Conservators Dream, Triple screen projection. 16mm, sepia/ colour film, video transfer. Sound. 6 min |
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1999 Three, Single screen projection.16mm, sepia/ colour film, sound 20min |
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1997 Fanon SA, Double screen projection. 16mm, colour film, video transfer. Sound. 12 min. (3 x looped sequence) |
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1996 Trussed, Double screen projection, 16mm, black & white film, video transfer. Sound. 10 min |
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1995 Cartooned Life, Series of seven photographs, linotronic print |
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FILMOGRAPHY (selected) |
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2007 Derek |
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2005 Fantôme Afrique, (single screen), 16mm colour film, DVD transfer. Sound. 17.09 min |
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2004 Encore II (Radioactive), 16 mm, Super 8 / Digital Betacam, 3 min |
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2004 True North, (single screen), 16mm black & white/ colour film, DVD transfer. Sound. 14.20 min |
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2003 Baltimore, (single screen), 16mm black & white/ colour film, DVD transfer. Sound. 12.43min |
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2002 BaadAsssss Cinema ,DVD 56 min |
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2002 Paradise Omeros, (single screen),16mm black&white/colour film, DVD transfer. Sound. 18.51min |
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2000 Vagabondia, 2000,16mm, colour film, video transfer. Sound.7min |
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1999 Long Road to Mazatlan, 16mm, sepia/colour film, video transfer.Sound.20min |
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1999 The Conservators Dream, 16mm, sepia/colour film, video transfer. Sound. 4 min |
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1999 Three, 1999, 35mm, sepia/colour film. Sound. 14 min |
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1996 Frantz Fanon, Black Skin White Mask, 35mm, colour film. Sound 73 min |
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1995 That Rush!, 1995, 16mm, colour film, video transfer. Sound. 7 min |
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1994 The Darker Side of Black, 1994 , 16mm, colour film. Sound. 59 min |
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1993 The Attendant, 1993, 35mm, colour film. Sound. 10 min |
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1991 Young Soul Rebels, 35mm, colour film. Sound. 105 min |
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1989 Looking For Langston, 16mm, black & white film. Sound 40 min |
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1987 This is Not an AIDS Advertisement, Super 8 colour film, video transfer. Sound 14 min |
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1986 The Passion of Remembrance, 16mm, colour film. Sound 95 min |
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1984 Territories, 1984,16mm, colour film. Sound. 25 min |
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COLLECTIONS |
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Centre Georges Pompidou, Paris, France |
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Solomon R. Guggenheim Museum, New York, USA |
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Tate Collection, London, UK |
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Hirshhorn Museum and Sculpture Garden, Washington DC, USA |
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Irish Museum of Modern Art, Dublin, Ireland |
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ArtPace, San Antonio, Texas, USA |
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Sammlung Goetz, Munich, Germany |
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Helga de Alvear, Madrid, Spain |
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Kiasma Museum of Contemporary Art, Helsinki, Finland |
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MUSAC, Léon, Spain |
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Deutsche Bank Art Collection, Frankfurt, Germany |
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Government Art Collection, London, UK |
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ACADEMIC POSTS AND TRUSTEESHIPS (selected) |
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Visiting lecturer at Hochschule für bildende künste Hamburg |
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Visiting lecturer Ecole national supérieure des beaux-arts |
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Visiting lecturer at Universita degli Studi di Napolu, Italy |
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Visiting Mellon Professor of English at the University of Pittsburgh, Pennsylvania |
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Visiting lecturer at Harvard University |
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Visiting lecturer Whitney Museum of American Art’s Independent Study Programme |
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Research Fellow at Goldsmiths College University of London |
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Editorial Board of Critical Quarterly (Blackwell, Oxford) |
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Trustee of InIVA, London |
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Trustee of Art Pace Foundation, San Antonio |
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Trustee of Serpentine Gallery, London |
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Exhibitions |
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2008 |
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Brutal Beauty: Derek Jarman, Kunsthalle Zurich (solo) |
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2008 |
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Brutal Beauty: Derek Jarman, Kunsthalle Wien (solo) |
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2008 |
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Fantôme Afrique, University Art Museum, University of California Santa Barbara, Santa Barbara (solo) |
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2008 |
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Brutal Beauty: Derek Jarman, Serpentine Gallery, London (solo) |
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2008 |
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Western Union: Small Boats, Galeria Helga de Alvear, Madrid (solo) |
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2008 |
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Prospect 1 New Orleans, New Orleans |
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2008 |
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The 7th Gwangju Biennale, Korea |
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2008 |
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The Cinema Effect: Illusion, Reality and the Moving Image Part II: Realisms, Hirshhorn Museum, DC |
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2008 |
