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Gardar Eide Einarsson (Norwegian/American, 1976)
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Gardar Eide Einarsson
Untitled (Why This Anger Citizens) 2005
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Biography |
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1976 |
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Born in Oslo, Norway |
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1996 - 2000 |
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National Academy of Fine Art, Bergen |
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1999 - 2000 |
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Staatliche Hochschule fur Bildende Künste – Städelschule, Frankfurt am Main |
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2001 - 2002 |
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Whitney Museum of American Art Independent Study Program, Studio Program, New York |
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2002 - 2003 |
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Whitney Museum of American Art Independent Study Program/ Cooper Union School of Architecture, Architecture and Urban Studies Program, New York |
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Lives and works in New York |
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Exhibitions |
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2006 |
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Gallery Sora, Tokyo (with Banks Violette, forthcoming, October) |
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2006 |
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Stadtische Galerie im Lenbachhaus, Munich, Germany, Theater of Life – Rhetorics of Emotions (forthcoming April, curated by Nicholas Schafhausen) |
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2006 |
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STANDARD (OSLO), Oslo, Norway, Mafia: Or One Unopened Packet of Cigarettes (forthcoming March) |
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2006 |
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Marc Selwyn Fine Art, Los Angeles (curated by Clarissa Dalrymple) |
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2006 |
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Bortolami Dayan, New York, Survivor (curated by David Rimanelli, forthcoming March) |
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2005 |
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Kunsthalle Bern, Bern, Switzerland, The Complex of Respect, (forthcoming January, curated by Philipe Pirotte) |
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2005 |
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FrancoSoffiantino Artecontemporanea, Turin, Italy, L’Altro, Lo Stesso (curated by Irene Calderoni) |
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2005 |
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CCA Glasgow, Glasgow, Scotland, In the Poem About Love You Don’t Write The Word Love, (curated by Tanya Leighton) |
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2005 |
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Nils Stærk Contemporary Art, Copenhagen, Denmark, To Be Continued |
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2005 |
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Roberts and Tilton Gallery, Los Angeles, CA |
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2005 |
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Istanbul Biennale, Istanbul, Turkey (with catalogue, curated by Vasif Kortun and Charles Esche) |
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2005 |
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G Fine Art, Washington D.C., Blast (curated by Paul Brewer) |
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2005 |
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Allston Skirt Gallery, Boston, MA, Downstrokes and Feedback (curated by Lisa Schiff) |
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2005 |
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Team Gallery, New York, NY, leashed or confined (solo) |
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2005 |
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Galerie Loevenbruck, Paris, France (solo) |
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2005 |
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Kunstraum Deutsche Bank, Salzburg, Austria, Next Generation: no ordinary sanctity (with catalogue, curated by Shamim M. Momin) |
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2005 |
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Nicole Klagsbrun, New York, Walls ‘n Things (curated by Clarissa Dalrymple) |
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2004 |
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Galerie Loevenbruck, Paris, France, La Piste Noir (curated by Marc-Olivier Wahler, with catalogue) |
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2004 |
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Kunstwerke, Berlin, Germany, Now And Ten Years Ago (with catalogue, curated by |
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2004 |
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Shedhalle, Zürich, Switzerland, The Spectacle and Pleasure Principle or the Carnivalesque |
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2004 |
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Champion Fine Arts, New York, NY, Boys Keep Swinging (curated by Mai-thu Perret, with |
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2004 |
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Art Film Basel, Art 35 Basel/ Stadtkino Basel, Switzerland |
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2004 |
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UKS Gallery, Oslo, Norway, Come and Take It (solo) |
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2004 |
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Nils Stærk Contemporary Art, Copenhagen, Denmark, Enter to Start (solo) |
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2004 |
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Fotogalleriet, Oslo, Norway, We’ll Make the World You Live (with catalogue) (solo) |
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2004 |
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Schnittraum, Cologne, Germany, 5 (words) (solo) |
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2004 |
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Marres centrum beeldende kunst, Maastricht, The Netherlands, Your Example Will Speak (solo) |
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2004 |
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Bergen Kunsthall, Bergen, Norway, Rank Xerox (with Matias Faldbakken) |
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2003 |
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Am Parlamentzplatz, Revolver, Frankfurt/ Main, Germany, Lösen Sie Ihren Bonus Ein |
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2003 |
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Atle Gerhardsen, Berlin, Germany, o.u.t.l.a.w. (solo) |
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2003 |
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Norsk Form/ Fotogalleriet, Oslo, Norway, That’s Not Made for That (solo) |
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2003 |
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Künstlerhaus Bethanien, Berlin, Germany, Violators Will be (solo) |
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2003 |
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Hermitage, St. Petersburg, Bilbao, Electric Visions |
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2003 |
