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Gary Hill (American, 1951)
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Gary Hill
Language Willing 2002
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Gary Hill
Namesake 1999
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Gary Hill
Wall Piece 2000
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Biography |
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1951 |
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Born in Santa Monica, California |
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1985 |
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Grand Prix (shared), 1st Tokyo International Video Biennale, Tokyo, Japan |
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1985 |
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Sony Grand Prize (3/4-inch Video/New Media), Video Culture |
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1985 |
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International, Montreal, Quebec |
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1985 |
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1st Prize Art (Video/New Media), Video Culture International, Montreal, Quebec |
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1985 |
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International, Montreal, Quebec |
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1987 |
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National Endowment for the Arts Fellowship |
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1988 |
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"Seattle Artists 1988" (selected for City Lights portable works), Seattle, WA |
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1988 |
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Grand Prix, World Wide Video Festival, The Hague, The Netherlands |
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1988 |
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Honorable Mention, 3rd Bonn Video Art Festival, Bonn, Germany |
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1988 |
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Prix Alcan (Video), 18th Annual Montreal Film and Video Festival, Montreal, Quebec, Canada |
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1988 |
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1st Prize (Structuralist Video), Athens International Video Festival, Athens, OH |
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1988 |
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Grand Prize, 6th Annual Daniel Wadsworth Video Festival, Real Art Ways, Hartford, CT |
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1988 |
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James D. Phelan Art Award, San Francisco Foundation, CA |
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1988 |
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Honorable Mention (Non-Narrative Video), Video Culture International, Toronto, Ontario |
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1990 |
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Rockefeller Intercultural Media Arts Fellowship (stage 2) |
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1991 |
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Prize Winner, "ARTEC 91," International Biennale, Nagoya, Japan |
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1991 |
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Prize Winner (Performance Video), 13th Atlanta Film/Video Festival, Atlanta, GA |
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1995 |
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Leone d'Oro, Prize for Sculpture, Biennale of Venice, Italy |
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1998 |
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John D. and Catherine T. MacArthur Foundation Grant |
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2000 |
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CAA Artist Award for Distinguished Body of Work, College Art |
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2000 - 2001 |
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Joseph H. Hazen Rome Prize Fellowship |
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2003 |
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Artist Trust/Washington State Arts Commission Fellowship |
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2003 |
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Skowhegan Medal for Video Installation |
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Lives in Seattle, WA |
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Exhibitions |
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2007 |
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“Gary Hill”, Gladstone Gallery, New York |
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2007 |
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"Gary Hill," Louise T. Blouin Foundation, London |
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2007 |
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“Gary Hill: Strange Trajectories,” IMAI (Inter Media Art Intitute), Dusseldorf, Germany |
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2007 |
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“Uneasy Angel/Imagine Los Angeles,” Monika Spruth Philomene Magers, Munich |
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2007 |
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"Video Trajectories," MIT List Visual Arts Center, Boston |
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2007 |
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“Sound Dimension,” Koldo Mitxelena Kulturunea, San Sebastian |
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2007 |
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“Mouth Open, Teeth Showing: Works from the True Collection,” Henry Art Gallery, University of Washington, Seattle |
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2007 |
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Passage du Temp: une selection d’oeuvres de la Francois Pinault Foundation”, Tri Postal, Lille, France |
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2007 |
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"Her(his)tory," Museum of Cycladic Art, Greece |
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2006 |
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"Gary Hill," Fondation Cartier pour l'art contemporain, Paris (solo) |
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2006 |
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"Im Anfang war das Wort," Langenscheidt KG, Munich, Germany |
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2006 |
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"18: Beckett," Blackwood Gallery, University of Toronto at Mississauga, Ontario |
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2006 |
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"The 80's: A Topology," Museau Serralves, Porto |
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2006 |
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"Wrestle," CCS Bard /Hessel Museum of Art, Annandale-on-Hudson, New York |
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2006 |
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"The Grand Promenade," Hellenic Ministry of Culture, National Museum of Contemporary Art, Athens, Greece |
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2005 |
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“Image, Body, Text: Selected Words by Gary Hill,” San Francisco Museum of Modern Art, San Francisco, CA |
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2005 |
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“Gary Hill: Projecting Rome,” solo exhibition of projected installations at the Coliseum and various venues in Rome, Italy |
