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Victoria Miro Gallery Home Artists Exhibitions Inventory Gallery Info

Doug Aitken    (American, 1968)
Doug Aitken - Fleeting field (Photographs) h: 48 x w: 60 in / h: 121.9 x w: 152.4 cm
Doug Aitken
Fleeting field
 
Doug Aitken - Half light x 2 (Photographs) h: 48 x w: 60 in / h: 121.9 x w: 152.4 cm
Doug Aitken
Half light x 2 2007
 
Doug Aitken - Secret tracks (Photographs) h: 48 x w: 60 in / h: 121.9 x w: 152.4 cm
Doug Aitken
Secret tracks 2006
 

Biography
1968 Born in Redondo Beach, CA
1986 - 1987 Marymount College, Palos Verdes, CA
1987 - 1991 Art Center College of Design, BFA, Pasadena, CA
1999 International Prize – Golden Lion, Venice Biennale, Venice
2000 The Larry Aldrich Foundation Award, The Aldrich Museum of Contemporary Art, Connecticut
Lives and works in Los Angeles

Exhibitions
2009 Victoria Miro Gallery, London (solo)
2009 Regen Projects, Los Angeles, CA (solo)
2008 303 Gallery, New York, NY (solo)
2008 "55th Carnegie International: Life on Mars", Carnegie Museum of Art, Pittsburgh, PA
2008 "Elements and Unknowns", Museum of Modern Art, New York
2008 "El Mundo del Hielo'", EXPO 2008, Zaragoza, Spain
2008 "Implications of the Image", MUCA, Mexico City
2008 "Expected Unexpected Mexico", Maison Rouge, Paris
2008 "Rhine on the Dnipro", Julia Stoschek Collection, Dusseldorf
2008 "Mouth Open Teeth Showing", Henry Art Gallery, Seattle
2008 "Moscow on the Move", Garage Center for Contemporary Culture, Moscow
2008 Galerie Eva Presenhuber, 99¢ Dreams, Zurich (solo)
2008 Kaiser Wilhelm Museum and Museum Haus Lange, Falling into Place, Krefeld, Germany (group)
2008 Kunstmuseum Luzern, Blasted Allegories. Works from the Ringier Collection, Lucerne, Switzerland (group)
2008 Julia Stoschek Collection, Pinchuk Art Center, Kiev (group)
2007 Museum of Modern Art, Sleepwalkers, New York (solo)
2007 303 Gallery, New York (solo)
2007 ICA, Institute of Cotemporary Art, Ensemble, Philadelphia (group)
2007 Kemper Art Museum, Window/Interface, Washington (group)
2007 Fondazione Sandretto Re Rebaudengo, Silence, Torino, Italy (group)
2007 Stedelijk Museum, Mapping the City, Amsterdam (group)
2007 Vanhaerents Art Collection, Disorder in the House, Brussels (group)
2006 Aspen Art Museum, A Photographic Survey, Aspen/Colorado (solo)
2006 Essex Street Market, Broken Screen Happening, New York (solo)
2006 Rubell Family Collection, Red Eye. L. A. Artists from the Rubell Family Collection, Miami (group)
2006 Irish Museum of Modern Art, all hawaii eNtrées / luNar reggae, Dublin (group)
2006 ICA Institute of Contemporary Arts, Surprise, Surprise, London (group)
2006 Hamburger Bahnhof. Museum für Gegenwart, Beyon Cinema, Berlin (group)
2005 Musée d’Art moderne de la Ville de Paris, Couvent des Cordeliers, ULTRAWORLD, Paris (solo)
2005 Museum of Contemporary Art Chicago and Hayward Gallery London, Universal Experience: Art, Life and the Tourist's Eye, Chicago/London (group)
2005 Kunsthaus Graz, Now’s the time, Graz (group)
2005 Galerie Eva Presenhuber, Sell yourself for nothing, Zurich (solo)
2005 Sammlung Goetz, Doug Aitken – Richard Prince, Munich
2004 Aldrich Museum, Conneticut (solo)
2004 La Caixa Forum, We’re Safe As Long As Everything Is Moving, Barcelona (solo)