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Print the Legend, Fruitmarket Gallery, Edinburgh |
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2008 |
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Fiction Vs Realité, Calouste Gulbenkian Foundation, Lisbon Nov 07 |
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2007 |
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Wrestle, CCS Bard Hessel Museum, New York, USA (Trussed) |
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2007 |
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Video: An Art, A History 1965-2005, MCA Sydney, Australia (Baltimore) |
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2007 |
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Light, Camera, Action: Artists' Films for Cinema, Whitney Museum of American Art, New York, USA (The Attendant) |
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2007 |
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Turbulence: 3rd Auckland Triennial, St Paul Street Gallery, Auckland, New Zealand (True North) |
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2007 |
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Video: An Art, A History 1965-2005, ACMI, Melbourne, Australia (Baltimore) |
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2007 |
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Metro Pictures, New York (solo) |
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2007 |
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New Media Works from the Goetz Collection, Centre for Contemporary Art, Warsaw, Poland (Fantôme Créole) (solo) |
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2007 |
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Currents 99: Isaac Julien, St. Louis Art Museum, Missouri, USA (True North photographs) (solo) |
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2007 |
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Isaac Julien, True North, Roslyn Oxley9 Gallery, Sydney, Australia (True North) (solo) |
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2007 |
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The Secret Public. The Last Days of the British Underground 1978-1988, Institute of Contemporary Arts, London |
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2006 |
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Rethinking Nordic Colonialism – A Postcolonial Exhibition Project in Five Acts, Iceland, Greenland, The Faroe Islands, Sápmi, Denmark, Finland, Norway and Sweden (Looking for Langston) |
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2006 |
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KunstFilmBiennale Köln, KW Institute for Contemporary Art, Berlin (24 Sept – 4 Oct) |
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2006 |
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Video: An Art, A History 1965 – 2005 New Media Collection, Centre Pompidou, Miami Art Central, Miami, 20 September – 10 December 2006 (Baltimore) |
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2006 |
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Review, Magasin – Centre National d’Art Contemporain, Grenoble, France (Trussed) |
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2006 |
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Contemporary Commonwealth, ACMI, Melbourne, Australia (Paradise Omeros) |
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2006 |
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Message Personnel, Galerie Yvon Lambert, Paris |
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2006 |
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Speaking with Hands – Photographs from the Buhl Collection, Guggenheim Bilbao, Spain |
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2006 |
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Making History: Art and Documentary in Britain from 1929 to now, Tate Liverpool |
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2006 |
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Vidéodanse 2006, Centre Georges Pompidou, Paris |
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2006 |
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Isaac Julien, The Lab at Belmar, Denver, Colorado (Fantôme Afrique and related photos) (solo) |
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2006 |
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Isaac Julien, Kestnergesellschaft, Hannover (True North & Fantôme Afrique) (solo) |
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2006 |
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Isaac Julien, Brandström Stene, Stockholm (True North & Fantôme Afrique) (solo) |
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2006 |
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Isaac Julien: Looking for Langston, Metro Pictures, New York (solo) |
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2005 |
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Isaac Julien, Museum of Contemporary Art, Miami (solo) |
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2005 |
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Isaac Juilen, Victoria Miro Gallery, London (solo) |
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2005 |
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Isaac Julien, Irish Museum of Modern Art, Dublin (solo) |
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2005 |
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Isaac Julien, MAK Center, Los Angeles, USA (Photographic works) (solo) |
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2005 |
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Isaac Julien: Fantôme Creole, Centre Pompidou, Paris (True North + Baltimore) (solo) |
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2005 |
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Isaac Julien, Moderna Museet, Stockholm, Sweden (Paradise Omeros) (solo) |
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2005 |
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Isaac Julien, VIVO Open Air, São Paulo, Brazil (solo) |
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2005 |
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2nd Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China (Before Paradise prints) (18 November 2005 – 20 January 2006) |
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2005 |
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Temps de Vídeo, Fundació “La Caixa”, works from the collection of the Pompidou, Barcelona (27 September 2005 – 8 January 2006) |
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2005 |
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Emergencies, MUSAC, Léon, Spain (Paradise Omeros – single screen) (1 April) |
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2005 |
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25: Deutsche Bank 25th Anniversary Collection, Deutsche Guggenheim, Berlin (30 April – 19 June), traveling to Hara Museum, Tokyo, 25 March – 21 May 2006 |
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2005 |
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The Projected Image, Tate Modern, London (Encore: Paradise Omeros) |