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Contemporary Art Centre, Vilnius, Lithuania, 24/7: New York-Vilnius (with catalogue) |
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2003 |
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Apex Art, New York, Between The Lines (curated by Rebecca Gordon Nesbitt) |
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2003 |
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Kunstverein München, Munich, Kunstladen (curated by Maria Lind) |
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2002 |
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Tramway, Glasgow, Scotland, CMYK/Greyscale (with catalogue) |
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2002 |
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Charlottenborg Exhibition Hall, Copenhagen, Denmark, Esplanaden (with catalogue) |
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2002 |
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Wolverhampton Art Gallery, Wolverhampton, UK, Strike (with catalogue) |
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2002 |
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National Museum of Contemporary Art, Oslo, Norway, Where am I Now 2 |
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2002 |
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American Fine Arts, New York, New York, Lars Von Trier (with Gareth James) |
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2002 |
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White Box, New York, 6’ Under (with Carissa Rodriguez) |
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2002 |
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Oslo Kunsthall, Oslo, Norway, Mind the Space (with Jan Christensen) |
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2001 |
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Nordic Institute for Contemporary Art, Helsinki, Finland, Osculum Infame (with Matias |
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2001 |
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Casino Luxembourg Forum d' Art Contemporain, Luxembourg, Audit (with catalogue) |
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2001 |
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The Trade Apartment, London, UK, What's Wrong |
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2001 |
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Rooseum Center for Contemporary Art, Malmo, Sweden, Kosmos (curated by Charles Esche) |
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2001 |
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Bergen Kunstforening/ Bergen Kunsthall/ Den Frie Udstilling, Copenhagen/ Bergen, |
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2001 |
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Galleri OTTO, Copenhagen, Denmark Reol (with catalogue) |
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2000 |
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American Fine Arts. Coal by Any Other Name, New York |
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2000 |
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Galleri G.I/ Henie Onstad Artcenter, Propaganda Village, Oslo, Norway |
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2000 |
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Momentum- Nordic Festival for Contemporary Art, Moss (with catalogue) |
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1999 |
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Galleri 21:25, Oslo, Norway, Notes From the Underground (with Marius Engh) |
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Literature |
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2006 |
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Taft, Catherine, “Group Show Organized by Clarissa Dalrymple,” Artforum.com, February 9. |
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2005 |
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Moreno, Gean, “Gardar Eide Einarsson,” ArtUS, December, p.25 (with illustration). |
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2005 |
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Jacobsen, Louis, “Blasts,” Washington City Paper, October 14, p.60 (with illustration). |
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2005 |
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Wilson, Michael, “Gardar Eide Einarsson,” Artforum, December, p.279 (with illustration). |
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2005 |
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Honigman, Ana Finel, “Gardar Eide Einarsson,” Tema Celeste, September-October, pp.44-9 (with illustrations). |
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2005 |
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Sholis, Brian, “Critics’ Picks: Walls ‘n’ Things,” Artforum.com, July 20 (with illustration). |
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2005 |
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Cotter, Holland, “Fanciful to Figurative to Wryly Inscrutable: Walls ‘n’ Things,” The New York Times, July 8, p.E31. |
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2005 |
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Scott, Andrea K., "Local Heroes," TimeOut, March 31-April 6, p.62 |
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2005 |
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Ribas, Joao, "City Limits," ArtReview, March. |
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2004 |
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Blom, Ina, “A Problem of Style: Art vs. Subculture. On the Work of Gardar Eide Einarsson”, |
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2004 |
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Lind, Maria, “Soft and strict strands”, 00tal #17/18, Stockholm |
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2004 |
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Heier, Marianne, “Andre Helter”, Billedkunst, #1 2004 |
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2003 |
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Macel, Christine, “Dada et Moi”, Les Cahiers du Musée national d’art moderne/ Centre |
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2003 |
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Koether, Jutta, “Was tun mi dem Schwung/ What to do with the Momentum”, BE Magazin, |
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2003 |
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Pethick, Emily, “Critics Picks”, Artforum.com, August |
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2002 |
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Deliss, Clementine, Texte sur Kunst, December. |
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2002 |
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Clark, Robert, The Guardian, Oct 8., p.__ |
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2002 |
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Griffin, Tim, Time Out New York, July 4-11, p.__ |
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2001 |
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Nesbitt, Rebecca Gordon, “Osculum Infame, the Dark Side of the White Cube”, NIFCA Info, |
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2001 |
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Tannert, Christoph, Kunstzeitung, November 01. |
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2000 |
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Andreassen, Soren, Bang Larssen, Lars, NU: The Nordic Art Review, March. |
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2000 |
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McDavid, Ralph, NU: The Nordic Art Review, February. |
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