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Dave Muller (American, 1964)
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Dave Muller
Photographs from “I WANT IT LOUDER” exhibition at Gladstone Gallery 2006
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Dave Muller
Photographs from “I WANT IT LOUDER” exhibition at Gladstone Gallery 2006
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Dave Muller
Photographs from “I WANT IT LOUDER” exhibition at Gladstone Gallery 2006
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Biography |
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1964 |
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Born in San Francisco, California |
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1990 - 1991 |
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School of Visual Arts, Fine Arts Graduate Program, New York, NY |
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1993 |
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MFA, California Institute of the Arts, Valencia, CA |
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BAS, Chemistry & Art, UC Davis, CA |
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Lives and works in Los Angeles, CA |
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Exhibitions |
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2009 |
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Rock-Paper-Scissors, Pop Music as Subject of Visual Art, Kusthaus Graz, Graz, Austria |
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2009 |
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Christian Stein, Milan, Italy (solo) |
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2009 |
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iamthewalrus, Blum & Poe, Los Angeles, CA (solo) |
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2009 |
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Allover, Not Over at All, Gladstone Gallery, Brussels, Belgium (solo) |
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2008 |
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medium medium medium medium medium medium, Athony Meier Fine Arts, San Francisco, CA (solo) |
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2008 |
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Sandra and Gerald Fineberg Art Wall, The Institute of Contemporary Art, Boston, MA (solo) |
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2008 |
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Jeremy Deller: Marlon Brando, Pocahontas and Me, Aspen Art Museum, Aspen, CO |
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2008 |
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The World on a Wheel, The approach W1, London |
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2008 |
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I Like Your Music I Love Your Music, Museo de Arte Contemporáneo de Castilla y León, Spain |
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2007 |
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From the Audible to the Visible, Galerie Frank Elbaz, Paris |
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2007 |
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Dave Muller Art Unlimited, Art Basel, Basel |
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2007 |
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Situation Comedy: Humor in Recent Art, Independent Curators International, Traveling Exhibition |
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2007 |
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From Close to Home: Recent Acquisitions of Los Angeles Art, Museum of Contemporary Art, Los Angeles |
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2007 |
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Warhol and …, Kantor/ Feuer Gallery, Los Angeles |
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2007 |
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So Wrong, I’m Right, Eddie Martinez, William J. O’Brien, Roman Wolgin and Jonas Wood, Blum and Poe, Los Angeles |
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2007 |
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Bind Date, Sakip Sabanci Museum, Istanbul |
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2007 |
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Institute of Contemporary Art, Boston |
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2007 |
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Artists Benefit for Free Speech TV, Blum & Poe, Los Angeles, CA |
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2007 |
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Panic Room – Works from The Dakis Joannou Collection, Deste Foundation Centre for Contemporary Art, Athens, Greece |
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2007 |
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Public Art Fund Silent Auction, The Lighthouse at Chelsea Piers, New York, NY |
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2007 |
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scale…SCALE, Anthony Meier Fine Arts, San Francisco, CA |
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2007 |
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White Columns Benefit Auction, White Columns, New York, NY |
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2007 |
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Piles & Globes, Likes & Loves, Blum & Poe (solo) |
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2006 |
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Biennale of Sydney 2006, Sydney, Australia |
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2006 |
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Good Vibrations: Le arti visive e il Rock, Palazzo delle Papesse, Siena, Italy |
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2006 |
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Thank You for The Music, London Beat, Spruth Magers Lee, London |
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2006 |
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White Columns Benefit Auction, White Columns, New York, NY |
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2006 |
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Intersteller Low Ways, Hyde Park Art Center, Chicago, IL |
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2006 |
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Seeing Blue, The Gallery at Buck House, New York, NY |
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2006 |
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Piles & Globes, Likes & Loves, Blum & Poe, Los Angeles (solo) |
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2006 |
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I Want It Louder, Gladstone Gallery, New York (solo) |
