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Carole Seborovski (American, 1960)
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Carole Seborovski
Exodus 2003
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Carole Seborovski
Flux 2003
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Carole Seborovski
Formation of Red 2003
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Carole Seborovski
Monet's Lily 2003
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Carole Seborovski
Searching Blue 2003
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Carole Seborovski
Thin Pink Bubble 2000
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Biography |
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1960 |
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Born San Diego, CA |
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1982 |
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BFA, California College of Arts and Crafts California |
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1982 - 1984 |
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New York Studio School |
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1986 |
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The Pollock-Krasner Foundation Grant |
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1987 |
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MFA, Hunter College |
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1989 |
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Artist in Residence, Villa Monalvo Saratoge, CA |
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1990 |
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Artist in Residence, Agnes Bourne Fellowship Djerassi Foundation |
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1991 |
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National Endowment for the Arts Grant |
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1997 |
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Art Development Committee Grant |
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1999 |
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Art Development Committee Grant |
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Lives in New York |
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Exhibitions |
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2004 |
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Galerie Karsten Greve, Cologne, Germany (solo) |
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2003 |
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Galerie Karsten Greve, Paris, France (solo) |
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2003 |
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Tasty Buds, The Work Space, New York City (group) |
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2003 |
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Works on Paper, Haines Gallery, San Francisco, CA (group) |
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2003 |
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Drawings of Choice, from a New York Collection, Cincinnati Art Museum, OH (group) |
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2003 |
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Under Glass- Works on Paper 1960 to 2000, Anthony Grant, Inc. New York City (group) |
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2002 |
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New York Studio School 2002 Alumni Exhibition, Charles Cowles Gallery, New York City (group) |
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2002 |
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Drawings of Choice, from a New York Collection, Krannert Art Museum,University of Illinois at Urbana-Champaign, Ill. (group) |
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2002 |
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From Stone to Foam Nohra Haime Gallery, NYC (group) |
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2002 |
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Faculty Small Works Show, The Bertha And Karl Leubsdorf Art Gallery, Hunter College, NYC (group) |
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2002 |
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Dreamy, Margaret Thatcher Projects, NYC (group) |
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2002 |
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The Synthetic Century- Collage from Cubism to Postmodernism, Selections from (group) |
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2002 |
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Cheryl Haines Gallery, San Francisco, CA (solo) |
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2002 |
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Galerie Karsten Greve, Paris, France (solo) |
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2001 |
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Miller Block Gallery, Boston, MA (solo) |
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2001 |
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Galleria Karsten Greve, Milan, Italy (solo) |
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2001 |
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Minimalism, Jim Kempner Fine Arts, NYC (group) |
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2001 |
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Panza di Biumo Gift Show, Studio la Citta, Verona, Italy (group) |
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2001 |
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I Love New York Arts Benefit, Mitchell-Innes and NashGallery, NYC (group) |
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2000 |
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Drawing is another kind of Language: Recent American Drawings from a New York Private Collection, Lyman Allyn Art Museum, Connecticut College, CT (group) |
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2000 |
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End Papers: Drawings 1890-1900 and 1990-2000, Neuberger Museum of Art, Purchase, NY (group) |
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2000 |
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Recent Works, Jim Kempner Fine Art, New York, NY (group) |
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2000 |
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Collecting Drawings, Not Artists: Gifts from the Collection of Sarah- Ann and Werner H. Kramarsky, Fogg Art Museum, Cambidge, MASS (group) |
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2000 |
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Mitchell-Innes & Nash Gallery, New York, NY (solo) |
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2000 |
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Cheryl Haines Gallery, San Francisco, CA (solo) |
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1998 |
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John Weber Gallery, New York, NY (solo) |
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1997 |
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Locks Gallery, Philadelphia, PA (solo) |
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1997 |
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Galerie Karsten Greve, Cologne, Germany (solo) |
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1997 |
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Galleria Karsten Greve, Milan, Italy (solo) |
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1996 |
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Angles Gallery Santa Monica, CA (solo) |
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1995 |
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John Weber Gallery New York (solo) |
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1995 |