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2005 |
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'Language Willing', Salt Lake Art Center, Salt Lake City |
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2005 |
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“L’oeil-moteur: Art optique et art cinétique, 1950 – 1975,” Musée d’art Moderne et contemporain de Strasbourg, France |
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2005 |
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“River Styx,” Western Bridge, Seattle, WA |
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2005 |
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“Temps de vídeo,” Fundacio “la Caixa,” Barcelona, Spain |
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2005 |
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“Logical Conclusions: 40 Years of Rule-Based Art,” PaceWildenstein, New York, NY |
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2004 |
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“W.O.W. (The Work of the Work)” Henry Art Gallery, University of Washington, Seattle (group show with Tall Ships) |
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2004 |
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“Artists Favourites”, ICA, London, England |
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2004 |
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“Works and Days: Acquisitions for the Louisiana Collection 2000 –2004,” Louisiana Museum of Modern Art, Humlebaek, Denmark |
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2004 |
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“Sons et Lumières”, Centre Georges Pompidou, Paris, France |
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2004 |
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'Perspectives @ 25', Contemporary Arts Museum Houston, Houston, 08 October – 09 January 2005 |
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2004 |
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“Transmit + Transform,” Santa Fe Art Institute, Santa FE, NM |
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2004 |
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'The Myth of Childhood in the 20th Century Art', Museo Cantonale d’Arte, Lugano |
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2004 |
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'Contrepoint, l’art contemporain au Louve', Musée du Louvre, Paris |
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2004 |
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“Trans-Culture,” National Museum of Contemporary Art (EMST), Athens, Greece(group show with commissioned work, Standing Ground) |
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2004 |
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“Lateral Thinking: Art of the 1990’s,” (travelling exhibition) Dayton Art Institute, Dayton, Ohio (group show with Learning Curve (still point)) |
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2004 |
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“Being with Things”, Art Basel Art Unlimited 2004, Switzerland |
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2004 |
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The Arizona State University Art Museum (solo) |
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2003 |
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Sammlung Goetz, München (solo) |
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2002 |
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La Compagnie, Marseille, France (solo) |
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2002 |
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“New Frontiers,” Art Association, Jackson Hole, WY |
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2002 |
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“Stepping Back, Moving Forward: Human Interaction in an Interactive Age,” Pittsburgh Center for the Arts, Pittsburgh, PA |
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2002 |
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Factory at the Art School of Athens, Athens, Greece |
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2001 - 2002 |
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“Media Connection,” Palazzo delle Esposizioni, Rome, Italy. Travelled to: Palazzo della Triennale, Milan, Italy; Castel S. Elmo, Naples, Italy |
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2001 - 2002 |
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“Space Odysseys: Sensation and Immersion in Contemporary Art,” Art Gallery of New South Wales, Sydney, Australia. Travelled to: Australian Centre for the Moving Image (Cinemedia), Melbourne, Australia (with the title “Deep Space: Sensation and Immersion”) |
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2001 - 2002 |
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“Hands,” Israel Museum, Jerusalem, Israel |
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2001 - 2002 |
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“Lateral Thinking: Art of the 1990’s,” Museum of Contemporary Art, San Diego, California |
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2001 - 2002 |
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“Into the Light: The Projected Image in American Art 1964 – 1977,” Whitney Museum of American Art, New York, NY. Travelled to: Cleveland Museum of Art, Cleveland, OH; ZKM Karlsruhe, Germany |
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2001 - 2002 |
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“Fast Forward: Contemporary Videos by Gary Hill, Mary Lucier, and Michael Snow,” as part of “The 59th Minute Art Project: Video Art on the Times Square Astrovision Billboard,” Times Square, New York, NY |
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2001 - 2002 |
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Kunstmuseum Wolfsburg, Wolfsburg, Germany (solo) |
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2001 |
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“Hill(scape),” Extra Microwave Media Art Festival (organized by Videotage), Hong Kong Cultural Centre, Hong Kong (solo) |
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2001 |
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The Winnipeg Art Gallery, Winnipeg, Manitoba, Canada (solo) |
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2001 |
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“Gary Hill: Remembering Paralinguay,” in SITU Fabienne Leclerc, Paris, France (solo) |
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2001 |
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“l’écriture vidéophage – les bandes vidéo de Gary Hill,” La Compagnie, Marseille, France (solo) |
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2001 |
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“Gary Hill,” 13th Videobrasil Electronic Art International Festival, São Paulo, Brazil (solo) |
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2001 |
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Donald Young Gallery, Chicago, IL |
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2001 |
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“I’ll Never Let You Go,” organized by Panacea Festivals / Siemens Kulturprogramm, Stockholm, Sweden |
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2001 |
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“2001 Annual Exhibition,” American Academy in Rome, Rome, Italy |
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2001 |
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49. International Art Exhibition, La Biennale di Venezia, Italy |
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2001 |
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“Black Box – The Dark Room in Art,” Kunstmuseum Bern, Switzerland |
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2000 - 2001 |
