 |
 |
Xing Danwen (Chinese, 1967)
|
 |
Xing Danwen disCONNEXION B-04 2002-2003
|
|
 |
Xing Danwen disCONNEXION B-09 2002-2003
|
|
 |
Xing Danwen uf_10 2006
|
|
 |
Xing Danwen uf_19
|
|
 |
Xing Danwen uf_23
|
|
 |
Xing Danwen uf_24 2006
|
|
 |
Biography |
|
 |
1967 |
 |
Born in Xian, Shaanxi Province, China |
|
 |
1982 - 1986 |
 |
Studied Fine Art (Painting) at the Xi'an Academy of Fine Arts, Shaanxi Province, China |
|
 |
1988 - 1992 |
 |
BFA at the Central Academy of Fine Arts, Beijing, China |
|
 |
1998 - 2000 |
 |
Chairman's Grant from School of Visual Arts, New York, USA |
|
 |
1998 - 2001 |
 |
MFA Photo and Related Media at the School of Visual Arts, New York, USA |
|
 |
1998 - 2001 |
 |
Grant & Fellowship from Asian Cultural Council, New York, USA |
|
 |
2003 |
 |
Best Publishing Project Award from Les Rencontres d’Arles Festival, Arles, France |
|
 |
2008 |
 |
Finalists for ING REAL photography award, Netherlands |
|
 |
|
 |
Currently lives and works in Beijing, China |
|
 |
Exhibitions |
|
 |
2009 |
 |
Xing Danwen, Three Shadows Photography Art Centre, Beijing, China (solo) |
|
 |
2008 |
 |
PhotoMiami, Dolores de Sierra Gallery, Miami, USA (solo) |
|
 |
2008 |
 |
Xing Danwen, Moti Hasson Gallery, New York, USA (solo) |
|
 |
2008 |
 |
New World Order, Groninger Museum, Netherlands |
|
 |
2008 |
 |
Another Voice, Shanghai Art Museum, Shanghai, China |
|
 |
2008 |
 |
FOTOFEST 2008, Houston, Texas, USA |
|
 |
2008 |
 |
ING REAL Photography Award, LP II Art Exhibition |
|
 |
2008 |
 |
Centre, Rotterdam, The Netherlands |
|
 |
2008 |
 |
China Design Now, Victoria and Albert Museum, London, UK |
|
 |
2007 |
 |
City of Expiration and Regeneration, 2007 Shenzhen Biennal, China |
|
 |
2007 |
 |
Chinaproduction, Architekturzentrum Wien, Vienna, Austria |
|
 |
2007 |
 |
Floating, National Museum of Contemporary Art, Soeul, Korea |
|
 |
2007 |
 |
Thought Provoking, Sense Provoking, Noorderlicht, Groningen, The Netherlands |
|
 |
2007 |
 |
Altered States, Tisch Gallery, AIDEKMAN ARTS CENTER / TUFTS University, USA |
|
 |
2007 |
 |
METAMORPHOSIS, Tampere Art Museum, Tampere, Finland |
|
 |
2007 |
 |
MADE in CHINA, Louisiana Museum of Modern Art, Denmark |
|
 |
2007 |
 |
The Israel Museum, Jerusalem, Israel |
|
 |
2006 |
 |
MADE in CHINA, Museum of Contemporary Photography, Chicago, USA |
|
 |
2006 |
 |
On the Edge, Davis Museum and Cultural Center, Wellesley College, Boston, USA; Indianapolis Museum of Art, Indianapolis, USA; Cantor Center for Visual Arts, Stanford University, Stanford, USA |
|
 |
2006 |
 |
New Urban Realities, Museum Boijmans Van Beuningen, Rotterdam & NAi, The Netherlands |
|
 |
2006 |
 |
Code: Blue--Confluence of Currents, New Media Center/Beijing Cubic Art Center, Beijing, China |
|
 |
2006 |
 |
Fantasy Landscapes, Asia House, London, UK |
|
 |
2006 |
 |
Urban Fiction, Gallery TPW, Toronto, Canada (solo) |
|
 |
2006 |
 |
disCONNEXION/duplication, Chinese Museum, Melbourne, Australia (solo) |
|
 |
2006 |
 |
Chinese Contemporary: Art, Architecture, and Visual Culture, Museum Boijmans Van Beuningen and Netherlands Architecture Institute, Rotterdam, Netherlands |
|
 |
2006 |
 |
New Photography and Video from China, Seattle Art Museum, Seattle, USA and Victoria and Albert Museum, London, United Kingdom |
|
 |
2006 |
 |
C On Cities, the 10th Venice Architecture Biennale, Venice, Italy |
