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Jim Hodges (American, 1957)
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Jim Hodges
Even Here (Horizon) 2008
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Jim Hodges
Here it comes #8 (veiled) 2009
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Jim Hodges
When I Believed, What I Believed 2008
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Biography |
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1957 |
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Born in Spokane, WA |
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1980 |
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Bachelor of Fine Arts, Fort Wright College, Spokane, WA |
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1986 |
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Master of Fine Arts, Pratt Institute, Brooklyn, NY |
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1992 |
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Mid Atlantic Arts Foundation, NEA; Paintings and Works on paper Regional Fellowship |
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1994 |
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Penny McCall Foundation Grant |
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1995 |
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The Louis Comfort Tiffany Foundation |
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1999 |
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Washington State Arts Commission |
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2000 |
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California College of Arts and Crafts, Capp Street Project Artist-in-Residence |
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2001 |
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Albert Ucross Prize |
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2006 |
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AICA, Association Internationale des Critiques d’art |
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Lives and works in New York, NY |
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Exhibitions |
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2009 |
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Floating a Boulder: Works by Felix Gonzalez Torres and Jim Hodges, Flag Art Foundation, New York, NY |
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2009 |
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Wall Rockets: Contemporary Artists and Ed Ruscha, The Flag Art Foundation, New York, NY |
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2009 |
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Centre Pompidou, Paris, France touring to the Irish Museum of Modern Art, Dublin Ireland and Camden Art Centre, London, UK (solo) |
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2009 |
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Aspen Art Museum, Aspen, CO (solo) |
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2008 |
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Anthony Meier Fine Arts, San Francisco, CA (solo) |
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2008 |
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CRG Gallery, NY (solo) |
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2008 |
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Stephen Friedman Gallery, London, UK (solo) |
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2008 |
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New Prints 2008/Spring, International Print Center, NY |
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2008 |
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New Prints 2008/Spring, New York School of Interior Design Gallery, NY |
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2007 |
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Ensemble, curated by Christian Marclay, ICA, University of Pennsylvania, Philidelphia, PA |
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2007 |
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Sparkle Then Fade, Tacoma Art Museum, Tacoma, WA |
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2007 |
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New Prints 2007, IPCNY, New york, NY |
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2007 |
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PURE, Sean Kelly Gallery, New York, NY |
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2007 |
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Like color in pictures, Aspen Art Museum, Aspen, CO |
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2007 |
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I Remember Heaven: Jim Hodges and Andy Warhol, Contemporary Art Museum St. Louis, St. Louis, MO |
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2006 |
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Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY |
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2006 |
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SHINY, Wexner Center for the arts, Columbus, OH |
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2006 |
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The Missing Peace: Artists Consider the Dalai Lama, UCLA Fowler Museum, Los Angeles, CA |
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2006 |
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GAY ART NOW, Curated by Jack Pierson, Paul Kasmin Gallery, New York, NY |
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2006 |
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The Last Time They Met, Stephen Friedman Gallery, London |
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2006 |
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The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, IL |
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2006 |
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Artpeace at the Schoolhouse: For Rosa Parks and Martin Luther King, Schoolhouse Gallery, Provincetown, MA |
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2005 |
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Art inside the Park, curated by Atelier CMS Inc., Memorial Park, Jefferson City, MO |
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2005 |
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Suspended Narratives, Lora Reynolds Gallery (curated by Maureen Mahony), Austin, TX |
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2005 |
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Landscape Confection, Wexner Center for the Arts, Columbus, OH (publication) |
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2005 |
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Universal Experience: Art, Life , and the Tourists’ Eye, Chicago Museum of Contemporary Art, Chicago, IL |
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2005 |
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Visual Music: 1905-2005, Museum of Contemporary Art, Los Angeles, CA |
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2005 |
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Jim Hodges: this line to you, Santiago de Compostella, Spain (solo) |
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2005 |
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Universal Experience: Art, Life and the Tourist’s Eye, Museum of Contemporary Art Chicago, IL, continues at Hayward Gallery, London, UK (solo) |
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2004 |
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Don’t Be Afraid, Worcester Art Museum, Worcester, MA (solo) |
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2004 |
