 |
 |
Sabine Hornig (German, 1964)
|
 |
Sabine Hornig Invalidenstr. 6 2006
|
|
 |
Sabine Hornig Nr. 5 2005
|
|
 |
Sabine Hornig Vorhang 3 2005
|
|
 |
Sabine Hornig Vorhang 3 2005
|
|
 |
Sabine Hornig Vorhang 3 (curtain 3) 2005
|
|
|
 |
Biography |
|
 |
1989 |
 |
Canterbury College of Art, Kent, UK |
|
 |
1990 |
 |
Studienstifung des deutschen Volkes, Bonn, Germany |
|
 |
1986 - 1992 |
 |
Fine Arts, HdK Berlin, Germany |
|
 |
1992 |
 |
MFA, Fine Arts, HdK Berlin, Germany |
|
 |
1993 |
 |
Studioprogram Kunst-Werke Berlin, Germany |
|
 |
1995 |
 |
Artist in Residence at the University of California, Los Angeles, USA |
|
 |
1996 |
 |
Kunstfonds e.V., Bonn, Germany |
|
 |
1997 |
 |
Working grant of the Senat für. Wissenschaft, Forschung und Kultur Bonn, Germany |
|
 |
1997 |
 |
Teacher for photography at the Johannes Gutenberg Universität Mainz, Germany |
|
 |
1998 |
 |
Karl-Schmidt-Rottluff-grant, Germany |
|
 |
1999 - 2000 |
 |
PS1-grant of the Senat für Wissenschaft, Forschung und Kultur Berlin, New York, USA |
|
 |
2002 - 2003 |
 |
Guest professor at Kunsthochschule Karlsruhe, Germany |
|
 |
Exhibitions |
|
 |
2008 |
 |
Urban Reflections, Stills, Edinburgh |
|
 |
2008 |
 |
INSIDE // OUTSIDE Innenraum und Ausblick in der zeitgenössischen deutschen Fotografie, Museum Küppersmühle, Duisburg |
|
 |
2007 |
 |
Cristina Guerra Contemporary Art, Lisbon, Portugal (solo) |
|
 |
2007 |
 |
Made in Germany, Sprengel Museum Hannover, Kunstverein Hannover, Kestner Gesellschaft, Hannover, Germany |
|
 |
2007 |
 |
Urban Landscapes, Bell Gallery, List Art Center, Brown University Providence, RI, USA |
|
 |
2007 |
 |
Die stadt von morgen - Beiträge zu einer Archäologie des Hansaviertels Berlin, Akademie der Künste, Berlin, Germany |
|
 |
2007 |
 |
Reality Bites - Making Avant-Garde Art in Post-Wall Germany, Sam Fox Arts Center at Washington University, St. Louis, USA |
|
 |
2007 |
 |
Morel´s Island, Centre Photographique d'Ile de France, Paris, France |
|
 |
2006 |
 |
Raum mit großem Fenster, Berlinische Galerie, Berlin, Germany (solo) |
|
 |
2006 |
 |
Berlin-Tokyo / Tokyo-Berlin, Neue Nationalgalerie, Berlin, Germany |
|
 |
2006 |
 |
Art Unlimited, Basel, Switzerland |
|
 |
2006 |
 |
Constructing New Berlin, Phoenix Art Museum , Phoenix, AZ,USA, touring to Bass Museum of Art, Miami Beach, USA |
|
 |
2006 |
 |
Gebilde, Tanya Bonakdar Gallery, New York, USA (solo) |
|
 |
2006 |
 |
Vorher und Nachher, Galerie Barbara Thumm, Berlin, Germany (solo) |
|
 |
2005 |
 |
Vanishing Point, Wexner Center for the Arts, Columbus, USA |
|
 |
2005 |
 |
Collección De Fotografía Contemporánea de Telefónica, Museo de Arte Contemporánea de Vigo, Spain |
|
 |
2005 |
 |
O Segundo Espaco, Centro Cultural de Belém, Lisbon, Portugal (solo) |
|
 |
2005 |
 |
Vorhang 3, Galerie Barbara Gross, Munich, Germany (solo) |
|
 |
2005 |
 |
Beyond Delirious, Photographs from the Ella Fontanals Cisneros Collection, Cisneros Fontanals Art Foundation (CIFO), Miami, USA |
|
 |
2005 |
 |
Postmodellismus, Galerie Krinzinger, Vienna, Austria |
|
 |
2004 |
 |
Collección de Fotografi a Contemporánea de Telefónica, Fundación Telefonica, Madrid, Spain |
|
 |
2004 |
 |
Schule /school, Tanya Bonakdar Gallery, New York, USA (solo) |
|
 |
2004 |
 |
Balkong, Galleri Lars Bohmann, Stockholm, Sweden (solo) |
|
 |
2004 |
 |
Art...chitecture, Evo Gallery, Santa Fe, USA |