2004 21st Century Museum of Contemporary Art, Kanazawa, Japan (group)
2004 SchirnKunsthalle, 3minutes, Frankfurt (group)
2004 Art Institute of Chicago, Past, Present, Future. Contemporary Art 1950–Present, Chicago (group)
2004 PS1, Hard Light, New York (group)
2003 Fondazione Sandretto ReRebaudengo, new ocean, Torino (solo)
1994 303 Gallery, New York, USA (solo)
1993 Dawin, AC Project Room, New York, NY, USA
1993 Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland
1993 Imperfect Innocence, Contemporary Museum, Baltimore, Maryland, USA
1993 Spiritus, Magasin 3, Stockholm, Sweden
1992 Art Institute of Chicago, USA
1992 Sonic Process, MACBA, Barcelona, Spain and Centre Pompidou, Paris, France
1992 Screen Memories, Contemporary Art Center, Art Tower Mito, Japan
1992 remix, Tate Gallery, Liverpool, UK

Literature
2008 Lund, Holger, Doug Aitken, in: Holzwarth, Hans Werner (ed.): Art Now, Vol.3, Köln, 2008, p. 24
2008 Aspen Art Museum (ed.), Doug Aitken. 99¢ Dreams, Aspen
2008 Ruf, Beatrix (ed.), Blasted Allegories. Works from the Ringier Collection, Zurich
2008 Völzke, Daniel, Knitter, Kniffe, Knicke in Krefelder Kunsthäusern, in: Monopol, no. 3, March 2008, p. 97
2007 Cash, Stephanie, A Night in the Life, in: Art in America, April 2007, p. 105/106
2007 Marin, Courtney J., Doug Aitken: Sleepwalkers, in: Flash Art, March/April
2007 Golden, Thelma, Doug Aitken, in: Interview, February 2007, p. 82
2007 The Museum of Modern Art (ed.): Doug Aitken, sleepwalkers, New York
2007 Vanderbilt, Tom, City of Glass, in: Artforum, New York, January 2007, pp. 45-46
2007 Myers,Terry R., Sharing City Secrets at MoMA, in: Art Review, January 2007, p. 69-73
2007 Zeitz, Lisa, Wo die Bilder fliegen lernen: Nach Einbruch der Dunkelheit lässt Doug Aitken an de Fassade des Museums of Modern Art in New York im Januar die „Sleepwalkers“ tanzen, in: Monopol, no. 1, January 2007, p. 106-109
2006 Doug Aitken, in: frame – the state of art, no. 16/17, March/April 2006, p. 73
2006 Schwerfel, Heinz Peter, Ein Surfer durch Licht und Zeit, in: art. Das Kunstmagazin, Hamburg, January – March 2006
2006 Doug Aitken (portfolio), in: M mouvement l'indisciplinaire des arts vivants, no. 38, Paris, January – March 2006
2006 Eichler, Dominic, Universal Experience, in : Frieze, London, January/February 2006, pp. 146-147
2006 Sandback, Fred, Doug Aitken. Signs of Time, in: art press. La révue de l'art contemporaine, no. 319, Paris, January 2006
2005 Schönwald, Cédric, Ultraworld, in: Art 21, December 2005 – January 2006
2005 Miles, Christopher, Doug Aitken. Regen Projects, in: Artforum, December 2005, p. 285
2005 Ramade, Bénédicte, L'ultramonde de Doug Aitken, in: L'Oeil, Paris, December 2005
2005 Baron, Marie-Guy, En symbiose avec Doug Aitken, in: Le Figaro, Paris, December 27, 2005
2005 Bellet, Harry, Pris au piège des vidéos de Doug Aitken, in: Le Monde, Paris, December 26, 2005
2004 Smith, Roberta, ''Summertime at P.S. 1: Where Opposites Like Hands On/Hand Off Attract'', The New York Times, July 16
2004 Cornell, Lauren, ''Hard Light'', Review, Time Out New York, August 5-12
2004 Doug Aitken talks to Ed Ruscha, ''Earth is the Alien Planet'', frieze
2004 Bergstein, Yael, ''Bice Curiger on the Hypermental and Georgia O'Keefe'', studio: israeli art magazine, issue 151, march, p.32-39