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Shelly Hirsch & Jim Hodges, Roulette at Location One, New York, NY |
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2004 |
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The Whitney Biennial, Whitney Museum of American Art, New York, NY |
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2004 |
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Treble, SculptureCenter, Long Island City, New York |
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2004 |
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Drawing Modern: Works from the Agnes Gund Collection, The Cleveland Museum of Art, Cleveland, OH |
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2004 |
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Off the Wall: Works from the JPMorgan Chase Collection, Bruce Museum of Arts and Sciences, Greenwich, CT |
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2004 |
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Mad About the Boy, The New Gallery, Walsall, England |
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2003 |
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Fast Forward: 20 Years of White Rooms, White Columns, New York, NY |
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2003 |
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In Full View, Andrea Rosen Gallery, New York, NY |
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2003 |
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Tracing the Sublime, Addison Gallery of American Art, Phillips Academy, Andover, MA |
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2003 |
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Legacy: A Benefit Exhibition of Works by Capp Street Project Alumnae, Anthony Meier Fine Arts, San Francisco, CA |
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2003 |
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Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY; Weatherspoon Art Museum, Greensboro Art, Cleveland, NC; Museum of Contemporary, Cleveland, OH (solo) |
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2003 |
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Stephen Friedman Gallery, London (solo) |
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2003 |
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Returning, Art Pace, San Antonio, TX (solo) |
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2003 |
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Colorsound, Addison Gallery of American Art, Phillips Academy, Andover, MA (solo) |
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2003 |
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Jim Hodges, Henry Art Gallery in Seattle, WA (solo) |
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2003 |
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Site and Insight: an Assemblage of Artists, P.S. 1 Contemporary Art Center, Long Island City, NY |
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2003 |
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De Kooning to Today: Highlights from the Permanent Collection, Whitney Museum of American Art, New York, NY |
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2003 |
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In the Making: Contemporary Drawings from a Private Collection, University Gallery, Fine Arts Center, University of Massachusetts, Amherst |
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2002 |
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Sugar and Cream, Triple Candie, Harlem, New York, NY |
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2002 |
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Mirror Mirror, Mass MoCA, North Adams, MA |
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2002 |
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Contemporary American Paper Artists: An Invitational Exhibition, Columbia College Chicago Center for Book and Paper Arts, Chicago, IL |
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2002 |
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Arte Povera American Style: Funk, Play, Poetry & Labor, Reinberger Galleries, The Cleveland Institute of Art, Cleveland, OH |
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2002 |
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Life Death Love Hate Pleasure Pain, Museum of Contemporary Art, Chicago, IL |
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2002 |
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Miami Currents: Linking Collection and Community, Miami Art Museum, Miami, FL |
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2002 |
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Chapter V, Art Resources Transfer, New York, NY |
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2002 |
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Jim Hodges: Constellation of an Ordinary Day, Jundt Art Museum, Gonzaga University, Spokane, WA (solo) |
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2002 |
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this and this, CRG Gallery, New York, NY (solo) |
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2002 |
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like this, Dieu Donné Papermill, New York, NY (solo) |
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2002 |
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Subway Music Box, Eastern Washington State Historical Society / Cheney Cowle Museum, Spokane, WA (solo) |
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2002 |
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Subway Music Box, The CCAC Institute, Capp Street Project, Oakland, CA (solo) |
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2002 |
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All the Way with Jim + Shel, Jim Hodges and Shelley Hirsch, Portland Institute for Contemporary Art, Portland, OR |
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2002 |
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Mask or Mirror? A Play of Portraits, Worcester Museum of Art, Worcester, MA |
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2002 |
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Linger, Artimes, Greenberg, Van Doren Gallery, New York, NY |
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2002 |
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Summer Group Exhibition, Marc Foxx Gallery, Los Angeles, CA |
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2002 |
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Pretty, ATM Gallery, New York, NY |
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2001 |
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Uncommon threads, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY |
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2001 |
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CAMERA WORKS: The Photographic Impulse in Contemporary Art, Boesky Gallery, New York, NY |
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2001 |
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Patterns: Between Object and Arabesque, Kunsthallen Brandts Klædefabrik, Odense, Denmark |
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2001 |
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Camargo Vilaca, Sao Paulo, Brazil (solo) |
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2000 |
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Anthony Meier Fine Arts, San Francisco, CA (solo) |
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2000 |
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Subway Music Box, Tecoah Bruce Gallery of the Oliver Art Center, California College of Arts and Crafts, Oakland, CA (solo) |