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Prints to Benefit the Foundation for Contemporary Arts, Brooke Alexander Gallery New York |
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1994 |
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Contemporary Abstract American Prints, Addison Gallery Andover, MA |
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1994 |
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Galerie Karsten Greve Paris, France (solo) |
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1994 |
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John Berggruen Gallery, San Francisco, CA (solo) |
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1993 |
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Angles Gallery, Santa Monica, CA (solo) |
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1993 |
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Betsy Senior Contemporary Prints, New York, NY (solo) |
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1993 |
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John Weber Gallery New York (solo) |
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1993 |
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The Corcoran Gallery of Art Washington, DC |
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1992 |
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Angles Gallery Santa Monica, CA (solo) |
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1992 |
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Galerie Karsten Greve, Cologne, Germany (solo) |
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1991 |
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Angles Gallery, Santa Monica, CA (solo) |
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1991 |
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Galerie Karsten Greve, Paris, France (solo) |
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1991 |
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Toward a New Museum, Recent Acquisitions in Painting and Sculpture 1985-1991, San Francisco Museum of Art San Francisco, CA |
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1990 |
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Hood Museum of Art at Dartmouth College Hannover, NH |
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1989 |
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Lorence-Monk Gallery, New York, NY (solo) |
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1988 |
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Lorence-Monk Gallery New York (solo) |
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1987 |
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Drawings from the Eighties, Carnegie Mellon University Art Gallery Pittsburgh, PA |
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1986 |
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Damon Brandt Gallery, New York, NY (solo) |
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1985 |
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Tom Bills, Carole Seborovski, Manhattan Art Center New York |
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1984 |
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Selected Drawings by Eleven Artists, Williard Gallery New York |
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Literature |
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2003 |
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Laurie Hurwitz, 'Carole Seborovski, Karsten Greve, Paris', Art News June 2003, p. 128, illus. |
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2003 |
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Molly Mine, 'Carole Seborovski', Paris Capitale, February 10-March 10, 2003, pg.127, illus. |
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2003 |
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Daniel Mazingarbe, 'Carole Seborovski: derrière les apparences', Le Figaro, Madame Figaro, Paris, February, 8, 2003, p .46 illus. |
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2002 |
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Phoebe Wolfskill, 'Drawings of Choice,from a New York Collection', Exhibition catalogue, Krannert Art Museum, University of Illinois at Urbana-Champaign, Arkansas Art Center, Little Rock Arkansas, 2002, p. 142-145, illus. |
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2001 |
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Cate McQuaid, “Spirituality and Desire Embodied” The Boston Globe, 5/17, 2001 |
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2000 |
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Janet Koplos, “Carole Seborovski at Mitchell-Innes & Nash”, Art in America, October, 2000, p. 164 illus. |
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2000 |
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Neal Benezra, ”Renewing Modernism”, Celebrating Modern Art, The Anderson Collection, exhibition catalogue, San Francisco Museum of Modern Art, p. 193, 386, Illus. p 225. |
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2000 |
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David Ebony, “David Ebony’s Top Ten”, artnet.com. Magazine reviews, 4/2000, illus. |
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2000 |
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Mario Naves, ”Currently Hanging” The New York Observer, April 3, 2000, p. 16, illus. |
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2000 |
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Judy Collischan, “End Papers: 1890-1900 and 1990-2000, exhibition catalogue, Neuberger Museum of Art, Purchase, College, NY, pg. 29 illus., January- April 2000 |
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1999 |
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“Often/Margaret Thatcher Projects” New York Contemporary Art Report, December 1999-January 2000, Volume 2, Issue X, p. 125. |
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1999 |
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Ann Landi “Drawing Is Another Kind of Language”, ARTnews, Dec. 1999, p.172 |
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1999 |
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Francoise Coblence, “Dessiner Est Un Autre Langage” exhibition catalogue, Musee de Picardie, Amiens, France, illustrated |
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1999 |
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Phyllis Braff, “Drawing Is Another Kind of Language”, The New York Times, Oct. 31, 1999, pg. 21 |
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1998 |
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“Carole Seborovski/ John Weber Gallery” New York, Contemporary Art Report, Oct. 1998, pp.88-89, illus. |
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1998 |
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Kim Levin, The Village Voice, Voice Choices, Sept. 29, 1998. pg. 90 |
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1998 |
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Lorraine Archacki,” Nature, Girl Stuff, and the Surreal- A Conversation with Carole Seborovski,” The Country and Abroad. Sept., 1998 pp. 21-24 illus. |
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1998 |
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Christine Temin, ”Drawing Their Own Conclusions” The Boston Globe, Jan. 21, 1998 p. F1-2 |
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1998 |
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Mary Sherman, ”Exhibit Redefines Nature of Drawing” Boston Sunday Herald, Jan. 11, 1998, p. 46 |
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1998 |
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Shawn Hill, ”When Minimalism is not a Dirty Word” Cambridge Chronical, Jan.15-1/98, p.l1-2 |
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