2004 '' Broken Screen'', project for Artforum, Nov 2004 p. 194-201
2004 “Landscape and Memory”, curated by Alicia Chillida, La Casa Encendida, Madrid, Spain, pp 248-251
2003 “Installations II l’empire des sens”, Niicholas de Oliveira, Nicola Oxley, and Michael Petry, Thames & Hudson, Paris, France, p.68, 77
2003 “Defying Gravity”, text by Linda Johnson Dougherty, North Carolina Museum of Art, p.66-67
2003 “Kino und Kunst”, text by Heinz Peter Schwerfel, Germany
2003 “Spiritus”, Magasin 3 Stockholm Konsthall, Stockholm, Sweden
2003 “Imperfect Innocence: The Debra and Dennis Scholl Collection”, Contemporary Museum, Baltimore, Maryland and the Palm Beach Institute of Contemporary Art, Lake Worth, Florida
2003 ''Focus Video and Film'', FlashArt, Jan-Feb, Vol.XXXVI, No.228, p.88
2003 Willis, Holly, ''I am always moving'', res, vol.6, no. 3, 36
2003 Newhall, Edith, Artnews, May, vol. 102, number 5, p.159
2003 Eleey, Peter, frieze, January February, issue 72, p.93
2003 Sumpter, Helen, ''Doug Aitken'', Time Out London, November 19-26
2003 Smee, Sebastian, ''Mesmerising Visions'', Daily Telegraph, October 29
2003 Smithson, Helen, ''Visual essay on our state of alienation'', Hampstead and Highgate Express, November 7
2003 Boncossa, Ilaria, ''A Shifting Breakfast'',label, #9, spring, p.092-097
2003 Tegeder, Dannielle, Bomb, Spring Issue Number 83, p.44-46
2002 Renard, Emilie, ''Critics£¾¦ Picks'', artforum.com, review
2002 Griffin, Tim, review, Artforum, December, p.137
2002 Honigman, Ana Finel, review, contemporary, November, p.85
2002 Heartney, Eleanor, review, Art in America, November, p. 155-6
2002 Sculpture, October, Vol. 21 No.8, p. 16
2002 Halle, Howard, review, Time Out NY, October 10-17, Is. 367
2002 Kastner, Jeffrey, ''No Labels, No Boundaries: An Artist of the Moment'', Arts&Leisure, The New York Times, October 7p. 36-7
2002 Kihm, Christophe, ''Gestures and Territies'', art press, September, No. 282, p. 46-50
2002 Smith, Roberta, review, The New York Times, October 18
2002 Photo, ''Goings On About Town'', The New Yorker , October 14-21 review, The New Yorker, October 7, p. 23
2002 Griffin, Tim, ''Doug Aitken'', Index Magazine, September/October, p.40
2002 Newhall, Edith, ''Too Much Information'', New York Magazine, Sept. 9. Vol. 35, No. 30, p.70
2002 Res, September/October, p.22
2002 Withers, Rachel, review, tema celeste, january/february, Issue 89, p.74
2002 Art Now, edited by Uta Grosenick & Byrhard Riemschneifer, Taschen,p. 16
2002 Firstenberg, Lauri, ''Urban Pornographic'', make, London, special edition 92, p.9
2002 Morton, Tom, review, Modern Painters, Winter, Vol 14, No.4, p.102-3
2002 “Screen Memories”, Contemporary Art Center, Art Tower Mito, Japan, (exh. cat)
2001 “Hypermental Rampant Reality 1950-2000 from Salvador Dali to Jeff Koons”, curated by Brice Curiger, Kunsthaus Zurich, Zurich, Switzerland, pp. 124, 141
2001 “Form Follows Fiction”, curated by Jeffrey Deitch, Castello di Rivoli,, (exh. cat)
2001 “Fresh Cream, Contemporary Art in Culture”, Phaidon Press, pp. 58-63
2001 “Flight Patterns”, Museum of Contemporary Art, Los Angeles, CA, (exh. cat)
2001 “The 2000 Biennial Exhibition”. Whitney Museum of American Art, New York
2001 Let’s Entertain: Life’s Guilty Pleasures”, curated by Philippe Vergne, Walker Art Center, Minneapolis, MN, pp. 210-11