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2005 |
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3’, Centro Galego de Arte Contemporánea, Spain (Encore II: Radioactive) (1 April – 30 May) |
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2005 |
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ShowCASe Contemporary Art for the UK, City Art Centre + Talbot Rice Gallery, Edinburgh (After Mazatlan) (22 January – 12 March) |
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2004 - 2005 |
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Experiments with Truth, The Fabric Workshop, Philadelphia, Penn. (Fanon SA) |
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2004 - 2005 |
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Utopia Station, Haus der Kunst München, Germany (7 Oct 2004 – 16 Jan 2005) (Lost Boundaries) |
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2004 - 2005 |
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Needful Things: Recent Multiples, Cleveland Museum of Art, Clevland Ohio (19 September 2004 – 2 January 2005) |
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2004 |
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Isaac Julien, GL Strand Kunstoreningen, Denmark. (Paradise Omeros, Vagabondia, Radioactive) (solo) |
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2004 |
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True North, Musee d'art contemporain de Montreal (+ Baltimore + Paradise Omeros) (solo) |
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2004 |
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Black Atlantic, House of World Cultures, Berlin. (True North+ Paradise Omeros) (solo) |
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2004 |
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Baltimore, The Contemporary, Baltimore (solo) |
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2004 |
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Baltimore and Baltimore Series, Galeria Helga de Alvear, Madrid (solo) |
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2004 |
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Paradise Omeros (with accompanying photo works), Three and Frantz Fanon, Museum Boijmans Van Beuningen, Rotterdam (solo) |
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2004 |
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Baltimore (with accompanying photo works), TENTCentrum Beeldende Kunst. Rotterdam (solo) |
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2004 |
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Baltimore (single screen version), Eyebeam, New York (solo) |
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2004 |
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3’ Schirn Kunsthalle Frankfurt,Germany.(Encore: Radioactive) |
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2004 |
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Spread in Prato, Drypoint Arte Contemporanea, Prato, Italy (Paradise photoworks) |
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2004 |
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DAK'ART 6eme Biennale de l'Art Africain Contemporain 2004: Nanook Cinema curated by Hans Ulrich Obrist. Frantz Fanon and single screen of Baltimore |
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2004 |
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Permanent Collection, Territories (1984) Pompidou February - December 2004 curated by Christine van Assche |
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2004 |
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Busan Biennale, Korea (Baltimore) |
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2004 |
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Deviant Bodies, CEPA Gallery. New York. (The Attendant) |
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2004 |
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Stranger Than Fiction, Leeds City Art Gallery, touring to: Tullie House Museum and Art Gallery, Carlisle, Aberystwyth Arts Centre, Usher Gallery, Lincoln, Nottingham Castle and Brighton Museum and Art Gallery |
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2004 |
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Whitney Biennial. Whitney Museum of American Art, New York. (Baadasssss Cinema) |
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2004 |
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Berlin Biennale 04, Germany. Baltimore (Triple Screen) |
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2003 |
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Art, Lies and Videotape: Exposing Performance, Tate Liverpool |
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2003 |
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Isaac Julien: Baltimore and Paradise Omeros, Art Pace, San Antonio (solo) |
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2003 |
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Isaac Julien: Baltimore, Metro Pictures, New York (solo) |
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2003 |
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Isaac Julien: Baltimore and Paradise Omeros, Victoria Miro Gallery, London (solo) |
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2003 |
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Isaac Julien: Trussed, Sketch, London (solo) |
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2003 |
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Isaac Julien: Baltimore, The Aspen Art Museum, Colorado U (solo) |
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2003 |
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Isaac Julien Yvon Lambert, Paris (solo) |
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2003 |
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Isaac Julien Bohen Foundation, New York (solo) |
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2003 |
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Isaac Julien FACT, Film Art & Creative Technology, Liverpool (solo) |
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2003 |
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Only Skin Deep, International Center of Photography, New York, touring to Seattle Art Museum (March 25 – June 13, 2004) |
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2003 |
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Centre Georges Pompidou, Paris |
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2003 |
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Love/Hate Ursula Blickle Stiftung, Germany |
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2003 |
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East Wing Collection, Courtauld Institute of Art, London |
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2003 |
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Edinburgh International Film Festival. Edinburgh College of Art, Scotland |
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2003 |
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Utopia Station Poster Project, 50th Venice Biennale, Italy and Haus der Kunst, Münich, Germany |