|
 |
2003 |
 |
Una Nova Geometria, Galeria Fortes Vilaça, Sao Paulo, Brazil |
|
 |
2003 |
 |
Fenster, Galerie Barbara Thumm, Berlin, Germany (solo) |
|
 |
2003 |
 |
Project 78, Museum of Modern Art, New York, USA (solo) |
|
 |
2002 |
 |
Balkon, Galerie Barbara Thumm, Berlin, Germany (solo) |
|
 |
2002 |
 |
Out Front, Tanya Bonakdar Gallery, New York, USA (solo) |
|
 |
2002 |
 |
The invisible and the visible as an indivisible unity, Mendelsohn-Haus, Berlin, Germany |
|
 |
2002 |
 |
Hortus Ludi, The Garden of Joy, project by Bik Van der Pol, Maastricht, The Netherlands |
|
 |
2001 |
 |
Window with Curtain, Bonakdar Jancou Gallery, New York, USA (solo) |
|
 |
2001 |
 |
Best of the Season: Selected Highlights from the 2000-2001 Manhattan Gallery Season, The Aldrich Museum of Contemporary Art, Ridgefield, USA |
|
 |
2001 |
 |
New Work, Tanya Bonakdar Gallery, New York, USA |
|
 |
2001 |
 |
Sculpture-Biennial Münsterland, curated by Christoph Tannert, Kreis Steinfurt, Germany |
|
 |
2001 |
 |
Berlin-London, curated by Rüdiger Lange, ICA London, UK |
|
 |
2000 |
 |
Ein/räumen, Hamburger Kunsthalle, Germany |
|
 |
2000 |
 |
The Karl-Schmidt-Rottluff-Grant Exhibition, Kunstakademie Dresden and Kunsthalle Düsseldorf, Germany |
|
 |
2000 |
 |
Clockwork, P.S.1 Contemporary Art Center, Clocktower Gallery, New York, USA |
|
 |
2000 |
 |
Rauhputz City, Galerie Barbara Thumm, Berlin, Germany (solo) |
|
 |
2000 |
 |
Prototype-Memory is Reconstruction, Goldman Tevis Gallery, Los Angeles, USA (solo) |
|
 |
1999 |
 |
Double Vision, Nexus Art Centre, Atlanta, Georgia, USA |
|
 |
1999 |
 |
Konstruktionszeichnungen, Kunst-Werke Berlin, Germany |
|
 |
1999 |
 |
Made in Berlin, House of Cyprus, Athens, Greece |
|
 |
1998 |
 |
Made in Berlin, Rhethymnon Center of Contemporary Art, Crete |
|
 |
1998 |
 |
Wiensowski & Harbord, Berlin, Germany (solo) |
|
 |
1997 |
 |
Fasten Seat Belt, Galerie Krinzinge, Vienna, Austria |
|
 |
1997 |
 |
Big Blue, Berlin, Germany |
|
 |
1997 |
 |
Take Off, Galerie Krinzinger Bregenz, Austria |
|
 |
1997 |
 |
Memento Metropolis, Antwerp, Belgium |
|
 |
1996 |
 |
Memento Metropolis, Copenhagen, Denmark |
|
 |
1996 |
 |
Les Temps d’eté …, Lukas & Hoffmann,Cologne, Germany |
|
 |
1996 |
 |
Prototype - Memory is Reconstruction, Malmö Konstmuseet, Sweden (solo) |
|
 |
1995 |
 |
Urbane Legenden Berlin, Staatliche Kunsthalle Baden-Baden, Germany |
|
 |
1995 |
 |
Orange Fassade, Lukas & Hoffmann, Cologne, Germany (solo) |
|
 |
1994 |
 |
Multiples, Neuer Berliner Kunstverein, Berlin, Germany |
|
 |
1994 |
 |
Sammlung Volkmann Berlin, Germany |
|
 |
1993 |
 |
Herbstsalon, Galerie B. Brunnet, Berlin, Germany |
|
 |
1993 |
 |
Künstler des Atelierprogramms, Kunst-Werke Berlin, Germany |
|
 |
1993 |
 |
Ateliereinbau II, Kunst-Werke Berlin, Germany (solo) |
|
 |
1992 |
 |
Anlage Lichtschacht, HdK Berlin, Germany(solo) |
|
 |
1991 |
 |
Heute, Künstlerinnenprojekt im Künstlerhaus Bethanien, Berlin, Germany |
|
 |
1991 |
 |
...in Zusammenarbeit mit Isa Genzken, Foyer HdK, Germany |
|
 |
1990 |
 |
Installation im Rohbau, (with Bettina Hoffmann and Doris Kuwert), Friedrichstraße Berlin, Germany |
|
 |
Literature |
|
 |
2008 |
 |
Total Eclipse of the Art | abc, stylemag.net, September 5 |
|
 |
2008 |
 |
Sabine Hornig - Landscape Negative, Galerie Barbara Thumm, Berlin/ Cristina Guerra Contemporary Art, Lisbon, ISBN 978-989-95190-3-9 |