|
 |
2006 |
 |
Private Lives, URBIS, Manchester, UK |
|
 |
2006 |
 |
TOTALSTADT/BEIJING CASE, ZKM, Karlsruhe, Germany |
|
 |
2006 |
 |
New Urban Realities, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands |
|
 |
2006 |
 |
Code: Blue--Confluence of Currents, New Media Center/Beijing Cubic Art Center, Beijing, China |
|
 |
2006 |
 |
The ISEA 2006/ZeroOne Festival, San Jose, California, USA |
|
 |
2006 |
 |
Imaging a Global Culture, CONTACT Toronto Photography Festival, Subway ST. PATRICK STATION, Toronto, Canada |
|
 |
2006 |
 |
CHINA TRADE, International Centre for Contemporary Asian Art, Vancouver, Canada |
|
 |
2004 - 2006 |
 |
Between Past and Future: New Photography and Video From China, The Venice Biennale, Venice, Italy; Seattle Art Museum, Seattle, USA; Smart Museum of Art, Chicago, USA; Museum of Contemporary Art, Chicago, USA; International Center for Photography, New York, USA |
|
 |
2005 |
 |
CONVERGENCE at E116/N40, Beijing Off Biennale, Beijing, China |
|
 |
2005 |
 |
City of Dreams, The Red Mansion Foundation, London, UK |
|
 |
2005 |
 |
Unspeakable Happiness, MUSEO TAMAYO ARTE CONTEMPORANEO, Mexico city, Mexico |
|
 |
2005 |
 |
Re-VIEWING the CITY, First Guangzhou International Photo Biennale, Guangdong Museum of Art, Guangdong Province, China |
|
 |
2004 |
 |
disCONNEXION, Kiang Gallery, Atlanta, USA solo |
|
 |
2004 |
 |
dis+dup '94, Gow Langsford gallery, Sydney, Australia solo |
|
 |
2004 |
 |
Urban Fiction '94, Galerie Piece Unique, Paris, France solo |
|
 |
2004 |
 |
guanYIN - tempi di DONNE, Galleria Salal in Roma, Italy |
|
 |
2004 |
 |
She, The Art Season gallery in Beijing, China |
|
 |
2004 |
 |
Kiang Gallery, Atlanta, USA (solo) |
|
 |
2004 |
 |
Galerie Piece Unique, Paris, France (solo) |
|
 |
2004 |
 |
Gow Langsford Gallery, Auckland, New Zealand (solo) |
|
 |
2004 |
 |
Me, Me, Me, The Courtyard Gallery, Beijing, China |
|
 |
2004 |
 |
Making Faces: The Death of the Portrait ( Je t’envisage: La disparition du portrait) at the Musée de l'Eysée in Lausanne, Switzerland |
|
 |
2004 |
 |
In Translation: The Effects of Cultural Ambiguity, Georgia State University Ernest G. Welch School of Art & Design Gallery in Atlanta, USA |
|
 |
2004 |
 |
Grotesque Reality, The National Museum of Contemporary Art, Seoul, Korea photographs from "DUPLICATION" series |
|
 |
2004 |
 |
Mix-Ed, Sherman gallery in Sydney, Australia |
|
 |
2004 |
 |
REASON AND EMOTION, Biennale of Sydney in Sydney, Australia |
|
 |
2004 |
 |
Chinese New Photography, International Center for Photography in New York, US |
|
 |
2004 |
 |
Chinese Contemporary Photography, The Goedhuis Contemporary Gallery in New York, US |
|
 |
2004 |
 |
Globalia, Frauen Museum in Bonn, Germany |
|
 |
2004 |
 |
disCONNEXION, Kiang Gallery, Atlanta, USA (solo) |
|
 |
2003 |
 |
Split: Woman in Dislocation' at the Center for Curatorial Studies Museum in New York, US |
|
 |
2003 |
 |
CHINE(S) - VideoArt & Experimental Cinema from China & Taiwan' at LightCone in Paris, France |
|
 |
2003 |
 |
Chinese Maximalism' at Millennium Art Museum in Beijing, China |
|
 |
2003 |
 |
Together with Migrants, Today Art Gallery, Beijing, China |
|
 |
2003 |
 |
Chinese Maximalism, UB Art Gallery in Buffalo, U.S.A |
|
 |
2003 |
 |
Contemporary Chinese Art, Kristianstads Konsthall in Kristianstad, Sweden |