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2000 |
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Gardens of Pleasure, John Michael Kohler Arts Center, Sheboygan, WI |
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2000 |
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et comme l'esperance est violente.., Frac des Pays de la Loire, Carquefou, France |
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2000 |
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Projects 70 - Jim Hodges, Beatriz Milhazes, Faith Ringgold, Museum of Modern Art, New York, NY |
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2000 |
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Age of Influence:Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, IL |
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2000 |
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Outbound:Passages from the 90's, Contemporary Arts Musuem, Houston, TX |
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2000 |
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ZONE F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain |
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2000 |
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The Trunk Show, Zoller Gallery, Penn State University, University Park, PA |
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2000 |
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Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond,VA |
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2000 |
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Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, CA |
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1999 |
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1999 Drawings, Alexander and Bonin, New York, NY |
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1999 |
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Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
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1999 |
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The American Century: Art and Culture, 1900-2000, Part II, The Whitney Museum of American Art, New York, NY |
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1999 |
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Miami Art Museum, Miami, FL (solo) |
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1999 |
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Marc Foxx Gallery, Los Angeles, CA (solo) |
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1999 |
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every way, Museum of Contemporary Art, Chicago, IL, continues to Institute of Contemporary Art, Boston, MA (solo) |
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1999 |
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Natural Dependency, Jerwood Gallery, London, England |
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1999 |
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Matter of Time, curated by Andrew Perchuk, Dorsky Gallery, New York, NY |
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1999 |
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Collectors Collect Contemporary: 1990-1999, The Institute of Contemporary Art, Boston, MA |
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1999 |
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Fresh Flowers, Bellevue Art Museum, Bellevue, WA |
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1998 |
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Let Freedom Ring, ICA/VITA BREVIS, Boston, MA |
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1998 |
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Abstract Painting Once Removed, Contemporary Arts Museum, Houston, TX, continues to Kempner Museum of Contemporary Art, Kansas City, MO |
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1998 |
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Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlington, VT |
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1998 |
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Robert Hull Fleming Museum, University of Vermont, Burlington, VT (publication) |
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1998 |
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AIDS WORLDS-Between Resignation and Hope, Centre d'Art Contemporain, Geneva, Switzerland |
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1998 |
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CRG Art, Inc., New York, NY (solo) |
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1998 |
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Jim Hodges: Welcome, The Kempner Museum of Contemporary Art, Kansas City, MO (solo) |
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1997 |
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Galerie Ghislaine Hussenot, Paris, France (solo) |
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1997 |
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SITE Santa Fe, Santa Fe, NM (solo) |
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1997 |
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Present Tense: Nine Artists in the Nineties, San Francisco Museum of Modern Art, San Francisco, CA |
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1997 |
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Hanging by a Thread, Hudson River Museum, Westchester, NY |
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1997 |
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7th Bienal Internacional de Esculturae Desenho des Caldas da Rainha Bienal, Portugal |
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1997 |
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Longing and Memory, Los Angeles County Museum of Art, Los Angeles, CA |
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1997 |
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Des Fleurs en Mai, FRAC, Nantes, France |
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1997 |
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Gothic, The Institute of Contemporary Art, Boston, MA |
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1997 |
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Poetics of Obsession, Linda Kirkland Gallery, New York, NY |
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1996 |
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Just Past: The Contemporary in MOCA’s Permanent Collection 1975-1996, Museum of Contemporary Art, Los Angeles, CA |
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1996 |
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UNIVERSALIS, The 23rd International Sao Paulo Bienale, Brazil |
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1996 |
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Material Matters, A.O.I. Gallery, Santa Fe, NM |
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1996 |
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Masculine Measures, John Michael Kohler Arts Center, Sheboygan, WI |
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1996 |
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yes, Marc Foxx, Santa Monica, CA (solo) |
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1996 |
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States, The Fabric Workshop & Museum, Philadelphia, PA (solo) |
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1996 |
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Swag & Puddle, The Work Space, New York, NY |
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1996 |
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Galerie Ghislaine Hussenot, Paris, France |
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1995 |