|
 |
2007 |
 |
Brian Sholis: Sabine Hornig, in: Artforum, March 2007, p. 316-317 |
|
 |
2007 |
 |
Banai, Nuit: Sabine Hornig. Gebilde, contemporary, Issue 90/2007, p 60 |
|
 |
2007 |
 |
‚Made in Germany‘ (exh.cat.), Sprengel Museum Hannover, Kunstverein Hannover, Kestner Gesellschaft, Hannover, Hatje Cantz Verlag, ISBN 978-3-7757-1985-8 |
|
 |
2007 |
 |
Die Stadt von Morgen. Beiträge zu einer Archäologie des Hansaviertels Berlin (exh.cat.), Akademie der Künste, Verlag der Buchhandlung Walter König, Berlin, 2007 |
|
 |
2007 |
 |
Reality Bites - Making Avant-Garde Art in Post-Wall Germany (exh.cat.), Mildred Lane Kemper Art Museum, Hatje Cantz Verlag, 2007 |
|
 |
2007 |
 |
1a Orte, Kunstprojekt Theresienhšhe, Baureferat der LHM und Heinz Schütz, München ISBN 978-3-936721-27-0 |
|
 |
2007 |
 |
Image Makers Image Takers, Thames & Hudson, London, ISBN 0500286620 |
|
 |
2007 |
 |
Exit 26, Imagen y Cultura: „Through the Window“, Madrid |
|
 |
2007 |
 |
Tom de Bock: „Landscape Negative, Cristina Guerra Contemporary Art, Lisboa“, vernissage.tv, July |
|
 |
2007 |
 |
Skulpturenführer Münsterland - 42 Positionen zeitgenössischer Kunst im Münsterland, Aktion Münsterland e.V., Münster |
|
 |
2006 |
 |
BerlinTokyo TokyoBerlin, Nationalgalerie Berlin, Hatje Cantz, ISBN 3-7757-1804-4 |
|
 |
2006 |
 |
Sabine Hornig: Der zweite Raum, Hatje Cantz, ISBN 3-7757-1762-5 |
|
 |
2006 |
 |
Marie-Luise Knott, Le Monde diplomatique Nr. 7894 vom 10.2.2006 |
|
 |
2006 |
 |
Judith Borowski: Freie Raumsicht: Sabine Hornig, Financial Times Deutschland / Weekend, 24.11.2006 |
|
 |
2006 |
 |
Nicola Kuhn: „Die vierte Dimension“, Tagesspiegel, 11.03.2006 |
|
 |
2005 |
 |
Vanishing Point (exh. cat.), The Wexner Center for the Arts, The Ohio State University, Columbus (OH) |
|
 |
2003 |
 |
Katrin Bettina Müller: Das Offene, das Verborgene, in: taz, October 2003 |
|
 |
2003 |
 |
Projekt 78, Brochure @ Museum of Modern Art, New York |
|
 |
2002 |
 |
Rethinking: Space,time,architecture, Berlin 2002 |
|
 |
2002 |
 |
Blind Spot, issue 21, Summer 2002 |
|
 |
2001 |
 |
Dominic Eichler: Space Invader, in:frieze October 2001, issue 62, p. 86/87 |
|
 |
2001 |
 |
Astrid Mania: Sabine Hornig - Gegenstände werden da sein, Skulpturen-Biennale Münsterland, Katalog, Kreis Steinfurt, Der Landrat/ Christoph Tannert (Hg.), p. 148-151, ISBN 3-932809-22-X |
|
 |
2000 |
 |
Clockwork 2000, Essay by Roxana Marcoci, New York 2000 |
|
 |
2000 |
 |
Ein/räumen (exh. cat.), Kunsthalle Hamburg, Hatje Cantz Verlag, ISBN 3-7757-9055-1 |
|
 |
2000 |
 |
Harald Fricke, Sabine Hornig, Artforum International, April 2000, p. 151 |
|
 |
1999 |
 |
Double Vision, Nexus Contemporary Art Center, Atlanta, Georgia (Faltblatt) |
|
 |
1998 |
 |
Ingo Niermann: Vor der Wand, Made in Berlin, (exh. cat.), Rhethymnon Center of Contemporary Art, Kreta and House of Cyprus, Athens |
|
 |
1997 |
 |
Memento Metropolis, Hessenhuis Antwerpen, ISBN: 87 88800 23 7 |
|
 |
1996 |
 |
Ulrich Clewing: Raum wird zur begehbaren Skulptur, in: art No.10, October 1996, p.40 |
|
 |
1993 |
 |
Ateliereinbau II,Sabine Hornig und Kunst-Werke Berlin (Faltblatt) |
|
 |
1990 - 1991 |
 |
Akademie der Wissenschaften, yearbook of the academy of science and technology 1990-91, Verlag Walther de Gryter Berlin-New York, 1993 |
|
|
|
|