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“Gary Hill: The Performative Image,” WATARI-UM, The Watari Museum of Contemporary Art, Tokyo, Japan, and Towers Plaza Hall, Nagoya, Japan (solo) |
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2000 - 2001 |
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Sprengel Museum, Hannover, Germany (solo) |
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2000 - 2001 |
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“Language Let Loose,” Seattle Art Museum, Seattle, WA |
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2000 - 2001 |
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“Double Feature: Nick Crowe and Gary Hill,” San Francisco Museum of Modern Art, San Francisco, CA |
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2000 - 2001 |
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“Voici,” Palais des Beaux-Arts, Brussels, Belgium |
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2000 - 2001 |
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“Video Time,” The Museum of Modern Art, New York, NY |
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2000 - 2001 |
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“46th Biennial Exhibition: Media/Metaphor,” The Corcoran Gallery of Art, Washington, DC |
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2000 - 2001 |
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“Making Time: Considering Time as a Material in Contemporary Video & Film,” Palm Beach Institute of Contemporary Art, Lake Worth, FL. Travelled to: UCLA Hammer Museum, Los Angeles, CA |
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2000 |
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“Moving Pictures,” Real Art Ways (RAW), Hartford, CT |
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2000 |
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“The Anagrammatical Body: The Body and Its Photographic Condition,” ZKM (Zentrum für Kunst und Medientechnologie), Karlsruhe, Germany |
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2000 |
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“Re: soundings,” Film Video Series at Pratt, Pratt Institute of Art and Design, Brooklyn, New York |
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2000 |
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“L’Empire du Temps,” Musée du Louvre, Paris, France |
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2000 |
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“Sound Video Film,” Donald Young Gallery, Chicago, IL |
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2000 |
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“Vision Ruhr,” Westfälisches Industriemuseum, Dortmund, Germany |
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2000 |
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“Surf Trip: Surf Culture Art and Artifacts,” Yerba Buena Center for the Arts, San Francisco, CA |
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2000 |
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“Between Cinema and a Hard Place,” Tate Modern, London, England |
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2000 |
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12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia |
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2000 |
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“2000 1/2: Going Forward Looking Back,” Seattle Art Museum, Seattle, WA |
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2000 |
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“media art 2000: escape,” media_city seoul 2000, Seoul Metropolitan Museum, Seoul, Korea |
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2000 |
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“BOOK/ENDS WIRED: Electronic Media at the Arts Center,” Capital Region Arts Center, Troy, NY |
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2000 |
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Galerie Jamileh Weber, Zurich, Switzerland |
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2000 |
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“media(tion); fragmentation and acceleration,” Center for Photography at Woodstock, Woodstock, NY |
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2000 |
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“Vies Parallèles,” Ecole Régionale des Beaux-Arts de Rouen, Rouen, France |
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2000 |
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Donald Young Gallery, Chicago, IL (solo) |
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2000 |
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London Regional Art and Historical Museum, London, Ontario, Canada (solo) |
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2000 |
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Centro Cultural Recoleta, Buenos Aires, Argentina (solo) |
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2000 |
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Museo Caraffa, Córdoba, Argentina (solo) |
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1999 - 2000 |
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1999-2000 “The American Century: Art & Culture, Part II 1950-2000,” The Whitney Museum of American Art, New York, NY |
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1999 - 2000 |
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“Warten,” Kunst-Werke Berlin, Berlin, Germany |
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1999 - 2000 |
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“MOMA 2000,” Museum of Modern Art, New York, NY |
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1999 - 2000 |
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“Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art,” San Francisco Museum of Art, San Francisco, CA. Travelled to: ZKM / Center for Art and Media, Karlsruhe, Germany (2000 – 2001) |
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1999 - 2000 |
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“Dreams 1900-2000: Science, Art, and the Unconscious Mind,” (travelling exhibition organized by the Binghamton University Art Museum, Binghamton, NY) |
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1999 - 2000 |
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“Rewind to the Future,” Bonner Kunstverein, Bonn, Germany |
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1999 - 2000 |
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“The Cool World: Film & Video in America 1950 – 2000, Part 2: The Unfixed Image, 1970 - 2000,” Whitney Museum of American Art, New York, NY (screening) |
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1999 |
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TV Gallery, Moscow, Russia |
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1999 |
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“Passage,” WATARI-UM – The Watari Museum of Contemporary Art, Tokyo, Japan |
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1999 |
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“Passage a l’art: des lieux et des choses,” Forum Culturel du Blanc-Mesnil, Le Blanc-Mesnil, France |
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1999 |
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“The Liquid Medium: Video Art,” Queensland Art Gallery, Brisbane, Queensland, Australia |
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1999 |
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“Umedalen Skulptur 99,” organized by Galleri Stefan Andersson, Umeå, Sweden |
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1999 |
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“The Hand,” The Power Plant, Toronto, Ontario, Canada |
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1999 |
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“Transmute,” Museum of Contemporary Art, Chicago, IL |
