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Biography |
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1990 - 1992 |
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Miami Dade Community College |
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1996 |
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The School of the Art Institute of Chicago, BFA Film |
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2001 |
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Yale University, MFA Sculpture |
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Awards and Grants |
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The Baum: Emerging American Photographer Award |
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Rema Hort Mann Foundation Art Grant |
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Alice Kimball Traveling Grant |
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Florida Individual Artist Fellowship |
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Art Access Traveling Grant |
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New Forms Visual Arts Grant |
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South Florida Cultural Consortium Visual Arts Fellowship |
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Public Collections |
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Whitney Museum of American Art, New York |
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Hood Museum of Art, Dartmouth College |
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UC Berkeley Art Museum |
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New Museum of Contemporary Art |
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Museum of Art Fort Lauderdale |
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Miami Art Museum |
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Guggenheim Museum, New York |
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Private Collections |
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Rosa and Carlos De La Cruz, Florida |
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Despeyer family collection, New York |
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George Linamen collection ,New York |
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Hans Olbritcht collection, Germany |
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Julie Torton collection , New York |
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Exhibitions |
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2004 |
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Fade In: Contemporary Arts Museum Houston, Houston Texas |
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2004 |
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Open House: Brooklyn Museum of Art, Brooklyn New York |
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2004 |
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Everything You Ever Loved in One Place 2001-2004 : Changing Role , Naples,Italy |
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2004 |
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Luis Gispert: Loud Image: Hood Museum of Art, Dartmouth College, Hanover |
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2003 |
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Black Belt, Studio Museum of Harlem, New York |
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2003 |
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Influnce, Anxiety, and Gratitude: MIT List Visual Arts Center, Cambridge Massachusetts |
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2003 |
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Women Beware Women: Deitch Projects, New York |
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2003 |
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Urban Myths Part II: Whitney Museum of American Art at Altria, New York |
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2003 |
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Urban Myths Part I: Miami Art Central, Miami Florida |
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2003 |
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Urban Myths Part I: Miami Art Central, Miami Florida |
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2003 |
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Urban Myths Part I: Baum Award, UC Berkeley Art Museum |
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2003 |
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Cheerleaders 2000 – 2002: Miami Dade Community College |
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2003 |
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Women Beware Women: Deitch Projects, New York |
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2003 |
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NextNext Visual Art: Brooklyn Academy of Music, New York |
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2002 |
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New Additions To The Altoids Curiously Strong Collection: |
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2002 |
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Officina America: Galleria D’Arte Moderna Villa Delle Rose, Museo Morandi, Bologna, Italy |
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2002 |
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Interplay: Moore Building, Miami |
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2002 |
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Mass Appeal: The art object and Hip Hop culture Galerie 101 Ottawa, Montreal, Arts Interculturels, Montreal, The Khyber Center For The Arts, Halifax, Owens Art Gallery, Sackville |
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2002 |
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Monitor 2: Gagosian Gallery, New York |
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2002 |
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Bystander: Andrea Rosen Gallery, New York |
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2002 |
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10 Seconds 2 Love: Mullerdechiara Gallery, Berlin |
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2002 |
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Whitney Biennial: Whitney Museum of American Art, New York |
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2001 |
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One Planet Under One Groove: Hip Hop and Contemporary Art The Bronx Museum Of The Arts, New York |
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2001 |
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Border Stories: IX International Biennial of Photography Palazzo Bricherasio, Torino Italy |
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2001 |
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Optic Nerve III: Return of Optic Nerve, MOCA Miami |
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2001 |
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Bling Bling: Audelio Fine Art, New York |
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2000 |
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Publikulture, Museum of Art Fort Lauderdale, FL |
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2000 |
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Travels In Hyperreality Making Art In Miami: MOCA Miami |