2001 “Speed of Vision: On the Construction and Perception of Time in Video Art, curated by Matthew Yokobosky, The Aldrich Museum of Contemporary Art, p. 26
2001 “Crossing Boundaries 2000”, The Danish Film Institute, Denmark, p. 54
2001 “Video Vibe: Arte, Musica e Video in Giran Bretagna”, Cristiana Perrella e Daniela Cascella, The British School at Rome, Italy, p. 64
2001 “Biennale of Sydney 2000”, pp. 32-33
2001 Poschardt, Ulf, “Surfen statt Zappen”, Welt Am Sonntag, February 11
2001 Pardo, Patrick, “The Politics of Landscape”, NYArts, Vol. 6, No. 2, February 2001, p.75
2001 Jothady, Manish, “Reisen in den Inner Space”, Frame, vol. 5, Jan-Feb, pp. 67-73
2001 Romano, Gianni, “Secession”, review, Flash Art, January - February, Vol. XXXIV, No. 216, pp. 121-122
2001 Surborg, Jorn, ''Uberraschende Ansichten urbaner Landschaften'', Wolfsburger Kurier, February 18
2001 Franke, Anselm, ''Doug Aitken: Videos als raumfullendes Gebilde'', Wolfsburger Allgemeine Zeitung, February 16
2001 ''Los Angeles leuchtet ¡V Wolfsburg zeigt Werke von Doug Aitken'', Neue Presse, Hannover, February 16
2001 Nehring, Lydia, ''Elektrische Liebeserklarung?!'', Berliner Morgenpost, February 15
2001 review, Zitty, February 22, 2001
2001 Buhr, Elke, ''Der perfekte Moment'', Frankfurter Rundschau, February 21, 2001
2001 Hilgenstock, Andrea, ''Gigi in der Geisterstadt'', Berliner Morgenpost, February 20
2001 Kuhn, Nicola, ''Wusten der Grossstadt'', Der Tagesspiegel, February 20, 2001
2001 Fricke, Harald, ''Leben unter dem Stroboskop'', Die Tageszeitung
2001 Kuhn, Nicola, ''Der Rap der Grossstadt'', Potsdamer Neueste Nachrichten, February 19, 2001
2001 Glueck, Grace, ''Connecticut Covers 3 Centuries Lightly: Aldrich Museum'', The New York Times, Friday, July 21
2001 Guzik, Jon Alain, ''Calm, Cool, and Collected'', Soma, Vol. 15.4, May/June, pp. 43-45
2001 Fuchs, Christian and Petra Erdmann, ''Crossing All Over'', Ahead, 1. pp. 64-65
2001 Vogel, Sabine V. ''Die Welt im Zwichenraum, Zu Doug Aitken's Videoinstallationen'', Kunst-Bulletin, April. p. 12-17
2001 Spinelli, Claudia, ''Mediale Entgrenzung: Der Videokunstler Doug Aitken in Wolfsburg'', Neue Zurcher Zeitung, Zurich, no. 96, April 26, 2001, p.65
2001 Ramonet, Ignacio, ''Heller Wahn'', Le Monde diplomatique, April, p.1, Germany
2001 ''Berlin's Best'', Der Tagesspiegel, March 23, 2001
2001 ''Berlin's Best'', Der Tagesspiegel, March 16, 2001
2001 review, Flyer, Nr. 137, March 5 £¾V 18, 2001
2001 ''Berlin's Best'', Der Tagesspiegel, March 9, 2001
2001 Glueck, Grace, ''Connecticut Covers 3 Centuries Lightly: Aldrich Museum'', The New York Times, Friday, July 21
2001 Hemming, Sarah, preview, The Daily Express, London, October 5
2001 Guzik, Jon Alain, ''Video Art: A Primer'', SOMA, October, Vol. 15.8, P. 43-46
2001 Reust, Hans-Rudolf, ''Hypermental; Kunsthaus Zürich'', (review), Artforum International, Summer, Vol. 34, No. 10, p. 193-4
2001 book review, ''Diamond Sea'',tema celeste, May/June,Vol. XVIII, No.85, p. 20
2001 ''Diamond Sea'', Mined Field, p. 408-415
2001 Firstenberg, Lauri, ''Visualizing the Contemporary Vernacular: The Photograph of Doug Aitken'', Camera Austria, 74, pp. 6, 17, cover
2001 Spiegl, Andreas, ''Doug Aitken: Wiener Secession, Wien'', Camera Austria International, Graz/A, no. 73, p. 78-9, ill.