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2003 |
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Secession Vienna |
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2003 |
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Independence, South London Gallery, London |
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2003 |
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Double Vision, Photo Espana, Madrid, Spain |
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2002 |
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Documenta 11_Platform5: Ausstellung/Exhibition, Binding Building, Kassel Germany |
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2002 |
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The Gap Show, Museum am Ostwall, Dortmund, Germany |
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2002 |
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Screen Memories, Art Tower Mito, Japan |
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2002 |
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New Narratives in Contemporary Photography and Video, Rose Art Musuem, Brandeis University, Waltham, MA |
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2002 |
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The Future of Cinema ZKM, Germany (cat) |
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2002 |
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Les Enfants du Paradis, Yvon Lambert Gallery, Paris |
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2001 - 2002 |
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Unpacking Europe, Haus der Kulturen der Welt, Berlin |
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2000 - 2002 |
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2000-2002 The Film Art of Isaac Julien, Bard Curatorial College, Annandale on, NY, Hudson touring to: Museum of Contemporary Art Sydney, Bildmuseet Umeå Sweden, Henie Onstad Museum Norway, Yerba Buena Center San Francisco (solo) |
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2001 |
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Isaac Julien, Fabric Workshop, Philadelphia, Pennsylvania (solo) |
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2001 |
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MIT List Visual Arts Center, Cambridge, Mass (solo) |
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2001 |
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Museum Boijmans Von Beuningen, Rotterdam |
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2001 |
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The Short Century, Museum Villa Stuck Munich,touring to House of World Cultures in the Martin Gropius-Bau Berlin, Museum of Contemporary Art Chicago, P.S.1 Contemporary Art Center and The Museum of Modern Art New York |
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2001 |
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Enduring Love, Klemens Gasser & Tanja Grunert Inc., New York |
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2001 |
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ARSO1, Kiasma / The Finnish National Gallery. Helsinki |
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2001 |
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Turner Prize Tate Gallery, London |
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2001 |
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Raw, Victoria Miro Gallery, Wharf Road, London |
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2000 |
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Vagabondia, Studio Museum, Harlem. NY (solo) |
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2000 |
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The Long Road to Mazatlan, Museum of Contemporary Art, Chicago (solo) |
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2000 |
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Cinerama, Corner House Museum, Manchester, touring to South London Gallery (solo) |
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2000 |
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After Mazatlan, Victoria Miro Gallery, London (solo) |
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2000 |
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The Long Road to Mazatlan, Grand Arts, Kansas City (solo) |
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1999 - 2000 |
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Retrace Your Steps, Sir John Soane Museum, London |
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1999 |
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Rhapsodies in Black, Museum of Fine Arts, Houston |
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1999 |
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The Long Road to Mazatlan, Art Pace, San Antonio (solo) |
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1999 |
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Three, Victoria Miro Gallery, London (solo) |
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1999 |
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Fanon S.A., The Arena, Oxford Brookes University (solo) |
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1998 |
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Rhapsodies in Black, The Corcoran Gallery of Art, Washington |
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1998 |
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Rhapsodies in Black, The California Palace of the Legion of Honour, Fine Arts Museum of San Francisco |
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1997 |
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Rhapsodies in Black, The Hayward Gallery, London |
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1997 |
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Scream and Scream Again, The Irish Museum of Modern Art (cat |
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1997 |
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Scream and Scream Again, Helsinki Museum of Contemporary Art |
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1997 |
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2nd Johannesburg Biennale, Johannesburg (cat) |
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1997 |
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The Look Of Love, The Approach, London & Southampton City Art Gallery |
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1997 |
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Beauty and the Beast, Banff Center for the Arts, Vancouver |
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1996 |
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Hotter Than July, Margo Leavin Gallery, Los Angeles |
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1996 |
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Scream and Scream Again, Museum of Modern Art, Oxford |
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1996 |
|
British Art Now, Roslyn Oxley 9 Gallery, Sydney |
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1996 |
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New Histories, ICA, Boston (cat.) |
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1996 |
