 |
|
Johannes Kahrs (German, 1965)
|
 |
Johannes Kahrs
Untitled (three men standing) 2007
|
|
| |
|
Biography |
|
|
1965 |
|
Born in Bremen, Germany |
|
|
|
|
Lives and Works in Berlin, Germany |
|
|
|
|
Scholarship of the Institut Francais, Paris |
|
|
|
|
Catalogue-sponsorship of Alfred Krupp von Bohlen and Halbach Foundation |
|
|
|
|
Master student Art Price Schlumberger |
|
|
|
|
Scholarship of the Senat of Berlin |
|
|
|
|
Lives and Works in Berlin, Germany |
|
|
|
|
Studied at the Hochschule der Künste, Berlin |
|
|
|
|
Studio program of Kunst-Werke Berlin |
|
|
Exhibitions |
|
|
2008 |
|
The Painting of Modern Life, Castello di Rivoli, Turin, Italy |
|
|
2008 |
|
FRAC Auvergne, Clermont-Ferrand, France (solo) |
|
|
2007 |
|
Men with music, GAMeC, Bergamo, Italy (solo) |
|
|
2007 |
|
The Painting of Modern Life, Hayward Gallery, London, UK |
|
|
2007 |
|
De Cirkel, Roger Raveelmuseum, Machelen-Zulte, Belgium |
|
|
2007 |
|
Visit(e): Contemporary art in Germany, Bozar, Brussels, Belgium |
|
|
2007 |
|
Works on paper, Zeno X Gallery & Zeno X Storage, Antwerp, Belgium |
|
|
2006 |
|
Vous êtes ici, FRAC Auvergne, Clermont-Ferrand, France |
|
|
2006 |
|
Lonely long meaningless way home, Parasol unit foundation for contemporary art, London, UK (solo) |
|
|
2006 |
|
Ein ganz fremder Nackter, Zeno X Gallery, Antwerp, Belgium (solo) |
|
|
2005 |
|
Zur Vorstellung des Terrors: Die RAF - Ausstellung, Kunst-Werke, Berlin, Germany |
|
|
2004 |
|
Drafting Deceit, Apexart, New York, USA |
|
|
2004 |
|
Dunkles Zimmer, Zeno X Gallery, Antwerp, Belgium (solo) |
|
|
2003 |
|
Fuori Uso 03, Pescara, Itlay |
|
|
2002 |
|
Great Theater of the World, Taipei Biennal, Taipeh, Taiwan |
|
|
2002 |
|
Questions, Studio Massimo de Carlo, Milan, Italy (solo) |
|
|
2001 |
|
A-h, S.M.A.K., Ghent, Belgium; FRAC des Pays de la Loire, Carquefou, France; Kunstverein München, Munich, Germany; (solo) (cat.) |
|
|
2001 |
|
In/Site/Out, Apex, New York, USA |
|
|
2000 |
|
Children of Berlin, Museum Folkwang Essen, Germany |
|
|
2000 |
|
Indoor, Stedelijk Museum Voor Actuele Kunst, Ghent, Belgium |
|
|
2000 |
|
Last Virgin on the Left, Galerie Signal, Malmö, Sweden (solo) |
|
|
2000 |
|
Shot and Painted, Galerie Franck+Schulte, Berlin, Germany (solo) |
|
|
2000 |
|
Night in Sexyland, Galerie Zeno X, Antwerp, Belgium (solo) |
|
|
2000 |
|
La révolution Permanente, Galerie Almine Rech, Paris, France (solo) |
|
|
1999 |
|
Statement, Art 29 Basel, pres. by Galerie Almine Rech, Basel, Switzerland (solo) |
|
|
1999 |
|
EV+A, Limerick City Gallery of Art, Limerick, Ireland |
|
|
1999 |
|
Indoor, Musée D'Art Contemporain Lyon, France |
|
|
1999 |
|
Drawings, Zeno X Gallery, Antwerp, Belgium |
|
|
1999 |
|
Independence Day, Kunst-Werke e.V. Berlin, Germany |
|
|
1999 |
|
The Children of Berlin, P.S., New York, USA |
|
|
1999 |
|
Art Club Berlin, AU Base, New York, USA |
|
|
1998 |
|
Le présent du futur, FRAC Languedoc-Roussillon, Montpellier, France |
|
|
1998 |
|
Indoor, Centro Civico per L'Arte Contemporanea, Serre di Rapolano, Italy (cat.) |
|
|
1998 |
|
Kamikaze, Marstall, Berlin, Germany |
|
|
1998 |
|
The Cinema Project, Künstlerhaus Bethanien, Berlin, Germany |
|
|
1998 |
|
Biennale Berlin, Berlin, Germany |
|
|
1998 |
|
Schwarzes Loch/Weiße Wand, Galerie Franck+Schulte, Berlin, Germany (solo) (cat.) |
|
|
1998 |
|
A-h, Galerie Almine Rech, Paris, France (solo) |
|
|
1998 |
|
Double Stage-6 Seconds Popular Violence, Galerie Franck+Schulte, Berlin, Germany (solo) |
|
|
1998 |
|
Why Don't You Paint my Portrait, Gesellschaft für Aktuelle Kunst Bremen, Germany (solo) (cat.) |
|
|
1997 |
|
Hole, Galerie Arndt & Partner, Berlin, Germany (solo) |
|
|
1997 |
|