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1999 |
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“Searchlight: Consciousness at the Millenium,” CCAC (California College of Arts and Crafts) Institute, San Francisco, CA |
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1999 |
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“Romancing the Brain,” Pittsburgh Center for the Arts, Pittsburgh, PA |
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1999 |
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“Re-Structure,” Grinnell College Art Gallery, Grinnell, IA |
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1999 |
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Aarhus Kunstmuseum, Aarhus, Denmark (solo) |
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1999 |
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School of the Museum of Fine Arts, Boston, MA (solo) |
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1999 |
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“Gary Hill: Video Works,” NTT InterCommunication Center (ICC), Tokyo, Japan |
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1999 |
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“A name, a kind of chamber, two weapons and a still life,” Barbara Gladstone Gallery, New York, NY (solo) |
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1999 |
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Galleria Lia Rumma and Galleria Carla Sozzani, Milan, Italy (solo) |
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1998 - 1999 |
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Whitney Museum of American Art, New York, NY (solo) |
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1998 - 1999 |
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Barbara Gladstone Gallery, New York, NY (solo) |
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1998 - 1999 |
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1998-99 “Crossings,” Kunsthalle Wien, Austria, and Galerie Rudolfinum, Prague, Czech Republic |
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1998 - 1999 |
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“Voices,” Witte de With, Rotterdam, The Netherlands. Travelled to: Fundació Joan Miro, Barcelona, Spain; Le Fresnoy, Studio national des arts contemporains, Tourcoing, France |
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1998 - 1999 |
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“Blickwechsel,” ZKM, Karlsruhe, Germany |
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1998 - 1999 |
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“Surrogate: The Figure in Contemporary Sculpture and Photography,” Henry Art Gallery, Seattle, WA |
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1998 - 1999 |
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“Silent Treatment,” Aspen Art Museum, Aspen, CO |
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1998 |
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Center for Contemporary Images, Saint-Gervais Genève, Geneva, Switzerland (solo) |
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1998 |
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The Kitchen, New York, NY (solo) |
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1998 |
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“Made in Corpus,” Odyssud, Blagnac, France |
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1998 |
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“Anos 80,” Culturgest – Gestão de Espaços Culturais, Lisbon, Portugal |
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1998 |
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“Personal Effects: The Collective Unconscious,” Museum of Contemporary Art, Sydney, Australia |
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1998 |
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3rd Werkleitz Biennial: sub fiction, Werkleitz, Germany |
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1998 |
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“Video Arte,” Palacio de Osambela, Lima, Peru |
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1998 |
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“Tuning up #5,” Kunstmuseum Wolfsburg, Wolfsburg, Germany |
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1998 |
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Musée d’art contemporain de Montréal, Montreal, Quebec, Canada (solo) |
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1998 |
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“Visual Utterance: The Works of Gary Hill,” Pacific Film Archive, University of California, Berkeley, CA (solo) |
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1998 |
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Rice University Art Gallery, Houston, TX (solo) |
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1998 |
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Fundação de Serralves, Porto, Portugal (solo) |
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1998 |
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Donald Young Gallery, Seattle, WA (solo) |
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1998 |
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Capp Street Project, San Francisco, CA (solo) |
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1998 |
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St. Norbert Arts and Cultural Centre, St. Norbert, Manitoba, Canada (solo) |
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1998 |
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Museu d’Art Contemporani, Barcelona, Spain (solo) |
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1997 |
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“The Digital Video Wall,” Museum of Modern Art, New York |
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1997 |
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“Inside,” Henry Art Gallery, Seattle, WA |
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1997 |
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“Citta’ Natura: mostra internazionale di arte contemporanea,” Palazzo delle Esposizioni, Rome, Italy |
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1997 |
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“The Twentieth Century: The Age of Modern Art,” Martin- Gropius-Bau, Berlin, Germany. Travelled to: Royal Academy of Arts, London, England |
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1997 |
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“Amours,” Fondation Cartier pour l’art contemporain, Paris, France |
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1997 |
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“Angel, Angel,” Kunsthalle Wien, Vienna, Austria. Travelled to: Galerie Rudolfinum, Prague, Czech Republic |
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1997 |
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4th biennale d’art contemporain de Lyon, Musée d’art contemporain, Lyon, France |
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1997 |
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’97 Kwangju Biennale: “Unmapping the Earth,” Kwangju, Korea |
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1997 |
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“The Objects in Hangar 2,” Seattle Arts Commission, Building 2 at the former Sand Point Naval Base, Seattle, WA |
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1997 |
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“Human References: Marks of the Artist: A Ten Year Retrospective Exhibition of the Seattle Artists’ Program Collection,” Seattle Arts Commission, Seattle Center Pavilion, Seattle, WA |
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1997 |
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“Water: The Renewable Metaphor,” Museum of Art, University of Oregon, Eugene, OR |