|
 |
2003 |
 |
Cara a Cara, Culturgest in Lisbon, Portugal |
|
 |
2003 |
 |
Global Detail, Noorderlicht Photo Festival in Ja Groningen, Netherlands |
|
 |
2003 |
 |
Les Rencontres d’ '92 Arles, Festival Arles'94, Arles, France |
|
 |
2003 |
 |
'The American Effects 94, Whitney Museum of Art in New York, USA |
|
 |
2003 |
 |
Alors, la Chine?, Centre Pompidou in Paris, France |
|
 |
2003 |
 |
Spatial Narrative-Contemporary Asian Photography, Japan Society in New York, US |
|
 |
2003 |
 |
Roma Photo Festival in Rome, Italy |
|
 |
2002 |
 |
Dislocation, 2nd PingYao International Photo Festival, Shanxi Province, China (solo) |
|
 |
2002 |
 |
China Avantgarde, Lee Ka-sing Gallery, Toronto, Canada (solo) |
|
 |
2002 |
 |
Re-interpretation, A Decade of Experimental Chinese Art, 1st Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China |
|
 |
2002 |
 |
Queens International, Queens Museum of Art, New York, USA |
|
 |
2001 |
 |
Xing Danwen's Work, Galerie du Château, Nice, France (solo) |
|
 |
2001 |
 |
93 Mega Wave-Towards a New Synthesis '94, 1st YOKOHAMA TRIENNIAL, Yokohama, Japan |
|
 |
1999 |
 |
BEIJING-The Revolutionary Capital, Institute of Contemporary Arts, London, UK |
|
 |
1997 |
 |
In Sight, SOHO Photo Gallery, New York, USA (solo) |
|
 |
1994 |
 |
With Chinese Eyes, Gallery Grauwert, Hamburg, Germany (solo) |
|
 |
|
 |
Public Collection |
|
 |
|
 |
Whitney Museum of American Art, New York; The Progressive Corporation, USA; JGS Foundation, New York; Estella Collection, New York; Santa Barbara Museum of Art, USA; ICP, International Center for Photography, New York; the Smart Museum of Art, Chicago; San Francisco Museum of Modern Art, USA; Groupe Lhoist, Belgium; Dr. Sigg Collection, Switzerland; UBS, Union Bank of Switzerland; George Pompidou Center, Paris; FNAC / Fonds National d'art Contemporain, France; The Red Mansion Foundation, London; Guangdong Museum of Art, Guangzhou |
|
 |
Literature |
|
 |
2007 |
 |
China Art Book. Uta Grosenick / Caspar Schübbe (Ed.), 680 pages, approx. 850 images, trilingual: Engl./Ger./Chin., Dumont Buchverlag, Cologne 2007. www.chinaartbook.de |
|
 |
2005 |
 |
Chinese Art “Develop the reality of China: On Xing Danwen’s Artistic Practice”, Gu Zheng, Beijing. |
|
 |
2005 |
 |
Le Monde “Objectifs Chinois”, by Michele Champenois, Paris. |
|
 |
2004 |
 |
Art in America “Young Beijing”, by Jonathan Napack, New York. |
|
 |
2004 |
 |
Le Monde “Galeries – Regard de Chine”, by Genevieve Breerette, Paris. |
|
 |
2004 |
 |
New York Times “Like a Bird in Flight: Capturing Today’s Chinese Culture in Transition”, by Holland Cotter, New York. |
|
 |
2004 |
 |
Nouveaux Regards Photographie “Xing Danwen: Urban Fiction / France Duplication /disCONNEXION”, by Christian Orsatelli, Paris. |
|
 |
2004 |
 |
exhibition catalogue ‘Interview’ Between Past and Future – New Photography and Video from China, by Lisa Corrin Smart Museum of Art / University of Chicago / ICP / Steidl Publishers. |
|
 |
2004 |
 |
exhibition catalogue “disCONNEXION”, Biennale of Sydney EMOTION & REASON, by Shinyi Yang, Sydney. |
|
 |
2004 |
 |
Chinese Art “Insulation – the Wonder of Electronical Garbage and the Composition of Xing Danwen”, by Shinyi Yang, Beijing. |
|
 |
2003 |
 |
Art in America "Report from China", by Richard Vine, New York. |
|
|
|
|