2001 Franke, Anselm, ''Doug Aitken. Variiert in seinen Installationen. Ensembles von film, Video, Foto, Architektur, und sound'', KW Magazine, Berlin, no.01/01, p. 86-7 (english translation p. 78)
2001 ''Doug Aitken'', Die Tageszeitung/ Sonderbeilage Kunstmuseum Wolfsburg, March 2001
2001 Busing, Nicole & Klaas, Heiko, ''Zuckungen in der Endlossschleife'', Saarbrucker Zeitung, March 9, 2001
2001 Wahjudi, Claudia, ''Frau ohne Eigenschaften'', Zitty, Nr. 6, March 8 £¾V 21, 2001
2001 Walder, Gabriela, ''Der GroƒÒstadtnomade von Los Angeles'', Die Welt, March 8, Ebeling, Knut, £¾¡±Parabeln der Unbehaustbeit£¾¨, Berliner Zeitung, March 6, 2001
2001 Stoeber, Michael, ''Die Unsicherheit aller Verhaltnisse'', Hannoversche Allgemeine Zeitung, March 5, 2001
2001 ''Highlights der Woche'', Stern, March 1, 2001
2001 ''Berlin'', Frankfurter Allgemeine Zeitung, February 28, 2001
2001 Hilgenstock, Andrea, ''Der Poet unter den Videokunstlern'', Die Rheinpfalz Ludwigschafen Rundschau, February 26, 2001
2001 Wulffen, Thomas, ''Amor vacui'', Frankfurter Allgemeine Zeitung, February 26, £¾¡±Netzwerk£¾¨, Zitty, February 22, 2001
2001 mos, ''Medium als Message'', Der Tagesspiegel, February 22, 2001
2001 Kent, Sarah, ''Living in Oblivion'', Time Out London, October 24-31, p.60
2001 Ratnam, Niru, ''The Man Who Fell to Earth'', The Face, London, November
2001 Guzik, Jon Alain, ''A Twilight of Perfection'', Dazed & Confused, London, Winter, Narcism Issue, p. 130-9
2001 Buck, Louise, ''Quick Flicks'', Vogue, October, Vol. 167, No. 2439, p. 91-2
2001 Cork, Richard, ''Flood Warnings'', review, The Times, London, October 17, London, UK
2001 Lack, Jessica, review, The Guardian, London, October 13
2001 Lubbock, Tom, ''Best Shows in London'', The Independent, London, October 13th.
2001 ''Richard Cork's choice: Doug Aitken'', The Times, London, October 1
2001 Sumpter, Helen, Hot Tickets, London, October 12
2001 Bishop, Claire, (review), The Evening Standard, London, October 11
2001 Mitchell, Stephen, ''Going out'', The Evening Standard, London, October 11
2001 Chapman, Peter, The Independent, London, October 6
2000 Bonetti, David, “Bay City Best”, San Francisco Examiner Magazine, July 9
2000 Guthmann, Edward, “India’s Bollywood’ Inspires Video Artist”, San Francisco Chronicle, July 18, pp. E1-E5
2000 Tsering, Lisa, “Into the Sun: Impressions of the Bollywood Dream Machine”, India West, July 21
2000 Helfand, Glen, “Access Bollywood”, The San Francisco Bay Guardian”, July 26 - August 1
2000 Bonnetti, David, “BAM installation examines film”, San Francisco Examiner, August 25
2000 Baker, Kenneth, “The Fantasy World of Bollywood: Video artist explores mystique of movies”, San Francisco Chronicle, July 12
2000 Bonami, Francesco, “Liquid Time”, Parkett, Issue 57, pp. 29-32
2000 Roberts, James, “Omega Man, Parkett, Issue 57, pp. 22-23
2000 vanAssche, Christina, “The “Stalker” of the Fin de Siécle”, Parkett, Issue 57, p.54-58
2000 Fuchs, Christian and Petra Erdamann, “How to Disappear Completely: Doug Aitken”, Ahead, January, page 64 -5
2000 Anton, Saul, “Dead Meat: From Aitken to Barney through Hitchcock”, Fiction: or Other Accounts of Photography, Dazibao, Montreal, Canada, November, p. 47-55
2000 Vogel, Sabine B., Frankurter Allgemeine, November 7, p. 23
2000 Secession, February, Cover + pp. 8-9
2000 Aitken, Doug, “Horse’s Mouth -- reader’s tips complied by Laura Mauk”, Bookforum, Vol. 7, Issue 4, Winter, p.44
2000 “Turbulence; Blackout; movement; Breath In; Weak Link; Mirror”, Blind Spot, Issue 16
2000 Martin, Frank Edgerton, “That’s Entertainment, Let’s Entertain Life’s Guilty Pleasures, Portland Art Museum,Architecture, August, p. 63
2000 Feinstein, Roni, “Museum of Contemporary Art”, Art in America, p. 44
