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Heather Hutchison (American, 1964)
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Heather Hutchison
DEPARTED 2007
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Heather Hutchison
DIVIDED (VERMLLION) 2008
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Heather Hutchison
Installation View 1995
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Heather Hutchison
Installation View 1995
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Heather Hutchison
Installation Views 1995
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Heather Hutchison
On the Road to Doglio 1995
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Biography |
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1964 |
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Born in Philomath, OR |
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1995 |
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Artist in Residence, Illinois State University, Bloomington, IL |
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Exhibitions |
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2007 |
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Luxe Calme et Volupte, Marcia Wood Gallery, Atlanta, GA |
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2006 |
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Night as Clear as Day, Margaret Thatcher Projects, New York, NY
Please Don’t Touch, Winston Wächter Fine Art, New York, NY
Cowgirls of the Hudson Valley, BRIK Gallery, Catskill, NY |
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2005 |
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Summer Sensation, Margaret Thatcher Projects, New York, NY
Encaustic Works 2005, Samuel Dorsky Museum of Art, State University of New York, New Paltz, NY
Cooled and Collected, Boon Gallery, Salem, MA |
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2003 |
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Sheer Painting, Margaret Thatcher Projects, New York, NY (solo)
Cervini Haas Gallery, Scottsdale, AZ (solo) |
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2002 |
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Breathing Room, Margaret Thatcher Projects, New York, NY
Ordinate/Coordinate, Kenise Barnes Fine Art, Larchmont, NY |
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2001 |
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The Art of Encaustic Painting, Cervini Haas Gallery, Scottsdale, AZ |
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2000 |
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Waxing Poetic: Encaustic Art in America, Knoxville Museum of Art, Knoxville, TN
Melting Pot, Kenise Barnes Fine Art, Larchmont, NY |
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1999 |
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Waxing Poetic: Encaustic Art in America, Knoxville Museum of Art Knoxville, TN
Transparent Facade, Otis College of Art and Design Los Angeles, CA
Waxing Poetic: Encaustic Art in America, The Montclair Art Museum Montclair, NJ |
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1998 |
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Transparent Facade, The Work Space New York, NY
Section 33, D.A.C. Brooklyn, NY
Get Close, Marymount Mahattan College Gallery New York, NY
Regatta 98 (Miraculously Sublime), Sideshow Gallery Inc. Brooklyn, NY
Breathing Room, Lipson Carriage House New York, NY |
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1997 |
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Museo d'Arte Contemporanea Pallazzo Penna Perugia, Italy
Heather Hutchinson, Paul, Manes, Roberto Pietrosanti, Gallerie Extra Moenia Todi, Italy
Peeling a Grape, Condeso-Lawler Gallery New York, NY
Invitational '97, Knoedler Gallery New York, NY
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1995 |
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Permanent Collection Exhibition, The Brooklyn Museum Brooklyn, NY
Daily Thoughts for Daily Needs, Nohra Haime Gallery New York, NY (solo)
Art Miami, Nohra Haime Gallery Miami, FL
Minimal: Optimal, Part 1, Elga Wimmer Gallery New York, NY
Exemplary Images, Greystone Gallery San Francisco, CA
Wax, Nohra Haime Gallery New York, NY
The Art Show, Nohra Haime Gallery New York, NY
Works on Paper, The Armory, Nohra Haime Gallery New York, NY
Benefit Auction, The Rotunda Gallery Brooklyn, NY
Down the Garden Path, The Work Space New York, NY
44th Biennial Exhibition of Contemporary American Painting: Painting Outside Painting, , The Corcoran Gallery of Art Washington, D.C. |
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1994 |
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HeartShare Human Services of New York Benefit Auction, Christie's New York, NY
Art Miami, Nohra Haime Gallery Miami, FL
25th Anniversary, Cleveland Center for Contemporary Art Cleveland, OH
Translucid Passages, Nohra Haime Gallery New York, NY (solo) |
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1993 |
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FIAC, Nohra Haime Gallery Paris, France
Benefit Auction, Museum of Contemporary Art Chicago, IL
Larry Bell/ Heather Hutchison, Larry Bell, Tavelli Gallery Chicago, IL
As Above, So Below, Elga Wimmer Gallery New York, NY
Heather Hutchison/Susana Jaime-Mena, Susana Jaime-Men, Nohra Haime Gallery New York, NY
The Art Show (Art Dealers Association of America), Nohra Haime Gallery New York, NY
Intuitive Perception, Nohra Haime Gallery New York, NY
Art Miami, Nohra Haime Gallery Miami, FL
Bold As Love, Patricia Shea Gallery Santa Monica, CA (solo) |
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1992 |
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Children's Benefit, Stark Gallery New York, NY
Cross-Currents, Jamison/Thomas Gallery New York, NY (solo)
Chicago International Art Expo 1992, Jamison/Thomas Gallery New York, NY
New York Selections, Sunrise Museum Charlestown, WV
Transparency & Shape, Elga Wimmer Gallery New York, NY
Cross-Currents, Shea & Bornstein Gallery Los Angeles, CA |
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1991 |
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Chicago International Art Fair, Jamison/Thomas Gallery New York, NY
Current Minimalists, Atlanta Arts Festival Atlanta, GA
Compulsion, Jamison/Thomas Gallery New York, NY
Home for June, Home for Contemporary Theatre New York, NY
Benefit Auction, New Museum of Contemporary Art New York, NY
Sum of the Parts, Jamison/Thomas Gallery New York, NY
Three Women, Thomas Tavelli Gallery Aspen, CO
L.A. Art Fair, Jamison/Thomas Gallery New York, NY
Intimate Relations, Jamison/Thomas Gallery New York, NY
Five Easy Pieces, Jamison/Thomas Gallery New York, NY (solo) |