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New Works, Feigen Gallery, Chicago, IL |
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1995 |
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Late Spring, Marc Foxx, Los Angeles, CA |
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1995 |
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Avant-Garde Walk a Venezia, curated by Marc Pottier in conjunction with the Venice Biennale, Venice, Italy |
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1995 |
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Mon Voyage ‡ New York, Galerie Elizabeth Valleix, Paris, France |
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1995 |
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soucis de pensées, Art: Concept/Olivier Antoine, Nice, France |
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1995 |
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Material Dreams, Gallery Takashimaya, New York, NY |
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1995 |
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In a Different Light, University Art Museum, University of California at Berkeley, Berkeley, CA |
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1995 |
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Sex Sells, Benefit for The University Art Museum and Pacific Film Archive, Rena Bransten Gallery, San Francisco, CA |
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1995 |
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CRG Art, Inc., New York, NY (solo) |
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1995 |
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Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY (solo) |
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1994 |
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Everything For You, Interim Art, London, England (solo) |
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1994 |
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A Diary Of Flowers, CRG Art, Inc., New York, NY (solo) |
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1994 |
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It's how you play the game, Exit Art/The First World, New York, NY |
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1994 |
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Ethereal Materialism, curated by Susan Harris, Apex Art, New York, NY |
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1994 |
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DYAD, curated by Annie Heron, Williamsburg, Brooklyn, NY |
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1994 |
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Les fleurs de mon jardin, Galerie Alain Gutharc, Paris, France |
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1994 |
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Desire, benefit for DIFFA, Charles Cowles Gallery, New York, NY |
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1994 |
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A Bouquet for Juan (An exhibition in honor of Juan Gonzales), Nancy Hoffman Gallery, New York, NY |
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1994 |
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Who Chooses Who, Benefit Auction, The New Museum of Contemporary Art, New York, NY |
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1994 |
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A Garden, Barbara Krakow Gallery, Boston, MA |
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1993 |
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Jim Hodges and Bill Jacobson, Paul Morris Fine Art, New York, NY |
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1993 |
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Our Perfect World, Grey Art Gallery, New York, NY |
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1993 |
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Opening Exhibition, Rowles Studio, Hudson, NY |
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1993 |
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The Animal in Me, Amy Lipton, New York, NY |
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1993 |
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Arachnosphere, Ramnarine Gallery, Long Island City, NY |
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1993 |
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Beyond Attrition: Art in the Era of Aids, Washington Project for the Arts, Washington, D.C. |
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1993 |
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The Eidetic Image: Contemporary Works on Paper, Krannert Art Museum, University of Illinois at Urbana-Champain, Urbana-Champain, IL |
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1993 |
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Museo Statale d'Arte Mediovale e Moderna, Arezzo, Italy |
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1993 |
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It's Really Hard, Momenta Art, New York, NY |
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1993 |
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Jim Hodges, Brooke Alexander, New York, NY |
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1993 |
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Outside Possibilities, The Rushmore Festival, Woodbury, NY |
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1993 |
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Sculpture & Multiples, Brooke Alexander, New York, NY |
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1993 |
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Selections/Spring '93, The Drawing Center, New York, NY |
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1992 |
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Collector's Show, Arkansas Arts Center, Little Rock, AK |
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1992 |
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Healing, Rena Bransten Gallery, San Francisco, CA |
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1992 |
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An Ode to Gardens and Flowers, Nassau County Museum of Art, Roslyn Harbor, NY |
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1992 |
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The Temporary Image, S.S. White Building, Philadelphia, PA |
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1992 |
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Update 1992, White Columns, New York, NY |
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1992 |
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New Aids Drug, Het Apollohuis, Eindhoven, Holland (solo) |
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1991 |
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White Room, White Columns, New York, NY (solo) |
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1991 |
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Black and White, Nancy Hoffman Gallery, New York, NY |
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1991 |
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Lyric, Uses of Beauty at the End of the Century, White Columns, New York, NY |
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1990 |
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Auction for Action, Act-Up Benefit, New York, NY |
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1990 |
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Jim Hodges, David Nyzio, Vincent Shine, Postmasters, New York, NY |
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1990 |