Thompson Homestead, Slater, Missouri (in cooperation with the magazine 'Passe-partout', Leuven), Galerie Transit Leuven, Belgium (solo) |
|
|
1997 |
|
93'09"- Vorzimmer/ 4 Klacks, Vereiniging, Museum Voor Hedendaagse Kunst, Ghent, Belgium (solo) |
|
|
1997 |
|
Heaven-Private View, P.S.1, New York, USA |
|
|
1997 |
|
Korrespondenzen, Scottish National Gallery of Modern Art, Edinburgh, UK (cat.) |
|
|
1997 |
|
Fenêtre sur cour, Galerie Almine Rech, Paris, France (cat.) |
|
|
1997 |
|
Selection Fall 1997, Drawing Center, New York, USA |
|
|
1996 |
|
Laboratorium Berlin-Moskau, Contemporary Art Center, Moscow, Russia |
|
|
1996 |
|
Nach Weimar, Kunstsammlungen zu Weimar, Weimar, Germany (cat.) |
|
|
1996 |
|
The Aggression of Beauty, Galerie Arndt & Partner, Berlin, Germany |
|
|
1995 |
|
Drawings, Galerie Peter Kilchmann, Zurich, Switzerland |
|
|
1995 |
|
Filmcuts, Galerie Neugerriemschneider, Berlin, Germany |
|
|
1995 |
|
Close up, Städtische Galerie, Bremen, Germany (cat.) |
|
|
1995 |
|
Club Berlin, Biennale XLV, Venice, Italy |
|
|
1995 |
|
Datierung (Posterwork in public space in cooperation with the magazine Zitty) |
|
|
1995 |
|
Bild und Malerei, Galerie Wohnmaschine, Berlin, Germany (solo) (cat.) |
|
|
1994 |
|
Schlag doch (Ficticious Portrait of J. Bartsch), Daad Galerie, Berlin, Germany (solo) (cat.) |
|
|
1993 |
|
Keine Falsche Bewegung (Ficticious Portrait of J. Bartsch), Galerie Mutzek, Berlin, Germany (solo) |
|
|
Literature |
|
|
2007 |
|
Men with Music, GAMeC, Bergamo, Italy (cat.) |
|
|
2006 |
|
Constructing Reality: New Berlin, Phoenix Art Museum, Phoenix Arizona, USA (cat.) |
|
|
2006 |
|
Johannes Kahrs, Magnus von Plessen, Eberhard Havekost und Wilhelm Sasnal: Images in Painting, Colecçao Fundaçao de Serralves - Museu de Arte Contemporânea, Porto, Portugal (cat.) |
|
|
2005 |
|
2005 - Open Days, Roma Publications 1998-2005, S.M.A.K., Ghent, Belgium (cat.) |
|
|
2005 |
|
Drawing from the Modern: 1975 - 2005, The Museum of Modern Art MOMA, New York, NY, USA (cat.) |
|
|
2005 |
|
Contemporary Art in Belgium 2006, Edited by Best Of Publishing, Brussels, Belgium (cat.) |
|
|
2004 |
|
Fehlfarben, Neue Malerei aus München, Dresden, Leipzig, Berlin, Gerrit GOLHLKE, Staatliche Kunstsammlungen Dresden, Dresden, Germany (cat.) |
|
|
2004 |
|
Some Reflections on the Painterly Practice of Johannes Kahrs, European Biennal of Contemporary Art, San Sebastian, Spain (cat.) |
|
|
2004 |
|
Zie Tekening, Stedelijk Museum Wuyts-Van Campen en Baron Caroly, Lier, Belgium (cat.) |
|
|
2003 |
|
Comme des Garçons, Edited by Comme des Garçons (cat.) |
|
|
2003 |
|
Berlin-Moscow/Moscow-Berlin - Kunst 1950-2000, Edited by Nicolai, Martin Gropius-Bau, Berlin, Germany (cat.) |
|
|
2003 |
|
Deutschemalereizweitausenddrei, Nicolaus Schafhausen, Frankfurter Kunstverein, Frankfurt, Germany (cat.) |
|
|
2003 |
|
Warum!, Bilder diesseits und jenseits des Menschen, Hatje Cantz, Martin-Gropius-Bau, Berlin, Germany (cat.) |
|
|
2003 |
|
Down ‘n Out, Künstlerhaus Bethanien, Berlin, Germany (cat.) |
|
|
2002 |
|
Vitamin P. New perspectives in painting, Edited by Phaidon (cat.) |
|
|
2002 |
|
Cardinales, MARCO - Museo de arte Contemporanea de Vigo, Vigo, Spain (cat.) |
|
|
2001 |
|
Squatters, Fundacao Serralves, Porto, Portugal (cat.) |
|
|
2001 |
|
A-h, Kunstverein München, Munich, Germany, text by Harald Fricke (cat.) |
|
|
2000 |
|
Rencotres 3. Johannes Kahrs / Dr. Eric Caillon, Edited by Images Modernes (cat.) |
|
|
1999 |
|
Johannes Kahrs. Why Don't You Paint my Portrait, Gesellschaft für Aktuelle Kunst, Bremen, Germany (cat.) |
|
|
1994 |
|
Johannes Kahrs. Schlag Doch, Berlin, Germany, (Internationaler Schlumberger Kunstpreis) (cat.) |
|
|
|
|
return to artnet.com