2000 Anton, Saul, “A Thousand Words: Doug Aitken Talks about Electric Earth”, Artforum, May, pp. 160-161
2000 Rubinstein, Raphael, “Regional Hopes & Recycled Tropes”, Art in America, July
2000 Anton, Saul, “Doug Aitken New York”, Res, October
2000 Gerstler, Amy, “Man in Motion: The Video Nomad Goes Home”, November, No. 186, Los Angeles Magazine, November, pp. 122-27
2000 Willis, Holly, “Signal To Noise, Doug Aitken’s Blow Debris”, LA Weekly, December pp. 8-14
2000 Myers, Holly, “Horizons, Art Photography (mostly) at MOCA and the Getty”, LA Weekly
2000 Pagel, David, “Flight Patterns Ventures Far”, Calendar Arts and Entertainment, Thursday, November 23, p. 63
2000 Muchnic, Suzanne, “She’s Trying to Reorient LA’s Compass'', Art and Architecture, December
2000 Bonetti, David, “dark views of battered landscape in LA show”, San Francisco Examiner, Thursday, November 16
2000 Verkoeper, Ute, “I Am In You”, Springerin, Ausstellungen
2000 Bronson, AA, “Doug Aitken, Glass Horizon, These Restless Minds, Wiener Secession'', Association of Visual Artists, Wednesday, January 3
2000 Dusini, Mathias, “Netzhaut unter Strom”, Falter Vienna, no. 43, October 27
2000 Mittwoch, “Kunst-Szenen, Audiovisuelle Poesis - Doug Aitken”, Neus Zurcher Zeltung, Zurich, no. 166, July 19
2000 Grzonka, Patricia Von, “Clever & Smart, Kunst, p. 182
2000 Kalmar, Stefan, Access/Excess, The Face, p. 190
2000 Steininger, Florain, “Wuste gegen Urbanitat, Die Presse, Doug Aitken, Glass Horizon”, Vienna, October 25
2000 Mittringer, Marku, “Hyperaktive Stagnation, Doug Aitken hat in der Secession”, Der Standard, Vienna, October 21
2000 Auritipp, “Die tollen Lockvogel”, Zurich: TA Media AG, June 16-22, p. 64
2000 Talkington, Amy, “Ausstellungsempfehlung, Doug Aitken”, Seccession, Wien, Portfolio, Newsletter, Vienna, no. 2, p. 14
2000 Golonu, Berin, “Previews”, Artweek, July/August
2000 Calendar/Critics Choice, San Francisco Bay Guardian, July 15
2000 McKenna, Kristine, “ Biennial Man”, LA Weekly, March 17-23
2000 Ruhm, Constanze, “Planet of the Scapes”, Style and the Family Tunes, Germany, April/May, Issue 30 pp. 34-39
2000 Birnbaum, Daniel, “i am in you”, review, Artforum, December, pp. 126
2000 Halle, Howard, “2000 and None: The Whitney Blows the Franchise”, Time Out New York, no 237, April 6-13, p. 72
2000 “Very New Art”, Bijutsu Techo, Japan, No. 782, January
2000 Artbyte, cover photo, Vol. 3, No. 2, July-August
2000 Wei, Lily, “2000 Biennial Exhibition”, review, Artnews, Vol. 99, No. 5, May, p. 225
2000 Paini, Dominique, “Le Retour du Flâneur”, Artpress, Paris, no. 255, March, p. 33
2000 Rush, Michael, “New Media Rampant, Art in America, July, p. 41
2000 “Doug Aitken”, Brutus, Japan
2000 “Gallery Side 2”, review, Bijutsu Techo, Japan, Vol. 51, No. 774, August, p. 21
2000 “Very New Art 2000”, Bijutsu Techo, Japan, pp. 9-12
2000 Adams, Mark, “Accelerating Art: Aitken, ‘I am a Bullet’ ”, Rolling Stone, September 14, p. 105
2000 “Super-flat landscape”, Bijutsu Techo, Japan, September, cover, pp. 18-29
2000 Grabner, Michelle, Let’s Entertain, Walker Arts Center, review, frieze, Issue 54, Sept-Oct, pp. 125-26.
2000 Green, Charles, “The Biennale of Sydney 2000”, review, Artforum, September, p.186-87
2000 Withers, Rachel, “Fall Preview: Guy Wired”, Artforum, September, p. 78
2000 “No-one needs to say sorry”, The Sydney Morning Herald, Fri., May 26, p. 19
2000 Smee, Sebastian, “Video Drills the Rodeo Star”, The Sydney Morning Herald, July 8
2000 Genocchio, Benjamin, The Australian, May 26
2000 “Visual Arts: A Fresh Perspective”, Sydney Scope Magazine, June 6
2000 “Art Showcase: Doug Aitken”, Zoo, London, January, Is. 4, p. 158-9
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