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1997 |
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“Surveying the First Decade: Video Art and Alternative Media in the United States,” San Francisco Museum of Modern Art, San Francisco, CA |
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1997 |
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“Unimplosive Art,” Milan, Italy |
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1997 |
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“Grand Opening,” Montevideo/TBA, Amsterdam, The Netherlands |
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1997 |
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Westfälischer Kunstverein, Münster, Germany (solo) |
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1997 |
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“o lugar do outro/where the other takes place,” Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil. Travelled to: Museu de Arte Moderna de São Paulo, Brazil (solo) |
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1997 |
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University Art Galleries, University of California, San Diego, CA (solo) |
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1997 |
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Center for Contemporary Art, Ujazdowski Castle, Warsaw, Poland |
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1997 |
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“Gary Hill: Rétrospective de ses premières oeuvres mono-bandes,” Cinéma Lux, Caen, Basse-Normandie, France (solo) |
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1996 - 1997 |
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“Being and Time: The Emergence of Video Projection,” (travelling exhibition organized by the Albright-Knox Art Gallery, Buffalo, NY) |
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1996 |
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“One and Others: Photography and Video by Juan Downey, Angela Grauerholz, Gary Hill, Alfredo Jaar, Annette Messager,” Galerie Lelong, New York, NY |
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1996 |
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The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands |
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1996 |
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“Museum Barrytown,” Stained Glass Studio, Barrytown, NY |
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1996 |
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“NowHere,” Louisiana Museum of Modern Art, Humlebaek, Denmark |
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1996 |
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Kunstmuseum Wolfsburg, Wolfsburg, Germany |
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1996 |
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“Foreign Bodies,” Museum für Gegenwartskunst, Basel, Switzerland |
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1996 |
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“Le Printemps de Cahors: Photographie & Arts Visuels,” Cahors, France. Travelled to: Portalen Contemporary Art Center, Greve, Denmark |
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1996 |
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“Moderna Museet Stockholm,” Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany |
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1996 |
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“From Ex-Libris to Home Page,” Paço das Artes, Sao Paolo, Brazil |
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1996 |
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“Sonambiente,” Akademie der Kunste, Berlin, Germany |
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1996 |
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“The Last Supper,” Donald Young Gallery, Seattle, WA |
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1996 |
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“The Red Gate,” Museum Van Hedendaagse Kunst Gent, Ghent, Belgium |
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1996 |
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“Video Collection of the Pompidou Center,” Cinéma Rex, Belgrade, Yugoslavia |
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1996 |
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“Continuity & Contradiction, A New Look at the Permanent Collection from the Museum of Contemporary Art, San Diego,” Miami Art Museum, Miami, FL |
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1996 |
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“Gary Hill: Withershins,” Institute of Contemporary Art, Philadelphia, PA (solo) |
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1996 |
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Galerie des Archives, Paris, France (solo) |
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1996 |
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Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, (Forum), Bonn, Germany (solo) |
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1996 |
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Galleria Lia Rumma, Naples, Italy (solo) |
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1996 |
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Donald Young Gallery, Seattle, WA (solo) |
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1996 |
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“Gary Hill: Installations, vidéos,” Centre d’art contemporain de Castres, Castres, France (solo) |
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1996 |
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Barbara Gladstone Gallery, New York, NY (solo) |
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1996 |
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White Cube, London, England (solo) |
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1995 |
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"Gary Hill," (Scandinavian touring exhibition organized by Riksutställningar, Stockholm, Sweden) (solo) |
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1995 |
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Busch-Reisinger Museum, Harvard University Art Museums, Cambridge, MA (solo) |
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1995 |
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“Gary Hill: Remarks on Color,” Fundació “la Caixa,” Barcelona, Spain (solo) |
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1995 |
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Dia Center for the Arts, New York, NY (solo) |
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1995 |
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"Private/Public: ARS '95 Helsinki," Museum of Contemporary Art, Helsinki, Finland |
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1995 |
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"Pour un couteau," Le Creux de l'Enfer, Le Centre d'art contemporain, Thiers, France |
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1995 |
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“Altered States: American Art in the 90’s,” Forum for Contemporary Art, St. Louis, MO |
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1995 |
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“Immagini in Prospettive,” Cinema “Verdi,” Serre de Rapolano, Italy |
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1995 |
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“MultiMediale 4,” Zentrum für Kunst und Medientechnologie (ZKM), Karlsruhe, Germany |
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1995 |
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“Identità e Alterità,” Venice Biennale, Venice, Italy |
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1995 |