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2006 |
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Shape without form, shade without colour, paralysed force, gesture without motion, Francesca Kauffman, Milan |
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2005 |
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Looking at Words, Andrea Rosen Gallery, New York |
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2005 |
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in words and pictures, Murray Guy, New York, NY |
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2005 |
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8e Biennale d’Art Contemporain de Lyon 2005, Lyon, France |
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2005 |
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Situation Comedy: Humor in Recent Art, Independent Curators International, New York, NY |
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2005 |
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Trade, White Columns, New York, NY |
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2005 |
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Likeness: Portraits of Artists by Other Artists, University Art Museum, Long Beach (travels to CCA Virginia) |
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2005 |
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The Approach, London, United Kingdom (solo) |
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2005 |
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The Wrong Gallery, New York (solo) |
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2005 |
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Stars and Bars, Anthony Meier Fine Arts, San Francisco, CA (solo) |
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2005 |
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Think Blue, Blum & Poe, Los Angeles, CA |
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2005 |
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Dialogues, Creative Growth Art Center, Oakland, CA |
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2004 |
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I Like Your Music, Blum & Poe, Los Angeles, CA (solo) |
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2004 |
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San Francisco Museum of Modern Art, San Francisco, CA (solo) |
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2004 |
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Engholm Engelhorn Galerie, Vienna, Austria (solo) |
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2004 |
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Side Street Projects 11th Annual Phantom Ball, Pasadena, CA (solo) |
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2004 |
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A Molecular History of Everything, Australian Center for Contemporary Art, Victoria, Australia |
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2004 |
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Three Day Weekend, Public Art Fund Projects in Central Park, a collaboration with the Whitney Biennial, The Arsenal Building, New York, NY |
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2004 |
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Likeness: Portraits of Artists by Other Artists, California College of Arts and Crafts, San Francisco, CA (travels to Wattis Institute, San Francisco, CA, McColl Center for Visual Art, Charlotte, NC, ICA, Boston, MA, Dalhousie University Art Gallery, Halifax, Nova Scotia, University Art Museum, California State University at Long Beach, CA, Illingworth Kerr Gallery, Calgary, Alberta, Canada) |
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2004 |
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2004 Biennial Exhibition, Whitney Museum of American Art, New York, NY |
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2004 |
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Playlist, Palais de Tokyo, Paris, France |
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2004 |
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SPF Self-Portraits, Angles Gallery, Santa Monica, CA |
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2003 |
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Blum & Poe, Los Angeles, CA |
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2003 |
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It Happened Tomorrow, 7th Lyon Biennale of Contemporary Art, Lyon, France |
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2003 |
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For the Record: Drawing Contemporary Life, Vancouver Art Gallery, Vancouver, B.C. |
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2003 |
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The Approach, London, UK (solo) |
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2003 |
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Murray Guy, New York, NY (solo) |
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2003 |
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Subtle Occupation, Murray Guy, New York, NY |
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2003 |
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Intimates, Angles Gallery, Santa Monica, CA |
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2003 |
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Funny Papers, Daniel Weinberg Gallery, Los Angeles, CA |
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2003 |
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The Melvins, curated by Robert Nickas, Anton Kern Gallery, New York, NY |
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2003 |
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Comic Release: Negotiating Identity for a New Generation, Carnegie Mellon University, |
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2002 |
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Rent-a-bench, Los Angeles, CA |
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2002 |
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Air Guitar: Art Reconsidering Rock Music, Milton Keynes Gallery, Central Milton Keynes, England; travels to Cornerhouse, Manchester/Angel Row, Nottingham/Tullie House, Carlise, England |
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2002 |
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Heaven Knows I'm Miserable Now, Low, Los Angeles, CA |
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2002 |
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Curatorial PracticeToday, Arco International Contemporary Art Fair 2002, Panel Discussion, February 15, 2002, Madrid, Spain |