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AIDS World, Centre d’Art Contemporain Geneve (cat.) |
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1996 |
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AIDS World, Centro d’Arte Contemporanea Ticino |
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1995 |
|
Mirage:Enigma of Race, Difference and Desire, ICA, London (cat.) |
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1993 |
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Abject art: Repulsion and Desire in American Art, Whitney Museum of Art, New York, (cat.) |
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1991 |
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Cabaret, Walker Art Gallery, Minneapolis |
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1990 |
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Edge 90, Various Sites: London and Newcastle (cat.) |
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Literature |
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2008 |
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Flash Art, Review, May/June 2008 |
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2008 |
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Karen Wright, The Independent, For the love of Derek, 19 February 2008 |
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2008 |
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Marjorie Allthorpe-Guyton, RA, Pick of the Bunch, Spring 2008 |
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2008 |
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Jon Savage, Guardian, Against the tide, 14 February 2008 |
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2008 |
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Dave Calhoun, Time Out, Bohemian Rhapsody, 6 – 12 February 2008 |
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2008 |
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David Frankel, Artforum, Isaac Julien, February 2008 |
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2008 |
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Brian Sholis, Artforum.com, There is a light that never goes out, 9 June 2008 |
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2008 |
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Elena Kane, Contemporary. Preview, No.95 |
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2008 |
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Sandra Rehme, Artforum, Critics’ Picks, 12 March 2008 |
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2008 |
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Waldemar Januszczak, The Sunday Times, His Blue heaven, 2 March 2008 |
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2008 |
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Charles Darwent, The Independent on Sunday, The painful history of a modern martyr, 2 March 2008 |
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2008 |
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Laura Cumming, The Observer, Jarman’s Rhapsody in Blue, 2 March 2008 |
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2008 |
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Brian Sewell, The Evening Standard, Where’s the Jarman I knew?, 29 February 2008 |
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2008 |
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Colin McCabe, The New Statesman, Life After Death, 25 February 2008 |
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2008 |
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James Christopher, The Times, How to Repeat the Unique, 20 February 2008 |
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2007 |
|
RoseLee Goldberg, Flash Art, Yvonne Rainer, Isaac Julien, Learning how to wear it, November-December 2007 |
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2007 |
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Jennifer Higgie, Frieze, Her (his)tory, November-December 2007 |
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2007 |
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Claudia La Rocco, New York Times, Journeys That Leave the Traveler Changed, November 8 2007 |
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2007 |
|
Holland Cotter, New York Times, Isaac Julien, November 2, 2007 |
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2007 |
|
Time Out, Isaac Julien, 25 – 31 October 2007 |
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2007 |
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Martina Kudlacek, Bomb, Isaac Julien, Fall 2007 |
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2007 |
|
Nadine Meisner, The Sunday Times, The net result is disappointment, 14 October 2007 |
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2007 |
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Zoe Anderson, The Independent, Cast No Shadow, 8 October 2007 |
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2007 |
|
Sarah Crompton, The Daily Telegraph, Collaboration between dance and film goes goes swimmingly, 5 October 2007 |
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2007 |
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Debra Craine, The Times, The moves in movies, 5 October 2007 |
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2007 |
|
Sarah Crompton, The Daily Telegraph, A dance in the world’s most beautiful room, 29 September 2007 |
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2007 |
|
Debra Craine, The Times, A marriage of jigs and reels, 24 September 2007 |
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2007 |
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Roselee Goldberg, Art Asia Pacific, The World is Flat: Isaac Julien, No. 55, September/October 2007, pp 150 - 153 |
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2006 |
|
Laura Taubman, Spot, True North: Interview with Isaac Julien, (Houston Center for Photography), Spring 2006, pp 4–7, cover |
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2006 |
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Martin Herbert, Modern Painters, Pole Positions: Art’s Arctic Adventures, April 2006, pp 62 – 67 |
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2006 |
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Program of the 20th Gay and Lesbian Film Festival, London March-April |
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2006 |
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Carly Berwick and Eileen Kinsella, ARTnews, New York, February |
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2006 |
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Flash Art, Isaac Julien, January/February 2006 |
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2006 |
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Elisa Turner, Miami Herald Cinematic artist looks at Peary trip, 23 January 2006 |
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2006 |
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Jonathan Kahana, Film Quarterly Isaac Julien’s Ethics of Listening (on Frantz Fanon), Volume 59 No.2, page 19-31 |
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2006 |