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Partnership for the Homeless with Aids, Christie's, New York, NY |
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1990 |
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Reclamation, Momenta Art Alternatives, Philadelphia, PA |
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1989 |
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Selections, Artist's Space, New York, NY |
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1989 |
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Historia Abscondita, Gonzaga University Gallery, Spokane, WA (solo) |
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1988 |
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Installation, Momenta Art Alternatives, Philadelphia, PA |
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1986 |
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Master of Fine Arts Thesis Exhibition, Pratt Institute, New York, NY (solo) |
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Literature |
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2007 |
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Hackett, Regina, Solo artists' works come together in harmony in Tacoma Art Museum exhibit, Seattle Post Intelligencer, June 8, 2007 |
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2007 |
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Bonetti, David, I Remember Heaven: Jim Hodges and Andy Warhol, St. Louis Post-Dispatch, February 2, 2007 |
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2006 |
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Knight, Christopher, “Adventurers enticed by the landscape”, Reviews, Los Angeles Times, February 28, 2006 |
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2006 |
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Spears, Dorothy, "Evidence of a Life Lived", Art on Paper, Jan. 2006 |
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2005 |
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Art Now, Volume 2, Edited by Uta Grosenick, Taschen GmbH, 2005 |
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2005 |
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Morris, Bob, "On Jim Hodges", Converge 2, Miami Art Museum, 2005 |
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2005 |
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Carrier, David, "Jim Hodges: Museum of Contemporary Art, Cleveland", Artforum, April issue, p. 192-193 |
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2005 |
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Molesworth, Helen, Landscape Confection: Wexner Center for the Arts and The Ohio State University, p.34-37 |
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2004 |
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Zaza, Tony. “No More Super-Sizing: Sizing the Biennial,” New York Arts, Vol. 9, No. 5/6, May- June 2004, p. 17. |
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2004 |
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Smith, Roberta. “At Shows Painted With Sound, Be Prepared to See With Your Ears,” The New York Times, May 21, p. E29. |
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2004 |
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Hoban, Phoebe. “Open Houses, Miami Style: 7BRs, Ocn Vu, WrldClassArt,” New York Times Magazine, March 14, 2004. |
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2004 |
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Kimmelman, Michael. “Touching All Bases at the Biennial,” The New York Times, Art Review, March 12, 2004, p. E27. |
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2003 |
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Johnson, Ken. “Alumni Return, Juxtapsing Past and Present,” The New York Times, November 28, 2004, p. E46. |
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2003 |
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Baker, Kenneth, "Capp Street Benefit Show," San Francisco Chronicle, Aug. 16, 2003 |
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2003 |
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Johnson, Ken. "Gathering a Flock of Quirky Grown-Ups," Jul. 18, 2003 |
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2003 |
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Temin, Christine. "His sound art echoes in the mind," The Boston Globe, July 9, 2003. p. D1, D6 |
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2003 |
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Camper, Fred. "On Exhibit: first glimpses of Art Chicago 2003, Chicago Reader, May 9, 2003. Section 1, p.35 |
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2003 |
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Boyce, Roger, “Neither Here Nor There, Mirror Mirror at MASS MoCA: Manipulations of reflective surfaces reveal ourselves over and again,” Art New England, February/March 2003, p. 16-17, 74. |
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2003 |
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Harris, Susan. “Jim Hodges at CRG,” Art in America, January 2003, p. 107. |
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2003 |
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Buskirk, Martha, "The Contingent Object of Contemporary Art," MIT Press, p. 152 |
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2002 |
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Jowitt, Deborah. “Slow Down!,” The Village Voice, November 6 – 12, 2002. |
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2002 |
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Crane, Julianne. “Eye-Catcher,” Spokesman Review, August 22, 2002 |
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2002 |
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Mahoney, Robert. Time Out NY, August 15, 2002, Issue 359. |
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2002 |
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Hughes, Robert J. “All the Way with Jim and Shell,” The Wallstreet Journal, August 2, 2002, p. w2 |
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2002 |
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Crane, Julianne. “Craftiness comes in many shades,” Spokesman Review, August 1, 2002 |
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2002 |
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Art On Paper, July - August Issue, p.44-45 |
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2002 |
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Johnson, Ken. “Linger,” The New York Times, June 28, p. E34 |
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2002 |
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Johnson, Ken. “Jim Hodges,” The New York Times, May 31, p. E39 |
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2002 |
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Demarest, Marty. “Subterranean Sounds,” The Inlander Online |
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2002 |
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Horodner, Stuart. “Jim Hodges,” Bomb Magazine, Spring Issue No. 79, p. 100-101 |
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2001 |
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Mahoney, Robert. ‘Jim Hodges,’ Time Out New York, August 9, 2001. Issue 307. |
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2001 |
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Levin, Kim. ‘Short List,’ The Village Voice, August 7, 2001. |
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2001 |
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Smith, Roberta. ‘Quick as a Shutter, Group Shows Shatter Conventional Wisdom,’ The New York Times, July 6, 2001. |
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2001 |