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“Video Spaces: Eight Installations,” Museum of Modern Art, New York, NY |
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1995 |
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“Sound Sculpture – Music for the Eye,” Ludwig Museum im Deutschherrenhaus, Koblenz, Germany |
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1995 |
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“Longing and Belonging: From the Faraway Nearby,” Site Santa Fe, Santa Fe, NM |
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1995 |
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Sedicesima Biennale Internazionale del Bronzetto Piccola Scultura Padova, Padua, Italy |
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1995 |
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“feux terrestres,” Centre Régional d’Art Contemporain, Montbéliard, France |
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1995 |
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Carnegie International, Carnegie Museum of Art, Pittsburgh, PA |
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1995 |
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3rd Biennale d’art contemporain de Lyon, Musée d’art contemporain, Lyon, France |
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1994 - 1995 |
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"Gary Hill," (travelling exhibition organized by the Henry Art Gallery, Seattle, WA) (solo) |
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1994 |
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Musée d'art contemporain, Lyon, France (solo) |
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1994 |
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“Gary Hill: Selected Videotapes 1978-1990,” Art Gallery of Ontario, Toronto, Ontario, Canada (solo) |
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1994 |
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911 Media Arts Center, Seattle, WA (solo) |
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1994 |
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“Imagining the Brain Closer than the Eyes,” Museum für Gegenwartskunst, Öffentliche Kunstsammlung, Basel, Switzerland (solo) |
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1994 |
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"Beeld/Beeld," Museum van Hedendaagse Kunst, Ghent, Belgium |
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1994 |
|
"Múltiplas Dimensões," Centro Cultural de Belém, Lisbon, Portugal |
|
|
1994 |
|
"Intelligent Ambience," Ars Electronica ’94: Festival fur Kunst, Technologie und Gesellschaft. Travelled to: Long Beach Museum of Art, Long Beach, CA |
|
|
1994 |
|
“Video Art ’94: Nature in Motion,” Mánes, Prague, Czech Republic |
|
|
1994 |
|
Bienal Internacionale de São Paulo, São Paulo, Brazil |
|
|
1994 |
|
"Facts and Figures: Selections from the Lannan Foundation Collection," Lannan Foundation, Los Angeles, CA |
|
|
1994 |
|
"Light Into Art: From Video to Virtual Reality," Contemporary Arts Center, Cincinnati, OH |
|
|
1994 |
|
"Cocido y Crudo," Museo Nacionale Centro de Arte Reina Sofia, Madrid, Spain |
|
|
1994 |
|
“Heart of Darkness,” Kröller-Müller Museum, Otterlo, The Netherlands |
|
|
1993 |
|
Whitney Biennial, Whitney Museum of American Art, New York, NY |
|
|
1993 |
|
“Between World and Image,” Museum of Modern Art, New York, NY |
|
|
1993 |
|
"The 21st Century: Into the Future with Paracelsus," Künsthalle Basel, Basel, Switzerland |
|
|
1993 |
|
"Passageworks," Rooseum, Malmö, Sweden |
|
|
1993 |
|
"American Art in the 20th Century, Painting and Sculpture 1913-1993," Martin-Gropiu-Bau, Berlin, Germany. Travelled to: Royal Academy of Arts and the Saatchi Gallery, London, England |
|
|
1993 |
|
“Frames,” Ydessa Hendeles Art Foundation, Toronto, Ontario, Canada |
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|
1993 |
|
“16 Dagar,” Nylistasafnid, The Living Art Museum, Reykjavik, Iceland |
|
|
1993 |
|
"Gary Hill, Between Cinema and a Hard Place, and recent works by Lewis Baltz, Jac Leirner, and Glenn Ligon," The Bohen Foundation, New York, NY |
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|
1993 |
|
"1993 Whitney Biennial in Seoul," National Museum of Contemporary Art, Seoul, Korea |
|
|
1993 |
|
Fifth Fukui International Video Biennal, Fukui, Japan |
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|
1993 |
|
"Anonymity and Identity," Anderson Gallery, Virginia Commonwealth University, Richmond, VA. Travelled to: The Art Gallery, University of Maryland, College Park, MD |
|
|
1993 |
|
"strange HOTEL," Aarhus Kuntsmuseum, Aarhus, Denmark |
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|
1993 |
|
37th London Film Festival, London, England |
|
|
1993 |
|
ForumBHZvideo, Festival Internacional de Video, Belo Horizonte, Minas Gerais, Brazil |
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|
1993 |
|
Centro Cultural Arte Contemporaneo, Mexico City, Mexico |
|
|
1993 |
|
Donald Young Gallery, Seattle, WA (solo) |
|
|
1993 |
|
“Gary Hill: In Light of the Other,” Museum of Modern Art, Oxford, England. Travelled to: Tate Gallery Liverpool, Liverpool, England (solo) |
|
|
1993 |
|
"Gary Hill: Sites Recited," Long Beach Museum of Art, Long Beach, CA (solo) |
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|
1992 - 1993 |
|
"Gary Hill," (travelling exhibition organized by the Musée national d'art moderne, Centre Georges Pompidou, Paris, France) (solo) |
|
|
1992 |
|
Japan 92 Video and Television Festival: “Prospectus for a TV Art Channel,” Spiral, Tokyo, Japan (solo) |
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|
1992 |
|
"Gary Hill: I Believe It Is an Image," WATARI-UM – The Watari Museum of Contemporary Art, Tokyo, Japan (solo) |
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|
1992 |
|
Le Creux de L'Enfer, Centre d'art contemporain, Thiers, France (solo) |
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|
1992 |
|
Establissements Phonographiques de l’Est, Paris, France (solo) |
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|
1992 |
|
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands (solo) |
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|
1992 |
|
Donald Young Gallery, Seattle, WA |
|
|
1992 |
|
“Les Rencontres en Direct,” American Center, Paris, France |
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|
1992 |
|
"Japan: Outside/Inside/Inbetween," Artists Space, New York, NY |
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|
1992 |
|
"Dance," California Museum of Photography, Riverside, CA |
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|
1992 |
|
"Doubletake: Collective Memory and Current Art," Hayward Gallery, London, England. Travelled to: Künsthalle Wien, Vienna, Austria |
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|
1992 |
|
“C’est pas la fin du monde – une exposition des années 80,” Galerie Art et Essai De l’Université de Rennes 2, Rennes, France; La Criée, Halle d’Art Contemporain, Rennes, France; Galerie de T.N.B., Rennes, France |
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|
1992 |
|
“Documenta IX," Museum Fridericianum, Kassel, Germany |
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|
1992 |
|
“Night of Electricity,” Nighttown, Rotterdam, The Netherlands |
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|
1992 |
|
"Filmladen Videokunstfest," Kassel, Germany. Travelled to: Botschaft Festival, Berlin, Germany; Hinterhaus, Wiesbaden, Germany |
|
|
1992 |
|
"The Binary Era: New Interactions," Musée d'Ixelles, Brussels, Belgium. Travelled to: Künsthalle Wien, Vienna, Austria |
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|
1992 |
|
"Art at the Armory: Occupied Territory," Museum of Contemporary Art, Chicago, IL |
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|
1992 |
|
"Métamorphoses," St. Gervais-Genève, Geneva, Switzerland |
|
|
1991 |
|
"Currents," Institute of Contemporary Art, Boston, MA |
|
|
1991 |
|