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Holly Willis, Daily Variety, Art meets cinema: celluloid and highbrow ideas converge at pic fest, Sundance Film Festival 2006, page A10, January 19 |
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2006 |
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Isaac Julien: True North – Fantôme Afrique, kestnergesellschaft, Hanover, Germany |
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2006 |
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Making History: Art and Documentary in Britain from 1929 to Now, Tate Liverpool |
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2005 |
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Temps de Vídeo, works from the collection of the Pompidou Fundació “La Caixa”, Barcelona |
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2005 |
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Isaac Julien, True North, MAK, Los Angeles, and MOCA, North Miami |
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2005 |
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Isaac Julien, Centre Georges Pompidou, Paris |
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2005 |
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Isaac Julien, Irish Museum of Modern Art, Dublin, Ireland |
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2005 |
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Isaac Julien Deslocamento, Vivo Open Air, Brasil |
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2005 |
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Aine O’Brien, Circa, Suturing the aesthetic and the political – multiple screens, multiple realities: An interview with Isaac Julien, Aine O’Brien, Issue 114, Winter 2005 |
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2005 |
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Christopher Miles, Artforum, Isaac Julien, November 2005 |
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2005 |
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Joanna Pitman, The Times, A lost people come in from the cold, 18 October 2005 |
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2005 |
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Serena Davies, The Daily Telegraph, In the Studio, 18 October 2005 |
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2005 |
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Malcolm Le Grice, Isaac Julien, Frieze October 2005 |
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2005 |
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Fréderic Bonnet, Noire Élégance, Vogue, 15 May (on Baltimore and Fantôme Créole) |
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2005 |
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Anne-Sophie Caucheteux, Le Fantôme Créole d’Isaac Julien, Metro (France), 16 June |
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2005 |
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Christine Van Assche, Black Remix, June (on Baltimore and Fantôme Créole) |
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2005 |
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Nicolas Thély, Isaac Julien: Cineaste en Noir et Blanc, Beaux-Arts, July |
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2005 |
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Siobhan Murphy, Looking for Langston, Metro (Ireland), 5 July |
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2005 |
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Dave Calhoun, Whose Black World?, Time Out London, May 25–June 1 |
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2005 |
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Los Angeles Times, Chilly Image of an Icy Beyond (on True North), 5 August |
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2005 |
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Uta M.Reindel, Hollywood und Homer, Köln |
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2005 |
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Anna Lockward, The Black Atlantic, Paradoxes and Certainties, art.es #7, February |
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2005 |
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Heinz Peter Schwerfel, “Die Ausdehnung des Bildes in Raum und Zeit”, Art das Kunstmagazin, Issue 3, (on True North), March |
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2005 |
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French Culture Program, “Un Téléviseur, deux Emissions en Simultané” |
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2005 |
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Catalina Serra, Una exposición en Caixaforum Permite Poner en Pausa la Trepidante |
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2005 |
|
Historia del Vídeo de Creación, El País, (on Baltimore), 28 September |
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2005 |
|
Olga Spiegel, Videoarte, 40 Años de Historia, La Vanguardia, 28 September |
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|
2005 |
|
Blind Spot, Issue 30, 2005 |
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|
2005 |
|
Isaac Julien, Time Out, Whose Black World?, 25 May 2005 |
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2004 |
|
Isaac Julien, Oedipus Directs, Isaac Julien on Baadasssss!, Artforum, Summer 2004 |
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2004 |
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Mariano Navarro, El Cultural, Isaac Julien y el cine de lo real, 27 May 2004 |
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2004 |
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Javier Hontoria, El Cultural, Isaac Julien, 13 May 2004 |
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2004 |
|
Calvin Reid, Art in America, Funk Renaissance, March 2004 |
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2004 |
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Isaac Julien, GL Strand Kunstoreningen, Denmark |
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2004 |
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3’ Schirn Kunsthalle Frankfurt,Germany |
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2004 |
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True North, Musee d'art contemporain de Montreal |
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2004 |
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Black Atlantic, House of World Cultures, Berlin |
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2004 |
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Experiments with Truth, Frabric Workshop and Museum, Philadelphia |
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2004 |
|
Berlin Biennale 04, Berlin, Germany Baltimore (Triple screen) |
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2004 |
|
Stranger Than Fiction, Leeds City Art Gallery, touring to: Tullie House Museum and Art Gallery, Carlisle, Aberystwyth Arts Centre, Usher Gallery, Lincoln, Nottingham Castle and Brighton Museum and Art Gallery |
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2003 |
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Love/Hate, Ursula Blickle Stiftung, Germany |