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2002 |
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L.A. On My Mind: Recent Acquisitions from MOCA's Collection, Museum of Contemporary Art, Los Angeles, CA |
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2002 |
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Dave Muller: Sprawling, Blum & Poe, Santa Monica, CA (solo) |
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2002 |
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Dave Muller: Connections, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York (curated by Amada Cruz) (travels to Armand Hammer Museum of Art, Los Angeles) (solo) |
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2001 |
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Current 85, Dave Muller: Spatial, Saint Louis Art Museum, Saint Louis, MI (solo) |
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2001 |
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Clothes, Polaroids, Movies & Music, Blum & Poe, Santa Monica, CA (solo) |
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2001 |
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Galleria Allesandra Bonomo, Rome, Italy (solo) |
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2001 |
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Humid, The Moore Building, Miami, FL |
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2001 |
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Revolutions Per Minute, Gallery 400 at the University of Illinois at Chicago, Chicago, IL |
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2001 |
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Drawn from LA, home is where the heart is, Midway Initiative Gallery, St. Paul, MN, |
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2001 |
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Extra Art: A Survey of Artists' Ephemera 1960-1999, CCAC Institute, San Francisco, CA |
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2001 |
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Jennifer Bornstein, Mark Grotjahn, Dave Muller, Florian Maier-Aichen, Blum & Poe, Santa Monica, CA |
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2001 |
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Imaginary Monumental Sculpture Lawn IMSL, Los Angeles County Museum, Los Angeles, CA |
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2001 |
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The Artist's World, CCAC Institute, San Francisco, CA |
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2001 |
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En el cielo, TRANS, Venice, Italy |
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2001 |
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I Want More, Temple Bar Gallery and Studios, Dublin, Ireland |
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2001 |
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Music, Three Day Weekend, Els Hanappe Underground, Athens, Greece |
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2000 |
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L.A., Ileana Tounta Gallery, Athens, Greece |
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2000 |
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White Album, Shoshana Wayne Gallery, Santa Monica, CA |
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2000 |
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H20, Works on Paper, Los Angeles, CA |
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2000 |
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Can Re-Mix, Blum & Poe, Santa Monica, CA |
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2000 |
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Made in California: Now, Los Angeles County Museum of Art, Los Angeles, CA |
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2000 |
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Dancing Horses, Acuna Hansen Gallery, Los Angeles, CA |
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2000 |
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The Conversation, Murray Guy, New York, NY |
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2000 |
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Ever Get the Feeling You've Been ... Cheated, A22, London, England |
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2000 |
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How to Secede Without Really Trying, The Approach, London, UK (solo) |
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2000 |
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Spatial, Murray Guy, New York, NY (solo) |
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2000 |
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Thermal, Three Day Weekend, Los Angeles, CA (with David Hughes) (solo) |
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1999 |
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here and there, Four Walls, San Francisco, CA (solo) |
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1999 |
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Chelsea, Project Wall, Rosamund Felsen Gallery, Santa Monica, CA (solo) |
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1998 |
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Blum & Poe Santa Monica, CA |
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1998 |
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Apple, Curt Marcus Gallery, New York, NY (solo) |
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1997 |
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Love is All Around, Spanish Box Santa Barbara, CA |
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1997 |
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Quartzose, Galleri Tommy Lund Odense, Denmark |
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1997 |
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Hot Coffee, Artist's Space New York, NY |
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1996 |
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Los Angeles Visits, P-House Tokyo, Japan |
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1996 |
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Studio 246, Kunstlerhaus Bethanian Berlin |
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1995 |
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Smells Like Vinyl, Roger Merians Gallery New York, NY |
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1994 |
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On the Eve of New Years Eve, A Cocktail Party, Three Day Weekend Los Angeles, CA |
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1993 |
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Sound Art Derby, Beyond Baroque Venice, CA |