"The Body (2)," The Renaissance Society at the University of Chicago, Chicago, IL |
|
|
1991 |
|
Whitney Biennial, Whitney Museum of American Art, New York, NY |
|
|
1991 |
|
"International Art Exhibition Berlin 1991: Metropolis," Martin-Gropius-Bau, Berlin, Germany |
|
|
1991 |
|
“In Public: 1991: Artists from Seattle,” Seattle Art Museum, Seattle, WA |
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|
1991 |
|
"In Public: Seattle, 1991," Security Pacific Gallery, Seattle, WA |
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|
1991 |
|
“Impakt: Festival voor Experimentele Kunst,” Utrecht, The Netherlands |
|
|
1991 |
|
"Topographie 2: Untergrund," Wiener Festwochen, Vienna, Austria |
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|
1991 |
|
“The Body,” Grazer Kunstverein, Graz, Austria |
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|
1991 |
|
ARTEC ’91 Second International Biennale, Nagoya, Japan |
|
|
1991 |
|
"Glass: Material in the Service of Meaning," Tacoma Art Museum, Tacoma, WA |
|
|
1991 |
|
"Performing Objects," Institute of Contemporary Art, Boston, MA |
|
|
1991 |
|
Galerie des Archives, Paris, France (solo) |
|
|
1991 |
|
OCO Espace d'art contemporain, Paris, France (solo) |
|
|
1990 |
|
Galerie des Archives, Paris, France (solo) |
|
|
1990 |
|
“Gary Hill: Incidence of Catastrophe,” YYZ Artist's Outlet, Toronto, Ontario, Canada (solo) |
|
|
1990 |
|
“OTHERWORDSANDIMAGES,” Video Galleriet, Huset, Denmark and Ny Carlsberg Glyptotek Museum, Copenhagen, Denmark (solo) |
|
|
1990 |
|
Museum of Modern Art, New York, NY (solo) |
|
|
1990 |
|
Moderna Museet, Stockholm, Sweden. Travelled to: Museum of Contemporary Art, Helsinki, Finland (solo) |
|
|
1990 |
|
"Tendances multiples: Vidéos des Annees 80,” Musée national d'art moderne, Centre Georges Pompidou, Paris, France |
|
|
1990 |
|
“1990 – Energies: An Exhibition of Fifteen International Artists,” Stedelijk Museum, Amsterdam, The Netherlands |
|
|
1990 |
|
"Video Poetics," Long Beach Museum of Art, Long Beach, CA |
|
|
1990 |
|
"L'Amour de Berlin: Installation Video," Centre Culturel de Cavaillon, Cavaillon, France |
|
|
1990 |
|
A Force of Repetition," New Jersey State Museum, Trenton, NJ |
|
|
1990 |
|
"Passages de l'image," Musée national d'art moderne, Centre Georges Pompidou, Paris, France. |
|
|
1990 |
|
"God & Country," Greg Kucera Gallery, Seattle, WA |
|
|
1990 |
|
“V.I.P. video – image – peinture,” Galerie du génie, Paris, France |
|
|
1990 |
|
“Le temps des machines,” Centre de recherche et d’action culturelle (CRAC), Valence, France |
|
|
1990 |
|
“NON%*@#&?!SENSE,” Whitney Museum of American Art, New York, NY |
|
|
1990 |
|
"Bienal de la imagen en movimento '90," Centro de Arte Reina Sofia, Madrid, Spain |
|
|
1989 |
|
"Video-Skulptur Retrospektiv und Aktuell 1963-1989," Kolnischer Künstverein, Cologne, Germany |
|
|
1989 |
|
Whitney Biennial, Whitney Museum of American Art, New York, NY |
|
|
1989 |
|
"Electronic Landscapes," The National Gallery of Canada, Ottawa, Ontario, Canada |
|
|
1989 |
|
2nd Japan Video Television Festival: “Delicate Technology,” Spiral, Aoyama, Tokyo, Japan |
|
|
1989 |
|
"Les Cent jours d'art contemporain de Montreal 1989," Centre international d'art contemporain de Montreal, Montreal, Quebec, Canada |
|
|
1989 |
|
“Video and Language,” Museum of Modern Art, New York, NY |
|
|
1989 |
|
The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands |
|
|
1989 |
|
“Extended Definitions: Video Experiments in Perception,” Artists Space, New York, NY |
|
|
1989 |
|
"Eye for I: Video Self-Portraits," organized by Independent Curators Incorporated, New York, NY |
|
|
1989 |
|
Musée d'art moderne, Villeneuve d'Ascq, France (solo) |
|
|
1989 |
|
Beursschouwburg, Brussels, Belgium (solo) |
|
|
1989 |
|
Kijkuis, The Hague, The Netherlands (solo) |
|
|
1989 |
|
“Between the Silences: The Videoworks of Gary Hill,” Pacific Film Archive, University of California, Berkeley, CA (solo) |
|
|
1989 |
|
“1989 Whitney Biennial Film & Video Exhibiton,” Institut d’estudis nord americans, Barcelona, Spain |
|
|
1989 |
|
“Image World: Mediamedia,” Whitney Museum of American Art, New York, NY |
|
|
1989 |
|
“3 Semaine Internationale de Video,” St. Gervais-Genève, Geneva, Switzerland (festival selection) |
|
|
1989 |
|
"Selections from the Permanent Collection: Recent Acquisitions - Video," San Francisco Museum of Modern Art, San Francisco, CA |
|
|
1988 |
|
"Infermental VII," organized by Hallwalls Contemporary Arts Center, Buffalo, New York. Travelled internationally to over 30 venues |
|
|
1988 |
|
"Degrees of Reality," Long Beach Museum of Art, Long Beach, CA |
|
|
1988 |
|
"AS TOLD TO: Structures for Conversation," Walter Philips Gallery, Banff Centre, Banff, Alberta, Canada |
|
|
1988 |
|
"3. Videonale," Bonn, Germany |
|
|
1988 |
|
"The World Wide Video Festival," Kijkhuis, The Hague, The Netherlands |
|
|
1988 |
|
“Ethique & Television: 4 Manifestation Internationale de Video et TV,” Montbéliard, France |
|
|
1988 |
|
Festival International du Nouveau Cinéma et de la Vidéo Montréal, Montreal, Quebec, Canada |
|
|
1988 |
|
32nd London Film Festival, London, England |
|
|
1988 |
|
Western Front, Vancouver, British Columbia, Canada (solo) |
|
|
1988 |
|
Video Wochen, Basel, Switzerland (performance, screening) (solo) |
|
|
1988 |
|
Espace lyonnais d'art contemporain (ELAC), Lyon, France (solo) |
|
|
1987 |
|
Museum of Contemporary Art, Los Angeles, CA (solo) |
|
|
1987 |
|
Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA (screening) (solo) |
|
|
1987 |
|
Cornish College of the Arts, Seattle, WA (solo) |
|
|
1987 |
|
Japan 87 – The 1st Video Television Festival: “Private Visions and Media Crossover,” Spiral, Aoyama, Tokyo, Japan |
|
|
1987 |
|
"15th Avenue Studio #2: The Mechanics of Contemplation," Henry Art Gallery, University of Washington, Seattle, WA |
|
|
1987 |
|
"The Arts for Television," international travelling exhibition organized by the Museum of Contemporary Art, Los Angeles, CA, and the Stedelijk Museum, Amsterdam, The Netherlands |
|
|
1987 |
|
"Computers and Art," Everson Museum of Art, Syracuse, NY. Travelled to: Contemporary Arts Center, Cincinnati, OH |
|
|
1987 |
|
"Cinq pièces avec vue: 2 Semaine Internationale de Video," organized by Bel Veder, Centre Génevois de Gravure Contemporaine, Geneva, Switzerland |
|
|
1987 |
|
Centre national d’art contemporain de Grenoble, Grenoble, France |
|
|
1987 |
|
"Video Discourse: Mediated Narratives," La Jolla Museum of Contemporary Art, La Jolla, CA |
|
|
1987 |
|
"Infermental VI," Western Front, Vancouver, British Columbia, Canada. Travelled internationally |
|
|
1987 |
|
"Video Discourse: Mediated Narratives," Institute of Contemporary Art, Boston, MA |
|
|
1987 |
|
"Contemporary Diptychs: Divided Visions," Whitney Museum of American Art, Fairfield County, Stamford, CT |
|
|
1987 |
|
Whitney Biennial, Whitney Museum of American Art, New York, NY |
|
|
1987 |
|
"The Situated Image," Mandeville Gallery, University of California at San Diego (UCSD), La Jolla, CA |
|
|
1987 |
|
"Documenta VIII," Museum Fridericianum, Kassel, Germany |
|
|
1986 |
|
"Video Transformations," organized by Independent Curators Incorporated (ICI), New York, NY. Travelled in the U.S. from 1986 – 1987 |
|
|
1986 |
|
"Collections Videos: Acquisitions Depuis 1977," Musée National d'art Moderne, Centre Georges Pompidou, Paris, France |
|
|
1986 |
|
"Cryptic Languages," Washington Project for the Arts, Washington, D.C. |
|
|
1986 |
|
"The Image of Fiction: International Videoart, Infermental V," Con Rumore, Rotterdam, Germany. Travelled internationally |
|
|
1986 |
|
"Resolution: A Critique of Video Art," Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA |
|
|
1986 |
|
"Poetic License," Long Beach Museum of Art, Long Beach, CA |
|
|
1986 |
|
The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands |
|
|
1986 |
|
"International Festival of Video Art," Saw Gallery, Ottawa, Ontario, Canada |
|
|
1986 |
|
"Video: Recent Aquisitions," Museum of Modern Art, New York, NY |