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2003 |
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Secession, Vienna |
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2003 |
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Utopia Station Poster Project, 50th Venice Biennale, Italy and Haus der Kunst, Münich, Germany |
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|
2003 |
|
Art, Lies and Videotape: Exposing Performance, Tate Liverpool |
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2003 |
|
Creolite and Creolization, Documenta 11_Platform 3" |
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2003 |
|
Morgan Falconer, Frieze, November 2003 |
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|
2003 |
|
Richard Cork, New Statesman, The Black Half, 6 October 2003 |
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2003 |
|
Armond White, New York Press, Badass is Back, vol 16 Issue 47, October 2003 |
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2003 |
|
Sukhder Sadhu, The Daily Telegraph, Odyssey of a Lost Soul, 24 September 2003 |
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2003 |
|
Charles Darwent, Independent on Sunday, The truth is rarely black and white, 7 September 2003 |
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2003 |
|
John Russell Taylor, The Times, Is it a film? Is it a video installation? 17 September 2003 |
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2003 |
|
Adrian Searle, The Guardian, Reviews – Art, Adrian Searle, 8 September 2003 |
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2003 |
|
Roberta Smith New York Times, Paradise Omeros, Bohen Foundation, July 11 2003 |
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|
2003 |
|
Carly Berwick, Isaac Julien, Vogue Homme International, Winter 2002 – 2003 |
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2003 |
|
Chris Kaltenbach, You could call Him a Renaissance Man, Los Angeles Times |
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|
2003 |
|
Louisa Buck, Isaac Julien: Baltimore Fact, Liverpool, The Art Newspaper, March |
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2003 |
|
John Russell Taylor, The Matter of Fact, The Times, March 12th |
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|
2003 |
|
Answer the Questions, Isaac Julien, The Independent on Sunday March 9th |
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2003 |
|
Alfred Hickling Isaac Julien: Fact Liverpool. Guardian Unlimited March |
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|
2002 |
|
Essay from Documenta 11, Exhibition Catalogue – 2002, Paradise Omeros |
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2002 |
|
James Poniewozik, Can you Dig it? Right on!, Time, August 19th |
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2002 |
|
Hal Hinson, Birth of a Genre: The Black Hero Who Talks Back, The New York Times, Sunday August 11th (On Baadasssss Cinema) |
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|
2002 |
|
Tunku Varadarajan, Shaft and Foxy Revisited, The Wall Street Journal, Friday August 9th (on Baadassss Cinema) |
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|
2002 |
|
James Poniewozik, Can You Dig It? Right On!, Time, August 19th (On Baadasssss Cinema) |
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|
2002 |
|
Edward Guthmann, ‘Baad’ Company San Francisco Chronicle, Tuesday August 13th (On Baadasssss Cinema) |
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|
2002 |
|
Michael Freidson, Getting the Shaft, Time Out New York, August 8-15th (On Baadasssss Cinema) |
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|
2002 |
|
B. Ruby Rich, The Long Road: Isaac Julien in conversation with B. Ruby Rich, Art Journal, Summer 2002 |
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2002 |
|
B, Ruby Rich, Still A Soul Rebel, The Advocate, May 14th |
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2002 |
|
Maite Lores, Isaac Julien, Contemporary, June July August 2002 |
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2002 |
|
Constanze Ruhm, Spaces of Translation: Speaking One Language, Understanding Another, A Conversation with Isaac Julien, Camera Austria 79, pp. 17-28 |
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|
2002 |
|
Mark Nash, Wait Until Dark, Tate, November/December (on Paradise Omeros) |
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|
2002 |
|
James Meyer, Tunnel Visions, Artforum, September pp. 168-169 |
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2002 |
|
Linda Nochlan, Documented Success, Artforum, September pp. 161-163 |
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|
2002 |
|
Eleanor Heartney, A 600-Hour Documenta, Art in America no.5, September 2002, pp. 87-95 |
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2002 |
|
Documenta 11 Kassel, Germany |
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2002 |
|
The Gap Show, Museum am Ostwall, Dortmund |
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2002 |
|
Screen Memories, Art Tower Mito, Japan |
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2002 |
|
Unpacking Europe, Haus der Kulturen der Welt, Berlin, Germany |
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|
2001 |
|
Isaac Julien, Ellipsis Minigraph, London |
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2001 |
|
Turner Prize, Tate Gallery, London |
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|
2001 |
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ARSO1, Kiasma / The Finnish National Gallery. Helsinki |
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2001 |
|
The Short Century, Museum Villa Stuck Munich,touring to House of World Cultures in the Martin Gropius-Bau Berlin, Museum of Contemporary Art Chicago, P.S.1 Center for Contemporary Art and The Museum of Modern Art New York |
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2001 |
|
Vasanthi Dass, Vagabondia: Archiving the Archive, in Unpacking Europe: Towards a Critical Reading, p. 350 - 355 |
|
|
2001 |
|
Dick Hebdige, Isaac Julien, The Great Divide: Territories, Prince Claus Fund, Journal #7, p.20-21 |
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2001 |
|
Lilly Wei, Isaac Julien at the Studio Museum in Harlem, Art in America, May 2001 pp168 |
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|
2000 |
|
Lisa Katzman, A World of Double Outsiders: Gay as Well as Black, The New York Times, Sunday, November 26 |
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|
2000 |
|
Holland Cotter, Eros Cruises the Museum In a Filmmaker’s Dreams, The New York Times, November 24 |
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2000 |
|
John L Walters, Noises at an Exhibition, The Guardian, September 29 |
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|
2000 |
|
Judith Palmer, Once upon a time in the West, The Independent, September 19 |
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2000 |
|
Adrian Searle, Winsome Cowboys, The Guardian, August 22 |
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|
2000 |
|
Susan Corrigan, Dancing with Dudes, The Times, Metro, August 12 - 18 |
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|
2000 |
|
Erika Muhammad, Reel Stories: Isaac Julien, Index, June / July |