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2000 |
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Publikulture: Museum of Art Fort Lauderdale |
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2000 |
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Effects: Audelio Fine Art, New York |
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2000 |
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Mount Miami: American Artists In Tel Aviv, Tel Aviv Artists Studios |
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1999 |
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The Present Absent: Eight Artists From Miami, Paco Imperial, Rio de Janeiro, Brazil |
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1999 |
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Booty Bass: Centre Gallery, M-DCC, Miami |
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1999 |
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Hot Spots: Los Angeles, Houston, Miami, Wetherspoon Art Galleries |
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1999 |
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University of North Carolina, Greensboro, Pittsburgh Center for the Arts |
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1999 |
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The Present Absent: Eight Artists From Florida, Paco Imperial (and travelling) Rio de Janiero, Brazil |
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1999 |
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Booty Bass, , Centre Gallery, Miami Dade Community College Miami, FL |
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1999 |
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Hot Spots: Los Angeles, Houston, Miami, Weatherspoon Art Gallery Greensboro, NC |
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1998 |
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2 x 2, Ground Level Gallery Miami Beach, FL |
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1997 |
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Cultural Consortium Fellowship Exhibition, Miami Art Museum Miami, FL |
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1997 |
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Cultural Consortium Fellowship Exhibition: Miami Art Museum, Miami |
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1996 |
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Fellowship Screening, Film Center, Art Institute of Chicago Chicago, IL |
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Literature |
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2004 |
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Johnson Ken, Luis Gispert “Urban Myths PT II (Return Of The Hypenaholics)”, The New York Times ,Friday, January 9, 2004 |
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2003 |
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Sirmins,Franklin, “Pop Life Luis Gispert” One World , Feb/Mar 2003 |
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2003 |
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Kim, Christine, “Black Belt” exhibition catalog, The Studio Museum In Harlem, 2003 |
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2003 |
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Carvajal Rina, “American Baroque: A Conversation with Luis Gispert” exhibition catalog 10 Floridians, MAC 2003 |
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2003 |
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Martin Lydia, “Urban Myths Bring the Street Home”, Miami Herald, Dec 6, 2003 |
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2003 |
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Schwendener Martha, “Women Beware Women”, Time Out NY, Dec 4-11,ß 2003 |
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2002 |
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Kerr, Merrily, “An interview with Franklin Sirmans” NY Arts Magazine, January 2002 |
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2002 |
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Naldi, Fabiola, “Officina Americana: interview with Renato Barilli”, Collezioni edge, |
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2002 |
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Robinson, Knox, “The Show: interview with Franklin Sirmans” The Fader, Winter 2001/2002 |
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2002 |
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Danto C, Arthur, Rinder, Lawrence, Vendrame, Simona, “New York, November 2001: a conversation”, Tema Celeste, January/February 2002 |
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2002 |
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Moreno Gean, “Luis Gispert”, Flash Art, December 2002 |
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2002 |
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Hopper Mark, “The Things We Do For Art”, I-D Magazine, May 2002 |
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2002 |
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Nickas Bob, ”Mild About Larry, Multiple Voice” Artforum, May 2002 |
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2002 |
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Smith, Roberta, “In the Orbit of Funk and Hip-Hop” The New York Times, January 18,2002 |
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2001 |
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Vogel, Carol, The New York Times, “A homegrown Biennial” November 26, 2001 |
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2001 |
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Ocana, Damarys, The Miami Herald, “Bright Lights, Big City” November 25, 2001 |
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2001 |
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Von Schlegel, Mark, Art and Text, “Luis Gispert, Jonathan Horowitz, John Williams” May-June 2001 |
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2000 |
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Patton, Daniel, NY Arts, “Bling Bling” May 2000 |
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2000 |
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Clearwater, Bonnie, “Making Art In Miami”, catalog text, MOCA Miami Dec 2000 |
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2000 |
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The Village Voice, “Art Choices: Effects”, May 23, 2000 |
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2000 |
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The New Yorker, Goings On About Town: Galleries-Chelsea-Effects”, March 2000 |
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1999 |
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Moreno, Gean, “On View: Miami”, New Art Examiner, May 1999 |
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1999 |
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Tomcic, Goran, “ Miami Spice” Hot Spots: Los Angeles, Houston, Miami, catalog text, Weatherspoon Art Gallery, University of North Carolina Greensboro, May 1999 |
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1997 |
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Tannenbaum, Judith, “Curator’s Overview”, Cultural Consortium Exhibition, catalog text, Miami Art Museum, Miami, May 1997 |
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