|
|
1986 |
|
"Video and Language: Video as Language," Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA |
|
|
1986 |
|
"National Video Festival," American Film Institute (AFI), Los Angeles, CA |
|
|
1986 |
|
Whitney Museum of American Art, New York, NY (solo) |
|
|
1986 |
|
“Mediaworks: Gary Hill,” Nexus Gallery, Philadelphia, PA (solo) |
|
|
1986 |
|
911 Contemporary Arts Center, Seattle, WA (solo) |
|
|
1985 |
|
Video Gallery Scan, Tokyo, Japan (solo) |
|
|
1985 |
|
International House of Japan, Tokyo, Japan (solo) |
|
|
1985 |
|
American Center, Kyoto, Japan (solo) |
|
|
1985 |
|
American Center, Sapporo, Japan (solo) |
|
|
1985 |
|
American Center, Paris, France (solo) |
|
|
1985 |
|
Gary Hill/Stephen Kolpan Video Works, Byrdcliffe Barn, Woodstock, NY (solo) |
|
|
1985 |
|
911 Arts Center, Seattle, WA (solo) |
|
|
1985 |
|
"Image/Word: The Art of Reading," New Langton Arts, San Francisco, CA |
|
|
1985 |
|
“Video: Recent Acquistions,” Museum of Modern Art, New York, NY |
|
|
1985 |
|
"Video Art: Stockholm International Festival '85," Kulturhuset, Stockholm, Sweden |
|
|
1985 |
|
Whitney Biennial, Whitney Museum of American Art, New York NY |
|
|
1985 |
|
"A Video Sampler: Realities," American Museum of the Moving Image, Astoria, NY |
|
|
1985 |
|
National Video Festival, American Film Institute (AFI), Los Angeles, CA |
|
|
1985 |
|
San Francisco International Video Festival, San Francisco Art Institute, San Francisco, CA |
|
|
1984 |
|
“Gary Hill: Selected Videography,” JISC Plaza Video and International Cultural Community Services, Tokyo, Japan (solo) |
|
|
1984 |
|
“Mix,” The Kitchen Center for Video, Music, Dance, Performance and Film, New York, NY |
|
|
1984 |
|
"Videographia," Escoia I Centre d'Activtats Video, Barcelona, Spain |
|
|
1984 |
|
"So There, Orwell 1984," The Louisiana World Exhibition, New Orleans, LA |
|
|
1984 |
|
“Arte, Ambiente, Scena,” Biennale di Venezia, Venice, Italy |
|
|
1984 |
|
"Video: A Retrospective / Long Beach Museum of Art, 1974-1984," Long Beach Museum of Art, Long Beach, CA |
|
|
1984 |
|
The World Wide Video Festival, Kijkhuis, The Hague, The Netherlands |
|
|
1984 |
|
National Video Festival, American Film Institute (AFI), Los Angeles, CA |
|
|
1984 |
|
“WNET/Thirteen TV Lab: A Survey,” Museum of Modern Art, New York, NY |
|
|
1983 |
|
"Art Video Retrospectives et Perspectives," Palais des Beaux-Arts, Brussels, Belgium |
|
|
1983 |
|
Whitney Biennial, Whitney Museum of American Art, New York, NY |
|
|
1983 |
|
“American Video: Twenty New Works,” Museum of Modern Art, New York, NY |
|
|
1983 |
|
"Video As Attitude," University Art Museum, University of New Mexico, Albuquerque, NM |
|
|
1983 |
|
"The Second Link: Viewpoints on Video in the Eighties," Walter Philips Gallery, Banff, Alberta, Canada |
|
|
1983 |
|
"Art & Technology: Electronic Visions," Hudson River Museum, Yonkers, NY |
|
|
1983 |
|
XXXI Festival Internacional de Cine de San Sebastian, San Sebastian, Spain |
|
|
1983 |
|
San Francisco International Video Festival, San Francisco, CA |
|
|
1983 |
|
“Video Installation Exhibition,” Visual Studies Workshop, Rochester, NY |
|
|
1983 |
|
“Video Art: A History, Part Two,” Museum of Modern Art, New York, NY |
|
|
1983 |
|
Whitney Museum of American Art, New York, NY (solo) |
|
|
1983 |
|
International Cultural Center, Antwerp, Belgium (solo) |
|
|
1983 |
|
Center for Media Art, The American Center, Paris, France (solo) |
|
|
1983 |
|
MonteVideo, Amsterdam, The Netherlands (solo) |
|
|
1982 |
|
Galerie H at ORF, Steirischer Herbst, Graz, Austria |
|
|
1982 |
|
“Gary Hill: Equal Time,” Long Beach Museum of Art, Long Beach, CA (solo) |
|
|
1982 |
|
Sydney Biennale, Sydney, Australia |
|
|
1982 |
|
“Text/Picture Notes,” Visual Studies Workshop, Rochester, NY |
|
|
1981 |
|
"Projects Video XXXV," Museum of Modern Art, New York, NY |
|
|
1981 |
|
Seventh Annual Ithaca Video Festival, Johnson Museum, Cornell University, Ithaca, NY |
|
|
1981 |
|
National Video Festival, American Film Institute, John F. Kennedy Center for the Performing Arts, Washington, D.C. |
|
|
1981 |
|
"New York Video," Stadtische Galerie im Lenbachhaus, Munich, Germany |
|
|
1981 |
|
“Themes in Electronic Image Processing,” The Kitchen Center for Video, Music, Dance, and Performance, New York, NY |
|
|
1981 |
|
“Glass Onion, Installation for Video, Sound & Text: A Topological Mapping,” And/Or Gallery, Seattle, WA (solo) |
|
|
1981 |
|
Museum of Modern Art, New York, NY (solo) |
|
|
1981 |
|
Anthology Film Archives, New York, NY (solo) |
|
|
1981 |
|
The Kitchen Center for Video and Music, New York, NY (solo) |
|
|
1980 |
|
"Video Viewpoints: Processual Video," Museum of Modern Art, New York, NY (solo) |
|
|
1980 |
|
Media Study/Buffalo, Buffalo, NY (solo) |
|
|
1980 |
|
Image Dissector Screening Series, University of California at Los Angeles, Los Angeles, CA (solo) |
|
|
1980 |
|
“American Video: New York, Seattle and Los Angeles,” organized by the Museum of Modern Art, New York, NY |
|
|
1980 |
|
"Video 80 / San Francisco International Video Festival," San Francisco, CA |
|
|
Literature |
|
|
2008 |
|
Strickland, Carol, The Annotated Mona Lisa," Andrew McMeel Publishing, Kansas City, 2008 |
|
|
2007 |
|
Hofman, Werner et al., RAUM: Orte der Kunst, Verlag fur moderne Kunst Nürnberg, 2007 |
|
|
2007 |
|
Higgins, Steven, Still Moving The Film and Media Collections of the Museum of Modern Art, The Museum of Modern Art, New York, 2006 |
|
|
2007 |
|
Her(his)tory, N.P. Goulandris Foundation - Museum of Cycladic Art, Greece |
|
|
2007 |
|
Talking Art: Interviews with Artists Since 1976, Art Monthly, Manchester 2007 |
|
|
2007 |
|
Gielen, Denis, Atlas of Contemporary Art For Use By Everyone, Musée des Arts Contemporains au Grand-Hornu, Belgium, 2007 |
|
|
2006 |
|
50 Géants de l'art Americain, Beaux Arts, Paris, 2006 |
|
|
2005 |
|
Crippa, Antonella, "Sandretto re rebaudengo foundation," Tema Celeste, October 2005, pp. 99. |
|
|
2005 |
|
Ferri, Patrizia, “Gary Hill,” Flash Art, July-September 2005, p. 83. |
|
|
2005 |
|
Gary Hill: Scritti Interviste, a cura di Ester Coen, Electa, Milano |
|
|
2003 |
|
Riding, Alan. “Artists Touched By Amazon Tribe.” The New York Times. Tuesday, June 17, 2003, E1, E5. |
|
|
2002 |
|
Art y Parte, October/November, 2002 |
|
|
2002 |
|
Schwendener, Martha, "Language Willing", Time Out NY, October 3-10, 2002 |
|
|
2002 |
|
Fox, Dan, "D 11", Frieze, September, 2002 |
|
|
2002 |
|
Rush, Michael, "A Resume of Surfing and Philosophy as Well as Art", The New York Times, September 15, 2002 |
|
|
2002 |
|
Bers, Miriam, "Gary Hill at Kunstmuseum Wolfsberg," Tema Celeste, March/April, p. 92. |
|
|
2002 |
|
Gary Hill, Selected Works + Catalogue Raisonné, Kunstmuseum Wolfsburg. |
|
|
2001 |
|
The Uncanny: Experiments in Cyborg Culture, Vancouver Art Gallery. |
|
|
2001 |
|
Gary Hill, Midnight Crossing, Remarks on Color, Center for Contemporary Art, Ujazdowski Castle, Warsaw. |
|
|
2001 |
|
Soutif, Daniel, "Pick to Click,” Artforum, September |
|
|
2000 |
|
Salvatore Lacognina, "Gary Hill,” Tema Celeste, January/February. |
|
|
1997 |
|
TALL SHIPS Gary Hill’s Projective Installations No.2, Station Hill Arts. |
|
|
1997 |
|
VIEWER Gary Hill’s Projective Installations No.3, Station Hill Arts and Barbara Gladstone Gallery. |
|
|
1996 |
|
Gary Hill: HanD HearD/liminal objects (Galerie des Archives, Paris), Text by Charles Stein and George Quasha. |
|
|
1996 |
|
Gary Hill: Imagining the Brain Closer Than the Eyes (Museum für Gegenwartskunst, Basel), Cantz, Essays by Hans Belting, Gottfried Boehm, Gary Hill, Birgit Kempker, Karlheinz Ludeking, Friedmann Malsch, and Theodora Vischer. |
|
|
1994 |
|
Gary Hill (Henry Art Gallery, Seattle), Essays by Chris Bruce, Lynne Cooke, Bruce Ferguson, John Hanhardt, and Robert Mittenthal. |
|
|
1993 |
|
Gary Hill (Stedelijk Museum, Amsterdam and Kunsthalle, Wien), in English with Dutch and German translations. Essays by Willem Van Weelden and George Quasha. |
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