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Schmerler, Sarah. ‘James Graham and Sons, through August 3rd,’ Time Out New York, Issue 304. |
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2000 |
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Labelle, Charles. Review. Frieze, Sept. - Oct., p. 119-120 |
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2000 |
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The New Yorker, "Museum of Modern Art", Sept. 11, 2006, p. 18 |
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2000 |
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Moreno, Gean. "Interview: Jim Hodges," New Art Examiner. June, 2006. pp.13-15 |
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2000 |
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Baker, Kenneth. San Francisco Chronicle. April 22, 2006. p. E1 & E1 |
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2000 |
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Jowitt, Deborah. "Amour, Sex, and All That Jazz", The Village Voice. Feb. 29, 2006, p. 61-62 |
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2000 |
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Keats, Jonathon. "Letters to a young Artist," San Francisco Magazine, Feb., 2006, p. 56-57 |
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2000 |
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Musgrave, David. Natural Dependency, Art Monthly, Nov. - Dec. 2000 p. 232 |
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1999 |
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"He’s not Here: Terry Myers visits Jim Hodges studio in New York," TRANS>, No.6, p.174 |
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1999 |
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Benjamin, Marina. "One sensation after another," Evening Standard, London, Friday Nov. 5, p.62 |
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1999 |
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Rugoff, Ralph. "beauty bites back," Harper’s Bazaar, October, pp. 234-235 |
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1999 |
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Cotter, Holland. "Art in Review," The New York Times, Sept. 10, p.E36 |
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1999 |
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Temin, Christine. "Thurber, Hodges limn a landscape of loss," The Boston Globe, September 10, p. F1 & F10 |
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1999 |
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Dobrzynski, Judith H. “Taking the Ordinary and Finding the Beautiful,” The New York Times, March 24, 1999, page E1. |
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1999 |
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Temin, Christine. “Collectors’ Best of the ‘90’s,” Boston Globe, April 2, 1999. |
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1999 |
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Kastner, Jeffrey. “Review – Jim Hodges,” art/text, February.April 1999. |
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1998 |
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Perchuk, Andrew. “Review – Jim Hodges,” ARTFORUM, December 1998. |
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1998 |
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Heartney, Eleanor. “Review – Jim Hodges,” Art in America, November 1998. |
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1998 |
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Arning, Bill. "Jim Hodges: An Artist’s Mirror Image," OUT, Issue 58, p. 38, Sept., 1998 |
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1998 |
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Cotter, Holland. “Review – Jim Hodges,” The New York Times, September 25, 1998. |
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1998 |
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Levin, Kim. “Short List,” Village Voice, September 23-29, 1998. |
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1998 |
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Grundberg, Andy. “Review – Present Tense: Nine Artists in the Nineties,” ARTFORUM, February 1998. |
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1997 |
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Darling, Michael. “Review – Longing and Memory,” LA Weekly, June 20-26, 1997. |
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1997 |
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Knight, Christopher. “Review – Longing and Memory,” The Los Angeles Times, June 7, 1997. |
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1997 |
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McKenna, Kristine. “Review – Longing and Memory,” The Los Angeles Times, June 7, 1997. |
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1997 |
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Hart, Jane. “Review,” ZINGMAGAZINE, Autumn/Winter 96/97. |
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1997 |
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McClure, Lissa. “Review,” Review, February 1, 1997. |
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1996 |
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Decter, Joshua. “Review,” ARTFORUM, November 1996. |
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1996 |
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Killam, Brad. “Review,” New Art Examiner, September 1996. |
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1996 |
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Spector, Nancy. "Peripheral Visions: Jim Hodges and Siobhan Liddell," The Guggenheim Magazine, Fall Isuue, p. 33 |
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1996 |
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Deitcher, David. “Death in the Marketplace,” Frieze, June/July/August 1996. |
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1996 |
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Kandel, Susan. “Review,” Los Angeles Times, June 6, 1996. |
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1996 |
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Darling, Michael. “Review,” Los Angeles Times, May 31, 1996. |
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1995 |
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Smith, Roberta. "Critic's Choice," The New York Times, November 24, 1995. |
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1995 |
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Levin, Kim. "Choices" The Village Voice, November 28, 1995. |
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1995 |
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Canning, Susan. "Review-Ethereal Materialsm, New Art Examiner, (February 1995) |
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1995 |
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Cameron, Dan. “Seven Up,” Art&Auction, June 1995. |
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1994 |
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Smith, Roberta. "Art Reviews," The New York Times, February 11, 1995. |
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1994 |
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Edelman, Robert G. "Review," artpress, March 1994. |
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1994 |
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Harris, Susan. "Review," ARTnews, April 1994. |
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1994 |
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Upshaw, Reagan. "Review," Art In America, May 1994. |
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1994 |
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Weinstein, Mathew. "Review," Artforum, May 1994. |
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