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1990 |
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L.A. Art Fair, Jamison Thomas Gallery New York, NY
Homage to the Square, Nohra Haime Gallery New York, NY
New Work by Gallery Artists, Jamison/Thomas Gallery New York, NY
The Density Series, Jamison/Thomas Gallery New York, NY (solo) |
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1989 |
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Art of the Contemporary Triptych, Jamison/Thomas Gallery New York, NY
December Group Show, Bess Cutler Gallery New York, NY
New Work, Bess Cutler Gallery New York, NY (solo) |
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Literature |
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Bellasi, Pietro. “New Abstraction and Abstract Society,” Tema Celeste, January 1992. p. 92. illustrated |
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Bellia, Fausto. “La’ Dove e stato il dolore, ora ci sara’l’ arte,” La Nazione (Umbria), August 8, 1997 |
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Bergmann, Meredith. “Reviews in Brief: Heather Hutchison,” The New York Review of Art, May 1994. p. 17 |
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Damianovic, Maia. “Painting Outside Painting,” The Corcoran Gallery of Art, December 1995. pp. 54-55. Exhibition Catalog, illustrated. |
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Damianovic, Maia. Minimal Optimal, Elga Wimmer Gallery. January 1995. Exhibition Catalog. |
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Dorscy, John. “Too much ‘different’ makes show uneven,” The Baltimore Sun, January 14, 1996. pp. 1K-2K. |
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Frank, Peter. “Transparent Facade,” LA Weekly, October 1999. |
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French, Christopher. Transpareny & Shape: Clear Contradiction, Elga Wimmer Gallery, April 1992. Exhibition Catalog, illustrated. |
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Greben, Diedre Stein. “Exhibition Review,” Artnews, December 1997. vol. 96, #11, p. 62 |
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Heartney, Elanor. “Exhibition review,” Artnews, December 1990. vol. 89, #10, p. 164, illustrated |
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Hirsch, Faye. “Exhibition Review,” Print Collectors Newsletter, Sept-Oct. 1992. p. 147. |
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Johnson, Ken. “Art in Review,” The New York Times, August 14, 1998. |
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Knight, Christopher. “Light & Space Pieces from New York?,” Los Angeles Times, September 15, 1999. pp. 52, 55-56. |
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Lewis, Jo Ann. “Painting Outside the Lines,” The Washington Post, December 23, 1993 |
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Mattera, Joanne. “The Art of Encaustic Painting,” (2001) pp. 6,10,11, 76, 78, 104, 107, 120. illustrated. Watson Gupthill. |
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Morgan, Robert. “Three New York Reviews,” Lusty Mover. Fall 1992, p.3 |
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Monzo, Chiara. “Quel brivido sottile dell’ arte,” La Nazione(Umbria), September 3, 1997. |
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Oisteanu, Valery, “Invitational ‘97,”NY Arts Magazine #13, September 1997. Illustrated. |
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Ostrow, Saul. “History is Now,” The New Art Examiner, March 1996, pp. 29-31. |
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Ponti, Carlo. “L’arte entra nella ‘fossa dei serpenti’,” Corriere (Italy), August 19, 1997. |
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Riley, Charles A. II. “The Saints of Modern Art,” : The Aesthetic Ideal in Contemporary Painting, Sculpture, Architecture, Music, Dance, Literature, and Philosophy, (May 1998) pp. 115-116, 148. University Press of New England |
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Rose, Barbara. “New York’s New 1997 Art Scene, 1997,” ARTE IN, (Italy). December/January 1997. |
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Rose, Barbara. “New York, New Generation,” Pallazzo Penna, Perugia, Italy. Exhibition catalog, September 1997, illustrated. |
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Schinsky, Bill. “Current Minimalists,” 38th Arts Festival of Atlanta Catalogue, Juror’s Statement. June 1991, pp. 7, 12. |
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Scott, Sue. Daily Thoughts for Daily Needs, Nohra Haime Gallery, September 1995, exhibition catalog, illustrated. |
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Shaw-Eagle, Joanna. “Painting Beyond Traditional Limits,” The Washington Times, December 24, 1995. |
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Slatin, Peter. “Intuitive Perception/ Nohra Haime,” Artnews, May 1993. pp. 141 April 1994 pp. 101-102. illustrated. |
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Stavitsky, Gail. “Waxing Poetic (Encaustic Art in America),” The Monclair Art Museum, May 23 - August 15, 1999. Knoxville Museum of Art, September 24, 1999 - January 9, 2000. pp. 47-48. exhibition catalog, illustrated. |
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Sultan, Terrie. “The Rapture of Materiality,” The Corcoran Gallery of Art Biennial Exhibition of American Painting, December 1995, pp. 18-23. exhibition catalog, illustrated. |
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Tolnick, Judith. “Unlocking the grid (Concerning the grid in recent painting),” University of Rhode Island , January 1999. exhibition essay, illustrated. |
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Upshaw, Regan. “New York Review,” Art in America, July 1994, p. 98, illustrated |
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Van Siclen, Bill. “URI’s ‘Unlocking the Grid’ releases creativity,” The Providence Journal, February 19, 1999. p. 58 |
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Wei, Lily. “Transparent Facade: From New York to Los Angeles,” Otis Gallery, Otis College of Art & Design. September, October 1999, exhibition catalog, illustrated. |
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Wright, Jeff. “Passages of Light,” Cover, October 1995. p. 10, illustrated. |
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Wright, Jeff. “Inviting Directions, Four Points of the Compass at Knoedler $ Co.,” Cover, 1997. Volume 11, #5, pp. 14-15. |
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Zimmer, William. “Wax as a Medium and a Message,” The New York Times, June 5, 1999. |
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