|
|
2000 |
|
Heather Lustfeldt, At Play in the Fields of the American West, Review, April |
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|
2000 |
|
Okwui Enwezor, Towards a Critical Cinema: The Films of Isaac Julien, February, The Long Road to Mazatlan, Grand Arts, Kansas City |
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2000 |
|
Alice Thornson, Lonesome Cowboy: Issac Julien disrupts the western canon with gay-themed film at Grand Arts. The Kansas City Star. March 19th |
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2000 |
|
Still moving. Hotshoe International. Jan/Feb |
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2000 |
|
The Film Art of Isaac Julien Bard Center for Curatorial Studies, U.S.A |
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1999 |
|
Rhapsodies in Black, Museum of Fine Arts, Houston |
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1999 |
|
Catherine Elwes, Isaac Julien, Art Monthly, June pp35-37 |
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1999 |
|
Francesco Bonami & Hans Ulrich Obrist, Dreams, Fondazione Sandretto Re Rebaudengo Per L’Arte |
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1999 |
|
Christy Adair & Ramsay Burt, Two into the making of Three, Dance Theatre Journal, Vol 15 No2. |
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1999 |
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David Frankel, Isaac Julien, The Long Road to Mazatlan, Art Pace, San Antonio |
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1999 |
|
Face to Interface: Isaac Julien, Sight and Sound, September |
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|
1998 |
|
Michael Corris, Art and Text Issue 63, Nov 98-Jan 99, pp54-59 |
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1998 |
|
Manthia Diawara, Moving Company - The Second Johannesburg Biennale, ArtForum vol XXXVI, March 1998, pp87-89 |
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1998 |
|
Isaac Julien & Mark Nash, Frantz Fanon: Peau Noire, Masque Blanc |
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1998 |
|
Isaac Julien, Only Angels Have Wings for DIA Centre of The Arts AIDS WORLD: Between Resignation and Hope, pp142-147 |
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1998 |
|
Richard J Powell, Black Art and Culture in the Twentieth Century, Thames and Hudson, pp212-213 |
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1998 |
|
Roselee Goldberg, Performance and Live Art Since the 60’s, Thames and Hudson, p143 |
|
|
1998 |
|
Black Film, British Cinema, ICA Documents 7, pp53-57 |
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|
1998 |
|
Jacqueline Rose, Sexuality and Vision: some Questions, Vision and Visuality, Dia Art Foundation No 2 |
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1998 |
|
Frantz Fanon (French text) K Films Edition |
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|
1997 |
|
Isaac Julien, MOMA Chicago, Program Catalogue. Spring |
|
|
1997 |
|
Robert Stam, Permutations of the Fantonian Gaze; Isaac Julien’s ‘Black Skin White Mask’, Black Renaissance Noire vol 1 no 2 Summer/Fall pp186-192 |
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|
1997 |
|
Richard Cork, Mirage, The Times June 27 |
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|
1997 |
|
Izi Glover, The Look of Love, Frieze Sep/Oct |
|
|
1997 |
|
Die Beute, Edition id-Archive, Summer pp62-66 (interview about Frantz Fanon) |
|
|
1996 |
|
Warren E Crichlow, Popular music, Pedagogy and Cultural Politics in the Films of Isaac Julien, Discourse vol.16 no 3 |
|
|
1996 |
|
Kaja Silverman, The Ceremonial Image, The Threshold of the Visible World pp104-121 on Looking For Langston |
|
|
1996 |
|
Charles Gaines, Hotter Than July, Art and Text Issue 55 p84 |
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|
1996 |
|
Richard Cork, Scream and Scream Again, The Times August 6 |
|
|
1996 |
|
Isaac Julien & Kobena Mercer, De Margin and De Centre, Black British Cultural Studies pp194-210 |
|
|
1996 |
|
Manthia Diawara, Black British Cinema and Identity Formation in Territories, Black British Cultural Studies, pp293-306 |
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|
1996 |
|
Bell Hooks, Thinking Through Class: Paying Attention to The Attendant, Reel to Real: Race Sex and Class at the Movies pp91-97 |
|
|
1996 |
|
Isaac Julien, Black British Cinema - Diaspora Cinema, New Histories pp60-64 |
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|
1996 |
|
Alan Read (ed), Film-makers’ Dialogue, The Fact of Blackness: Frantz Fanon and Visual Representation |
|
|
1996 |
|
Catherine Elwes, The Big Screen, Art Monthly Issue 199 pp11-16 (on Trussed) |
|
|
1996 |
|
Eddie Chambers, Johannesburg Biennale, Art Monthly Issue 212 pp14-18 |
|
|
1995 |
|
Kobena Mercer, Busy in the Ruins of a Wretched Phantasia, Mirage: Enigmas of Race, Difference and Desire, ICA |
|
|
1995 |
|
Bruce Morrow, The Isaac Julien Interview, Callaloo vol 18 no 2 pp406-415 |
|
|
1995 |
|
Roy Grundmann, Black Nationhood and the Rest in the West, Cineaste vol XXI nos1-2 pp28-31 (interview) |
|
|
1995 |
|
David Curlis, A Directory of British Film and Video Artists pp86-87 |
|
|
1994 |
|
Kobena Mercer & Isaac Julien, True Confessions, Black Male Representations of Masculinity in Contemporary American Art pp191-200 |
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1994 |
|
Isaac Julien & Jon Savage (ed),Critically Queer, Critical Quarterly vol 36 No 1 Spring |
|
|
1994 |
|
Isaac Julien, Confessions of a Snow Queen: notes on the making of The Attendant, Critical Quarterly vol 36 no 1 Spring |
|
|
1994 |
|
Jorg Heiser,Batty Boys in Babylon, Spex, Germany pp49-51 |
|
|
1993 |
|
Henry Louis Gates Jr., The Black Man’s Burden, Fear of a Queer Planet, Queer Politics and Social Theory (on Looking For Langston) |
|
|
1993 |
|
Craig HauserI, Abject, Abject Art, Repulsion and Desire in American Art, Whitney Museum (on The Attendant) |
|
|
1993 |
|
Paul Gilroy,Climbing the Racial Mountain, a Conversation with Isaac Julien, Small Acts : Thoughts on the Politics of Black Cultures |
|
|
1993 |
|
Jose Arroyo, Look Back and Talk Black: The Films of Isaac Julien, Jump Cut no 36, translated into Japanese for ImageForum April pp88-97 |
|
|
1992 |
|
James Saynar, Interview Magazine, January p24 |
|
|
1991 |
|
Manthia Diawara, The Absent One: The Avant-Garde and the Black Imaginary in Looking For Langston, Wide Angle vol13 nos 3 & 4 (July -October) |
|
|
1991 |
|
Kobena Mercer, Dark and Lovely, Ten Photo Paperback vol 2 No 1 pp78-86 |
|
|
1991 |
|
Adrian Searle, Thumping Pleasure, Artscribe Issue 89 Nov/Dec (on Young Soul Rebels) |
|
|
1990 |
|
Tony Fisher, Looking for Langston. Montageof a Dream Deferred |
|
|
1988 |
|
Coco Fusco, Young British and Black, a monograph on the work of Sankofa Film/Video Collective and Black Audio Collective, Discourses, Conversations in Postmodern Art and culture, The New Museum of Contemporary Art NYC |
|
|
1988 |
|
Armond White, Racing Ahead, Film Comment, pp2-4 |
|
|
1987 |
|
Douglas Crimp, How To Have Promiscuity in an Epidemic, pp270-271 (on This Is Not An AIDS Advertisement) |
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|
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