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1993 |
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A Number of Ladders Borrowed, Broad Studio #2 Cal Arts, CA |
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1993 |
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Rex Ravenelle, David A. Muller, Due North, D300 Gallery, California Institute of the Arts, Valencia, CA (solo) |
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1992 |
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Woo, Mint Gallery Cal Arts, CA |
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1990 |
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Games, Oblong Salon, Davis, CA (solo) |
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1989 |
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Basement Gallery, UC Davis Davis, CA |
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Literature |
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2006 |
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Muller, Dave, “The Return of UbuWeb,” Artforum, January 2006, pp. 104. 2005 |
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2006 |
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Cambell, Clayton, “News; Los Angeles,” Contemporary, Issue 88 2006, pp. 21-22. |
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2006 |
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Hershenson, Roberta, “Hospital Art Designs That Keep Healing in Mind,” The New York Times, 22 January 2006, p. WE 5. |
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2006 |
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Muller, Dave, “Bedrock of Pop Culture,” The Walrus, February 2006, pp. 28-32. |
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2006 |
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Thornton, Sarah, “Off the Record,” Art Review, Volume X, February 2006, pp. 96-99. |
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2006 |
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Roussel, Noelle, “Los Angeles: Elsewhere is Everywhere,” Artpress, April 2006. |
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2006 |
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Plagens, Pete, “Madison Avenue Ennul,” Art In America, June/July 2006, pp. 76-79. |
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2006 |
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Hilger, Stephen, “Dave Muller,” Teme Celeste, July/August 2006, p. 69. |
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2006 |
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Wilder, Matthew, “Dave Muller,” Artforum.com, 20 December 2006. |
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2006 |
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Pagel, David, “Around the Galleries: For your listening pleasure,” Los Angeles Times, 22 December 2006, p. E 38. |
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2005 |
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Baker, Kenneth. “Muller mulls pop music at Meier,” San Francisco Chronicle, January 22, 2005 |
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2005 |
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Gagnon, Adrienne. “Dave Muller: Stars & Bars (American),” SFWeekly.com, January 26-February 1, 2005 |
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2005 |
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Myers, Julian. “Dave Muller,” Frieze, January/February 2005, pg. 113-114 |
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2005 |
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Orden, Abraham. “Reviews: Dave Muller,” Flash Art, March/April 2005, pg. 118 |
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2005 |
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Pagel, David. “A lens in a mirror,” Los Angeles Times, September 7, 2005, pg. E3 |
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2005 |
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Engberg, Juliana. A Molecular History of Everything* (*well not everything), [cat.] Dec. 17-Feb 27, 2005. Australian Centre for Contemporary Art. Pgs. 12-13 |
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2005 |
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Kraus, Chris (ed.) et al. Dave Muller, LA Artland, Black Dog Publishing, London 2005, pg. 172-173 |
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2005 |
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Tumlir, Jan. Lessons of the Class of 90: Sighting Recent Art in Los Angeles. LA Artland, Black Dog Publishing, London 2005, pg. 24-39 |
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2004 |
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Roberts, Jo, “As an artist, Muller Rocks,” The Age, 22 December 2004 |
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2004 |
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Higgs, Matthew “My Pop”, Artforum, October 2004, p. 55 |
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2004 |
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Rothkopf, Scott, “Subject Matters,” Artforum, May 2004, p. 176. |
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2004 |
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Diez, Renato. “Alla Bienale del Whitney: Torna la Pittura,” Arte. April 2004. pg. 104-111 |
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2004 |
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Knight, Christopher “Binary days at the Biennial”, Los Angeles Times, April 11, 2004, p. E43 |
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2004 |
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Bourriaud, Nicolas Playlist, Palais de Tokyo, Paris February 2004, p.147 |
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2004 |
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Higgs, Mathew. Likeness, Portraits of Artists by Other Artists, exhibition catalogue, CCA Wattis Institute, Independent Curators International, February 2004, p.17, p.49 |
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2003 |
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Stern, Steven. “Dave Muller, ‘May I Please Speak with Mr. Murray Guy?,’” Time Out New York, No. 391, March 27-April 3, 2003, p. 54 |
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2003 |
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“Dave Muller”, The New Yorker, 19 March |
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2003 |
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Grabner, Michelle The Suburban, The Early Years 1999-2003, 2003, p.24, 82 |
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2002 |
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Diaconescu, Sorina. "Return of the Long Weekend," Los Angeles Times, November 14, 2002, pg. E13 |
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2002 |
