 |
|
Stephen Sollins (American, 1967)
|
 |
Stephen Sollins
Elegy (...Love Stays) 2005
|
|
 |
Stephen Sollins
Elegy (beetles) 2003
|
|
 |
Stephen Sollins
Elegy (Bouquet) 2004
|
|
 |
Stephen Sollins
Elegy (God Bless) 2005
|
|
 |
Stephen Sollins
Elegy (How dear to my heart...) 2003-2004
|
|
 |
Stephen Sollins
Elegy (There's no place...) 2005
|
|
|
Biography |
|
|
1967 |
|
b. Washington, DC, |
|
|
1990 |
|
Bard College, Annandale, NY, B.A. |
|
|
1997 |
|
School of Visual Arts, New York, NY, MFA |
|
|
Exhibitions |
|
|
2005 |
|
Domestic Scenes, Brian Gross Fine Art, San Francisco, CA (solo) |
|
|
2005 |
|
Raw Data: Conceptual Art in Louisiana, Contemporary Arts Center, New Orleans, LA |
|
|
2005 |
|
Motion/Stasis, Carroll Gallery, Tulane University, Louisiana |
|
|
2004 |
|
Home Sweet Home, Mitchell-Innes & Nash, New York, NY (solo) |
|
|
2004 |
|
Open House, Brooklyn Museum of Art, Brooklyn, NY |
|
|
2004 |
|
Drawings, Caren Golden Fine Art, New York, NY |
|
|
2003 |
|
Manic, DUMBO Arts Center, Brooklyn, NY |
|
|
2003 |
|
Recent Work, Brian Gross Fine Art, San Francisco, CA (solo) |
|
|
2002 |
|
Dwelling, Mitchell Innes and Nash, New York, NY (solo) |
|
|
2002 |
|
Public Notice, Mills College Art Museum, Mills College Oakland, CA (solo) |
|
|
2002 |
|
One Hand Clapping, Smack Mellon, Brooklyn, NY |
|
|
2002 |
|
The Microwave, Cristinerose/Josee Bienvenue, New York, NY |
|
|
2002 |
|
Boundless/Silence, DC Moore, New York, NY |
|
|
2001 |
|
Edgescapes, Goliath Visual Space, Brooklyn, NY |
|
|
2001 |
|
Unruled, Exhibit A, New York, NY |
|
|
2000 |
|
Microwave 2, 123 Watts Gallery, New York, NY |
|
|
2000 |
|
Winter Paper, Catherine Moore Fine Arts, New York, NY |
|
|
1999 |
|
1999 Benefit (Invitational), White Columns, New York, NY |
|
|
1999 |
|
DUMBO: Art Under the Bridge, Brooklyn, NY |
|
|
1999 |
|
Poetry/Predictions, Brian Gross Fine Art, San Francisco, CA (solo) |
|
|
1998 |
|
Last Portraits, Brian Gross Fine Art, San Francisco, CA (solo) |
|
|
1998 |
|
Recent Work, Sara Meltzer's On View, New York, NY (solo) |
|
|
1998 |
|
AIM: Aritsts in the Marketplace, Bronx Museum of Art, Bronx, NY |
|
|
1998 |
|
Selections '98, The Drawing Center, New York, NY |
|
|
1997 |
|
Night of a Thousand Drawings, Artist's Space, New York, NY |
|
|
1996 |
|
Reframing Tradition, Creative Arts Workshop, New Haven, CT |
|
|
1995 |
|
New Work '95, Artspace, New Haven, CT |
|
|
1993 |
|
I'm Useless to the Culture but God Loves Me, Five Day Forecast, San Francisco, CA |
|
|
1990 |
|
Fried Okra in Central City, Proctor Art Center, Annandale, NY (solo) |
|
|
Literature |
|
|
2005 |
|
The Times-Picayune, Doug MacCash, March 4, 2005 |
|
|
2005 |
|
Gambit Weekly, Eric Bookhardt, February 22, 2005 |
|
|
2004 |
|
Sculpture, Denise Carvalho, January-February, 2004 |
|
|
2003 |
|
Art on Paper, Glen Helfand, May-June, 2003 |
|
|
2003 |
|
Art on Paper, Claire Barliant, January-February 2003 |
|
|
2002 |
|
Art on Paper, Lytle Shaw, March-April, 2002 |
|
|
2002 |
|
Dwelling, Essay by Elizabeth Finch, Mitchell-Innes & Nash, 2002 |
|
|
2002 |
|
Time Out New York, Sarah Schmerler, May 2-9, 2002 |
|
|
2001 |
|
The New York Times, Art Guide, Ken Johnson, January 19, 2001 |
|
|
2000 |
|
The Village Voice, Recommended Choices, Kim Levin, |
|
|
1998 |
|
San Francisco Examiner, David Bonetti, Gallery Watch |
|
|
1998 |
|
The New Yorker, Goings On About Town, March 16, 1998 |
|
|
1998 |
|
New York City Search.com, Charles Hutchinson, March, 1998 |
|
|
1998 |
|
The Village Voice, Choices, Kim Levin, February 10, 1998 |
|
|
1998 |
|
The New York Times, Holland Cotter, August 23, 1998 |
|
|
|
|
return to artnet.com