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Cruz, Amada, “Dave Muller's Connections,” Dave Muller: Connections, Center for Curatorial Studies/Bard College Publications, October 2002, p. 7-11 |
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2002 |
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Harvey, Doug, "Sam & Dave: The Politics of Mixology," LA Weekly, October 18-24, 2002, p. 32-33 |
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2002 |
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Higgs, Matthew, “Dear Dave,” Dave Muller: Con\nections, Center for Curatorial Studies/Bard College Publications, October 2002, p. 19-23 |
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2002 |
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Higgs, Matthew, “Best of 2002,” Artforum, December 2002, p. 110-111 |
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2002 |
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Mahony, Emma, "Anyone can play guitar," Air Guitar: Art Reconsidering Rock Music, exhibition catalogue |
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2002 |
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Molon, Dominic, "Climatic Conditions," Humid, exhibition catalogue |
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2002 |
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Pagel, David, “MOCA Sampler Is a Mixed Treat,” The Los Angeles Times, February 8, F1, F26. |
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2002 |
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Pagel, David, “Variations on a Commercial Theme,” The Los Angeles Times, December 2, 2002, p. E5 |
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2002 |
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Smith, Roberta, "Hudson Valley Shows Focus on America", The New York Times, July 26, 2002, p. B31 |
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2002 |
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Young, Paul, “Always the Bass Player,” Angeleno, November 2002, p. 232-233 |
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2001 |
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Erickson, Karl, “Dave Muller at Blum & Poe,” Flash Art, July - September 2001, vol. XXXIV, no. 219, p. 122 |
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2001 |
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Godfrey, Mark, “Dave Muller: The Approach, London; Murray Guy, New York,” frieze, March 2001, p. 102-103 |
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2001 |
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Knight, Christopher, “Still Life With Quirk,” Los Angeles Times, May 18, 2001, p. F 16 |
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2001 |
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McLaren, Duncan, “Dave Muller and Peter Harris,” Contemporary Visual Arts, Issue 33, 2001, p. 48-53 |
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2001 |
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Rugoff, Ralph, “Working Weekend: The Art of Dave Muller,” Artforum, May 2001, p. 162-165 |
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2000 |
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Grabner, Michelle, “Dave Muller and Three Day Weekend,” New Art Examiner, November 2000, p. 22-25, 68 |
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2000 |
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Beasley, Mark, “Dave Muller Interviewed,” Untitled, No. 22, Summer 2000, p. 8-10 |
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2000 |
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Intra, Giovanni, “Dave Muller: Free Software,” Art/Text, May-July 2000, p. 68-71 |
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1999 |
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Johnson, Ken, “After the Gold Rush,” The New York Times, June 18, 1999 |
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1999 |
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Harvey, Doug, “Futurama, Post-millennial deja vu at Luckman Fine Arts,” LA Weekly, April 9 - 15, 1999, p. 45 |
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1998 |
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Baltin, Brian, “Small is Psychedelic, Los Angeles under a microscope,” LA Weekly, November 28 - December 3, 1998, p. 47 |
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1998 |
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Darling, Michael, “Michael Darling's Top 10 Plus 10,” LA Weekly, January 8-14, 1999, p. 50 |
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1998 |
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Wilson, William, “'Lilliput': Small Art in the Big City of L.A.,” Los Angeles Times, November 24, 1998, p. F10 - F11 |
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1998 |
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Frankel, David, “Jane Kaplowitz/Dave Muller, Curt Marcus Gallery,” Artforum, November 1998, p. 133-134 |
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1998 |
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Haines, Gordon, “Dave Muller at Blum & Poe,” Artissues, September/October 1998, No. 54, p. 45 |
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1998 |
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Frank, Peter, “Pick of the Week,” LA Weekly, June 5 - 12, 1998, p.159 |
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1997 |
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Darling, Michael, “The Muller Temporary,” The L.A. Weekly, November 7 -13, 1997, p. 39 |
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1997 |
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Pagel, David, “Muller Celebrates Art in the Real World,” Los Angeles Times, May 22, 1998, p. F28 |
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1997 |
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Greene, David A., Frieze, September/October 1997 |
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1997 |
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Knight, Christopher, “Right Here, Right Now,” Los Angeles Times, May 18, 1997, p. 1, 3, 52-53 |
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1997 |
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Saltz, Jerry, “Regular, No Sugar,” Time Out New York, February 1997 |
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1997 |
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Schjeldahl, Peter, “La-la Band,” Village Voice, February 18, 1997, p. 91 |
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1996 |
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Knight, Christopher, “Riding Tradition's Currents to a Higher Consciousness,” Los Angeles Times, October 10, p. F4, F6 |
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